(2010) Biographical Drama (W2 Media) Freddie Highmore, Helena Bonham Carter, Ken Stott, Oscar Kennedy, Victoria Hamilton, Matthew McNulty, Colin Prockter, Frasier Huckle, Kia Pegg, Rielly Newbold, Roger Walker, Rob Jarvis, Amy Marston, Selina Cadell, Louise Mardenborough, Corinne Wicks, Marion Bailey, Tracey Wilkinson, Claire Higgins. Directed by S.J. Clarkson
There is an old saying that says that the way to a man’s heart is through his stomach. Personally, I don’t buy it; the way to a man’s heart is through a place lower in the anatomy, if you get my drift. Still, if you can keep a man well-fed, you have a decent shot at keeping a man once you’ve got him.
For young Nigel Slater (Kennedy), life in the late 50s/early 60s in England is blissful although flavorless. His Dad (Stott) is a factory manager with a grumpy temperament; his mom (Hamilton) sweet as can be although she has one flaw – she can’t cook to save her life. Everything she makes is boiled in a can (a pre-microwave era of making prepared foods) and when the contents of those cans came out overcooked, it would be toast for supper, something Nigel actually looked forward to.
As it turned out, his mum had another flaw – severe asthma and eventually it would take her life. Although Nigel misses her terribly, life continues on pretty much as before with dad being not much better at cooking than his late wife was.
Into their lives comes housekeeper Mrs. Potter (Bonham-Carter) who is in fact a brilliant cook – she seduces the Slaters with heavenly meringues and savory roasts. But the now-teenage Nigel (Highmore) has taken an interest in cooking himself and is jealous of the attention his father is paying Mrs. Potter – and yes, there IS a Mr. Potter. Eventually the Slaters pull up stakes and move out to the country, Mrs. Potter in tow and Nigel competes with Mrs. Potter for Mr. Slater, with Mrs. Potter having the upper hand. Nigel has also discovered his sexuality – and he is very much interested in boys, although he is too shy to approach any. What will his dad make of that?
This was originally made for British television and was a monster hit in the ratings there. Why they chose to release it in the U.S. is something of a mystery; Slater, a well-known food critic in Great Britain, is virtually unknown here across the pond.
That doesn’t mean that this isn’t worth watching. Even if you don’t know who Nigel would become, his story is still interesting and bittersweet. It’s also nice to see Britain in the ’60s, in some ways the apex of modern British culture (some might argue that the 80s were and I wouldn’t disagree) and the filmmakers capture the period beautifully here, even more so than Mad Men.
Bonham-Carter is an underrated actress who often appears in supporting roles in big movies yet almost always steals attention in a good way – see her Harry Potter appearances or Big Fish if you disagree. While I get the sense that the filmmakers aren’t quite sure what they make of the Mrs. Potter character, whether she’s an adulterous manipulative homewrecker or a woman trying her best to please a family that’s been through hell. Nigel is much more clear; he thinks she’s the former and loathes the woman although we can’t always see why. In many ways, we begin to root against the main character which is rather odd because Bonham-Carter isn’t the focus; Nigel is and the more he hates Mrs. Potter, the more we see him as a spoiled officious twit.
The movie is a bit overbearing in places and makes a lot of its points with a sledge hammer when a Q-tip would have done. I could have used some subtitles in places as some of the rural accents were a bit difficult to decipher.
There was some entertainment to be had here and there are some funny moments but by and large I found that the filmmakers didn’t appear to have the courage of their convictions. The real Mrs. Potter’s daughters (Nigel’s stepsisters) have excoriated the movie (and Slater’s autobiography which inspired it) for the portrayal both of Mr. Slater and Mrs. Potter (her name was even changed for the movie) and while they have a bit of an ulterior motive, just the way these portrayals are made in the film tell me that they are a bit skewed by Nigel’s own prejudices in the matter which is only to be expected. We all see things through our own lens of self-interest.
WHY RENT THIS: Bonham-Carter is always fascinating onscreen. Captures period nicely.
WHY RENT SOMETHING ELSE: Doesn’t use Bonham-Carter’s character well. A bit heavy-handed.
FAMILY VALUES: Some foul language, period smoking and sexuality.
TRIVIAL PURSUIT: The chef at the Savoy Hotel who appears in the final scene is the real Nigel Slater.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: Not available.
SITES TO SEE: Netflix (DVD rental only), Amazon (unavailable), Vudu (rent/buy), iTunes (unavailable), Flixster (unavailable), Target Ticket (unavailable)
COMPARISON SHOPPING: No Reservations
FINAL RATING: 5/10
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