Top 10 of 2011

The annual ritual of choosing the movies that thrilled, chilled, affected and otherwise dug into the critical consciousness with hooks of steel during 2011 is upon Cinema365 and while our list is posted a bit later than most others, think of it as being a labor of love rather than a necessary evil, a particularly unliked chore.

This is the part where I mention that like any other list, this one is completely arbitrary. There’s no scientific basis, nothing quantitative that I can point to and say “this movie deserved to be on this list because of this.” No, it’s completely from the gut my friends and like any gut this big change is constant. The list you see here today is not the list I would make tomorrow. That’s why it always takes me so long; I hem, I haw, I prevaricate. At last, I assign.

Generally speaking, this list reflects my tastes as I saw the movie. I take all the movies I gave an 8 or greater score to, put the 10s at the top, the 9s below and so on. The half points I generally don’t take into consideration. Therefore you might see an 8 ranked above an 8.5. See what I mean about arbitrary?

So this is all about whether I liked the movie or not. 2011 didn’t see any real game changers in terms of movies that will rank as all-time bests. It is somewhat telling that perhaps the most critically acclaimed movie of the year was a silent movie whose style harkened back to the films of that era. Still, even if none of them may end up as classics that withstand the test of time (and I think a few of them will), all ten of these and the honorable mentions as well, should provide at least a good starting point if you want to take a cinematic  year in review viewing party and stock it up with really good movies instead of just really popular ones.

Some of these movies remain in general release even as we speak; you can head right out to a theater and see them the way they were meant to be seen. Some are already out on DVD/Blu-Ray and you can enjoy them in the comfort of your own home – or they soon will be. Lag time between theatrical release and home video release has been shrinking of late. There are two films on this list that you may find difficult to find either in home video or theaters. Check your local film festival to see if they will be around, or the websites that I have included with the original reviews – you can access those by clicking on the movie title and you can read what I wrote about them way back when.

This is meant to invite discussion or perhaps a heated argument or two. Feel free to submit your own top ten, or harangue me about mine. My skin is thick and I don’t bruise easily. I welcome hearing why my list is full of crap and yours is so much better. That’s why lists are fun.  


There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. I didn’t include links here but if you want to read my reviews of any of these, simply type in the title into the search field and have at it. So,  in no particular order;

In a Better World, Hugo, War Horse, Midnight in Paris, Moneyball, The Company Men, The Descendants, Margin Call, Snow Flower and the Secret Fan, I Saw the Devil, Thor, J. Edgar, The Cave of Forgotten Dreams, Holy Wars, Captain America: The First Avenger, The Double Hour, Win Win, Bridesmaids, Young Goethe in Love, The Girl with the Dragon Tattoo, The Adventures of Tintin, The Happy Poet, The Whistleblower, In Time, Apollo 18, Submarine, Drive.

And with no further ado, let us get on with the countdown:


(Warner Brothers) Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Helena Bonham Carter, Tom Felton, Alan Rickman, David Thewlis, Everyone in England. Directed by David Yates

Released July 15, 2011 The end of an era finally came to pass as nearly a decade of Pottermania had its final moments and the series went out with a glorious bang. Harry and his friends Hermione and Ron would take on the forces of evil in an epic battle that would shake the very foundations of magic itself as Harry and Lord Voldemort finally had the face-off that everyone had been waiting for.

WHY IT IS HERE: There are those who proclaimed it the best film in the series and in many ways they weren’t wrong. This was an emotional rollercoaster that had heroism, villainy, pathos and even a hint of comedy here and there. After the first part of the last book seemed to be all exposition and no action, this movie made for a wonderful payoff. Not everyone would survive but this was a more than satisfactory ending to a series many people grew up with. There were a lot of misty eyes in the theater when the final credits rolled, not the least of which were the Warner Brothers accountants who would see their biggest moneymaking series ever fade into history.

HIGHLIGHT SCENE: Harry prepares for certain death as he goes into the black forest to compose himself. There he meets the shades of his parents as well as those in the series who had passed on. It was remarkably moving and I for one had tears literally streaming down my face when I saw it. In fact, I’m a bit misty right now just writing about it.

BOX OFFICE RESULTS: $381 million domestic (as of 1/17/12), $1.3 billion total.

BUDGET: Not available.

STATUS: Currently available on home video. Available on HBO/Cinemax. Download/stream from iTunes/Amazon. Rent DVD/Blu-Ray from Netflix/Blockbuster. Stream from Blockbuster.


(Sony Classics) Lubna Azabal, Melissa Desormeaux-Poulim, Maxim Gaudette, Remy Girard, Abdelghafour Elaaziz, Allan Altman, Mohamed Majd, Nabil Sawalha, Baya Belal, Yousef Shweihat. Directed by Denis Villanueve

Released April 22, 2011 This was nominated for a Foreign Language Film Oscar, representing Canada but very little of it was set in the Great White North. It didn’t win but many thought it should have. A woman follows the path of her mother as she makes a search for the man who is her father, starting in the small village her mother came from in the Middle East. The more she looks the deeper the mystery becomes as she discovers her mother was caught in a vicious civil war between Christian and Muslim factions in that country, leading to a shocking revelation that turns her daughter’s life upside down.

WHY IT IS HERE: There is no movie on this list that will grab your guts quite as much as this one does. While many explore the depths of man’s cruelty to man, here is a movie that takes that cruelty head-on and exposes the ugliness for all to see. Yet even with all this ugliness, there is still lingering hope that tinges the entire film and makes it ultimately an uplifting experience, despite the horror. Forgiveness trumps hatred every time.

HIGHLIGHT SCENE: A scene in which a busload of Muslim women meet a horrible end is one that will stay with you for a very long time.

BOX OFFICE RESULTS: $2.1 million domestic (as of 1/17/12), $3.6M total.

BUDGET: $6.8 million.

STATUS:Currently available on home video. Available on Starz. Download from iTunes/Amazon/Blockbuster. Rent DVD/Blu-Ray from Netflix/Blockbuster. Streaming unavailable.


(Sundance Selects) Buck Brannaman, Mary Brannaman, Reata Brannaman, Betsy Shirley, Robert Redford, Bibb Frazier, Betty Staley, Ali Cornish, Shayne Jackson, Smokie Brannaman, Ray Hunt. Directed by Cindy Meehl

Released June 17, 2011 Buck Brannaman is an archetype, a modern day cowboy who is equal parts Roy Rogers and Dr. Phil. His journey from being a trick roper for an abusive father to one of the top consultants to ranchers about horse behavior and horse training (the character of The Horse Whisperer is largely based on him) is a moving one. One look at the trailer which preceded it convinced me that this was going to be a special film and when I got to see it in San Francisco with Da Queen, I found it to exceed those expectations and Da Queen agreed – if you were to ask her, this would undoubtedly be one of her favorite movies of the year as well.

WHY IT IS HERE: This documentary won the Audience Award at the 2011 Sundance Film Festival last January and it’s easy to see why. Few films – and even fewer documentaries – have as much heart and compassion as this movie does and the reason for it is Brannaman. He is self-effacing, quiet and has a connection to horses that is rare as it is beautiful. He has challenged traditional methods of training for one that is more effective and less traumatic for the horse. These days it can be difficult to be proud to be an American but this movie will allow you to do so, at least for a few hours.

HIGHLIGHT SCENE: Buck comforts a rancher who realizes that her inexperience and poor decisions regarding her horse have led to the injury of one of her hands and the eventual termination of the horse.

BOX OFFICE RESULTS: $4 million domestic (as of 1/18/12), $4M total.

BUDGET: Not available.

STATUS:Currently available on home video. Available on Showtime. Download from Amazon/iTunes. Stream on Netflix. Rent DVD/Blu-Ray from Blockbuster/Netflix.


(Self-Released) Jill Pixley, Carlye Pollack, Jonathan Leveck, Colette Keen, George Killingsworth, Nick Frangione, Anne Darragh, Suzanna Aguayo, Nancy Carlin, Don Schwantz. Directed by Chris Brown

Released April 16, 2010 There are some movies that you will not see outside of a film festival. They are labors of love, made on shoestring budget by filmmakers who are often just learning their craft. Sometimes those movies are learning experiences for the filmmakers; they will go on to bigger and better things eventually but sometimes, you run into quality that stands on its own merit and doesn’t need any sort of qualifier, be it low-budget or inexperience. These films stand proudly with movies that have studio backing and/or indie distribution to be among the year’s best.  

WHY IT IS HERE: Brown’s third feature is an often poignant, generally funny and entirely too human portrayal of a dysfunctional family imploding over the course of a Christmas dinner. On paper it sounds awkward and uncomfortable and there are a few moments where those emotions are present but for the most part you just saw the damage done by years of digging, disappointment and disability. Well-acted (particularly Pixley, Keen and Killingsworth) and droll when it needs to be, this movie should be sent to every studio mogul and director as a primer in how great films can be done on microscopic budgets.

HIGHLIGHT SCENE: The scene near the end of the film when Danny’s departure brings down the facade from his mother and shows her to be what she truly is. It’s a marvelous piece of acting by Keen.

BOX OFFICE RESULTS: Not available.

BUDGET: Not available.

STATUS:The movie worked the film festival circuit last year, culminating in a brief run at New York’s ReRun Gastropub Theater in December. The film’s website doesn’t mention any plans for the movie to be released on DVD; hopefully someday it will be available in that formula or for digital download somewhere. Check the movie’s website for updates.


(DreamWorks/Disney) Emma Stone, Viola Davis, Bryce Dallas Howard, Octavia Spencer, Jessica Chastain, Ahna O’Reilly, Allison Janney, Sissy Spacek, Cicely Tyson, Mike Vogel, Anna Camp, Brian Kerwin, Mary Steenburgen, David Oyelowo, Aunjanue Ellis, Nelsan Ellis. Directed by Tate Taylor

Released August 10, 2011 Based on a bestselling novel by Kathryn Stockett, this movie shot to big box office after its release. The amount of success was a bit of a surprise given the subject matter but the quality wasn’t, given the excellent cast. Spencer has already won a Golden Globe for her performance and has received an Oscar nomination, along with Davis. The movie is also up for Best Picture.

WHY IT IS HERE: Some of the strongest ensemble work of any casts this year, for one thing. The writers and director Taylor could have taken the route in which Emma Stone’s Skeeter character was the brave white girl standing up for the oppressed minority (which has been done in other films) but that isn’t the case here; Stone is portrayed as much a cog in the wheel as the axel turning it. This is clearly Davis’ and Spencer’s movie. It’s funny, heartbreaking in places and insightful throughout.

HIGHLIGHT SCENE: The scene in which Hilly discovers the truth about the “terrible awful.”

BOX OFFICE RESULTS: $169.6 million domestic (as of 1/23/12), $205.3 million total.

BUDGET: $25 million

STATUS: Currently available on home video. Download from Amazon/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix.


(Sony Classics) Paul Giamatti, Dustin Hoffman, Rosamund Pike, Scott Speedman, Minnie Driver, Bruce Greenwood, Rachelle Lefevre, Saul Rubinek, Mark Addy, Macha Grenon, Paul Gross, Anna Hopkins, Jake Hoffman, Thomas Trabacchi, Cle Bennett. Directed by Richard J. Lewis

Released January 14, 2011 While it’s true Giamatti would win a Golden Globe for his portrayal of the title character, it was at last year’s Golden Globes. This Canadian film was based on a Mordechai Richler, author of The Apprenticeship of Duddy Kravitz. For whatever reason it was released in early January instead of late December, effectively ending any shot it had at Oscar contention.

WHY IT IS HERE: Amazing performances from an amazing cast, to be blunt. Giamatti as I mentioned won a Golden Globe and the rest of the cast, from the irrepressible Dustin Hoffman to the breezy Speedman to the gruff Addy to the lustrous Pike all did bang-up jobs. Barney’s journey isn’t an easy one and at times the movie is so heartbreaking you want to run out of the theater – or as the case may be your living room – but staying until the final credits roll is so very worth your while.

HIGHLIGHT SCENE: Basically, the last 20 minutes of the movie is something special. I was very, very moved.

BOX OFFICE RESULTS: $4.4 million domestic (as of 1/23/12), $8.5 million worldwide.

BUDGET: $30 million

STATUS: Currently available on home video. Available on Starz. Download from Amazon/Blockbuster/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix.


(Magnet) Otto Jespersen, Hans Morten Hansen, Tomas Alf Larsen, Johanna Morck, Knut Naerum, Robert Stoltenberg, Glenn Erland Tosterud. Directed by Andre Ovredal

Released June 10, 2011 We saw this at the Florida Film Festival and have been a huge fan ever since. While this is one of the “found footage” films subgenre that has been getting overused over the past couple years, it may very well be the best of them, better even than the one that started it – The Blair Witch Project.  

WHY IT IS HERE: Irreverent and fun, this is a theme park ride disguised as a movie. The trolls themselves are obviously CGI but they look exactly how you’d expect them to. Definitely the humor is low-key which some might have trouble with. This is one of those hidden treasures that nobody knows about, but when you get a friend to see it they become instant fans.

HIGHLIGHT SCENE: Hans filling out paperwork after his latest successful troll hunt.

BOX OFFICE RESULTS: $253,444 domestic (as of 1/25/11), $4.2 million total.

BUDGET: Not available.

STATUS: Currently available on home video. Available on Showtime starting February 23rd. Download from Amazon/Blockbuster/iTunes. Rent DVD/Blu-Ray from Blockbuster/Netflix. Stream on Amazon/Netflix.


(Weinstein) Jean Dujardin, Berenice Bejo, John Goodman, James Cromwell, Malcolm McDowell, Missi Pyle, Penelope Ann Miller, Beth Grant, Ed Lauter, Bitsie Tulloch, Joel Murray, Ken Davitian, Basil Hoffman. Directed by Michael Hazanavicius

Released November 25, 2011 After a good showing at the Golden Globes, The Artist is an odds-on favorite at the Oscars, with ten nominations including Best Picture (which it won at the Globes) and Best Actor for Dujardin (which he also won). This is probably the most critically acclaimed film of the year.

WHY IT IS HERE: This isn’t just an homage to silent cinema but an excellent example of the style of silent films. The humor is a bit broad and the pathos a bit maudlin but the movie works on every level. Even though there is almost no dialogue (there is music on the soundtrack and some sound effects) the acting gets across every nuance of the screenplay without fail. Dujardin, a French comic actor and Bejo, an Argentine actress, make a great team. This is the kind of movie that those who ordinarily wouldn’t choose to go see it are made believers after they’ve given it a shot.

HIGHLIGHT SCENE: George’s suicide attempt is a heartbreaker.

BOX OFFICE RESULTS: $12.4 million domestic (as of 1/25/11), $33.4 million total.

BUDGET: $15 million.

STATUS: Still in wide release.


(ARC Entertainment) Martin Sheen, Yorick von Wageningen, Deborah Kara Unger, James Nesbitt, Emilio Estevez, Tcheky Karyo, Spencer Garrett, Angelina Molina, Carlos Leal, Antonio Gil, Simon Andreu, David Alexanian, Eusebio Lazaro. Directed by Emilio Estevez

Released October 7, 2011 Walking the Camino de Santiago has always held a fascination to me. I’m way too out of shape to do it myself; this is as close as I’m going to come to doing it myself. I wasn’t impressed by the trailer or the concept originally but was blown away when I saw the film. It is insightful, emotionally authentic and yes it will make you laugh and cry.

WHY IT IS HERE: I am not the most Catholic of Catholics, but this movie gave me a nostalgic twinge in my ecumenical muscle. I also must admit that James Michener’s travelogue Iberia is a book that I’ve read and re-read a dozen times in my life; the chapter about the Camino always sung to me. No movie released this year afforded the opportunity for self-discovery as this one did and much of the responsibility for that goes to Martin Sheen’s dignified but realistic performance, making me realize how much I miss President Josiah Bartlett. Movies this powerfully moving should get as much praise as can be heaped on them.

HIGHLIGHT SCENE: The scene where Sara confesses to Tom about her abusive background.

BOX OFFICE RESULTS: $4.4 million domestic (as of 1/26/12), $4.4 million total.

BUDGET: Not available.

STATUS: Scheduled for home video release on February 21.


(AFFRM) Edouard Bamporiki, Cassandra Freeman, Marc Gwamaka, Zaninka Hadidja, Mursari Jean, Cleophas Kabasita, Hassan Kabera, Mazimpaka Kennedy, Assumpta Micho, Kena Onyenjekwe, Edouard B. Uwayo. Directed by Alrick Brown

Released December 2, 2011 Some movies aren’t seen so much as experienced. This film tells several stories about the Rwandan genocide, from a teenager girl who comes home after sneaking out to attend a party to find her parents murdered, to a courageous priest who tries to save as many of his Tutsi flock as he can, to a pair of soldiers who have varying reasons to want to put themselves at risk in Rwanda. Each story has an enormous emotional resonance and is based on a survivor’s actual experiences.

WHY IT IS HERE: This is a movie that doesn’t seem like a first feature. Indeed, I have not seen a better film this year. Few films will affect you as deeply as this one; but while it is set during one of the darkest moments in human history, it is not a story of darkness. Rather it is a film about reconciliation and hope, of the extraordinary ability of the human spirit to give the divine gift of forgiveness no matter how heinous the crime, how egregious the transgression. If the Tutsi can forgive the Hutu and move to becoming a single nation after what happened in Rwanda, there is hope for us as a species if we can, as the Rwandans are doing, appeal to our own higher natures. When a movie can provide that for its audience, it is an extraordinary film indeed.

HIGHLIGHT SCENE: A scene where one of the soldiers who committed murder in the genocide realizes what he has participated in and what it has cost his soul – with tragic results.

BOX OFFICE RESULTS: $21,097 domestic (as of 12/4/11), $21,097 total.

BUDGET: Not available.

STATUS: Kinyarwanda has had a limited release mostly in large cities. It is listed on the Netflix site with an as-yet unscheduled DVD release date, indicating that there are plans to release it in that format.


Fanny, Annie and Danny

Fanny, Annie and Danny

Jill Pixley and Jonathan Leveck ponder the joys of family gatherings.

(2010) Dramedy (Self-Released) Jill Pixley, Carlye Pollack, Jonathan Leveck, Colette Keen, George Killingsworth, Nick Frangione, Anne Darragh, Suzanna Aguayo, Nancy Carlin, Don Schwantz. Directed by Chris Brown

To utilize a bit of a Dickensian mash-up, Christmas can be the best of times and the worst of times. Family get-togethers can be lovely and heart-warming – depending on the family. Some families should never get within a thousand miles of each other.

Fanny (Pixley) is a developmentally challenged woman living in a group home. She works for a candy factory and is obsessive-compulsive about washing her hands. She also practices her recorder at six in the morning, which really annoys her fellow residents in the home. She mostly keeps to herself, losing herself in her beloved horse books.

Annie (Pollack) is in the midst of planning her wedding, 18 months hence, to Todd (Frangione), a good-hearted stoner who has yet to find a job that isn’t beneath him. Annie is a bit of a Bridezilla, obsessing over details of her wedding to the point where a little valium might not be such a bad idea. However, any suggestions in that arena would most likely be met with shrill disapproval. She works as a dental assistant for Dr. Bob (Schwantz), whom she makes uncomfortable not only for her attempts to manage things she shouldn’t be managing but also for her perhaps inappropriate affections.

Danny (Leveck) is a successful band manager who makes a little extra by skimming off of his fledgling bands. When the accountant mom of one of them discovers his chicanery and proclaims he owes the band twenty grand, he flees Los Angeles for a family gathering at Christmas, one he has studiously refused to attend for years.

Edie (Keen) is the reason why Danny has stayed away. Overbearing, abusive and controlling, Danny (whom she calls “Dan-Dan”) is the apple of her eye; her other children (particularly Fanny) and her husband are merely worms in the apple. She screams at her family in a voice undoubtedly roughened by years of smoking, drinking and screaming at her kids. For Edie, her way is the only way – any other suggestions to the contrary can be shoved with all due haste where sunlight can’t be found.

Ronnie (Killingsworth) is a Vietnam vet who sometimes likes to look through his pictures of his years in the military that he keeps in a tin box in the shed. He is a bit broken, possibly afflicted with some mild dementia but remains kind-hearted despite constant bullying by his wife. Generally, he just tunes her out as much as possible.

Edie is preparing the “perfect” Christmas dinner – which is held a week before Christmas because the actual holiday itself stresses Edie out too much. Fanny’s candy factory is closing and the kindly owner (Darragh) has given Fanny a $9,000 severance check which she is supposed to deposit in the bank, but she misses her bus and arrives after the bank closes. Devastated by her loss, she goes to her sister’s house only to find Annie out. Todd instead feeds her a couple of beers (not the best idea for someone taking medication) and listens sympathetically to her story. Annie’s arrival, however, signals the end of any sympathy – Annie has a distinct lack of any compassion where her sister is concerned, possibly due to having to care for her for too long.

All this is going to come to a boil when the family arrives at the home where Edie rules. Annie will attempt to curry favor from Danny in direct competition with Edie (who doesn’t appreciate anyone coming between her and her son) and Ronnie will discover his wife’s ultimate cruelty – and Fanny will wash her hands of all of it.

This is the third feature of San Francisco Bay Area filmmaker Chris Brown, who is also an accomplished songwriter and wrote the songs for the movie (including the oddball Christmas songs that Edie forced Danny to sing with her). Incidentally if you can find his album Now That You’re Fed and particularly the song “All My Rivals,” do go for it, the music is amazing.

He also wrote the script and collects a group of characters who pass through our gaze generally undetected when we see them on the streets but once you get to know them, you find them anything but bland. In that sense, they are very realistic – think of all the people you pass by without truly seeing them. We are all visible to the naked eye yet invisible to the gaze of others. Brown captures that aspect of our society very nicely and it adds to the realism of the film.

Pixley does some amazing work as Fanny to the point where you wonder if she might not have some of the issues she’s portraying. She’s that spot-on in her performance. Frangione also does an exceptional job, taking a character that is not necessarily sympathetic early on and in a matter of a minute or two makes him so. To Brown’s credit, he doesn’t write Todd as a Cheech and Chong clone but imbues the character with a personality that is more than a guy who smokes dope. Not all stoners are all about the dope.

The movie succeeds in painting a picture that is both funny and tragic. The children are all scarred by their mother’s behavior and while at times you want to punch Edie in the face, she is also ultimately a victim of her own behavior and if you look past the ugliness, you see someone who has been bitterly disappointed by life. The movie is compelling from the opening moments to the shocking last scene. It is not always easy to watch a family implode but Brown makes it funny and sad, like seeing a car full of clowns in a head-on collision with a semi.

REASONS TO GO: No matter how bad your family dynamics are, you’ll feel better about them after seeing this family. Organic performances and a clever script.

REASONS TO STAY: Mama Edie is such a horror show that people might actually cringe.

FAMILY VALUES: There is a smattering of foul language and a bit of drug use.

HOME OR THEATER: Look for it at a festival near you.


TOMORROW: More from the Florida Film Festival

Florida Film Festival 2011

As many of you know, I’m a huge supporter of the Florida Film Festival which takes place every year here in Orlando. Presented by the Enzian Theater (a non-profit group dedicated to bringing independent and foreign cinema to the people of Central Florida), it is an event like no other. It is not about deal making and studios finding the next hot indie property; it is about ordinary filmgoers rubbing elbows with filmmakers and fellow filmgoers. In other words, it’s as friendly and interactive a film festival as there is in the United States.

I was fortunate enough to receive press credentials for the Festival and can share with you some of the wonderful and amazing films that will be presented at this year’s event, the 20th anniversary film festival. The theme this year is Florida, a tribute to the state that the Festival is being held in and noted critic Scott Foundas of Variety will be curating a series of films inspired by, made in or created by Florida and Florida-based filmmakers. Included in the series is River of Grass, Ruby in Paradise and A Beautiful Belly. The festival kicks of on April 8 with the screening of Project Nim, the latest documentary from filmmaker James Marsh, the Oscar-winning filmmaker of Man on Wire.

Da Queen and I will be attending screenings of Incendies (a 2011 Oscar nominee for Best Foreign Language Film), Potiche (a French comedy starring Catherine Deneuve and Gerard Depardieu) and Troll Hunter, a Norwegian film that looks absolutely breathtaking. We will also be attending a variety of other films and events to be announced as time goes by. We will also be reviewing a variety of other films as well, including Fannie, Annie and Danny (whose filmmaker Chris Brown and lead actress Jill Pixley we’re hoping to interview at the Festival).

For those attending, there are some really awesome films not mentioned above that are going to be at the Festival and that we hope we’ll get a chance to see, including Meek’s Cutoff (a new kind of Western), Holy War (a contraversial documentary), Hesher (a slacker comedy), Hamill (the true story of a deaf MMA fighter), Kinyarwanda (set in the Rwandan genocide), Super (A DIY superhero film), Terri (a coming of age film about an overweight teen desperately trying to fit in) and Bobby Fischer Against the World, a look at the late chess prodigy.

Expect surprise guests and more news in the weeks to come. If you live in the Orlando area or are planning to visit, the Festival runs April 8 through April 17 and will screen over 160 films and shorts during the duration of the Festival. Tickets are onsale now, both in packages (starting as low as $40) and for individual films (usually $10 for most films, although there are several free events throughout the Festival).

If you’ve never attended a Film Festival, this is the one to go to. It’s laid back, friendly and full of really impressive movies ro see. For more information or to purchase tickets, go here. Look for a full slate of reviews, sometimes more than one a day (heavens! a change in site policy – can anarchy be far behind?) when the mood is right. Hope to see you all there!