(2012) Horror (Open Road) Adelaide Clemens, Kit Harrington, Carrie-Anne Moss, Sean Bean, Radha Mitchell, Malcolm McDowell, Martin Donovan, Deborah Cara Unger, Roberto Campanella, Erin Pitt, Peter Outerbridge, Jefferson Brown, Milton Barnes, Heather Marks, Rachel Sellan, Michel C. Foucault, Arlene Duncan, Jason Best, Jacky Lai. Directed by Michael J. Bassett
Videogame adaptations have a history of being lousy movies. There have been some exceptions to be sure, but for the most part they have been awful cinematic experiences. Many gamers say that it is impossible for videogames – a truly interactive medium – to translate to movies which is a fully passive medium. Occasionally they are proven wrong, like in the case of the Silent Hill movie. Would the sequel be as good?
Heather Mason (Clemens) has, along with her father Harry (Bean) been on the run for as long as she can remember from dark forces that she doesn’t fully understand. Her mother Rose (Mitchell) is gone, taken in a car accident. As Heather approaches her 18th birthday, she is plagued by terrible, horrific visions. When Harry disappears, she discovers that nothing she knows is as she believes it to be.
The truth is that she is being chased by the Order of Valtiel, a cult that inhabits the damned town of Silent Hill which burns eternally. Years ago, a young girl named Alessa Gillespie (Pitt) was burned alive by the Order and its leader Claudia Wolf (Moss). The reason they are chasing them is that Heather, whose real name is Sharon Da Silva and who was once part of Alessa whose agony caused her to create the shifting dimensions that plagues Silent Hill.
Assisted by her boyfriend Vincent (Harrington), Heather decides to go to Silent Hill to find her father. Tormented by hideous, disturbing monsters that appear as dimensions shift in the blasted town which burns endlessly. There, she will confront the monsters of her past, present and future as she discovers betrayals that will rock her to the core and secrets that will change everything.
Christophe Gans directed the first Silent Hill but was unable to direct its sequel. Bassett, who directed Solomon Kane was instead hired and in all fairness to Bassett he was given a terribly convoluted script to work with. The problem is, he wrote it. There is a ton of exposition here and even that isn’t enough to really adequately explain what’s going on. The movie careens from scene to scene and often even with all the exposition it is incredibly confusing to the audience. The characters don’t have much going in the way of personality, particularly Vincent – and Heather, Harry and the rest aren’t much better.
The movie gets much better when it shows the monsters that are kind of a combination of Clive Barker bondage demons and H.R. Giger’s nightmares. Some, like the Red Pyramid or the cleaver-wheeling Nurses, are likely to haunt more than a few dreams. The blasted landscapes of Silent Hill and the other dimensions therein are also compelling.
The main problem though is not just that the movie is difficult to follow; the gravest sin the film commits is of being bland. There are plenty of flames but no fire; lots of shadows but no depth. Silent Hill: Revelation may have been originally filmed in 3D but the movie is flat as a pancake. The monsters, demons and landscapes are cool without a doubt but the movie left me actually bored and if there is one cardinal offense that a movie can commit it’s that.
I don’t know that gamers are correct in saying that their medium can’t be translated to one that is less interactive; after all, books and films are completely different mediums and there have been some great movies based on books. I think the problem lies in that Hollywood doesn’t really respect videogames or gamers and doesn’t understand the mindset; they basically throw videogame-based movies together without much regard to building a universe in the same way that they have for comic books. Videogames are inherently cinematic; there is absolutely no reason that they can’t translate to the multiplex. The fact is that a crap movie is a crap movie regardless of its source.
And Silent Hill: Revelation is far from being a crap movie. The videogame franchise has a rich background and is a good looking movie. Yes, it is terribly flawed – something tells me that Bassett didn’t really get the franchise or maybe he didn’t care to. This could have been a much better movie but it is at its core deeply unsettling and atmospheric. I would have liked a less convoluted story but from a simply visual point of view could admire the film on that basis alone.
WHY RENT THIS: Awesome demonic creatures. Bleak landscapes.
WHY RENT SOMETHING ELSE: Bland characters and performances. Lacks force or fire.
FAMILY VALUES: Plenty of violence and foul language, disturbing images and some brief nudity.
TRIVIAL PURSUIT: Bean and Harington played father and son in Game of Thrones; Harrington went on to work with Moss again in Pompeii.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $52.3M on a $20M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray Rental only). Amazon, iTunes, Flixster
COMPARISON SHOPPING: Resident Evil
FINAL RATING: 5/10
NEXT: Six Days of Darkness continues!