Jigsaw


Hannah Emily Anderson observes her motivation.

(2017) Horror (Lionsgate) Matt Passmore, Tobin Bell, Callum Keith Rennie, Hannah Emily Anderson, Clé Bennett, Laura Vandervoort, Paul Braunstein, Mandela Van Peebles, Brittany Allen, Josiah Black, Edward Ruttle, Michael Boisvert, Sam Koules, Troy Feldman, Shaquan Lewis, Esther Thibault, Lauren Beatty, Nadine Roden, Adam Waxman, Arabella Oz. Directed by Michael Spierig and Peter Spierig

 

It doesn’t seem all that long ago (but in reality has been a decade) when every Halloween like clockwork a new Saw film would come out. The original film was gruesome and cruel but had a clever side to it and appealed not only to gorehounds but also to mainstream horror fans as well. Not everyone was fond of the series; after all, it did kick off the “torture porn” genre that made a lot of critics as well as sensitive sorts uncomfortable. After a seven year run, the franchise was shut down by Lionsgate who quite frankly became a fairly major player thanks to Jigsaw and his fiendish traps.

Now seven years since the final entry in the series Lionsgate has seen fit to resurrect the franchise. Will it begin a new  and profitable run, or will it be destined to be a one and done?

Five people have been unwillingly gathered in a barn-like structure which is quite the house of horrors. In each room, the five are given a choice mainly to confess their crimes or make a blood sacrifice. In each room, the number of the survivors is reduced by one as those who are unable to confess or sacrifice something are offed in gruesome and inventive (sort of) ways.

In the meantime a pair of cops (Rennie, Bennett) is chasing down a number of bodies that have begun turning up that would seem to be the work of John Kramer (Bell) – who died more than a decade earlier. Aided by two coroners – one an Iraqi war veteran who was at one time captured and tortured (Passmore), the other a comely Goth punk-esque vixen (Anderson) who has a somewhat suspicious obsession with the killer known as Jigsaw – the cops chase down what could only be a copycat killer…or a ghost.

Jigsaw doesn’t show a whole lot of originality or imagination either for that matter. Some of the traps are taken from previous films in the franchise which doesn’t feel so much as an homage as it does a rip-off. Even the plot feels like it has been recycled from previous films, although I have to admit the end twist was pretty gnarly.

It’s not exactly a spoiler that Bell appears in the film as Jigsaw who died of cancer following Saw III. However, that hasn’t stopped him from appearing in all the succeeding films in the franchise including this one which is a good thing because he has been the best part of the series all along. He is one of the great horror villains of all time and yet he rarely does the “dirty work” himself; he simply captures people he feels need to prove themselves worthy of continued life and puts them in situations where their survival depends on their own strength of will and willingness to take responsibility for their actions and yes, the actions that the five in the barn have committed are pretty heinous indeed.

The gore is pretty intense here but veteran horror fans should have no problem with it. Those who are more dilettantes might be a little more squeamish in that regard. The traps are fairly Rube Goldberg-like although a couple were kind of lame. Those who have at least a passing familiarity with the basics of the film series should have no difficulties following the action but those coming in fresh without ever having seen any of the first seven films are going to be scratching their heads an awful lot.

The big problem here is that the movie feels rushed; the only time that the directors seem to take their time on anything is when the barn denizens are on the edge of getting mangled. Otherwise it feels like they’re impatient to get to the next gruesome murder. Maybe their core audience is too. The rest of us though may wish for a bit more exposition. Even given that, the movie doesn’t have a lot of energy; I did see it at a matinee screening that was mostly empty and maybe I would have felt differently in a crowd of horror fans enjoying the hell out of themselves. That’s probably the best way to see this.

In any case, this isn’t the worst film in the series nor is it the best. It falls pretty much solidly in the middle. I doubt that the hardcore fans of the series will be satisfied with this effort; and I don’t think that there’s a reason to continue the series from this point forward. Judging from the less than thrilling domestic box office, it appears that most American filmgoers agree. However, the global box office was enough that we might continue to see these showing up at Halloween (although at present there are no concrete plans to do so). If so, I hope they make some changes; I can’t see the next one being any better than this.

REASONS TO GO: The usage of Bell as John Kramer is a nice touch. There is some spectacular gore for those who like that kind of thing.
REASONS TO STAY: The movie felt oddly lifeless and rushed. Watching this movie really requires at least a basic knowledge of the Saw mythology in order to understand it.
FAMILY VALUES: There is violence that is both bloody and gruesome, scenes of torture and plenty of profanity which you’d expect if you were being tortured.
TRIVIAL PURSUIT: Tobin Bell as John Kramer is the only actor and character to appear in all eight Saw films.
BEYOND THE THEATER: Amazon, Fandango Now, Frontier, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 1/13/18: Rotten Tomatoes: 34% positive reviews. Metacritic: 39/100
COMPARISON SHOPPING: Hostel
FINAL RATING: 6/10
NEXT:
The 101-Year-Old Man Who Skipped Out on His Bill and Disappeared

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Black Death


Winter is here.

Winter is here.

(2010) Medieval Horror (Magnet) Sean Bean, Eddie Redmayne, Carice van Houten, John Lynch, Jamie Ballard, Andy Nyman, Johnny Harris, Emun Elliott, Tygo Gernandt, David Warner, Kimberley Nixon, Tobias Kasimirowicz, Keith Dunphy, Tim McInnerny, Marianne Graffam. Directed by Chris Smith

Back in the Dark Ages, the bubonic plague must have seemed like the end of the world. A pandemic that seemed to spare nobody, there was only rudimentary medical science and literally no protection against its ravages. Entire villages and even districts were wiped out by it.

So when a village seemed to be emerging unscathed from the horrors of the plague, the Church was suspicious. Witchcraft must be involved. Ulrich (Bean), a no-nonsense knight if ever there was one, is dispatched to the town to discover the truth and if necessary, put a stop to it. He enlists Osmund (Redmayne), a monk who knows the area well.

Osmund is pious but no saint. His girlfriend (Nixon) has been sent ahead into the forest to escape the plague. Osmund had plans to meet her there before being drafted. He joins (albeit reluctantly) Ulrich’s troop which includes a gleeful torturer (Nyman), a grim warrior (Lynch) and a mute killer (Gernandt). The group has issues, including being forced to strike down one of their own (Ballard) who is stricken by the plague, as well as having to take on bandits.

Eventually they reach the village which is seemingly controlled by two individuals – Hob (McInnerny) and Langiva (van Houten). During dinner, the me are drugged and put into a water-filled cage in the swamp while Osmund is given a horrible decision regarding his girlfriend whom he’d feared was dead. And the fears of the Church may not be entirely unfounded when it seems that there is a necromancer in the village who is powerful enough to raise the dead…

Smith is best known in this country for Severance but has actually directed several nifty little horror films in Britain. He is known for some fairly gritty films, but this might be the grittiest. This is not a Sword in the Stone England where everything is clean and healthy but what it really was like; foul, filthy and full of pestilence.

Good thing he’s got Sean Bean. Bean, who has of late made his medieval mark on Lord of the Rings: The Fellowship of the Ring and the first season of Game of Thrones on HBO is just as great here. He is strong, a great fighter, an inspiring leader but not without faults. His belief in the Church is staunch and unwavering but his unquestioning faith leads him to do acts that are most certainly unholy.

Redmayne is perfectly suited for the role of the pious Osmund. Osmund is terribly conflicted; on the one hand there are the vows to the church but on the other his forbidden love. Redmayne captures this division nicely and Osmund’s terrible dilemma is made very relatable. Van Houten, one of the best actresses in the Netherlands (if you haven’t seen Black Book by all means go out and rent it) plays the femme fatale to the hilt, and gives Langiva a very sensuous edge. The veteran character actor McInnerny also has a deliciously bad side to him.

The two sides – the Church and the pagans – don’t distinguish themselves here which makes it tough to have a rooting interest (it’s Osmund by default). That makes for a pretty grim fairy tale and that can get taken to extremes. The battle scenes are pretty violent and there’s nothing clean about them. There are no Errol Flynn acrobatics, no Lord of the Rings legerdemain, just a bunch of guys hacking away at each other with pointy things which was pretty much what medieval warfare was all about.

You may wonder what point there is to the movie with the ending which is, like the rest of the movie, pretty much a downer. I’m not sure you really need to look for one. This is a pretty strong movie that has overtones of horror, action and fantasy. However, don’t look here if you’re looking for the feel-good movie of the year. Then again, if you’re looking in the feel-good movie of the year it’s unlikely you’d be in the horror section anyway.

WHY RENT THIS: Spot-on re-creation of medieval England. Strong performances by Bean, Redmayne and van Houten.

WHY RENT SOMETHING ELSE: Occasionally overly brutal in the violence. Ending seems a bit pointless. Might be a bit too unrelentingly grim for some.

FAMILY VALUES: The violence can be pretty intense in places. There are also a few bad words scattered about.

TRIVIAL PURSUIT: Rupert Friend was originally cast as Osmund but was eventually replaced by Redmayne.

NOTABLE HOME VIDEO EXTRAS: There is some behind-the-scenes footage (separate from the standard making-of featurette) and some interviews with the filmmakers.

BOX OFFICE PERFORMANCE: $265,318 on an unreported production budget; I think it unlikely that the film was profitable.

COMPARISON SHOPPING: Centurion

FINAL RATING: 6.5/10

NEXT: Meek’s Cutoff