Extremely Loud and Incredibly Close


Extremely Loud and Incredibly Close

Thomas Horn tells Sandra Bullock he's old enough to take a bath by himself; she's skeptical on that score.

(2011) Drama (Warner Brothers) Tom Hanks, Sandra Bullock, Thomas Horn, Viola Davis, Max von Sydow, John Goodman, Jeffrey Wright, Zoe Caldwell, Stephen McKinley Anderson, Hazelle Goodman, Adrian Martinez, Brooke Bloom, Stephanie Kutzuba. Directed by Stephen Daldry

 

Grief is an emotion we all must deal with at some point, but sometimes we must deal with it too soon. For the families who lost loved ones in 9-11, how does one explain to a child that a person flew a plane full of gasoline into a tower full of people and because of that their mommy or daddy are never coming home again? How does one cope with having to explain that while dealing with their own grief?

Oskar Schell (Horn) has a particularly close relationship with his dad Thomas (Hanks). Dad often sends Oskar on what he calls Reconnaissance Expeditions, kind of an elaborate scavenger hunt.  His dad may be a jeweler by trade but he’s a dreamer by nature – he tells his son that there once was a sixth borough of New York City that floated away years and years and years ago, never to return. His son believes him, just as he believes his Dad implicitly when he tells him that Central Park was once part of that fabled sixth borough.

Then Dad goes to a meeting one bright beautiful Tuesday morning in September 2001 on the 105th floor of the World Trade Center. He is still in there when the towers come down, molecules in the sky floating placidly in the dust and the debris. Oskar’s mom Linda (Bullock) and he must bury an empty casket since no body could be recovered; this upsets Oskar very much, so much so that he refuses to get dressed for the funeral (he attends in PJs and bathrobe), refuses to sit graveside (he remains in the limo with his grandmother (Caldwell).

A year after Oskar is still very much in pain. He is a brilliant kid with a logical and ordered mind; he can’t wrap his head around the “why” of 9-11. Nothing makes sense. Then, while rooting around in his dad’s things, he accidentally knocks over a vase which shatters, revealing a key in a small envelope with only the name “Black” neatly written on the envelope to give a clue as to where the key fits.

And as it’s a key and there must be a lock that it belongs to. Moreover, Oskar knowing his Dad’s penchants for subtle clues, believes that this is a quest he must undertake to hold onto his dad for just a little bit longer, the final words of the father to his son. Oskar will find the lock if it takes him the rest of his life.

He begins visiting everyone in the New York City phone book with the last name Black. There are 462 of them in the five boroughs and Oskar believes one of them has the lock that the key belongs to. They must. They have to. Otherwise the universe is truly a meaningless collision of random events and there is nothing ordered, nothing logical, just random chance.

Aiding him on his quest is the mute Renter (von Sydow) who is a boarder in his grandmother’s apartment. He is an old, sage gentlemen who seems to have demons of his own, but no voice. It isn’t ever clear if he can speak and chooses not to, but he does write notes and helpfully has the words “yes” and “no” inked on the palms of his hands.

His journey will take him throughout the five boroughs  and into a series of lives, some sweet and kindly, others not so much. His quest to keep his dad with him a little longer may well be the means in which Oskar will find a way back into living his own life.

Do bring a lot of tissue paper because you’re going to need it. Some of this is really hard to watch as you see a little boy’s pain, pain that he can’t even begin to cope with and his powerless mother taking the brunt of his rage because he has no other way to deal with this enormous loss. It’s truly heartbreaking.

However if you’re planning on seeing a Hanks-Bullock star-fest, you’ll be sorely disappointed. Hanks only appears in flashbacks, while Bullock is a kind of just there until the last reel when she delivers some of her best work since The Blind Side. You’re mostly going to get Horn and that’s a good and bad thing.

Horn is making his feature debut. He has some talent – he has some very emotional scenes and this role asks – no, demands – a great deal from him. In a way, I think it asks too much. He must carry the movie on his frail shoulders and for much of it he does, but there are times when it feels as if he’s acting and a role like this calls for feeling it and feeling it deep. Accomplished actors would have a hard time with that and Horn does a pretty good job all things considered. You really can’t ask more of a young actor than what Horn gives here.

Keep in mind that the role is of a child dealing with something adults generally have a hard time with. Oskar lashes out, develops quirks that may be infuriating at times – and to top it all off he’s kind of an insufferable know-it-all who isn’t very patient with people who can’t or won’t keep up with him. He isn’t always likable and that can be different to relate to for an audience.

Von Sydow, the iconic Swedish actor, acts entirely without dialogue and gives a magnificent performance, conveying his emotions with a twitch of the eyebrow here, a shrug of the shoulders there, and most of all with his eyes. It’s a masterful performance and while it hasn’t gotten much buzz for Supporting Actor consideration, it’s kind of a shame it hasn’t – he deserves it.

There are some moments that are over-the-top precious and try too hard to push our buttons. There are other moments that are incredibly moving and cathartic. Sometimes we learn to deal with our own pain by understanding the pain of others. This is one such opportunity.

REASONS TO GO:. A tremendous story of grief and love. Horn does his best with a difficult role. There are moments that are greatly affecting.

REASONS TO STAY: Oskar can be a handful and at times it’s hard to root for him because of his faults. The movie is maudlin in places. Not enough Hanks and Bullock.

FAMILY VALUES: The themes have a lot to do with grieving and loss; some children may find this distressing and disturbing. Some of the images are disturbing and there are some pretty foul words, some of it used by Oskar.

TRIVIAL PURSUIT: Thomas Horn won $30,000 as a champion on Jeopardy Kid’s Week.

CRITICAL MASS: As of 1/23/12: Rotten Tomatoes: 49% positive reviews. Metacritic: 46/100. The reviews are mixed.

COMPARISON SHOPPING: Reign Over Me

BIG APPLE LOVERS: The movie is filmed in locations all over New York City, including several that rarely make it onto the big screen.

FINAL RATING: 7.5/10

TOMORROW: Haywire

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New Releases for the Week of January 20, 2012


January 20, 2012

UNDERWORLD AWAKENING

(Screen Gems) Kate Beckinsale, Stephen Rea, Michael Ealy, Theo James, India Eisley, Sandrine Holt, Charles Dance, Kris Holden-Ried. Directed by Mats Mjarlind and Bjorn Stein

Selene, the warrior vampire from the first two Underworld movies, returns for the fourth and we have sorely missed her. She has an excuse however – she was captured by humans and placed in suspended animation, which sounds like Pixar in detention. Bad puns aside, she escapes and discovers that the humans have discovered the existence of the vampires and the Lycans and has entered into a war into the both of them – and is winning. However, there’s a new player in the game, one that threatens to wipe out everybody – and a little girl is the key to it all, a little girl under Selene’s protection.

See the trailer, interviews and a clip here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D

Genre: Horror Action

Rating: R (for strong violence and gore, and for some language)

Extremely Loud and Incredibly Close

(Warner Brothers) Tom Hanks, Sandra Bullock, Thomas Horn, Max von Sydow. An inventive, imaginative 11-year-old boy’s world is shattered when his father dies in the World Trade Center on September 11, 2001. He finds a key in his father’s belongs and becomes convinced that the key unlocks something of great significance to his dad. Therefore, he goes on a quest to find the lock that the key opens and along the way will find others with broken hearts in need of healing just like him. I don’t often cry during trailers but I did during this one.

See the trailer here.

For more on the movie this is the website

Release formats: Standard

Genre: Drama

Rating: PG-13 (for emotional thematic material, some disturbing images and language)

Haywire

(Relativity) Gina Carano, Ewan McGregor, Michael Douglas, Antonio Banderas.  A highly trained CIA operative is sent on what appears to be a routine mission mostly acting as arm candy for another agent. However when that other agent tries to kill her, she realizes that she’s been betrayed by someone at the agency close to her. She has to go out on her own in order to find out who’s behind it and get them before they get her. MMA star Carano makes her film debut in the latest from prolific Oscar-nominated director Steven Soderbergh.

See the trailer, clips and web-only content here.

For more on the movie this is the website.

Release formats: Standard

Genre: Action

Rating: R (for some violence)

 

Red Tails

(20th Century Fox) Cuba Gooding Jr., Terrence Howard, Bryan Cranston, Nate Parker. This is the story of the Tuskegee Airmen, a squadron of African American fighters during World War II who not only had to fight the Nazis but the U.S. Army as well who didn’t believe they had the ability to be fighter pilots. As it turned out, they were one of the most decorated squadrons of the war, with more enemy kills than almost anybody else.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: War Drama

Rating: PG-13 (for some sequences of war violence)

Four-Warned: December 2011


December 2011Every month I’m going to look at every movie on the release schedule and try to assign them a numerical value corresponding to how anxious I am to see it. The lower the number, the more I want to see it. A one means I would walk through hell and high water to see it; a four means there’s no interest whatsoever. The numbers are not arrived at scientifically but they aren’t arbitrary either.
The numbers aren’t a reflection of the artistic merit of any of these films, but merely a reflection of my willingness to go to a movie theater and see it. The top four scores will be gathered as a means of reflecting the movies I’m anticipating the most; you may use that as a guide or not.

Each entry is broken down as follows:

NAME OF FILM (Studio) Genre A brief description of the plot. Release plans: Wide = Everywhere, Limited = In selected markets. RATING A brief comment

Keep in mind that release dates are extremely subject to change, even at this late date.

FOUR TO SEE

1. EXTREMELY LOUD AND INCREDIBLY CLOSE (1.0)
2. SHERLOCK HOLMES: A GAME OF SHADOWS (1.3)
3. THE ADVENTURES OF TINTIN (1.5)
4. THE GIRL WITH THE DRAGON TATTOO (1.6)

FOUR TO SEEK OUT (FILMS NOT IN WIDE RELEASE)

1. THE LADY (1.3)
2. THE BIG FIX(1.4)
TIE. CARNAGE (1.4)
4. WE NEED TO TALK ABOUT KEVIN (1.8)

RATING SYSTEM: 1) Must-see, 2) Should-see, 3) Perhaps-see, 4) Don’t-see

DECEMBER 2, 2011

A WARRIOR’S HEART (Xerxes) Genre: Sports Drama. A young man grieving over his father’s death in Iraq finds solace in a lacrosse camp run by a Native American soldier who served with his dad. Release Strategy: Limited. RATING: 3.7 Was the world really waiting for a lacrosse movie?
ANSWERS TO NOTHING (Roadside Attractions) Genre: Drama. A missing child investigation has different effects on several Los Angelenos hiding their own secrets. Release Strategy: Limited. RATING: 2.4 Stellar cast led by Dane Cook in an unusually dramatic role.
THE BIG FIX (Green Planet) Genre: Documentary. Exposes the myth that the BP Oil Spill in the Gulf of Mexico has been cleaned up, and shows the troubling control that Big Oil has on our political system. Release Strategy: New York City only. RATING: 1.4 Could wind up being one of the most important documentaries of the year.
CORIOLANUS (Weinstein) Genre: Documentary. A Roman general, expelled from his city, allies himself with his mortal enemy to take revenge. Release Strategy: New York City/Los Angeles (opening in limited release January 20). RATING: 2.0 Ralph Fiennes directs and stars in this adaptation of one of Shakespeare’s lesser-known plays.
I AM SINGH (Reliance Big Pictures) Genre: Thriller. In the wake of 9-11, Sikhs are discriminated against and beaten by Americans thinking they are terrorists. Release Strategy: Limited. RATING: 2.8 A fascinating idea for a movie but the trailer looks a bit overwrought.
LADS & JOCKEYS (Music Box) Genre: Documentary. The lives of three inhabitants of a school for horse racing jockeys in Chantilly, France is profiled. Release Strategy: New York City only. RATING: 3.2 Will definitely appeal to those who love horses and horse racing, not so much to everyone else.
THE LADY (Cohen Media Group) Genre: True Life Drama. Aung San Suu Kyi fights for democracy and peace in Burma against the despotic regime there at the cost of her family. Release Strategy: Limited. RATING: 1.3 One of the most compelling stories of our time with one of the most compelling actresses (Michelle Yeoh) of our time starring in it.
OUTRAGE (Magnet) Genre: Crime Thriller. Rival clans vie for position in the Japanese yakuza. Release Strategy: Limited. RATING: 1.9 An ultra-violent Japanese mobster flick looks to be one of the best of its genre in a very long time.
SHAME (Fox Searchlight) Genre: Drama. A man with a sex addiction has his life thrown completely out of kilter when his wayward younger sister moves into his apartment, sparking painful memories of the past. Release Strategy: Limited. RATING: 2.0 Michael Fassbender reunites with Hunger director Steve McQueen in a very sexually explicit drama.
SLEEPING BEAUTY (IFC) Genre: Drama. A reckless university student takes a job as a sex worker, allowing old men to have erotic experiences with her as she sleeps; her work eventually commences to bleed into her waking life. Release Strategy: Limited. RATING: 2.6 A very sensuous, intriguing trailer.

DECEMBER 9, 2011

CATCH .44 (Anchor Bay) Genre: Action. A seemingly straightforward assignment to pick up a drug shipment at an isolated diner turns into a free-for-all orgy of violence and betrayal. Release Strategy: New York City/Charlotte. RATING: 2.9 A great cast including Bruce Willis and Forest Whitaker but a kind of weak trailer.
I MELT WITH YOU (Magnolia) Genre: Drama. Four college buddies go off for an annual weekend in Big Sur but the debauchery leads to some revelations about their dissatisfaction with their lives. Release Strategy: Limited. RATING: 2.5 Cast includes Rob Lowe, Jeremy Piven and Thomas Jane, three actors who are always worth seeking out.
IN DARKNESS (Sony Classics) Genre: Biographical Drama. Leopold Socha, a sewer worker and petty thief whose only loyalty is to money, hides Jews in his sewer in World War II Poland. Release Strategy: New York City/Los Angeles one week qualifying run (Opening in limited release January 27). RATING: 2.0 A compelling story from an amazing director.
KNUCKLE (ARC Entertainment) Genre: Documentary. A pair of feuding families in the Irish Traveler bare knuckle fighting underground society are portrayed. Release Strategy: Limited. RATING: 3.1 Kind of looks fascinating but kind of doesn’t; I’m not quite sure which.
LADIES VS. RICKY BAHL (Yash Raj) Genre: Bollywood. A slick con artist who uses his good looks to charm women out of their money gets his comeuppance when his victims unite to take him. Release Strategy: Limited. RATING: 2.3 Lighthearted, effervescent and disposable, this is what Bollywood is all about.
MY PIECE OF THE PIE (Sundance Selects) Genre: Drama. An out of work single mom takes a job as a housekeeper for a ruthless financial magnate in Paris. Release Strategy: New York City only. RATING: 2.6 Cedric Klapisch is one of the best filmmakers you’ve never heard of.
NEW YEAR’S EVE (New Line) Genre: Romantic Comedy. A group of people in varying romantic situations converge on New York City for New Year’s Eve in Times Square. Release Strategy: Wide. RATING: 2.4 Along the same lines as 2010’s Valentine’s Day.
THE SITTER (20th Century Fox) Genre: Comedy. A slacker college student living with his mom is forced to babysit three precocious kids, bringing on the chaos in triplicate. Release Strategy: Wide. RATING: 2.9 It’s Adventures in Babysitting with Jonah Hill and if that sounds appealing to you by all means have at it.
TINKER, TAILOR, SOLDIER, SPY (Focus) Genre: Spy Thriller. A British spy comes out of retirement to smoke out a double agent in the ranks of the British Secret Intelligence Agency. Release Strategy: New York City/Los Angeles (Opening in limited release December 16). RATING: 2.3 One of the greatest novels from one of the greatest espionage thriller writers ever (John Le Carre) finally makes it to the big screen.
W.E. (Columbia) Genre: Romance. A modern romantic looks into the lives of King Edward VIII and Wallis Simpson, whom he gave up his throne for and discovers their relationship wasn’t as perfect as she thought. Release Strategy: New York City/Los Angeles (one week Oscar qualifying run; opening in limited release February 3). RATING: 2.9 Madonna’s the director; don’t judge.
WE NEED TO TALK ABOUT KEVIN (Oscilloscope Laboratories) Genre: Psychological Thriller. When her son turns out to be sociopathic, a mother’s culpability comes under scrutiny. Release Strategy: New York City/Los Angeles 1 week Oscar qualifying run (Opening in limited release January 27). RATING: 1.8 One of the creepiest and most disturbing trailers I’ve seen in a long while.
YOUNG ADULT (Paramount) Genre: Black Comedy. An amoral writer of children’s books returns home for a high school reunion with one eye turned towards the prospect of stealing her high school crush from his wife. Release Strategy: Limited (opens wide December 16). RATING: 2.1 Looks like one of those comedies where you laugh hard and then feel ashamed, but in a good way.

DECEMBER 12, 2011

DAGUERREOTYPES (Cinema Guild) Genre: Documentary. The shops and shopkeepers on the Rue Daguerre in Paris are profiled. Release Strategy: New York City only. RATING: 2.4 Acclaimed documentarian Agnes Varda takes a loving look at the street on which she has lived for fifty years.

DECEMBER 16, 2011

ALVIN AND THE CHIPMUNKS – CHIPWRECKED (20th Century Fox) Genre: Family. While on a cruise, Alvin and the gang are shipwrecked on an island that isn’t as deserted as they thought. Release Strategy: Wide. RATING: 3.7 I still can’t figure out how they took a one-joke movie and turned it into a franchise – or why.
CARNAGE (Sony Classics) Genre: Drama. Two New York white collar couples gather to discuss a playground incident in which one child was injured by another, when things break down. Release Strategy: Limited. RATING: 1.4 The latest from Roman Polanski boasts an outstanding cast and a wonderfully tense trailer.
CORMAN’S WORLD: EXPLOITS OF A HOLLYWOOD REBEL (Anchor Bay) Genre: Documentary. One of the greatest producers of “B” movies in history is paid tribute as filmmakers and stars try to recount his rightful place in movie history. Release Strategy: Limited. RATING: 2.5 Corman is one of my heroes but the trailer looked a bit like a hodgepodge.
MISSION: IMPOSSIBLE – GHOST PROTOCOL (Paramount) Genre: Spy Action. After the IMF is shut down after being implicated in a global terrorist bombing plot, it is up to Ethan Hunt and his team to ferret out the truth or die trying! Release Strategy: Opening wide in IMAX only (opening in Wide Standard on December 21). RATING: 1.8 This is supposed to be the passing of the torch for the franchise from Tom Cruise to Jeremy Renner.
SHERLOCK HOLMES: A GAME OF SHADOWS (Warner Brothers) Genre: Action Suspense. Holmes and Watson are back and this time they’re up against the evil Professor Moriarty in a plot to throw Europe into chaos. Release Strategy: Wide. RATING: 1.3 The first film might have irritated Holmes purists but I found it extremely entertaining and satisfying.

DECEMBER 21, 2011

THE ADVENTURES OF TINTIN (Paramount) Genre: Adventure. An intrepid boy reporter searches for the wreck of a sailing vessel that might have contained a device of unimaginable power. Release Strategy: Wide (Standard, 3D, IMAX 3D). RATING: 1.5 Already a huge hit overseas, this is motion capture which hasn’t done well here – except it’s never been done by Steven Spielberg and Peter Jackson before either.
ALBERT NOBBS (Roadside Attractions) Genre: Period Drama. A woman posing as a man in 19th Century Ireland is trapped by her own charade. Release Strategy: Limited. RATING: 2.0 Starring and written by Glenn Close, looks awfully intriguing.
THE GIRL WITH THE DRAGON TATTOO (Columbia) Genre: Thriller. A disgraced journalist joins forces with a gifted but troubled hacker to solve a 40-year-old murder. Release Strategy: Wide. RATING: 1.6 An Americanization of an extremely well-made Swedish moviemight ordinarily not be welcome but it is David Fincher directing.
PINA (IFC) Genre: Documentary. Choreographer Pina Bausch revolutionized 20th century dance. Release Strategy: New York City only (Standard, 3D). RATING: 3.6 Wim Wenders directs Germany’s official entry for the Oscar for Best Foreign Language Film.

DECEMBER 23, 2011

DON 2 (Reliance Big Picture) Genre: Crime Thriller. The overlord of Asian crime bosses has his sights set on the European market. Release Strategy: Limited. RATING: 2.8 Perhaps an allegory for modern economics.
IN THE LAND OF BLOOD AND HONEY (FilmDistrict) Genre: War Drama. A Serbian man and a Bosnian woman find each other on opposite sides of the civil war, even though they once were lovers. Release Strategy: Limited. RATING: 1.9 A gut-wrenching trailer bodes well for the directorial debut of Angelina Jolie.
WE BOUGHT A ZOO (20th Century Fox) Genre: True Life Drama. A single dad buys a zoo and moves his family there in an effort to bring them closer together. Release Strategy: Wide. RATING: 2.3 From the look of the trailer, Matt Damon is well-cast here.

DECEMBER 25, 2011

THE DARKEST HOUR (Summit) Genre: Science Fiction. An American tourist in Moscow is stranded when the city is attacked by aliens. Release Strategy: Wide (Standard, 3D). RATING: 1.7 The trailer looks intriguing although hopefully there will be some better eye candy than what we saw.
EXTREMELY LOUD AND INCREDIBLY CLOSE (Warner Brothers) Genre: Drama. A young boy who lost his dad in 9-11 is convinced that his father left him a final message hidden somewhere in the city. Release Strategy: Limited (Opens Wide January 20). RATING: 1.0 One of the most emotionally affecting trailers I’ve ever seen; they had me at Tom Hanks and Sandra Bullock.
WAR HORSE (DreamWorks) Genre: War Drama. Steven Spielberg directs the journey of a horse from its bucolic English farm through the trenches of World War I in France. Release Strategy: Wide. RATING: 2.1 Could be wonderful, but the trailer looked a bit treacly.

DECEMBER 26, 2011

NEWLYWEDS (Tribeca) Genre: Comedy. A newly married couple have to put up with the interference and antics of their somewhat deranged siblings. Release Strategy: Limited. RATING: 2.4 The newest from actor/director Edward Burns, and it looks like one of his best ones yet.

DECEMBER 28, 2011

EL SICARIO: ROOM 164 (Icarus) Genre: Documentary. A hitman for a Mexican drug cartel is interviewed in a hotel room, revealing disturbing details about the drug trade and its political ramifications. Release Strategy: New York City only. RATING: 2.8 A compelling subject which may not translate into a visually compelling film.
PARIAH (Focus) Genre: Urban Drama. An inner city African-American teen slowly begins to embrace her sexuality as a lesbian. Release Strategy: Limited. RATING: 2.9 A big hit at Sundance, now finally hitting theaters in time for Oscar consideration.

DECEMBER 30, 2011

A SEPARATION (Sony Classics) Genre: Drama. An Iranian man whose wife is divorcing him because he won’t leave his Alzheimer’s-ridden father is accused of a heinous crime by the maid his daughter hires. Release Strategy: Limited. RATING: 2.1 Looks interesting.
ANGEL’S CREST (Magnolia) Genre: Drama. A young father’s moment of thoughtlessness results in tragedy; when the local prosecutor decides to zealously pursue the matter, the small town is torn apart. Release Strategy: Limited. RATING: 2.2 The trailer looked plenty harrowing.
THE IRON LADY (Weinstein) Genre: Biographical Drama. The story of Margaret Thatcher, the former Prime Minister of England during the Reagan era. Release Strategy: Limited (Expands January 13). RATING: 3.1 Meryl Streep might be looking at another Oscar nomination.

SCHEDULED TO BE REVIEWED HERE AS NEW RELEASES
New Year’s Eve, The Sitter, Tinker Tailor Soldier Spy, Mission: Impossible – Ghost Protocol, Sherlock Holmes: A Game of Shadows, The Adventures of Tintin, The Girl With the Dragon Tattoo, In the Land of Blood and Honey, We Bought a Zoo, The Darkest Hour, Extremely Loud and Incredibly Close, War Horse, The Iron Lady