New Releases for the Week of March 8, 2019


CAPTAIN MARVEL

(Disney/Marvel) Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Clark Gregg, Annette Bening, Gemma Chan. Directed by Anna Boden and Ryan Fleck

Carol Danvers, a human woman with only snippets of memory of her Earth past, becomes the most powerful being in the Universe. She is caught in the middle of a war between two starfaring races that threatens to engulf the Earth. This, the penultimate film in the Marvel Cinematic Universe, is the second to be set in the past (in this case, the 1990s).

See the trailer, clips, interviews and video featurettes here
For more on the movie this is the website

Genre: Superhero
Now Playing: Wide Release

Rating: PG=13 (for sequences of sci-fi violence and action, and brief suggestive language)

The Kid

(Lionsgate) Ethan Hawke, Dane DeHaan, Chris Pratt, Vincent D’Onofrio. A young boy is forced to go on the run across the American West in a desperate attempt to save his sister from a villainous uncle. Along the way he becomes entwined in the tragic confrontation between Sheriff Pat Garrett and outlaw Billy the Kid and will use what he learns from both men to decide his course of action.

See the trailer and video featurettes here
For more on the movie this is the website

Genre: Western
Now Playing: AMC Disney Springs

Rating: R (for violence and language)

ALSO OPENING IN ORLANDO/DAYTONA:

Badla
Yajamana

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Badla
Cats Don’t Dance
Mapplethorpe
Ruben Brandt, Collector
Yajamana

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Badla
Yajamana

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

118
In Search of Greatness
Of Gods and Men
Roma
Yajamana

SCHEDULED FOR REVIEW:

Captain Marvel
Roma

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Miami International Film Festival, Miami

Juliet, Naked


Love triangles are inherently awkwward.

(2018) Romantic Comedy (Roadside Attractions) Rose Byrne, Ethan Hawke, Chris O’Dowd, Jimmy O. Yang, Megan Dodds, Lily Newmark, Azhy Robertson, Ayoola Smart, Lily Brazier, Johanna Thea, Georgina Bevan, Paul Blackwell, Janine Catterwall, Michael Chapman, Ko Iwagami, Karol Steele, Steve Barnett, Lee Byford, Florence Keith-Roach. Directed by Jesse Peretz

 

Sometimes to make a relationship work, we go along to get along. That’s all well and good but it can leave us in a rut that is anything but comfortable but we accept that it’s the way that things are and we just accept our situation. What do we do then when that which put us in that rut in the first place kicks us out violently?

Annie (Byrne) is in one of those ruts. She is certainly a go along to get along kind of gal; she curates a local museum in an English seaside town because her father left it to her to do. She lives with her boyfriend Duncan (O’Dowd) essentially because she’s used to him; they’ve been together for eight years in a kind of stagnant inertia-free relationship. He works as a professor of Film and TV studies at a local college when he’s not taking Annie for granted or ignoring her needs.

In fact it can be said that he has more passion for a forgotten indie rock musician named Tucker Crowe (Hawke) than he does for Annie. Crowe was a singer-songwriter of enormous potential having released a well-regarded album called Juliet chock full of loved-and-lost songs that bespoke a soul that had something to say when he exited a tour mid-set and dropped out of sight. The blog that Duncan runs endlessly discusses with other Crowe fans the minutiae of the few songs released to the public and reviews bootleg tapes of live Crowe performances from back in the day. There are some who believe that Crowe is in fact dead and gone

It turns out he’s alive and well. A demo tape of Crowe’s original album titled Juliet, Naked makes its way to Duncan but is intercepted by Annie who gives it a listen. She sees it as a naked cash grab by someone trying to live off of past glory and posts it in response to Duncan’s worshipful review of the piece. As it turns out the real Tucker Crowe reads the review and Annie’s stark response and he appreciates the honesty. It turns out he is coming to England to visit an estranged daughter, one of several progeny from a variety of post-rock star lovers, most of whom he hasn’t had much contact with. The only child of his that he spends any time with is Jackson (Robertson), possibly because Jackson’s mom (who has a new beau) allows Tucker to live rent-free in her garage.

It turns out that Crowe has struck up an e-mail correspondence with Annie and the two are developing a relationship. It also turns out that Duncan has messed up big time and Annie has asked him to leave. And it turns out that Duncan has difficulty believing that the other man in Annie’s life is the object of his obsession.

If you guessed that this sounds like something Nick Hornby would write, give yourself a pat on the back – it’s based on a novel by the prolific English writer. If the plot doesn’t give it away, then the terrific soundtrack that includes songs by Red House Painters and Hawke himself covering the Kinks criminally overlooked “Waterloo Sunset” should seal the deal.

Hawke has been on something of a roll for the past five years, turning in one outstanding performance after another. In fact, ever since Boyhood I can’t think of any movie he’s been in that he hasn’t been outstanding in. He is a fair enough singer as well, performing original songs written by luminaries like Connor Oberst for the soundtrack.

Byrne isn’t really well-suited to play dowdy but she does a credible job of it. However, the real revelation (sort of) is O’Dowd who essentially steals the movie. His hangdog look and oblivious demeanor is perfect for Duncan. O’Dowd strikes the right notes as the comic relief and has moments of actual pathos during the course of the movie which he proves quite adept at. Duncan isn’t the most likable of characters but O’Dowd imbues him with enough charm that we don’t end up loathing him, although we end up cringing at his actions.

The movie can be a bit talky in places and there are rom-com clichés in abundance. However, the movie finds humor in the ordinary (despite the extraordinary premise) and those moments really are the best ones in the film. It seems to me that rom-coms are making a bit of a comeback after a few off years following a period when we were inundated by cookie cutter romantic comedies that led to a bit of a pushback by the moviegoing public who demanded (and got) better romantic comedies. This isn’t a game changer by any standard but it is a solid and entertaining entry into the genre which in 2018 isn’t a bad thing at all.

REASONS TO GO: O’Dowd steals the show. The soundtrack is terrific.
REASONS TO STAY: There are a few rom-com clichés.
FAMILY VALUES: There is some profanity.
TRIVIAL PURSUIT: Byrne was six months pregnant during shooting. Her condition was covered up using shots medium shots and close-ups and strategically placed props.
CRITICAL MASS: As of 8/31/18: Rotten Tomatoes: 80% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Song to Song
FINAL RATING: 7/10
NEXT:
Blood Fest

New Releases for the Week of August 31, 2018


KIN

(Summit) Myles Truitt, Jack Raynor, Dennis Quaid, Zoë Kravitz, James Franco, Carrie Coon, Ian Matthews, Gavin Fox. Directed by Jonathan and Josh Baker

An adopted African-American teen finds an otherworldly weapon in an abandoned factory and takes it home where his brother has just returned home after a stint in jail. Soon the two are being chased by the feds, the alien soldiers whose weapon it is and a vengeful criminal who has a beef with the ex-con.

See the trailer, interviews, clips, a video featurette and B-roll footage here
For more on the movie this is the website

Release Formats: Standard, DBOX, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating>: PG-13 (for gun violence and intense action, suggestive material, language, thematic elements and drinking)

Juliet, Naked

(Roadside Attractions) Rose Byrne, Ethan Hawke, Chris O’Dowd, Jimmy O. Yang. A museum curator in a small British seaside town has put up for years with her boyfriend’s obsession over an American indie rocker who made one album and essentially disappeared. Now that there is new material out there, she impulsively writes a nasty review on her boyfriend’s website and to her surprise, gets a response from the musician in question. To her even greater surprise, she begins to develop a romantic relationship with the faded ex-rocker.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC Disney Springs, Enzian Theater, Regal Waterford Lakes, Rialto Spanish Springs Square

Rating: R (for language)

The Little Stranger

(Focus) Domhnall Gleeson, Ruth Wilson, Charlotte Rampling, Will Poulter. In 1948, an English country doctor visits a patient on an estate where his mother once worked. The crumbling manor disguises some terrifying events that will draw the doctor into an exploration of the history of the family that has lived there for more than two centuries – and even more disquietingly, his own.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal The Loop, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some disturbing bloody images)

Operation Finale

(MGM) Oscar Isaac, Ben Kingsley, Mélanie Laurent, Nick Kroll. This is the incredible but true story of the capture of Nazi war criminal Adolph Eichmann in a daring raid in Buenos Aires by a combined force of Mossad and Shin Bet.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: War Drama
Now Playing: Wide Release (opened on Wednesday)

Rating: PG-13 (for disturbing thematic content and related violent images, and for some language)

Searching

(Screen Gems) John Cho, Debra Messing, Michelle La, Sara Sohn. When his sixteen-year-old daughter disappears and with time ticking away, a desperate father searches his daughter’s laptop for clues that might lead him to his baby girl, and instead gets a lot more than he bargained for.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: Wide Release

Rating: PG-13 (for thematic content, some drug and sexual references, and for language)

Yo Veremos

(Pantelion) Mauricio Ochmann, Fernanda Castillo, Emiliano Aramayo, Erik Hayser. A young boy preparing for sight-saving surgery puts together a bucket list of things he wants to do with both of his estranged parents.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Family
Now Playing: AMC Disney Springs, Epic Lee Vista, Regal The Loop, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

An Actor Prepares
The Bookshop
Nartanasala
Reprisal
Support the Girls

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Bookshop
Imaiikka Nodigal
John McEnroe: In the Realm of Perfection
Madeline’s Madeline
Nartanasala
Nico, 1988
The Night is Short, Walk on Girl
Reprisal
Stree
The Wife

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Blood Fest
Boarding School
The Bookshop
Imaiikka Nodigal
Reprisal
Snow Queen 3: Fire and Ice
Stree
 

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Nartanasala
Summer 1993

SCHEDULED FOR REVIEW:

Blood Fest
Juliet, Naked
Kin
The Little Stranger
Operation Finale
Searching
Support the Girls

New Releases for the Week of June 8, 2018


OCEANS 8

(Warner Brothers) Sandra Bullock, Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Rihanna, Mindy Kaling, Elliott Gould, Dakota Fanning, Awkwafina. Directed by Gary Ross

Danny Ocean’s sister is released from jail and looks to prove herself by taking on an Ocean-like heist – robbing the annual Met Gala in New York City. However, she can’t do it alone; she’ll need a team of larcenous ladies. Sound familiar?

See the trailer and video featurettes video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, Dolby, IMAX, RPX, XD
Genre: Heist Action
Now Playing: Wide Release

Rating: PG-13 (for language, drug use, and some suggestive comments)

First Reformed

(A24) Amanda Seyfried, Ethan Hawke, Cedric the Entertainer, Victoria Hill. A priest in a small congregation in upstate New York discovers he’s been sent to close the parish down following a tragedy. Grappling with worldly concerns as well as a tormented past of his own, he struggles to keep his faith in a world where that is increasingly hard to find.

See the trailer and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some disturbing violent images)

Hereditary

(A24) Alex Wolff, Gabriel Byrne, Toni Collette, Milly Shapiro. After the death of a family’s matriarch, they begin to suspect that there are mysteries in their ancestry that might have dire consequences in the here and now. The buzz on this horror film has been HUGE.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for horror violence, disturbing images, language, drug use and brief graphic nudity)

Hotel Artemis

(Global Road) Jodie Foster, Sterling K. Brown, Sofia Boutella, Jeff Goldblum. In a future Los Angeles that is being torn apart by riots, a Nurse runs a secret members-only emergency room for criminals.

See the trailer, video featurettes and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for violence and language throughout, some sexual references and brief drug use)

On Chesil Beach

(Bleecker Street) Saoirse Ronan, Emily Watson, Anne-Marie Duff, Billy Howle. A young newlywed couple in 1962 England find that their storybook romance is colliding with the reality of changing sexual mores, class pressure and evolving expectations leading to a fateful wedding night.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some sexual content and nudity)

Revenge

(Neon/Shudder) Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchéde. The mistress of a French billionaire accompanies him to his remote hunting cabin in the desert prior to a hunting trip with the boys. When the other hunters arrive early, a party spirals out of control and leaves the woman in a fight for survival where there’s only life and death. This played this year’s Florida Film Festival.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: R (for strong bloody gruesome violence, a rape, sexuality, graphic nudity, drug use and language)

The Seagull

(Sony Classics) Elisabeth Ross, Saoirse Ronan, Annette Bening, Corey Stoll. In the early 20th century, an aging actress and her lover visit the estate of her elderly and infirm brother. This is based on Anton Chekhov’s classic play.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some mature thematic elements, a scene of violence, drug use, and partial nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Kaala
Mary Shelley
Sid and Aya
Zoo

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Bernard and Huey
Breath
Filmworker
Kaala
Here Comes Miss Modern
Let the Sunshine In

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Kaala
Let the Sunshine In

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Breath
Kaala
Sid and Aya

SCHEDULED FOR REVIEW:

Hereditary
Hotel Artemis
Oceans 8
On Chesil Beach

Valerian and the City of a Thousand Planets


If it looks like a duck…

(2017) Science Fiction (Europa/STX) Dane DeHaan, Cara Delevingne, Clive Owen, Rihanna, Ethan Hawke, Herbie Hancock, Kris Wu, Sam Spruell, Alain Chabat, Rutger Hauer, Peter Hudson, Xavier Giannoli, Louis Leterrier, Eric Rochant, Benoit Jacquot, Olivier Megaton, Gerald Krawczyk, Pierre Cachia, David Saada, Hippolyte Burkhart-Uhlen, Elizabeth Debicki (voice), Sasha Luss. Directed by Luc Besson

 

Luc Besson is often called a visionary filmmaker, mainly for his watershed 90s sci-fi epic The Fifth Element. Besson was heavily influenced by the French comic book Valerian and Laureline which also seems to have been influenced by the iconic French magazine Heavy Metal. He hasn’t attempted a sci-fi tale on the same grand scale up until now however.

Two agents – Valerian (DeHaan) and Laureline (Delevingne) – are hard at work in the gigantic multi-species space station/city known as Alpha (which began life as the International Space Station – try to keep up). This intergalactic symbol of peaceful co-existence is being destroyed from the inside out and seems to be linked to the destruction of a paradise-like planet centuries earlier. Valerian and Laureline who have a nascent romance going (mostly in Valerian’s head) must navigate a variety of exotic alien races and cultures along with a conspiracy of far-reaching dimensions in order to save Alpha and quite possibly the universe.

Sounds like a simple enough movie but trust me this is only a bare scratching of the surface. The plot is somewhat convoluted and is confusing as all get out until late in the game. Because this is a two hour-plus movie lots of frustrated viewers will have ceased caring much by the time things become clear.

At least there will be some breathtaking visuals to keep them entertained through the confusion. Besson has always been a particularly visual director and he is in his (fifth) element here. The mainly computer-generated images are massive in scope and detail. Those who have seen the trailers for this thing and ended up plunking their hard-earned dollars at the box office were no doubt taken as I was by the gorgeous visuals.

But in all honesty there really is little beyond that to recommend the film. There is almost zero chemistry between Delevingne and DeHaan and both seem to be terribly unsuited for their roles. The comic book this is based on has Valerian as a raven-haired badass while Laureline is a buxom beauty with flowing, flaming red hair. Certainly I’m not against a filmmaker eschewing slavish devotion to source material visuals but the whole scope of the characters change from four color printed page to celluloid and that seems to be kind of a waste of good material.

This was one of the biggest disappointments of the past summer for me, and that’s saying something considering how many underwhelming blockbusters there were this year. I had high hopes that Besson would be able to shepherd this largely unknown in the U.S. source material into a big time franchise but alas it was not to be. Clunky dialogue and weak performances doomed this with critics and the lack of big names doomed it with American audiences. The movie so badly under-performed that it caused a major executive shake-up at the studio that made it. Considering that Valerian and Laureline have influenced a lot of the big budget sci-fi films of the past fifty years (including the original Star Wars) it’s a shame that it didn’t get a better movie to represent it.

REASONS TO GO: The special effects are amazing. There is a great deal of imagination displayed throughout.
REASONS TO STAY: There is little chemistry between DeHaan and Delevingne. The movie is a bit too convoluted and a little too long.
FAMILY VALUES: There is some mild profanity as well as plenty of sci-fi violence and even a bit of slightly suggestive material.
TRIVIAL PURSUIT: With a budget of $210 million U.S. this is the most expensive film ever made in France – to date.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 12/11/17: Rotten Tomatoes: 49% positive reviews. Metacritic: 51/100.
COMPARISON SHOPPING: The Fifth Element
FINAL RATING: 5/10
NEXT:
Love and Saucers

New Releases for the Week of July 21, 2017


DUNKIRK

(Warner Brothers) Fionn Whitehead, Mark Rylance, Tom Hardy, Kenneth Branagh, James D’Arcy, Cillian Murphy, Harry Styles, Barry Keoghan. Directed by Christopher Nolan

The war was going badly. British forces in Europe had been driven by the Nazi war machine back to the English Channel. The Germans prepared to deal a death blow to the British military and consolidate their power in Europe. With their backs to the sea and enemy forces closing in, hundreds of thousands of British troops prayed for a miracle within sight of home in a place called Dunkirk.

See the trailer, a featurette and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: War
Now Playing: Wide Release

Rating: PG-13 (for intense war experience and some language)

The Bad Batch

(Neon) Suki Waterhouse, Jason Momoa, Keanu Reeves, Jim Carrey. A young woman is unceremoniously dumped into a Texas wasteland infested with cannibals. It won’t be a matter of good or evil – it will be a matter of survival. The latest from director Ana Lily Amirpour is very different than her breakout hit A Girl Walks Home Alone at Night.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Horror
Now Playing: Enzian Theater

Rating: R (for violence, language, some drug content and brief nudity)

Girls Trip

(Universal) Regina Hall, Queen Latifah, Jada Pinkett Smith, Tiffany Haddish. Four lifelong friends who are starting to feel their youth slipping away decide to take a girls-only road trip to New Orleans for the Essence Festival. The ladies are determined to cut loose in an epic weekend of partying, dancing, drinking, brawling and debauchery. Either they’ll find their groove or go to jail; maybe both.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude and sexual content throughout, pervasive language, brief graphic nudity,  and drug material)

Valerian and the City of a Thousand Planets

(EuropaCorp/STX) Dane DeHaan, Cara Delevingne, Clive Owen, Ethan Hawke. Visionary director Luc Besson (The Fifth Element) adapts the acclaimed French graphic novel into a live-action visual masterpiece. Valerian and Laureline are a team of agents charged with maintaining order in a sprawling Galactic federation. They are summoned to Alpha, a vast city where the various species of the universe co-exist, sharing knowledge and culture. Someone is threatening Alpha with annihilation which could plunge the Galaxy into a crippling civil war and it is up to Valerian and Laureline to save it.

See the trailer, interviews, featurettes, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sci-fi violence and action, suggestive material and brief language)

OPENING IN ORLANDO/DAYTONA:

Bloody Crayons
Fidaa
The Journey
Munna Michael

ALSO OPENING IN MIAMI:

Endless Poetry
Family Life
Fidaa
First Kill
Good Fortune: The Story of John Paul DeJoria
Letters from Baghdad
Marie Curie
Meow
The Midwife
Munna Michael

ALSO OPENING IN TAMPA:

Fidaa
The Gracefield Incident
Maudie
Ninnu Kori
Scales: Mermaids are Real

ALSO OPENING IN JACKSONVILLE:

Fidaa
Past Life

New Releases for the Week of July 14, 2017


WAR FOR THE PLANET OF THE APES

(20th Century Fox) Andy Serkis, Woody Harrelson, Steve Zahn, Toby Kebbell, Judy Greer, Terry Notary, Gabriel Chavarria, Karin Konoval, Amiah Miller. Directed by Matt Reeves

There can be no peace between apes and humans as Caesar, the aging leader of the Apes, goes head to head with a Colonel who sees the war as no less than a war for human survival. With Caesar seeing this as an opportunity to avenge his people and the Colonel hell-bent on wiping out the Apes if the human race is to survive, this will be an epic all-out conflict for dominance.

See the trailer, clips, interviews, featurettes and a promo here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action violence and action, thematic elements and some disturbing images)

Jagga Jasoos

(UTV) Katrina Kaif, Sanjay Dutt, Ranbir Kapoor, Sayani Gupta. A teen boy, aided by a girl he’s sweet on, decides to go out and find his missing father himself when the police prove inadequate. This was distributed in India by Disney.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family
Now Playing: AMC Universal Cineplex, AMC West Oaks

Rating: NR

The Little Hours

(Gunpowder & Sky) Alison Brie, Dave Franco, Kate Micucci, Aubrey Plaza. A servant in the middle ages, fleeing from his vindictive master, hides in a convent of emotionally unstable nuns. This is loosely based on Giovanni Boccaccio’s 14th century novel The Decameron.

See the trailer and interviews here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: R (for graphic nudity, sexual content and language)

Maudie

(Sony Classics) Ethan Hawke, Sally Hawkins, Kari Matchett, Zachary Bennett. A woman with crippled hands wants to be independent of her overprotective family and yet yearns to create art of her own. She answers an ad for a housekeeper for a reclusive fishmonger and the two end up falling into an unlikely but passionate romantic relationship. This inspires her to create and as she becomes a renowned folk artist, it brings the two of them closer in ways they couldn’t have imagined.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some thematic content and brief sexuality)

Wish Upon

(Broad Green) Joey King, Ryan Philippe, Elizabeth Röhm, Sherilyn Fenn. A gift of a strange music box with a cryptic inscription to a bullied high school girl leads her to discover that the box can make any wish she imagines come true. Soon she has it all – wealthy, popularity, the boy she has a huge crush on. However there is a price to be paid for such gifts and she must soon find a way to rid herself of the box before everything she loves is taken away from her.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violent and disturbing images, thematic elements and language)

OPENING IN ORLANDO/DAYTONA

Falsettos
Shamantakamani

ALSO OPENING IN MIAMI:
Blind
The Confessions
Falsettos
Lost in Paris
Pop Aye
Shamantakamani

ALSO OPENING IN TAMPA:

Blind
Falsettos
The Journey
Swallows and Amazons
Thondimuthalum Driksakshiyum

ALSO OPENING IN JACKSONVILLE:

All Men are the Same
Falsettos
The Magicians
Shamantakamani
Wakefield

The Magnificent Seven (2016)


Don't ever mess with Denzel.

Don’t ever mess with Denzel.

(2016) Western (MGM/Columbia) Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D’Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Hailey Bennett, Peter Sarsgaard, Luke Grimes, Matt Bomer, Jonathan Joss, Cam Gigandet, Emil Beheshti, Mark Ashworth, Billy Slaughter, Dodge Prince, Matthew Posey, Dane Rhodes, Jody Mullins, Carrie Lazar. Directed by Antoine Fuqua

 

We often feel helpless about things. Those in power have too much money, too much power, too many guns. They have control over everything and we basically just have to take it and as time goes by, it becomes harder and harder to exist while those who are in charge seem to have it easier and easier, and do more injustice to us with impunity. In a situation like that, who are you gonna call?

In the town of Rose Creek, it’s easy to recognize who is oppressing them; it’s Bartholomew Bogue (Sarsgaard), a ruthless industrialist who runs the gold mine outside of town. He has bought and paid for the Sheriff (Rhodes) and treats his miners like slaves. Now he’s turned his sights to the town which he wants to destroy so he can further mine gold deposits he thinks might be there. He is trying to intimidate them into leaving – and it’s largely working, but some of the townspeople are willing to stay and fight. Those must be taught a lesson and that lesson ends with Matthew Cullen (Bomer), a good-hearted farmer, gunned down in front of the church which is also burned out.

His widow, Emma Cullen (Bennett) then goes in search of a gunman who can bring her if not justice at least vengeance. She finds Sam Chisolm (Washington), a duly licensed officer of the court from Wichita, Kansas – or a bounty hunter, which is what he really is. When Emma explains what’s happening in Rose Creek, at first he’s reluctant to get involved – until he finds out who is doing unto the good citizens of Rose Creek. Then he’s ready to take on an army.

He’ll need some tough characters to take on the murderous mercenaries that Bogue has hired. First up is gambler Josh Faraday (Pratt) who essentially owes Chisolm for getting his horse out of hock. After that came sharpshooter Goodnight Robicheaux (Hawke) and his associate Billy Rocks (Lee), an immigrant from Asia and an expert with knives. Then there’s the Mexican outlaw Vasquez (Garcia-Rulfo) and the Comanche brave Red Harvest (Sensmeier). Finally there’s Jack Horne (D’Onofrio), a legendary trapper.

It is seven hard men against an army. When they ride into town, they take Bogue’s men by surprise and take over the town but they know that Bogue, who is in Sacramento at the time, will be back with many, many more men. They train the townspeople to defend themselves and they also liberate the miners who also will make their stand there. But how can they, when the bad guys are so many, so much better armed and so much more experienced at fighting?

This is of course a remake of the classic John Sturges western of 1960 which in itself was a remake of the 1954 Akira Kurosawa classic Seven Samurai. Fuqua, who directed Washington to an Oscar in Training Day, is a big fan of Westerns in general and The Magnificent Seven was always one of his favorites. Feeling that the themes of tyranny and terrorism were even more apt today than they were in 1960, he took on the daunting task of remaking an iconic Western which in many ways made the career of Steve McQueen (in the Josh Faraday role).

The cast here is pretty top notch. Washington is at the top of his game, channeling Clint Eastwood and Gary Cooper. Few actors in Hollywood today can play a badass as effectively as Washington can; despite the 70s porn star mustache, he is intimidating and tough as nails. He also looks pretty freaking good for a man in his 60s.

Pratt like Washington is an enormous star and here he brings his trademark irreverence to the role, making Josh Faraday not just comic relief (which he is occasionally) but a badass in his own right. This role isn’t going to advance his career any further but it isn’t going to knock it backwards either. Pratt has a tendency to play the same role over and over again recently and this is more of the same.

Hawke has a good turn as the sharpshooter whose Civil War experiences haunts him and has made him reluctant to take up the rifle again. For my money though, one of the performances you’ll remember is D’Onofrio, whose high squeaky voice doesn’t sound remotely like what we’re used to from him, but plays Horne honestly and with relative dignity. He just about steals the movie.

Fuqua gets points for casting ethnic actors into the proper roles; a Hispanic actor plays the Mexican, a Korean actor the Asian and an Inuit actor the Native American. There isn’t really any mention of racial prejudices which in that era were prevalent and extreme; few white people would have sought or accepted help from an African American, even if they were desperate, nor would they have looked to Mexican or Native help as well – most white settlers considered all three ethnic groups subhuman. I like the diversity of the cast, but I do think that ethnicity should have been addressed at least somewhat.

The final confrontation between Bogue and his men and the townspeople takes up the bulk of the movie and is epic in scope. There’s some decent fight choreography here and while it doesn’t up the ante in action scenes, it at least distinguishes itself as well staged and exciting. The gunfight is everything you’d want from a climactic battle, so kudos for that.

I don’t think anyone can reasonably expect this movie to be replacing the original in the hearts and minds. I’m pretty sure that isn’t why Fuqua made it. Unfortunately, it will be held up against the original – whether Seven Samurai or the 1960 version – and it will come up short against both of those. However, taken on its own merits it’s not that bad but to be honest not that bad doesn’t measure up when it comes to two classic predecessors.

REASONS TO GO: Washington and Pratt are huge stars. D’Onofrio turns in one of his most interesting performances in years.
REASONS TO STAY: Nothing is really added to the source material here. The racism of the era is glossed over.
FAMILY VALUES: As with most westerns, there’s plenty of rootin’, tootin’ and shootin’. There’s also a bit of foul language and some sexually suggestive material.
TRIVIAL PURSUIT: This would be the final score by Oscar winning composer James Horner as he passed away June 22, 2015.
CRITICAL MASS: As of 10/15/16: Rotten Tomatoes: 63% positive reviews. Metacritic: 54/100.
COMPARISON SHOPPING: The Wild Bunch
FINAL RATING: 6.5/10
NEXT: Blue Jay

New Releases for the Week of September 23, 2016


The Magnificent SevenTHE MAGNIFICENT SEVEN

(MGM/Columbia) Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D’Onofrio, Byung-hun Lee, Haley Bennett, Peter Sarsgaard, Luke Grimes, Matt Bomer. Directed by Antoine Fuqua

A desperate border town overrun by a savage businessman and his army of mercenaries reaches out to a bounty hunter for help. He recruits a group of seven outsiders who are willing to take the job. The odds are overwhelmingly against them but this small group finds that they are fighting for a lot more than a paycheck. This is a remake of a classic which in turn was a remake of a classic.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Western
Now Playing: Wide Release

Rating: PG-13 (for extended and intense sequences of Western violence, and for historical smoking, some language and suggestive material)

End of a Gun

(Grindstone/Lionsgate) Steven Seagal, Florin Piersic Jr., Jade Ewen, Jacob Grodnik. A former federal agent, now working as a mall security guard, rescues a woman from the wrath of a drug lord’s enforcer. Now he’s going to have to call upon all his skills to keep the two of them alive. However, seeing as it’s Steven Seagal, I think we can safely say the enforcer’s days are numbered.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: AMC Loew’s Universal Cineplex

Rating: R (for violence, language and brief sexuality)

The Hollars

(Sony Classics) Margo Martindale, Sharlto Copley, Richard Perkins, John Krasinski. A struggling New York artist returns home to the small town he’d fled years before when he receives word of his mother’s illness. Staying in the house he grew up in, he is forced to deal with his family’s dysfunctional drama, the machinations of a high school rival and the seductions of a former girlfriend even as he prepares for fatherhood himself, a job he feels woefully unsuited for.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC Disney Springs, Regal Winter Park Village

Rating: PG-13 (for brief language and some thematic material)

I.T.

(RLJ) Pierce Brosnan, James Frecheville, Anna Friel, Stefanie Scott. The CEO of an aerospace company would have every right to feel on top of the world. After all, his company is about to revolutionize what airplanes are all about, he has an adoring family and lives in a state-of-the-art smart house where everything is computer-controlled. When a glitch shows up in his system, he calls an I.T. guy out to take a look at it and gets a lot more than he bargained for – a psychotic stalker.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Max Rose

(Paladin) Jerry Lewis, Kerry Bishé, Kevin Pollack, Claire Bloom. Days before his wife of 65 years passes away, jazz pianist Max Rose makes a discovery that shakes his world to its foundation; his marriage and consequently his entire life may not be what he thought it was. Dogged and determined, even as his own health requires his children to put him into a nursing facility, he determines to find out who may have been his wife’s lover.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: NR

Storks

(Warner Brothers) Starring the voices of Andy Samberg, Kelsey Grammer, Jennifer Aniston, Ty BurrellWe all know how babies are delivered, right? Yup…via stork. But that business has long been unprofitable and the storks have wisely gone into the more lucrative package delivery biz. However, the baby making machine has unaccountably produced an unaccounted for baby. Needing to find the rightful parents before the powers that be discover the snafu, the best courier in the stork fleet and a couple of friends try to right what could be a monumental error.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild action and some thematic elements)

The Woman in the Fifth (La femme du Vème)


Ethan Hawke admirably keeps his eyes up.

Ethan Hawke admirably keeps his eyes up.

(2011) Drama (ATO) Ethan Hawke, Kristin Scott Thomas, Joanna Kulig, Samir Guesmi, Delphine Chuillot, Julie Papillon, Geoffrey Carey, Mamadou Minte, Mohamed Aroussi, Jean-Louis Cassarino, Judith Bennett, Marcela Iacub, Wilfred Benaiche, Pierre Marcoux, Rosine Favey, Anne Benoit, Gregory Gadebois, Donel Jacksman, Laurent Levy, Doug Rand, Tercelin Kirtley. Directed by Pawel Pawlikowski

Offshoring

The things that inspire us sometimes conflict with our baser natures. Sometimes they come from that aspect of our personalities. Regardless of our best intentions, that conflict can save us – or destroy us.

Tom Ricks (Hawke) was a young Turk in literature once upon a time. Having written a very well received book, he seemed poised to become a big success – but that was long ago and far away. So too was his wife Nathalie (Chuillot) and daughter Chloe (Papillon) who in the case of the former had divorced her husband and in the case of the latter moved with her mommy back to mom’s native Paris. Tom has followed them to the City of Lights after a brief incarceration and hopes to reconcile.

However Tom imagined that first meeting would go, it went badly with the police being called and Tom having to flee. Exhausted and with nowhere to stay, he boards a bus and falls asleep whereupon things go from bad to worse – all of Tom’s belongings and documents are stolen. Now he’s really in a pickle.

Near the bus terminus he finds a bar where he purchases a cup of coffee for the last remaining coins he has in his pocket. The barmaid, Ania (Kulig) takes pity on his plight and points him to the bar owner (Guesmi) who has a crummy apartment Tom can use and a job that Tom can do – a kind of a night watchman who sits in a cubicle with closed circuit television monitors and when people come to a door and give the right password, he buzzes them in. Tom has no idea what goes on behind the door and doesn’t much care; he’s busy writing his next novel but before that, writing long letters to Chloe.

He’s also carrying on with the barmaid who it turns out is the girlfriend of a local mobster which is liable to make things go from worse to desperate. Still, things are actually  looking up; Tom is recognized while browsing through a bookstore and invited to an event for authors. While there he meets Margit (Scott Thomas), a beautiful and elegant woman with an interest in the arts. She and he end up getting intimate and begin an affair but with strict (and strange) guidelines;  he must meet her only at her apartment in the 5th arrondissement at 5pm sharp on two specific days of the week. He is not to ask her any questions about what she does for a living or her past. All she’ll tell him is that she’s a widow but Tom seems fine with the rules; after all, she’s beautiful and willing.

Tom’s unsavory neighbor finds out about Tom and the barmaid and threatens to tell her boyfriend. Tom is devastated but as luck would have it, the neighbor ends up murdered. As Tom’s luck would have it, he comes under suspicion of committing the crime. Tom though has an alibi – he was with Margit at the time. However, when it turns out that Margit isn’t what she appears to be and his trysts with her aren’t what they seemed either, Tom’s problems have gone from desperate to impossible.

Pawlikowski’s next film (Ida) would go on to win an Oscar for Best Foreign Language film and you can see a few of the markers that connect that film with this one. For one thing, you don’t always know what the characters are thinking and they sometimes do things that are out of character for them but perfectly logical to us as the audience. Like that film, The Woman in the Fifth is filmed with an eye towards the austere; the side of Paris the tourists don’t see. The hallway lit by the pallid fluorescent lamp that makes skin tones look green, the squalor of Tom’s apartment have a severe tone. Even Margit’s lovely apartment in the Fifth has a sterile quality to it.

Hawke, who also was involved in the Oscar festivities this year for Boyhood, has been on a roll for awhile. He seems incapable of choosing an uninteresting project or delivering a subpar performace at this stage of his career. He carries the movie as a man who has been kicked around by life, many of the kicks delivered by his own foot to his own behind. Tom is unpredictable, capable of violence and yet he is almost obsessively devoted to his daughter. At first his situation seems to be that he is being punished by a vindictive bitch of a wife; as the film goes on, we are less sure that she isn’t absolutely right in trying to keep Chloe’s father away from her.

Scott Thomas is a marvelous actress who has found a lucrative career in France, rarely doing films outside her borders. The French have known, unlike Hollywood, the allure of the “older women” and write parts for actresses in their forties and beyond that are both sexy and intelligent. Hollywood tends to want to put the spotlight on actresses who are younger and with few exceptions, rarely creates roles for women of that age group that have any sort of sexuality, preferring to restrict them to mommy roles or at a certain point, grandmommy roles. It’s as if that women once they turn 40 are expected by Americans to set aside everything but their nurturing side. I suppose that is part of our Puritan heritage, but fortunately the French see things differently and actresses like Scott Thomas are regularly employed there.

As the movie goes on, there are twists to the plot that come from nowhere and are unexpected to say the least. Not wanting to give anything away, I won’t say more than that but those twists are a bit complicated and those who aren’t patient with such things may find this film to be rather more frustrating than they might find comfortable. From my point of view, these types of things are challenging; you can believe what you choose to believe in terms of what you think is going on but I guarantee you, you won’t be right – nor will you be wrong. It really is up to your interpretation.

This is truly an international film, with a Polish director who is based in England but makes a film set in France (backed by French, English and Polish producers) and based on a novel by an Irish-American author. In that sense, there is an Eastern European austerity and a French sensuality, along with an American type of thriller merged with an English style suspense. Something for everyone.

WHY RENT THIS: Hawke is always interesting. Scott Thomas is right in her wheelhouse here.
WHY RENT SOMETHING ELSE: May get too convoluted for some. Can be frustrating.
FAMILY VALUES: Sexuality (and plenty of it), some violence and foul language.
TRIVIAL PURSUIT: Although Pawlikowski is a noted Polish director, this was filmed in France and mostly financed by French sources (along with British and Polish as well).
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $113,800 on an unknown  production budget.
SITES TO SEE: Netflix (Stream/DVD rental), Amazon (rent/buy), Vudu (rent/buy),  iTunes (rent/buy), Flixster (not available), Target Ticket (not available)
COMPARISON SHOPPING: The Ghost Writer
FINAL RATING: 6.5/10
NEXT: Offshoring continues!