Wild


Reese Witherspoon thinks she's found a place without paparazzi but she's keeping an eye out anyway.

Reese Witherspoon thinks she’s found a place without paparazzi but she’s keeping an eye out anyway.

(2014) Biographical Drama (Fox Searchlight) Reese Witherspoon, Laura Dern, Thomas Sadoski, W. Earl Brown, Kevin Rankin, Michiel Huisman, Gaby Hoffman, Keene McRae, Brian van Holt, Cliff De Young, Mo McRae, Will Cuddy, Leigh Parker, Nick Eversman, Ray Mist, Randy Schulman, Cathryn de Prume, Kurt Conroyd, Ted De Chatelet, Jeffee Newman, Art Alexakis, Beth Hall. Directed by Jean-Marc Vallee

Sometimes life throws things at us that we just can’t bear. We make bad choices because of it, go down paths we were never meant to explore and find ourselves lost. Few people can find their way back from these deviations from course.

Cheryl Strayed (Witherspoon) is a young 26-year-old woman starting an 1,100-mile hike on the rugged but beautiful Pacific Crest Trail which starts at the Mexican border and ends at the Canadian. She only plans on going from the southern terminus into Ashland, Oregon but it’s still a daunting prospect, considering she has virtually no experience whatsoever with long distance hiking.

Cheryl has had some tough times of late. Her mom (Dern) passed away suddenly of cancer. She descended into heroin addiction and unprotected sex with multiple partners. Her marriage to Paul (Sadoski) has ended in divorce. Her life was a mess and she knew it. She felt that she needed to clear all the toxins out of her system by “walking it out” as her mother would have put it. So she decided that, having seen a book on the trail in her local bookstore in Minnesota that this would be her best way to get herself out of the world for a little while, get herself right and move on with her life.

The way isn’t without challenges. Her first day only nets her five miles in a harsh desert climate – at that rate it would take her 220 days to finish her hike – or about 130 more than she thought. She has difficulty setting up her tent – it takes her hours. Then she figures out that she has purchased the wrong fuel for her cookstove, meaning that she’ll have to eat her dehydrated meals as a cold mush. Not particularly appealing. She’s also managed to get boots that are too tight and are causing some major issues.

There are other pitfalls as well, many of them human – men who want to get into her pants, by flattery or by force. She feels incredibly lonely and there is little to do but think about what got her there in the first place. With a bulldog-like persistence and a toughness that would surprise anyone who thought this petite blonde had any in her, she adapts and overcomes, winning over admirers on the trail – but the question is will this be enough to change her life?

Vallee, whose last film (Dallas Buyers Club) won Oscars for Matthew McConaughey and Jared Leto, might just repeat that feat here. Witherspoon with already one statuette to her credit for Walk the Line is absolutely wonderful here, eschewing Hollywood glamour for the realism of trail life and the tawdry existence that preceded it. She is in nearly every scene, often alone, This is her film to carry and carry it she does, imbuing Cheryl with vulnerability which eventually becomes an inner toughness.

Dern also turns in an award-worthy performance as the optimistic mom who has enough inner strength to raise two children alone after leaving an abusive alcoholic husband. She is reinventing herself when her life takes a tragic turn but for the most part she remains a breath of fresh air throughout, trying to soldier on despite having almost no money. She is representative of a million single moms out there, although I would have to say that I don’t think many would have the sort of life philosophy that Bobbi (Cheryl’s mom) had.

Vallee tells the story mainly through a sequence of flashbacks which take many different forms. Some are mere flashes, only lasting a second or two while others are fully formed scenes that play in Cheryl’s mind. Others are things her mind is on concurrent to the events of her hike, happening silently. Cheryl narrates from her journal and leaves messages at way stations, quoting diverse authors and poets. She becomes something of a celebrity on the trail, being one of the few women hiking alone and certainly the only one hiking alone on as much of it as she is.

The cinematography by Yves Belanger is breathtaking, but then again he has quite the canvas to work with. The music is simple and non-treacly, often using popular songs by artists like Paul Simon and the Hollies to pull the story along. Nick Hornsby’s script is smart and well-reasoned for the most part but one of the main objections I have to the movie is the lack of connection from A to B to C. We know that Cheryl sinks into a morass of alcohol, heroin and unprotected sex after her mom passes away but we don’t see how that happens; one moment she’s caring for her mom, the next she’s finding out she passed away, the next she’s sitting in a bar trolling for men and the next she’s shooting up. We see the descent in bits and pieces, like a book with pages missing. The ascent is much more drawn out.

While this isn’t the best film to come out in 2014, it has some of the best performances in it. Witherspoon alone is reason enough to catch this movie in theaters while it’s still out there – the scenery is also best seen on a big screen. Definitely one that should be on your must-see list this season.

REASONS TO GO: A searing performance by Witherspoon, nearly certain to get an Oscar nomination if not the win and Dern may well join her. Gorgeous cinematography. Incredible story.
REASONS TO STAY: Never really get a sense of why Cheryl moves from one mindset to another.
FAMILY VALUES: There’s a good deal of sexual content, a fair amount of nudity, some drug use and a good deal of foul language.
TRIVIAL PURSUIT: The real Cheryl Strayed appears in the film as the woman driving the truck who drops off Reese Witherspoon at the beginning of the film. Also, the daughter of Cheryl Strayed plays Cheryl as a little girl in the film.
CRITICAL MASS: As of 1/3/15: Rotten Tomatoes: 91% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: Tracks
FINAL RATING: 8.5/10
NEXT: The Hobbit: The Battle of the Five Armies

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13


This is one gun club you don't want to be a member of.

This is one gun club you don’t want to be a member of.

(2009) Action (Anchor Bay) Jason Statham, Sam Riley, Alice Barrett Mitchell, Gaby Hoffman, Mickey Rourke, Stephen Beach, Emmanuelle Chriqui, Michael Shannon, Michael Berry Jr., Ray Winstone, Alexander Skarsgard, Starla Benford, Mike D’Onofrio, Daisy Tahan, Carlos Reig-Plaza, Forrest Griffin, Ed Bergtold, John Hoffman, David Zayas, Ben Gazzara, 50 Cent, Ashlie Atkinson. Directed by Gela Babluani

Some movies shouldn’t be remade by Hollywood. Not because the original is perfect as it was, but because there is a misunderstanding by Hollywood sorts of why the movie worked in the first place. That gets clouded when the director of the original also directs the remake.

13 Tzameti is not the perfect movie but it is a very good one. A French production set in France and in Georgia (the Russian one), it tells its story in black and white, lending a gritty quality that is largely absent here. While the story is nearly identical here, it is more fleshed out not only in backstory but also in palette – this movie is in color, which isn’t necessarily a good thing.

Vince Ferro (Riley) is a down on his luck laborer with a good heart. He is desperately in need of money – a lot of it – but the prospects of that are slim given his skill sets in life. While doing a job, one of the residents of the home he’s working in dies of a drug overdose. He overhears talk that the dead man was going to start a job that paid extraordinarily well. There are instructions for the job in an envelope which Vince, figuring the deceased wouldn’t need anymore, takes for himself.

 

He ends up taking a train to Chicago and is driven from there to a secluded dilapidated house where he is ordered to strip. His boot heels are cut off as the organizers look for electronic devices. To Vince’s horror, he is issued a gun and a single bullet, and a shirt with the number 13 on it. Other men, with other numbers on their shirts are also issued the same. They are made to stand in a circle and to load the gun with the bullet. The participants then spin the chambers until they are told to stop. They all aim the gun at the head of the man ahead of them. When a light bulb goes on, the master of ceremonies (Shannon) tells them, they are to pull the trigger. Those that don’t will be shot. Ferro is reluctant but knowing he will be killed for certain if he doesn’t, he participates.

Survivors of the first round will be issued two bullets in the second and those that survive the second round will be issued three bullets in the third round. At that point there are only five participants left, including Ferro. Two of the five are selected for a final duel – Ferro and Ronald Lynn Bagges (Winstone).

All this is done for the entertainment of a group of wealthy men, who bet heavily on the outcome of each round. Each of the participants has a wealthy sponsor, in Ferro’s case an elderly man (Gazzara) and in Bagges’ case his own brother Jasper (Statham). Should Ferro survive he will get a healthy payday, one that will allow him to live in luxury the rest of his life. But the odds are long, a dogged police detective (Zayas) is getting closer to busting the game and even if Ferro wins he will have to be on his toes to escape both the vengeful Jasper and the cops.

 

The newer movie is much more detailed than the first which took place more in the immediate moment which added to the overall tension. Here we get more of the backstory to the various characters, both the participants in the game and the rich men betting on it. It also must be said that in some ways this is a better looking movie, although in the end result I don’t think that the gloss did the film any favors. The original succeeded largely because of its grim noir-ish look and because we are so locked into the horror of the situation we don’t have time to think of anything else.

Certainly the acting is better here and there’s something to be said for that. However, with all the added backstory the movie tends to take detours that we really don’t want to be on. While the suspense is still relatively high, it still doesn’t compete with the first movie in that department.

So it’s safe to say that this is one of those movies that is a lot better if you see it before seeing the movie it’s based on. If you see 13 Tzameti first this will suffer a great deal by comparison. In that sense, maybe having the same director worked against this film; he was given a bigger budget and name actors like Statham, Rourke and Winstone. Of course he’d want to make a bigger movie. However in this case, bigger isn’t better.

WHY RENT THIS: Gut-wrenching suspense. Makes a nice companion piece to the original.

WHY RENT SOMETHING ELSE: Doesn’t always hold up to the original. Meanders a bit. Needs more grit and less gloss.

FAMILY VALUES: Some fairly disturbing violence, a bit of foul language and some brief drug use.

TRIVIAL PURSUIT: Ray Liotta was originally cast in the part of Detective Mullane but had to bow out due to a scheduling conflict; David Zayas ended up in the role.

NOTABLE HOME VIDEO EXTRAS: None listed.

BOX OFFICE PERFORMANCE: Not available.

COMPARISON SHOPPING: Surviving the Game

FINAL RATING: 6/10

NEXT: Beowulf

New Releases for the Week of June 27, 2014


Transformers: Age of ExtinctionTRANSFORMERS: AGE OF EXTINCTION

(Paramount) Mark Wahlberg, Nicola Peltz, Stanley Tucci, Jack Reynor, Kelsey Grammer, Sophia Myles, Li Bingbing, Robert Foxworth, John Goodman, Ken Watanabe. Directed by Michael Bay

With Chicago laid waste but humanity safe for now, the Transformers have become persona non grata as the picking up of pieces commences. However, a new and ancient threat has the Earth set right in its crosshairs and Optimus Prime must turn to a new set of humans if this threat is to be defeated – if it can be defeated at all.

See the trailer, clips, interviews, promos and B-roll video here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D (opens Thursday)

Genre: Science Fiction

Rating: PG-13 (for intense sequences of sci-fi violence and action, language and brief innuendo)

Ek Villain

(Balaji) Sidharth Malhotra, Ritesh Deshmukh, Shraddha Kapoor, Aamna Sharif. After his lover is brutally murdered by a serial killer, a man decides to take the law into his own hands and bring the murderer to justice. As he chases down his nemesis, the lines between good and evil begin to blur and melt into one another until it is impossible to tell light from darkness.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood/Action

Rating: NR

Obvious Child

(A24) Jenny Slate, David Cross, Gaby Hoffman, Richard Kind. A young woman struggles to make it as a stand-up comic, working a day job to make ends meet. Things however go horribly wrong as she loses her day job, gets dumped by her boyfriend and discovers she is pregnant. Happy Valentine’s Day indeed. She will use her ability to find humor in any situation as the courage that she uses to get up on stage will now be necessary to help her make it in real life. This played the most recent Florida Film Festival and was one that I’m looking forward to seeing.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language and sexual content)