(2019) Documentary (Argot) Bill Hader, John Waters, Nicole Holofcener, Alex Ross Perry, Thelma Schoonmaker, Gus Van Sant, Penelope Spheeris, Ondi Timoner, Todd Haynes, Lance Bangs, Ehren McGhehey, Charles Mudede, Danny Peary, Milos Stehlik, Ted Hope, John Sloss, Aaron Hillis, Marty Arno, Zach Clark, Dana Harris, Catherine Tchen. Directed by James Westby
Film critics and film bloggers are also inherently film geeks; we love all things cinematic, whether it be genre films, foreign films, art house mainstays, classic movies, big mindless blockbusters or niche films. For many of us, that love begn in the video store.
Those of a certain age group will remember trips to the video store in the 80s and 90s, which started out largely as mom and pop operations until megachains such as Hollywood Video or, more to the point, Blockbuster Video, took over and put a stranglehold on the industry. Ironically speaking, there is but one Blockbuster store left; there are many more mom and pop stores that remain. That’s what karma is all about.
This documentary is a love letter to those mom and pop stores, where the clerks knew the tastes of their customers well enough that they could confidently recommend esoteric or rare movies. They were places where friendships (and sometimes romances) formed, lively debates ensued (“Was Godard better than Truffaut? Discuss!”) and memories were made.
The movie has lots of talking heads, from those who owned the stores that are fondly remembered or better yet, still in business, to those who went on to make an impact in the film industry themselves. There is a bit of the bittersweet in the overall attitude of the movie as Westby engenders a wistful quality to his nostalgia. They were simpler days indeed, before streaming (and to a lesser extent, Redbox) took over. Not that there is anything wrong with streaming, mind you – it’s the next logical step in home video evolution, but it lacks the personal touch of a video store. A computer recommendation isn’t the same as one coming from a teen kid in a Herschell Gordon Lewis t-shirt who knows the difference between Bloodsucking Freaks and Blood Feast and will tell you that the remake of 2,000 Maniacs is crap. An algorithm can only look at your rental habits and make a recommendation based on subject matter; it doesn’t distinguish between a hidden gem and a piece of trash.
The movie does tend to ramble a bit, and there are some curious choices; a musical interlude, for example. There are some original songs that nicely capture the feel for the old video stores, but they do get distracting after a while. Still, everyone who has ever debated the merits of Todd Solondz versus Paul Thomas Anderson will likely find this delightful. Those who could care less about those sorts of movies will likely feel like they are at a party where they don’t know anybody.
REASONS TO SEE: A must-see for film nerds.
REASONS TO AVOID: The musical number was unnecessary and the music was intrusive.
FAMILY VALUES: Some references to sex and violence.
TRIVIAL PURSUIT: The film took six years to make; several of the stores depicted went out of business in the meantime.
CRITICAL MASS: As of 8/26/20: Rotten Tomatoes: No score yet, Metacritic: No score yet
BEYOND THE THEATERS: Virtual Cinematic Experience
COMPARISON SHOPPING: Surviving Supercon
FINAL RATING: 5.5/10
NEXT: Apocalypse ’45