The 15:17 to Paris


Anthony Sadler muses aboard the 15:17 to Paris.

(2018) True Life Drama (Warner Brothers) Alek Skarlatos, Anthony Sadler, Spencer Stone, Judy Greer, Jenna Fischer, P.J. Byrne, William Jennings, Bryce Gheisar, Paul-Mikel Williams, Thomas Lennon, Jaleel White, Robert Praigo, Tony Hale, Lillian Solange, Ray Corasani, Irene White, Mark Moogalian, Steve Coulter, Seth Meriwether, Heidi Sulzman. Directed by Clint Eastwood

 

True heroism is a pretty rare thing. You never know where it might occur; in a school, or a nightclub – or on a train from Amsterdam to Paris.

But on a hot August day in 2015, the latter is precisely where it occurred. When a terrorist pulled out an automatic rifle and threatened to massacre the travelers aboard the high-speed rail. Director Clint Eastwood, one of the best in Hollywood history, is tackling the events of that day and the three Americans who were involved – boyhood friends from Sacramento, two of whom were in the military. You would think that this would be in Eastwood’s wheelhouse but strangely this is one of his most disappointing movies in decades.

There are a lot of reasons that this movie doesn’t work as well as it might but the biggest is the script of Dorothy Blyskal, based on the book by the three Americans involved. She chooses an odd narrative structure, starting with the beginning of the attack on the train but then going into a series of flashbacks into their boyhood and development into the young men they would become. It makes a bit of a mess of the story and there is a lot of necessary business – too much time sightseeing – that slows down a film that at just over 90 minutes should be zipping by.

Another part of the problem is Eastwood’s decision to cast the heroes as themselves. These young men have a lot of skills but acting is not among them. I’m not blaming them – you get the distinct feeling that these men are experiencing far more nerves in front of the camera than they did facing an armed terrorist – but I don’t think they should have been put into the position that they were. The child actors who play them as youths may be even worse.

The actual terrorist attack is done extremely well and is the highlight of the film. Unfortunately, it takes too long to get there and by the time you do you may have been checking your watch. Now, there are some conservatives who will think that I don’t like the movie because the heroes are Christians who are into guns and the military. Nothing could be further from the truth. In fact, I appreciate that they are a different brand of hero than we normally get on the silver screen and yes, they are normal Americans – that’s what makes their heroism more exemplary, even though they do have military training. The reason I don’t like the movie is because most of the time it’s boring and that has nothing to do with my political views but on my cinematic experience. The fact that mass audiences haven’t embraced the film is a testament to that.

REASONS TO GO: The story is truly inspiring.
REASONS TO STAY: The acting is stiff and there are too many flashbacks – this might have worked better as a documentary rather than as a narrative feature.
FAMILY VALUES: There is violence, profanity, some bloody images, sexually suggestive material and drug references.
TRIVIAL PURSUIT: The first person to tackle the terrorist was actually a Frenchman but he turned down the Legion of Honor and asked to remain anonymous because he feared reprisals from extremists.
CRITICAL MASS: As of 4/4/18: Rotten Tomatoes: 25% positive reviews. Metacritic: 45/100.
COMPARISON SHOPPING: 13 Hours: The Secret Soldiers of Benghazi
FINAL RATING: 5/10
NEXT:
Trouble is My Business

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Adventureland


Adventureland

Jesse Eisenberg is taken aback when he discovers that Kristen Stewart thinks Robert Pattinson is dreamy.

(Miramax) Jesse Eisenberg, Kristen Stewart, Ryan Reynolds, Bill Hader, Kristen Wiig, Martin Starr, Paige Howard, Margarita Levieva, Wendie Malick. Directed by Greg Mottola

All of us at one time or another have a summer job that at the time we worked it sucked rocks. When we look back on that time in our lives, however, we are almost surprised when we realize our memories of it are fond indeed.

For James (Eisenberg), it’s the summer of 1987. He is getting ready to go to Columbia University, and plans on going to Europe over the summer. Unfortunately for James, his dad is downsized so the money earmarked for his trip has to go to other things. In fact, James is going to have to get himself a summer job.

Qualified to do absolutely nothing, not even fast food, James is beginning to get desperate until he lands a job working the games at Adventureland, the local amusement park. At first, it’s like a living hell; the park is falling apart, the games are rigged and the people there are rude and cruel.

Gradually, James begins to make connections; with Joel (Starr), the bespectacled literary geek who affects a pipe and may be even more picked on than James is; with Connell (Reynolds), the married but cool maintenance man who once played onstage with Lou Reed, at least according to Connell; and most importantly, with Em (Stewart), a fellow games employee who may be even more screwed up than James himself.

Em and James begin an awkward romance, the kind that is so fragile that the smallest stress could blow it away like a dandelion. In that kind of relationship, you tread carefully, each step carefully considered like you’re walking through a minefield which in essence, you are.

Mottola, who previously directed Superbad, steered clear of the raunch of his last movie and instead goes for a sweet-natured dramedy that has at its core a coming of age story but is less that than…well, I’m not sure I can describe it accurately, but suffice to say that the growth that takes place here isn’t the movie’s objective.

The studio, hoping to capitalize on Mottola’s Superbad, marketed it in a way that suggested that Adventureland was similar in tone, and it clearly is not. That may have cost the movie some box office receipts, unfortunately. That’s a shame because this is basically a pretty good film.

Eisenberg, who has been characterized (not unjustly) as a poor man’s Michael Cera, is less annoying than Cera here (which carried over to his next role in Zombieland). However, it is Kristen Stewart who is in my opinion the real reason to see this. While some might hate on her because of her Twilight connection, she is actually a pretty accomplished actress and shows it here with her portrayal of a girl who makes horrible decisions, is desperately miserable and yet remains unbelievably cool.

There are some pretty nice backing performances as well; Hader and Wiig, for example, as the managers of the park who are despised by their employees, and Levieva as the staff slut. It’s all set to a pretty nifty 80s soundtrack that owes more to the Replacements and their ilk than to the more standard Depeche Mode/Wang Chung school of new wave that most period films tend to employ.

Sadly, the movie falls through the cracks between raunchy sex comedy, bittersweet period piece and coming of age drama, with elements of all three. It’s definitely a movie worth checking out, but be warned in advanced that while there are some funny moments, it’s not a comedy per se. It’s the kind of film that can’t really be easily categorized except as high quality.

WHY RENT THIS: A bittersweet paean to summer jobs, uncertain futures and desperate romance.

WHY RENT SOMETHING ELSE: Not raunchy enough to compete with modern comedies and too raunchy to appeal to family audiences.

FAMILY VALUES: There is some drug use, some sexuality and bad language. In other words, I’d probably think twice before letting the kids see this one.

TRIVIAL PURSUIT: The movie is based on Mottola’s real-life experiences at the Adventureland park in Long Island; the movie was shot at Kennywood outside of Pittsburgh, however since the real Adventureland has changed so much over the years.

NOTABLE DVD EXTRAS: There are some fake promos for the fictional Adventureland amusement park as well as an employee training video and drug policy overview.

FINAL RATING: 7/10

TOMORROW: Miracle at St. Anna