(2016) Advocacy Documentary (Netflix) Craig Millar, Richard Leakey, Andrea Crosta, Prince William, Richard Bonham, Hongxiang Huang, Elisifa Ngowi, Ian Williamson, Ian Craig, Uhuru Kenyatta, Robert F. Godec, Iain Douglas Hamilton, Winnie Kiru, Otir Drori, Georgina Kamanga. Directed by Richard Ladkani and Kief Davidson
The magnificent elephant is an iconic sight on the African plains, majestically walking through the savannas. One cannot think of Africa without thinking about these beasts, but these creatures are in danger of disappearing from the face of the earth.
That is because of their tusks. The ivory from them can fetch exorbitant prices in China (where most of the ivory goes to) and so poachers are attacking elephants with a will, killing one every fifteen minutes on the average. If that goes unchanged, there will be no African elephants in the wild within 15 years and those remaining in zoos will die off not long thereafter. For most of you reading this, that means the African elephant will be extinct in your lifetime.
There are those who are fighting for the elephants. Craig Millar, head of security for the Big Life Foundation (dedicated to the protection of elephants from poachers), patrols areas of Kenya trying to protect the herds from poachers. He talks to farmers who are dismayed that the elephants wander into their farms and eat their crops – a problem when you consider that food is scarce in that part of Africa. They see elephants as pests and aren’t inclined to report poachers, which Millar can sympathize with. His solution is to build large electrified fences to keep the pachyderms out but those are expensive and most of the farmers can’t afford them.
Investigative journalist Hongxiang Huang is ashamed that his country is responsible for gobbling up the ivory. The market is heavily regulated but dealers have no problem bringing in illegal ivory and corruption is rampant in the enforcement of regulations. Huang’s hidden camera interviews show the brazenness of the dealers and his reports helped stir the Chinese government out of lethargy.
Government investigator Elisifa Ngowi has been chasing one of the biggest poachers in Namibia, a man who goes by the name of Shetai which translates to “devil.” His gang has been responsible for the deaths of more than 10,000 elephants by themselves and not a few humans as well. A lot of good citizens who deplore the slaughter of the elephants are far too frightened of Shetai to say anything, but Ngowi is doggedly and determinedly pursuing the criminal.
Georgina Kamanga is the head of intelligence of the National Parks and Wildlife Service in Zambia. She is tough as nails, but the sight of elephants, freshly decapitated, is enough to move her to tears. “I’m taking the whole thing now very personal,” she says in a voice that betrays her emotion. Finally there’s Andrea Crosta, the founder and lead investigator for the website WildLeaks, which looks into animal rights issues. He sends undercover investigators to document corruption in the ivory trade in China – and is horrified when one of them is discovered.
The filmmakers depict all these stories in the vein of a thriller, and in some ways I suppose it is. There are bad guys, victims and crimes being committed. Certainly the extinction of a species like the African elephant is fodder for that kind of genre, particularly when the poachers are hell-bent on exterminating the entire species since it will drive the price up of ivory the fewer of them there actually are. When they are all gone, the price for African ivory will be sky high.
That works well along with the thriller-like musical score, but the filmmakers bounce around from story to story without any sense of flow. If this were a scripted thriller, I’d likely have marked it down a great deal but it gets a bit of a pass due to the documentary nature of the film, and the African vistas are beautifully shot as are the more urban jungles in China, London and African cities.
Elephants are incredible creatures who are fiercely protective of their families (the shots of baby elephants cavorting are among the most priceless in the film) and who mourn their dead with silent grief. Like humans, they bury their dead and can instinctively tell when they are in the presence of a graveyard, even if none of their herd are buried in it.
Produced by actor/environmental activist Leonardo di Caprio and former Microsoft executive Paul Allen (among others), the documentary is an important one and like most advocacy documentaries give viewers opportunities to become involved, either through financial contributions or by getting involved directly. If you don’t have Netflix or don’t wish to view the film but would like to help, you can go to the film’s website by clicking on the picture above.
Some of this movie is hard to look at. I’m not an elephant junkie by any means, but these are amazing creatures who don’t deserve to be wiped off the planet and it is man’s greed and man’s indifference that is doing it. Spin it however you want to, this is a crime pure and simple and if a film can spur people to action as Blackfish and The Cove did, then perhaps this film can do something similar. God knows the elephants need someone in their corner.
REASONS TO GO: The elephants in the wild make compelling visual subjects and the baby elephants are as cute as the dickens. The subject is a vitally important one.
REASONS TO STAY: The documentary jumps from subject to subject in a seemingly haphazard fashion at times.
FAMILY VALUES: There are some disturbing images of dead elephants as well as adult themes and occasional bouts of profanity.
TRIVIAL PURSUIT: Following China’s ban on importing ivory, this film became an official selection of the Beijing International Film Festival.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 1/18/17: Rotten Tomatoes: 84% positive reviews. Metacritic: 73/100.
COMPARISON SHOPPING: The Last Lions
FINAL RATING: 8/10