(2009) Thriller (Goldwyn) Kseniya Rappoport, Filippo Timi, Antonia Truppo, Gaetano Bruno, Fausto Russo Alesi, Michele Di Mauro, Lorenzo Gioielli, Lidia Vitale, Lucia Poli, Giorgio Colangeli, Chiara Nicola, Gilda Postiglione Turco. Directed by Giussepe Capotondi
Some movies can’t really be described in too much detail without giving away vital twists and turns. The Italian thriller The Double Hour is a lot like that. That’s why the plot description is going to be a bit bare and vague.
Guido (Timi) is an ex-cop whose wife passed away three years earlier (we never find out how) and has become a somewhat diffident aficionado of speed dating. He is somewhat attractive in a hangdog kind of way, and his attempts at speed dating often lead to one night stands with desperate women (Vitale) that leave him unfulfilled.
He meets Sonia (Rappoport) at one of these. She is a Slovenian who has immigrated to Turin and is working as a hotel chambermaid. Recently she was witness to a horrific occurrence there. She is lonely and bored and is urged by her friend Margherita (Truppo) to get out more. She goes to the same speed date and runs into Guido.
Something happens between the two. The beginnings of a relationship begin to form. He invites her to the country estate where he is currently working as a security guard, showing her some of the sound equipment he’s built from scratch. They go for a walk in the idyllic countryside grounds of the estate. That’s when things go decidedly and horribly wrong.
Capotondi has a background in music videos. He utilizes music nicely, such as The Cure’s “Just Like Heaven” which shows up in a more sinister way than perhaps Robert Smith ever envisioned his song becoming. Capotondi has said in interviews that he is influenced by Italy’s giallo horror films of Dario Argento and his brethren. Sections of the movie show it quite clearly. He also seems to have a thing about Hitchcock, as portions of the movie also show. There are also some Brian de Palma moments as well. The movie is at various times a supernatural thriller, a heist picture, a romantic drama and an art film. You can decide what description is most apt on your own.
The acting is superb here. Rappoport has been getting a great deal of acclaim for her performance. She has moments where she seems as fragile as a waif, lost and lonely. There are other times where she is strong and assertive, particularly when she is dealing with Guido’s fellow policeman Dante (Di Mauro) who has some suspicions regarding events at the villa.
The movie is surreal in places and will leave you with your head spinning. You almost wish you had a rewind button in the theater, thinking to yourself, did I just see what I think I saw? In some ways it will be less effective on DVD/Blu-Ray because people will be using their rewind buttons and slow-mo features which might spoil some of the surprises.
Subtitles will turn some off, and so will the abrupt mood and style shifts. There is one shift in particular, between the second and third act that is jarring to the point where you almost wonder if the filmmakers decided they didn’t like the script, junked it and started a new one at that point. It may make purists a little perturbed.
Still, this is a movie worth hanging in there for. The twists and turns here are amazing, as good as any movie since perhaps The Sixth Sense or Memento. This is a movie that is as good as any theme park ride, and those who are willing to go along for the ride won’t be disappointed. Just beware: this is not a kiddy ride in any sense. This is a ride only for those who aren’t afraid of adult thrills. This is that roller coaster with so many inversions you don’t know which way is up when you get off the ride and the only thing you can think about is getting right back on for another shot. The Double Hour (which refers to the time on the digital clock when the hour readout is the same as the minute readout, such as 10:10 or 12:12 – or 23:23 for those European readers) is like that, and it’s the kind of movie that bears repeated viewings and will certainly inspire some discourse once you’ve seen it the first time.
REASONS TO GO: Wonderful twists and turns. Haunting performance by Rappoport. This is the kind of movie that inspires spirited discussions.
REASONS TO STAY: One of the movie’s major twists is so abrupt that some might find it off-putting.
FAMILY VALUES: Although not rated, there is some sexuality and nudity, a bit of bad language and some violence.
TRIVIAL PURSUIT: Rappoport won the Volpi Cup as Best Actress at the 66th Venice Film Festival in 2009.
HOME OR THEATER: Chances are you will have trouble finding it at your local Bijou, but should work just as effectively on your home screen.
FINAL RATING: 8/10
TOMORROW: The Girl With the Dragon Tattoo