Jurassic World: Fallen Kingdom


From the frying pan into the proverbial fire.

(2018) Adventure (Universal) Chris Pratt, Bryce Dallas Howard, Rafe Spall, James Cromwell, Justice Smith, Daniella Pineda, Toby Jones, Ted Levine, Jeff Goldblum, BD Wong, Geraldine Chaplin, Isabella Sermon, Robert Emms, Peter Jason, John Schwab, Sam Redford, Charlie Rawes, Patrick Crowley, Alex Dower, Honey Holmes, Neil Bishop, Philippa Thomas. Directed by J.A. Bayona

 

In the fifth movie of the franchise overall and the second in the Jurassic World trilogy, I think it’s safe to say that most film audiences have gotten over the wonder and awe of seeing realistic-looking dinosaurs in the movies. It is therefore incumbent upon the filmmakers a good story to surround the cinematic lizards with.

Isla Nublar, where the doomed theme park once stood, is in danger but not from dinos; no, it’s the impending volcanic apocalypse that is putting every dinosaur on the island at risk. Congress is debating whether or not to save the resurrected critters; Ian Malcolm (Goldblum) in the worst utilization of Jeff Goldblum in a film ever, argues against it. He wins.

Former publicist and current activist Claire Dearing (Howard) wants to save the dinosaurs she once sold as entertainment and also ran in terror from. She is approached by Benjamin Lockwood (Cromwell), the former partner of the late John Hammond, to rescue the creatures on the down/low. To do it, she’ll need the services of ex-boyfriend Owen Grady (Pratt), the velociraptor whisperer who is busy building himself a shack on the beach. And of course, despite his reluctance, he agrees to go. But that’s only the beginning. There’s a conspiracy of Lockwood’s assistant (Spall) to auction off the creatures to billionaire industrialists which might just be the worst idea ever, as later events will confirm.

This feels less like a movie and more of a pastiche of bits and pieces from previous films in the franchise. There are some political barbs (one of the baddies calls one of the heroes “A nasty woman”) and some food for thought – do we have the right to destroy a species, even one we created? Do we have the right to exploit animals? Does our treatment of the natural world determine our fitness to survive? All very important questions and really worth tackling in a much less lighthearted manner.

This might be the most disappointing entry in the Jurassic franchise, even exceeding the two sequels of Jurassic Park. Sure, the visuals are as you’d expect top of the line, and there are some thrilling sequences but nearly half of the movie takes place inside a house which really take the bigger dinosaurs literally out of the picture and the big reveal near the end of the movie shouldn’t come as much of a surprise to anyone. Hopefully the next installment of the franchise will wrap up this trilogy with a bang instead of a whimper.

REASONS TO SEE: The tone is a little darker than previous JP/JW films.
REASONS TO AVOID: Too many clichés sink this ship.
FAMILY VALUES: There is plenty of action and violence.
TRIVIAL PURSUIT: The T-Rex in both of the Jurassic World movies is the same one that appeared in the Jurassic Park films, according to screenwriter Colin Trevorrow.
BEYOND THE THEATER: Amazon, Fandango Now, Fios, Frontier, Google Play, iTunes, Microsoft, Movies Anywhere, Vudu, YouTube
CRITICAL MASS: As of 7/28/19: Rotten Tomatoes: 48% positive reviews: Metacritic: 51/100
COMPARISON SHOPPING: Godzilla
FINAL RATING: 6/10
NEXT:
Method of Murder

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Assassin’s Creed


Michael Fassbender realizes that taking this role might have been a mistake.

Michael Fassbender realizes that taking this role might have been a mistake.

(2016) Adventure (20th Century Fox) Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson, Charlotte Rampling, Michael K. Williams, Denis Ménochet, Ariane Labed, Khalid Abdalla, Essie Davis, Matias Varela, Callum Turner, Carlos Bardem, Javier Gutiérrez, Hovik Keuchkerian, Crystal Clarke, Michelle H. Lin. Directed by Justin Kurzel

 

Is free will all it’s cracked up to be? What is free will, after all, if the decisions you make are uninformed? Is it better to have someone make our decisions for us for the greater good? Or is it better that we have our own free will even if our decisions tend to be rendered by self-interest and disregard for others?

Convicted murderer Callum Lynch (Fassbender) is about to be executed. Never mind that he witnessed his father (Brian Gleeson) murder his mother (Davis) in cold blood without explanation, he turned to crime on his own and for his crimes he will pay. Except that he wakes up – not in heaven, but in a strange corporate facility where Dr. Sofia Rikkim (Cotillard) informs him that he’s still alive and about to take part in a procedure that will tap his genetic memories. Memories of ancestors, or in this case of a specific ancestor – Aguilar (Fassbender) who was an assassin – excuse me, Assassin – who alone knows the location of an artifact called the Apple of Eden.

This is all a part of an ages-old feud between two warring factions, the Templars and the Assassins, each fighting for their philosophy of free will versus control. Think of the Assassins as Chaotic Good while the Templars are the Lawful Evil. In any case, the Apple of Eden contains the genetic DNA of free will; he who controls it can modify human behavior – eliminate violence altogether, says Dr. Rikkim. Oh boy!

The means of doing that is through a machine called the Animus in which Callum can inhabit the body of Aguilar, see what he sees and utilize his skills which, as it happens, he retains when he comes back into his own body. There’s also a robotic arm on the Animus which allows Callum/Aguilar to do all sorts of nifty parkour moves.

The problem is as it always seems to be is that not everything is what it appears to be. Dr. Rikkim seems to have the best intentions, but what of her industrialist father (Irons) and the haughty patrician lady Ellen Kaye (Rampling)? And when it turns out that Callum’s hated father (Brendan Gleeson) is in the facility, a reckoning is sure to follow.

Like many movies based on videogame franchises, the basic appeal is going to be to the gamers who are familiar with the game and know the mythology behind it. Those of us who aren’t familiar with the game are going to have a hard time navigating this movie which is convoluted and over-complicated. The latter two traits actually work in favor for a videogame; gamers want a complex game to navigate because that maintains their interest.

The visuals are compelling for the most part although there’s a tendency for the scenes set in the Inquisition to be overlighted and a bit washed out. Scenes that are set outdoors don’t look it and I have to think that’s because the CGI is insufficient to the task. Nothing takes you out of a movie faster than scenes that don’t look real. Also, I understand that the Eagle that appears several times in the movie is a game thing, it seemed overused to me and also looked badly animated.

The stunts however were mind-blowing, some of the best of the year. While I thought that the best one (involving a more than 100 foot free fall, a stunt not attempted for a Hollywood film for more than 30 years) should not have appeared in the trailer when it does show up in the film it’s no less breathtaking.

One doesn’t go to this kind of film for the acting, but given the pedigree of the cast including some of the finest actors in the world (i.e. Fassbender, Cotillard, Irons and Gleeson senior) the performances show that they were at least attempting to do their best. Stiff upper lips must have been needed given some of the things they had to do and say here, but one can’t fault the cast here for the film’s shortcomings.

It is ironic that the theme here champions free will and yet the medium is a movie, which is essentially a passive enterprise in which the audience simply accepts the vision and viewpoint of the filmmaker as opposed to the videogame in which the player makes choices. The audience here makes none other than whether or not to walk out halfway through. What we have here is another failed attempt by Hollywood to make a hugely popular videogame into a movie franchise; perhaps they should stop trying.

I’m not against videogames or videogame adaptations – far from it. I’m just against bad adaptations. I would love to see a film adaptation that actually does justice to a game and I know it can be done. It just hasn’t really been up to now for any franchise not called Resident Evil. Hopefully at some point we will see one – just not today.

REASONS TO GO: The stunts are incredible. The cast at least take the material seriously.
REASONS TO STAY: The plot is overly complex and convoluted. All of the outdoor scenes look like they were filmed indoors in a simulation of late afternoon.
FAMILY VALUES: As you might expect with a videogame adaptation there is a ton of violence, some adult thematic elements and a bit of profanity.
TRIVIAL PURSUIT: The movie was given a completely unique plot rather than bringing one of the videogames to the screen (there are nine of them in the Assassin’s Creed franchise) and Ubisoft has stated that all of their big screen films will have separate storylines from their games.
CRITICAL MASS: As of 1/22/17: Rotten Tomatoes: 17% positive reviews. Metacritic: 36/100.
COMPARISON SHOPPING: Tomb Raider
FINAL RATING: 5/10
NEXT: Fences