Origin (Bieffekterna)


Some things just shouldn't be meddled with.

Some things just shouldn’t be meddled with.

(2016) Science Fiction (108 Media) Emelia Hansson, Rikard Bjȏrk, Sandra Redlaff, Rafael Pettersson. Directed by Andreas Climent and André Hedetoft

Sometimes you find really good movies unexpectedly. This Swedish film has played a handful of international film festivals and is just now making its VOD debut in North America. While researching the film, I found almost no reviews (except of its trailer) and one interview with the filmmakers.

A trio of biomedical students at a Swedish university works with Professor Robert Bergmann (Pettersson) who is trying to find a way to control human DNA, specifically the aging process of cells. This would help eradicate sickness, stop disabilities and birth defects and extend life dramatically. They are meeting with failure after failure. Julia (Hansson) has some ideas of how to approach this but Bergmann refuses to consider them. He is getting frustrated because their lack of results may end up getting their grant pulled.

To complicate matters further, Erik (Bjȏrk) – who along with being a computer analyst is also Julia’s boyfriend – has been diagnosed with terminal cancer and months or maybe only weeks to live. Julia has figured out a way to attack the problem so without Bergmann’s knowledge she tests it and the students discover to their amazement that Julia’s solution worked. Erik and Julia, along with Rebecca (Redlaff) who has been working with them on Professor Bergmann’s team secretly set up a lab in Julia’s apartment. Meanwhile Erik is at death’s door and Julia is unwilling to wait for the months of testing before human trials can begin. So she injects her lover with the serum and hopes for the best.

The best is just what they get. Erik appears to make a full recovery and more. The serum seems to have heightened his senses and strength, turning him almost superhuman. At first it’s all fun and games but then as Erik’s behavior grows more aggressive and he becomes prone to fits of rage, Julia begins to worry that Erik is being changed in a fundamental way. Rebecca, who has been feeling like the odd person out in the trio, secretly injects herself with the serum.

That’s when the other shoe drops. It becomes apparent that Erik’s body is fighting the new genomes which will end up with his body destroying itself. The race against time begins to find away to beat Erik’s own immune system…but are they meddling with things that human beings shouldn’t?

The publicity of the film uses the term “biohacking” which apparently is a thing. They even thoughtfully provide a definition on the movie’s poster which is “the act of exploiting genetic material without regard to acceptable ethical standards, or for criminal purposes.” I call it the “Frankenstein syndrome’ – a film concerned with the ethics of science. As Ian Malcolm once put it, “you were so preoccupied with whether or not you could that you didn’t stop to think if you should.” That’s the crux of the matter here.

Like Arrival, the movie is more about the concepts than the special effects and quite frankly there really isn’t very much here if any. All the effects as far as I could tell were practical and most of the science fiction was concept. While not quite up to the multi-layered story that was told there, this is still a truly remarkable film that comes right out of left field and tells a solid story without trying to reinvent the wheel.

The acting is pretty much solid although there are tendencies to over-exaggerate hysteria when the script calls for it. You might be surprised because she doesn’t get a ton of screen time but I found Redlaff to be one of the better performers here. She has tons of potential and I wouldn’t be surprised if she becomes a big star in Sweden, or even crosses the pond to become a player in Hollywood. If Alicia Vikander can do it, it certainly can be done again.

There are a lot of pop culture references here, from Game of Thrones to certain other films and while that might end up dating the movie a little bit, they actually make for clever touchstones that Millennials would identify with and refer to. In other words, these university students act like university students, albeit post-grads.

I was thoroughly entertained and both my mind and heart stimulated. That’s a pretty good accomplishment for any film and especially one which has arrived with almost no fanfare or buzz. I’ve provided links to their current VOD streaming locations and I strongly urge you to take a chance on this one, particularly if you like good science fiction. No space battles or weird monsters here but a well-told tale nonetheless that gives insight into the line between human and something else.

REASONS TO SEE: Climent and Hedetoft are master storytellers. Makes use of pop culture references effectively.
REASONS TO MISS: Some of the acting is a bit over-the-top.
FAMILY VALUES:  Some language, violence, sexual situations and adult themes.
TRIVIAL PURSUIT:  This is the feature film debut of Climent and Hedetoft who have previously collaborated on short films and commercials for such companies as Alfa Romeo and Cadbury.
BEYOND THE THEATERS: Amazon, Google Play, iTunes
CRITICAL MASS: As of 12/14/16: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Flatliners
FINAL RATING: 7.5/10
NEXT: Blood on the Mountain

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Splice


Splice

Adrien Brody has a thing for exotic chicks.

(2009) Science Fiction Horror (Warner Brothers) Adrien Brody, Sarah Polley, Delphine Chaneac, Brandon McGibbon, Simona Maicanescu, David Hewlett, Abigail Chu, Jonathan Payne.  Directed by Vincenzo Natali

If man is able to create life, what separates men from God? Perhaps that would be hubris, one of man’s great sins but if one is like God, would then there be hubris naturally?

Clive Nicoli (Brody) and Elsa Kast (Polley) are both genetic engineers working for Nucleic Exchange Research and Development (N.E.R.D. – hahaha) as well as a romantic couple. At work they are trying to splice together the DNA of different animals to create unique new species for medical use. When they manage to create a female version of the new creature, the two become eager to add human DNA to an animal DNA in order to revolutionize both science and medicine but their employers, concerned about the P.R. implications of that kind of research, forbid it.

Instead, as all good mad scientists will, the two decide to carry on their research in secret and are able to successfully splice human DNA with animal DNA. They all the resulting organism Dren (Nerd spelled backwards) since Elsa refuses to refer to it as a specimen. She is in fact developing an almost maternal attitude towards the creature, which we eventually learn has Elsa’s DNA within it. The creature begins to learn and grow at an astonishing rate, maturing from child Dren (Chu) to young woman Dren (Chaneac) in weeks. After Dren attacks a lab technician who happens to be Clive’s brother Gavin (McGibon) Clive and Elsa decide to move their creation to the farm that belonged to Elsa’s late mother.

There things go from bad to worse. Dren is continuing to evolve, adding a lethal stinger and wings into her arsenal. She also has shown a tendency towards petulant violence, as well as signs of sexual awakening – and her sexual obsession is turned towards Clive. In the meantime, the previous experiment has ended in catastrophe as the two genetically spliced beings turn on each other in a violent fight that ends in both of the creatures tearing each other apart in front of a shocked audience. Have the two scientists created something beautiful – or a monster?

Director Natali is best known for The Cube (1997), one of the smartest science fiction films of the last decade. This one is no less intelligent, asking questions about scientific hubris and the process of creation as well as the morality of science as we stand on the cusp of human cloning and stem cell research.

He has a couple of fine actors to work with as well. Polley is a tremendously underrated actress who shines here as she usually does. She gives Elsa a certain amount of humanity and although Elsa has a dark past that eventually comes to light (and explains much of her actions), this is a character that could easily have been off-putting. Instead, Polley gives us a rooting interest in her.

One of the irritants of the film is that Clive’s actions become somewhat spineless as the film goes on; that isn’t Brody’s doing, but nonetheless he gives a decent enough performance. Brody always gives his characters a certain amount of intelligence, and while he hasn’t yet gotten a role equal to the part he played in The Pianist (for which he became the youngest Best Actor Oscar winner ever) he still insures a quality performance just about every time out.

Some are going to note the similarities between this film and Species and that has to be acknowledged. However, this movie takes it much further with graphic sexual elements that might disturb some. There is a bit of violence as well, but not as gory as your typical horror film.

The Dren creature is interesting, a cross between a human, a bat and a scorpion. This isn’t necessarily going to haunt to dreams, but the movie might well get under your skin. It asks some tough, provocative questions for which there are few easy answers. Even though the last reel is a bit of a disappointment (with an ending that sets up a potential sequel), the movie is still pretty solid throughout. Maybe it is a bit too smart for its own good; the American movie-going public is not particularly forgiving of movies that might make them think.

WHY RENT THIS: Much smarter than the average sci-fi or horror film. Polley and Brody give impressive performances.

WHY RENT SOMETHING ELSE: A few too many similarities to Species. Ludicrous final act.

FAMILY VALUES: There is some very strong sexuality and nudity, some violence and language and some disturbing themes and images.

TRIVIAL PURSUIT: There are references to classic Hollywood duos throughout the film. The two spliced organisms shown at the film’s beginning are named Fred and Ginger in reference to Fred Astaire and Ginger Rogers. A vodka bottle in the lab is labeled to have specimens named Bogie and Bacall, named for Humphrey Bogart and Lauren Bacall. Finally, the main characters are named in honor of Colin Clive (who played Dr. Frankenstein) and Elsa Lanchester (who played the Bride) from Bride of Frankenstein.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $26.9M on a $30M production budget; the movie was a flop.

FINAL RATING: 6/10

TOMORROW: Cats and Dogs: The Revenge of Kitty Galore