Paul


Paul

Paul still hasn't gotten the concept of the Finger perfected just yet.

(2011) Sci-Fi Comedy (Universal) Simon Pegg, Nick Frost, Seth Rogen (voice), Kirsten Wiig, Jason Bateman, Sigourney Weaver, Jeffrey Tambor, John Carroll Lynch, Jane Lynch, Bill Hader, Joe Lo Truglio, Blythe Danner, David Koechner, Jesse Plemons. Directed by Greg Mottola

There is a truism about being careful what you wish for. This is particularly true if you’re a science fiction geek on a road trip to America and are driving past Area 51.

That’s what British sci-fi geeks Graeme Willie (Pegg) and Clive Gollings (Frost) are doing. They start off at San Diego’s legendary Comic Con (and for those who haven’t been there, it is heaven on earth for the fanboy contingent, a bucket list kind of event) where they meet noted sci-fi author and cult figure Adam Shadowchild (Tambor) who pooh-poohs Clive’s aspirations of being a writer and Graeme’s abilities as an artist. Then it’s into a rented RV and off to see America!

A not-particularly-comfortable encounter with a couple of rednecks (Koechner, Plemons) and a kindly diner waitress (J. Lynch) sends the Brits at warp speed down the Alien Highway where they are overtaken by a sedan which crashes in front of their eyes. When they investigate the wreck to make sure the driver’s okay, they discover to their shock that the driver is an illegal alien – and I’m not talking the sort that George Lopez jokes about. No, this is a little green man, who goes by the name of Paul (Rogen), named after the dog who he landed on with his spacecraft in the opening of the film. Clive promptly faints.

Paul begs Graeme for help, knowing he is being chased by one of those mysterious government agents – Agent Zoil (Bateman) to be exact. Paul needs to get to a particular location so that he can meet up with a rescue ship that will take him home. Graeme being a kindly sort agrees.

What ensues is a road trip odyssey that takes the boys to an American backwater of UFO myth and legend, running into ambitious but ignorant agents (Hader, Lo Truglio), a shoot first, ask questions later Bible-carryin’ shotgun-totin’ Fundamentalist (J.C. Lynch) and his naïve but misguided daughter (Wiig) whose belief system is thrown into disarray by the presence of Paul. When she realizes that all her previously held notions is wrong, she starts cursing up a storm and gets right to drinking, drugging and fornicating. My kind of girl.

Mottola has previously directed comedy gems Superbad and Adventureland. This continues his winning streak, giving us a comedy that is solidly funny throughout, dropping in-jokes about science fiction films and fandom in general like mustard on a hot dog. While some of those insider asides are subtle enough to keep fanboys smug and arrogant, the majority are obvious enough that any moviegoer who has seen at least a few sci-fi movies will get the majority of them.

Pegg and Frost, who established their reputation in such films as Hot Fuzz and Shaun of the Dead, are perhaps the best comic duo working today. Their easy rapport helps give Paul its heart and charm, making the two sci-fi geekoids believable without poking fun at the species with undue cruelty which fanboy films often do.

There are loads of cameos and terrific supporting actors here, including Bergen as the grown up version of a girl whose life is forever altered by the crash landing of a space vehicle, and Weaver as the brass-balled head of a mysterious covert government agency. Both Lynches  – Jane and John Carroll – inhabit their roles nicely, with Jane moving a little outside her normal persona as a heart of gold diner waitress with a soft spot for geeks, and John Carroll, nearly unrecognizable as the hellbent pursuer of the geeks who kidnapped his daughter.

As said daughter, Wiig has a role that could easily have been played over-the-top and for parody (and in the hands of a lesser actress – and director – probably would have) but instead, she delivers a subtle and nuanced performance as a woman whose universe is completely shaken up; if she’s a little batty at first it’s completely understandable and so she becomes a sympathetic figure rather than a ridiculous one.

Rogen has gotten some heat from critics for his performance as Paul, which is essentially a motion capture alien who sounds like Seth Rogen. Rogen’s shtick is a little jarring at times, but in defense of the guy you have to remember that Paul has been stuck on this planet for more than 40 years, plenty of time to acclimatize. I thought Rogen gave the movie plenty of character and while whether he has been over-exposed is a matter of opinion, I think he does a fine job here.

Fanboys are going to love the movie a lot more than the average moviegoer and quite frankly, Pegg and Frost have yet to produce much more than a cult following here in the States, nor is Paul likely to generate one. Still, there’s enough here to make it worth your while to check out, particularly if you have a great deal of love for science fiction and its mad, devoted followers. Sci-fi geeks, this is your movie and these are your people!

REASONS TO GO: Laugh-out-loud funny throughout. Lots of sci-fi nerd in-jokes. Pegg and Frost one of the premiere comedy teams working today.

REASONS TO STAY: Hit and miss on some of the humor. May be too fanboy-centric to appeal to a wider audience.

FAMILY VALUES: The language is plenty foul, particularly in Ruth’s case. There is also some drug use and some sexual references.

TRIVIAL PURSUIT: John Carroll Lynch who plays Moses Buggs is only ten years older than Kirsten Wiig, who plays his daughter.

HOME OR THEATER: I think the movie theater experience is indicated here.

FINAL RATING: 6.5/10

TOMORROW: Babel

Fanboys


Fanboys

Fanboys on the outside looking in.

(2008) Comedy (Weinstein) Sam Huntington, Chris Marquette, Dan Fogler, Jay Baruchel, Kristen Bell, Carrie Fisher, Danny Trejo, Billy Dee Williams, Seth Rogen, Allie Grant, William Shatner. Directed by Kyle Newman

Fans have a kind of sweet madness. I’m not talking about the people who follow something on a casual basis; I mean the full-out, balls-to-the-wall, obsessive, dangerously knowledgeable super-fans; the kind that show up at conventions and name their kids after characters in the movies.

This specific fandom that Fanboys is examining is the Star Wars fans. The movie is set in 1998, just prior to the release of Star Wars Episode I: The Phantom Menace and arguably the best time to be a fan of the series – when anticipation had fans jumping out of their skins waiting for the new movie, the first in more than 15 years.

Four school friends who hadn’t been together since graduation meet up at a party; Eric (Huntington), the lone respectable one who was working for his dad’s car dealership which he was expected to take over some day; Hutch (Fogler) who lives in his mom’s “carriage house” (read: garage), Windows (Baruchel) a computer nerd who has a thing for a chat room geek he’s never met and Linus (Marquette), who is somewhat angry about the way things turned out.

It turns out he has plenty of reason to be angry; he has cancer and won’t live to see the next movie in the franchise released. Eric, who was once his best friend, resumes that role and decides that his friend WILL see the movie before anyone else does. The four of them – and Zoe (Bell), a very cool friend that frequents the comic book store Hutch and Windows work at and quite possibly the only girl that could hang with these guys – will drive from Ohio to Marin County, California where Skywalker Ranch is located, break in and watch the movie. Windows’ online crush even claims she can get them the plans to the Ranch which is legendary for its security.

They take off in Hutch’s tricked out van, a kind of rolling convention on wheels, and head vaguely West. On the way they will encounter evil Star Trek fans, the all-knowing Harry Knowles (of Ain’t It Cool News fame) and William Shatner himself as they race the clock to get their dying friend to the ranch. Will it be worth the trip?

Of course, we all know at this point in time that The Phantom Menace was a disappointment but back then the possibilities were endless. The world of fans was anticipating what they thought would be an epic movie and nearly every fan website was in a dither. It was a kinder world.

However, the story of this movie might have made a good movie of its own. The movie was completed back in 2007 but was shelved by studio head Harvey Weinstein who felt the cancer subplot was too grim for the comedy he wanted; he also felt it appealed to a niche audience and not a general one. Both are legitimate points.

Director Newman fought the changes and Weinstein eventually assigned director Steven Brill to reshoot some scenes and re-edit it. Fans went ballistic, launching a campaign to stop the changes, opening MySpace pages (“Stop Darth Weinstein”) and threatening to boycott Superhero Movie en masse. I’m not so sure that was a threat so much as a relief.

Eventually Weinstein relented and allowed Newman to re-cut the movie a third time…only he gave him only 36 hours to do the work. The movie bounced from release date to release date over the course of three years until it finally got an extremely limited release in February 2009 and, as you can see from the box office performance below, died like the Emperor at the end of Return of the Jedi.

It’s kind of a shame because the movie isn’t too bad. It got a critical shellacking which, frankly, illustrates why critics are out of touch with the audience that comes to the movies. People do get involved with their favorite franchises. Laugh and make fun if you want to, but it fulfills something in people, be it Trekkers, Star Wars fan or Twilighters. Those who judge the lifestyles of these people are the ones who really need to get a life.

For the most part, the performances here are okay although there’s nothing here that’s going to supercharge any careers. Baruchel is sweet as Windows and Marquette has some nice scenes as Linus. Mostly, the star power is in the cameos and there are plenty of those, from Star Wars vets Fisher and Williams to Shatner and Rogen (who is amusing as an overbearing Trek fan).

There are a lot of asides that will have knowing fans nodding in satisfaction; I can see how audiences not super-familiar with the Star Wars saga might feel left out a little. However, the movie really isn’t for them anyway. The DVD extras on several occasions call this a love letter to Star Wars but I don’t think it actually ends up that way. It’s more a love letter to the fans, and not just of Star Wars but of all things that excite the imagination and promote obsession. It’s sweet-natured and while not everything works, I am positive that the love is sincere. I’d much rather see a movie like this one than a thousand big budget big star comedies whose sole reason for being is to fatten the bank accounts of those involved. Sincerity trumps budget every time.

WHY RENT THIS: A very sweet homage to fandom, particularly that of Star Wars. Some of the cameos are actually well thought-out.

WHY RENT SOMETHING ELSE: A bit gratuitous in places and the humor – well heck the whole dang movie – is going to appeal to a very limited audience; some of the references will go right over the heads of ordinary folk.

FAMILY VALUES: There is a lot of crude humor, much of it sexual (as you might expect from a bunch of guys who don’t get laid much). There’s also some drug use in the movie, as well as a heaping helping of foul language.

TRIVIAL PURSUIT: The guards at Skywalker Ranch wear uniforms from THX-1138, one of Lucas’ early films (and one he references regularly in subsequent films). The head guard is played in a cameo appearance by Ray Park, who played Darth Maul in Star Wars Episode I: The Phantom Menace.

NOTABLE DVD EXTRAS: There is some webisodes that were available before the movie’s release, as well as a character study but really, most of the extras are relatively mundane as these things go.

BOX OFFICE PERFORMANCE: $960,828 on an unreported production budget; the film was undoubtedly a flop.

FINAL RATING: 5/10

TOMORROW: The Answer Man