Now You See Me 2


The rain falls on the just, the unjust and Jesse Eisenberg.

The rain falls on the just, the unjust and Jesse Eisenberg.

(2016) Action (Summit) Mark Ruffalo, Jesse Eisenberg, Woody Harrelson, Dave Franco, Daniel Radcliffe, Lizzy Caplan, Jay Chou, Sanaa Lathan, Michael Caine, Morgan Freeman, David Warshofsky, Tsai Chin, William Henderson, Richard Laing, Henry Lloyd-Hughes, Brick Patrick, Zach Gregory, Ben Lamb, Fenfen Huang, Aaron Ly, James Richard Marshall, Alexa Brown. Directed by Jon M. Chu

 

We are fascinated by the concept of magic, of someone performing unexplainable feats of prestidigitation. Magicians are almost like real-life superheroes. All they lack is the spandex and the inclination to fight crime.

At the end of Now You See Me the Four Horsemen – the Vegas magic act that was a kind of Robin Hood, taking money from a rich insurance company and giving it back to the thousands of people it defrauded – are on the lam. J. Daniel Atlas (Eisenberg), the arrogant onstage leader of the Horsemen, is busy trying to investigate The Eye, the mysterious organization that controls them. Merritt McKinney (Harrelson) is trying to stay under the radar, Henley Reeves has left the group and Jack Wilder (Franco) has the world convinced that he’s dead. Their nemesis Thaddeus Bradley (Freeman) rots in jail and FBI Agent Dylan Rhodes (Ruffalo) is trying to steer his boss Natalie Austin (Lathan) away from the Horsemen since he is their behind-the-scenes handler. Dylan also has his late father Lionel Shrike (Laing) very much on his mind, particularly the stunt that killed him.

The Horsemen need a fourth and into the group comes Lula (Caplan), a street magician like Henley Reeves was although Lula is much more into the Grand Guignol than her predecessor. They’re going to need the whole lot of them because they are up against Walter Mabry (Radcliffe), a tech billionaire whom the world also thinks is dead (the world has a terrible track record when it comes to dead guys) who wants them to steal a super secret microchip that will give him access to every computer on the planet.

The chip is held in a super-safe location in Shanghai, so it’s off to China for the Horsemen, but Mabry has a couple of tricks of his own; for one, Merritt’s identical twin brother is helping him stay one step ahead of the horsemen and Mabry is the bastard son of none other than Arthur Tressler (Caine), the insurance magnate whom the Horsemen exposed and nearly ruined in the first movie. Mabry also has sprung Thaddeus Bradley from jail and he has nothing but revenge on his mind. It will take a whole lot more than a few magic tricks for this group to escape Mabry; it will take a genuine miracle.

The first movie was a frothy affair that was light on the credibility but heavy on the entertainment. If anything, the sequel is even lighter on the credibility but as far as the entertainment value is concerned…not so much, I’m afraid. It seems a lot less lively than the first both in tone and in pacing. This sucker chugs along with tons of exposition then an elaborate magic trick before continuing to…you guessed it, more exposition.

Caplan is actually a delight here. Her character is witty, sassy and very capable as a magician. More importantly, Caplan inserts some badly needed fun into a script that should have been loaded with it. I mean, magicians who are crime fighters? Come on! That should be a slam dunk. Instead it’s more like a three-point shot…..from beyond half court.

Ruffalo is still, as ever, a bona fide Hollywood star but his role, outed in the first film, is less mysterious here and therefore less interesting. We know who he is and what role he plays and moreover, so do the Horsemen (although there’s a bit of a pissing contest between Daniel and Dylan about halfway through the film). The unnecessary introduction of a twin brother gives Harrelson double the screen time and the film an extraneous character who not only wasn’t necessary to the plot but also provides an unwanted distraction. A good 15 minutes of screen time could have been erased from this too-long movie just by removing the twin.

This is quite a disappointment. I was entertained by the first but found myself yawning my way through the second. The stunts pulled by the Horsemen are, as the first, almost all CGI which again wounds the film terribly. I think as I did with the first one that doing the magic with practical effects instead of digital would only have made the movie better. I mean, rain falling upwards? In London? Maybe on a stage somewhere but not out in the middle of the street. Movie magic is one thing, but that would have been better served in a different movie, like one with a kid with a lightning-shaped scar on his forehead. Now, the makers of those movies understood what magic is all about better than the filmmakers of this one do.

REASONS TO GO: Caplan is a welcome addition to the cast. The premise is rock solid.
REASONS TO STAY: Lacks the vitality of the first film. Makes an art form of the preposterous.
FAMILY VALUES: A bit of violence and foul language.
TRIVIAL PURSUIT: Isla Fisher had to drop out of the film due to her pregnancy; Lizzy Caplan took over as an entirely new character.
CRITICAL MASS: As of 7/13/16: Rotten Tomatoes: 33% positive reviews. Metacritic: 47/100.
COMPARISON SHOPPING: The Italian Job
FINAL RATING: 5/10
NEXT: Central Intelligence

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X-Men: Apocalypse


Oscar Isaac strikes a dramatic pose.

Oscar Isaac strikes a dramatic pose.

(2016) Superhero (20th Century Fox) James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Oscar Isaac, Rose Byrne, Evan Peters, Josh Helman, Sophie Turner, Tye Sheridan, Lucas Till, Kodi Smit-McPhee, Ben Hardy, Alexandra Shipp, Lana Condor, Olivia Munn, Warren Scherer, Hugh Jackman, Monique Ganderton, Rochelle Kooky, Ally Sheedy. Directed by Bryan Singer

 

Human history is full of the strong oppressing the weak. Sometimes the strong are that in name only; they have strength only in the will to seize power and wield it. Other times they have the strength of numbers. Power can come from many different sources.

In the world of X-Men: Apocalypse the oppressed are feared by the oppressors. Mutants are powerful but they are few in numbers; it is the non-mutants who fear what they can potentially do. Professor Charles Xavier (McAvoy), once the most powerful telepathic mind in the world, sees things differently. He sees a world in which mutants and normals live harmoniously, in which mutants use their powers to protect those who have none. He’s established a school to teach young mutants to fulfill exactly that purpose.

It is a different world than what Magneto (Fassbender) sees but with good reason. The Master of Magnetism is powerful, but was unable to prevent the deaths of his parents at Auschwitz, nor could he protect his wife and daughter while he lived in anonymous exile in Poland (methinks Magneto should stay away from Poland, where Auschwitz is also located, because horrible things seem to happen to him there). He is ripe for being swayed over to the dark side of things.

Enter Apocalypse (Isaac). He may or may not have been the first Mutant, but he is certainly among the most powerful. In his day, he had been worshipped as a God and in fact ruled Egypt as a living God, a despotic tyrant who was eventually ambushed by those who opposed his rule and buried under the rubble of a collapsed pyramid, knocked unconscious before he could change his psyche to the body of a younger man (which is how he remains immortal). His long slumber has been interrupted by misguided followers of his cult and now he’s back in the world, and he doesn’t like what he sees.

In his day, the mutants ruled the normals but that’s not what is happening in the 1980s. It is the height of the cold war and new wave, an era in which the mutants are regarded with suspicion after what happened in the events of X-Men: Days of Future Past. Apocalypse always has a personal guard of four powerful mutants whose powers are enhanced and in this case he chooses Storm (Shipp) with powers over the weather, Psylocke (Munn) who can hurl telepathic daggers and Angel (Hardy) with wings of steel that can hurl steel projectiles.

In the meantime, Mystique (Lawrence) has chosen to remain in her human form and is recruiting new mutants to the Xavier School, including the telepath Jean Grey (Turner) who has the potential to be even more powerful than Xavier himself, Nightcrawler (Smit-McPhee) who can teleport and Scott Summers (Sheridan) who can shoot incredibly strong force bolts from his eyes. Along with Hank McCoy (Hoult) – the ever-loving Beast and resident scientist for the group – and Havok (Till), Summers’ brother whose force beams come out of his chest, and Quicksilver (Peters), a super-speedster, the school is full of very powerful and dangerous kids which attracts the attention of Col. Stryker (Helman) who has a mutant experiment of his own going at Alkili Lake.

Now we’re setting up a potential battle – Apocalypse who wants to destroy the world and repopulate it with mutants who would be the only ones strong enough to withstand the destruction, and Xavier who wants to save the world. Each has their own team; Apocalypse with the Four Horsemen, Xavier with the X-Men and they will duke it out with the fate of the world hanging in the balance.

Of course, the plot is fairly endemic to most superhero movies especially this year when it is the third of three different movies from three different studios all with superheroes battling one another. While critics have been decrying the similarity of the plots, there are subtle differences in each that for my money make them all different takes on a similar but not identical theme.

Here the theme has to do with the oppression of minorities and whether it is the responsibility of those with power to protect their own at the expense of everyone else, or to protect those who need it. The latter is a crucial question in the four color world of superheroes and one which does get repeated fairly regularly in the cinematic world of superheroes as well; as was said in a certain webslinger’s movie, with great power comes great responsibility.

As summer blockbusters go, it has plenty of spectacular action and amazing visuals which is what one looks for in a hot weather diversion. Unfortunately, the movie also has what has proven to be a superhero movie killer on many occasions recently; too many characters. I only touched on the main characters here and there were many others involved in the film, like Wolverine (Jackman) who shows up in a memorable cameo appearance in Jackman’s penultimate appearance as the character.

This is based on a classic comic story arc which is one I was actually familiar with as it was written while I was still collecting comics. The Apocalypse of the comic books was, in my opinion, much more of a villain than he is here and certainly much more dangerous, even though Isaac turns in a pretty strong performance despite the layers and layers of make-up. The Apocalypse of the comics was simply evil and didn’t really have an agenda beyond ruling the world; here, he has a philosophy which is supposed to give him motivation but ends up as unnecessary clutter. There’s a lot of that here, including the Wolverine appearance.

The producers of the X-Men franchise have said that this will conclude the trilogy started in X-Men: First Class in 2011. They have established several new young versions of some of the more beloved characters in the franchise. Where they will go with them is anybody’s guess but you can be sure there will be plenty more X-Men action coming in the future from Fox, for whom this franchise has been a gold mine.

This isn’t the weakest entry in the X-Men franchise but it’s certainly not the strongest. I think some judicious trimming of the number of characters as well as the plot itself (the movie clocks in at well over two hours) might have been beneficial to the final product. Singer has always had the best grip on the X-Men universe of any of the directors who have tackled it. Hopefully whomever inherits the reins will improve on this film which is merely decent.

REASONS TO GO: Some of the visuals are spectacular. It does give the First Class trilogy a nice definite conclusion.
REASONS TO STAY: Feels bloated and overpopulated with characters. Apocalypse felt far more dangerous in the comic book edition than he did here.
FAMILY VALUES: Plenty of superhero action and destruction, some brief strong language and a scene that is sexually suggestive.
TRIVIAL PURSUIT:  Oscar Isaac’s voice was recorded with three different types of microphones, and then melded together to create the voice of Apocalypse.
CRITICAL MASS: As of 7/10/16: Rotten Tomatoes: 48% positive reviews. Metacritic: 52/100.
COMPARISON SHOPPING: The Fantastic Four
FINAL RATING: 6/10
NEXT: Keeper of Darkness