New Releases for the Week of August 9, 2019


THE KITCHEN

(New Line) Melissa McCarthy, Tiffany Haddish, Elisabeth Moss, Domhnall Gleeson, James Badge dale, Brian d’Arcy James, Common, Margo Martindale. Directed by Andrea Berloff

In Hell’s Kitchen in 1978, the wives of three low-level hoods in the Irish Mafia find themselves in dire financial straits when their husbands are sent to jail. Despite assurances by the mob that they’ll be taken care of, it turns out that it’s all just lip service. Desperate, the ladies take matters into their own hands and start running their husband’s rackets on their own.

See the trailer, video featurettes, a clip and an interview here
For more on the movie this is the website
Genre: Crime Drama
Now Playing: Wide Release
Rating: R (for violence, language throughout and some sexual content)

The Art of Racing in the Rain

(20th Century Fox) Milo Ventimiglia, Amanda Seyfried, Kathy Baker, Kevin Costner (voice). A puppy, picked up by an aspiring Formula One race car driver, grows philosophical, realizing that the techniques that make one successful on the race course also apply to success in life.

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Family
Now Playing: Wide Release
Rating: PG (for thematic material)

Brian Banks

(Bleecker Street) Aldis Hodge, Greg Kinnear, Sherri Shepherd, Melanie Liburd. A young high school All-American football player is ready to take that first step towards turning pro when he enrolls at the University of Southern California but finds his plans derailed when he is accused, tried and convicted of a crime he didn’t commit. After years of trying to prove his innocence, he at last is successful and is determined to fulfill his interrupted dream of playing in the NFL.

See the trailer, video featurettes and clips here
For more on the movie this is the website  
Genre: Sports Biography
Now Playing: Wide Release
Rating: PG-13 (for thematic content and related images, and for language)

Dora and the Lost City of Gold

(Paramount) Isabella Moner, Eugenio Derbez, Michael Pena, Eva Longoria. The beloved Nickelodeon animated show Dora the Explorer gets a live action treatment as high schooler Dora along with her faithful monkey companion and some of her pals from school go on a wild adventure in the jungles of South America to save her parents and solve the mystery behind a legendary city of gold.

See the trailer, video featurettes and a clip here
For more on the movie this is the website  
Genre: Family Adventure
Now Playing: Wide Release
Rating: PG (for action and some impolite humor)

ECCO

(Citadel) Lathrop Walker, Tabitha Bastien, Helena Grace Donald, Michael Winters. A former assassin, living quietly with his family away from his former life, finds his cover blown by his former employers. Now he must rely on his skills to protect his loved ones and hunt down those who betrayed him and in whom all his sins reside.

See the trailer, interviews and video featurettes here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Old Mill Playhouse, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village
Rating: R (for violence including bloody images, language, and some sexuality/nudity)

Rapid Eye Movement

(Vertical) Reiko Aylesworth, Francois Arnaud, Danny Ramirez, Rebecca Watson. A radio DJ, attempting to break the world record for staying awake, is beset by a troubled caller warning him to raise $5 million for charity or face disturbing consequences.

See the trailer here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Touchstar Southchase
Rating: NR

Scary Stories to Tell in the Dark

(CBS/Lionsgate) Zoe Margaret Colletti, Dean Norris, Gil Bellows, Michael Garza. A group of teens find a book of terrifying tales written by a young girl named Sarah whose terrible images turn out to be all too real.

See the trailer, video featurettes, a clip and a promo here
For more on the movie this is the website  
Genre: Family Horror
Now Playing: Wide Release
Rating: PG-13 (for terror/violence, disturbing images, thematic elements, language including racial epithets, and brief sexual references)

Them That Follow

(1091) Olivia Colman, Kathryn Dever, Walton Goggins, Jim Gaffigan. In this 2019 Florida Film Festival favorite, a young girl raised in a church that practices serpent handling, the pastor prepares for his daughter’s wedding, which unwittingly unleashes a secret that may change the girl’s perception of her father forever.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Barnstorm Theater, Regal Winter Park Village
Rating: PG (for ] language, thematic elements, some suggestive content and brief smoking images)
 

ALSO OPENING IN ORLANDO/DAYTONA:

Bring the Soul: The Musical
Hello, Love, Goodbye
Light of My Life
Manmadhudu 2
Nerkonda Paarvai
Parey Hut Love

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Best Summer of My Life
The Bravest
Bring the Soul: The Musical
David Crosby: Remember My Name
Jabariya Jodi
Manmadhudu 2
Nekrotronic
Nerkonda Paarvai
The Quiet One

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

The Bravest
Hamlet Pheroun
Hello, Love, Goodbye
Jabariya Jodi
Kobbari Matta
Nerkonda Paarvai

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Manmadhudu 2
Nerkonda Paarvai

SCHEDULED FOR REVIEW:

Brian Banks
The Kitchen
Scary Stories to Tell in the Dark
Them That Follow

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Popcorn Frights Film Festival, Fort Lauderdale

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ADDicted (2017)


The joys of home study can’t be understated.

(2017) Drama (Vision) Luke Guldan, Lauren Sweetser, Kathleen Quinlan, Gil Bellows, Thom Christopher, Ezra Knight, Taylor Gildersleeve, Tyrone Brown, Morgan Roberts Jarrett Worley, Aaron Bickes, J. Tucker Smith, Danielle Marcucci, Mark Tallman, Ben Kaplan, Sarah Kaplan, Sal Belfonte, Delia Cai, Joe Greene, Ryan J. Murray, Sue Ellersieck, Jon Drtina, Katherine Ashcraft. Directed by Dan Jenski

 

College is a pressure cooker, even more so now than it was in my day. Every professor seems to be of the mindset that theirs is the only class you’re taking. Most students have to take on a job in order to make ends meet while they’re in school in addition to their class loads and if they intend to go further in their education with an advanced degree, the pressure is really on to keep the grades high in order to be in the mix for those coveted grad school slots.

\Drew Dawson (Guldan) has more pressure on him than most. Although he comes from a background of wealth and privilege, he is a star football player who loves playing the game. His overbearing and demanding mother Kate (Quinlan) has his future all planned out for him; law school, a job at his grandfather’s prestigious St. Louis law firm and then maybe politics. She herself is running for a seat in the House of Representatives and needs Drew to be at his very best.

But all this is much more difficult because Drew has been diagnosed with Attention Deficit Disorder. He has a hard time focusing and keeping his grades up, so he has been taking Adderall for a decade, not long after his father passed away in a car accident. On top of that, Drew has broken up with Ashley Ross (Sweetser) after he caught her cheating with an ex. A sorority queen and journalism major, Ashley is a favorite of Kate’s who knows she will write complimentary material for the school paper and Kate needs all the good press she can get. For that reason, Drew hasn’t told his mother about the breakup.

Things being what they are, Drew is starting to crumble a little bit. A paper he has turned in to Professor Mueller (Bellows) has been flagged for plagiarism; actually, Drew didn’t mean to plagiarize the material he’d just failed to attribute the quotes he was using to the proper sources. If Drew gets turned in for plagiarism, he could lose his scholarship and certainly his place on the team. After some pleading, Drew is given a second chance.

Drew’s doctor (Smith) ups the dosage of the Adderall and at first that seems to settle Drew down but Drew is also providing pills to Ashley and his good friend “Radar” Robson (Brown) who uses the pills to help him focus on the field. But the straw tower is collapsing and Drew is floundering; his mother isn’t very sympathetic and soon an innocent study session leads to a decision that could have devastating consequences.

In all honesty I didn’t know Adderall addiction on campus was a thing but apparently it is. Set at the fictional Missouri A&M University, the movie does a pretty realistic job of capturing the pressures of college life although most college students don’t have the resources that Drew has; as I said earlier, most have to maintain some sort of job in order to pay for their living expenses while Drew doesn’t have that problem. Still, even he is under the gun of high expectations.

Guldan is a good looking young man but throughout the film his delivery is low-key; I’m not sure if this is to portray the effects of the drug on Drew or if it’s his natural delivery. It makes his performance a little bit stiff and wooden though. Quinlan is given a character who isn’t very realistic and who isn’t a very good mother and she does her best with it but at times I thought her character should have been twirling a metaphorical moustache a la Snidley Whiplash. Bellows, a solid character actor, fares best with the hip and cool professor who really Cares About His Kids. He comes off as very down to earth and the kind of professor who made learning fun when I was in school back in the stone age when we didn’t bring laptops to class. We – horrors – hand wrote our notes; oh, the humanity!

Some of the plot elements are a bit over the top in a soap opera sense and that doesn’t do the movie any favors. The whole subplot about Kate’s Congressional campaign could have been jettisoned without adversely affecting the movie; in fact, I would have loved to have seen more material on the effects of the drug on Drew and the people around him and gain a sense of how widespread the problem really is. While the movie has some missteps, the subject matter and main focus are to be congratulated and it is worth checking out for the scenes that do seem to be more on mission and less concerned with unrealistic plot twists.

REASONS TO GO: The issue of Adderall abuse on college campuses is brought into focus. Bellows gives a down to earth performance.
REASONS TO STAY: The movie would have been better without the soap opera elements.
FAMILY VALUES: There are depictions of drug abuse, adult themes, profanity, some sexual references and brief violence.
TRIVIAL PURSUIT: Much of the college campus scenes were filmed at the University of Missouri.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vimeo, Vudu, YouTube
CRITICAL MASS: As of 11/6/17: Rotten Tomatoes: No score yet. Metacritic: No score yet
COMPARISON SHOPPING: The Basketball Diaries
FINAL RATING: 7/10
NEXT:
Uncle Gloria: A Helluva Ride

Kill the Messenger


Jeremy Renner doesn't want Matthew Lintz to hear what he's about to tell Rosemarie DeWitt.

Jeremy Renner doesn’t want Matthew Lintz to hear what he’s about to tell Rosemarie DeWitt.

(2014) True Life Drama (Focus) Jeremy Renner, Rosemarie DeWitt, Matthew Lintz, Oliver Platt, Michael Sheen, Mary Elizabeth Winstead, Robert Patrick, Barry Pepper, Andy Garcia, Paz Vega, Tim Blake Nelson, Richard Schiff, Ray Liotta, Dan Futterman, Gil Bellows, Aaron Farb, Josh Close, Yul Vazquez, Michael Kenneth Williams, Jen Harper, Jena Sims. Directed by Michael Cuesta

In 1996, Gary Webb was an investigative reporter working in the Sacramento bureau for the San Jose Mercury News. He had been part of a Pulitzer Prize-winning team for the newspaper’s coverage of the 1989 Loma Prieta Earthquake.

While covering the trial of a drug dealer (Farb) he is contacted by a beautiful, sexy but mysterious Latina woman (Vega) – the dealer’s girlfriend – who drops off some documents that his lawyer had been given during discovery, documents that clearly had never meant to be given to the lawyer. In it, the dealer had been apparently working for the United States government back in the ’80s as a paid informant – and selling drugs while he was. Not such a big deal until it became clear that the CIA was who he was selling drugs for.

Webb would dig deeper and discover that the proceeds of the drug sales were being used to fund the Contras in the civil war going on in Nicaragua, a war that then-President Reagan desperately wanted to wage and one in which Congress had forbidden him to do so. He would visit Nicaraguan jails, abandoned airfields, chasing his story wherever his leads took him.

With a supportive editor (Winstead), a loving wife (DeWitt) and a son (Lintz) who was as proud of him as could be, he brought all his facts together and wrote a multi-part series called Dark Alliance delineating the ties between the epidemic of crack cocaine that was impoverishing America’s inner cities, the Contra rebels and the Central Intelligence Agency. The Merc’s state of the art website (at the time) proudly pimped the articles for those outside of San Jose to peruse.

It was a bombshell. One of the first new stories to go viral, it brought Webb great acclaim and notoriety. Still, he’s warned by a former CIA whistleblower (Sheen) that the CIA would come after him by making the story not about the facts but about Webb himself. And that’s just what happened. The other major newspapers – the New York Times, the Los Angeles Times and the Washington Post – attacked Webb’s reporting and all but insinuated that he’d made the story up out of whole cloth. His own newspaper essentially threw him under the bus, refusing to defend their own reporter and his story even though they had every chance to confirm it during the editorial process. It was not the paper’s finest hour.

In the interest of full disclosure, I myself worked for the Circulation department of the San Jose Mercury News before getting laid off in 2006 after their afternoon edition was discontinued. The events depicted in this movie mainly took place after I’d left and I didn’t know Webb at all (he worked out of Sacramento and I was at the main office in San Jose) although I was acquainted with a number of people in the newsroom including Jerry Ceppos, the managing editor who is played by the great Oliver Platt here.

The movie is trying to be a journalism/political thriller along the lines of a All the President’s Men. Some hold Webb in the same regard as Woodward and Bernstein are held in terms of investigative journalism. There is a curiously flat tone to the movie; Renner as Webb often articulates that his job is to bring the facts to the public and at times it feels like the movie is being directed by Jack Webb (no relation).

As I said, I didn’t know Webb in his Mercury News days and so I can’t say for certain how well Renner portrays the late reporter. His son Eric says that Renner caught his father’s essence and mannerisms to a “T” so I’ll go with his assessment on that. Renner is a passionate actor and this is a passion project for him.

As you can imagine, the movie’s presence has resurrected some of the old debates. Washington Post investigative journalism team managing editor wrote an op-ed last Friday excoriating Webb and calling the movie fiction. Other sources including the Narco News – an online newspaper that reports mainly on America’s war on drugs and other Latin American issues – have fired back, defending Webb. As for you dear reader, you don’t have to take anyone’s word on the veracity of Webb’s work. You can see it for yourself including the supporting documents – all published online in 1996 – at the Narco News here.

Frankly I don’t have the wherewithal to join the debate much. The piece itself remains explosive and controversial, even now. Was Webb a saint who just wanted to expose the truth of evildoers to the shining light of the public eye? In part, yes. By all accounts – even those of his detractors – have made it clear that Webb believed in the importance of investigative journalism and he believed in the truth of his own story. Certainly, it wasn’t perfect and he didn’t get everything right. Nobody does. However in the years since the publication of his work, the eventual repudiation of it and Webb’s eventual suicide in light of becoming unemployable at the job he loved, the essence of his story has been in fact validated. There was a connection between crack cocaine, the Contras and the CIA. How much crack was brought to the streets of Los Angeles and other American urban environments because of this dark alliance will probably never be known for certain.

What the movie does get right however is the decline of American journalism. At one time, the fourth estate existed independently of the other powers of American politics – the legislative, executive and judicial branches. It stood as a kind of advocate for the American people, tilting at the windmills of political hanky-panky and bringing that which was hidden in the boardrooms of industry and the back rooms of politics to the light of day. Today, in 2014, we no longer have that protection. The mainstream media is all owned by large corporations – the Mercury News itself is owned by a hedge fund which in recent days quietly closed down and sold its iconic headquarter building on Ridder Park Drive and moved what little staff remains to a downtown San Jose office building.

It was unheard of back in the day for a newspaper to throw one of its own reporters under the bus, but that’s what Ceppos and the Mercury News did. While in Ceppos’ extraordinary column which some have labeled an apology letter that in effect distanced the paper from Webb’s reporting there was some reference to “failure at every level and at every step” to properly edit the piece and verify the information (despite the presence of corroborating documentation which in what was then groundbreaking transparency was published online), at the end of the day we have since then seen a failure of mainstream journalism to stand up against corruption when it may potentially affect their advertising bottom line. We have seen an unwillingness to stand up against those whose activities cause harm to the public good, or segments of the public. We live in a world where real journalism, the kind that was meant to stand up for all of us, mainly exists on the Internet and is lost in the party-centric shouting of right wing and left wing posturing. In his grave, Gary Webb must be rolling indeed.

REASONS TO GO: Examines the erosion of journalism in this country.
REASONS TO STAY: Disappointing. Confusing at times.
FAMILY VALUES:  Plenty of foul language not to mention some drug content.
TRIVIAL PURSUIT: Both Brad Pitt and Tom Cruise at one time expressed interest in the Gary Webb role.
CRITICAL MASS: As of 10/20/14: Rotten Tomatoes: 75% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: Absence of Malice
FINAL RATING: 6/10
NEXT: The Boxtrolls

New Releases for the Week of August 29, 2014


As Above, So BelowAS ABOVE SO BELOW

(Universal/Legendary) Perdita Weeks, Ben Feldman, Edwin Hodge, Francois Civil, Marion Lambert, Ali Marhyar, Cosme Castro, Hamid Djavadan. Directed by John Erick Dowdle

A group of student explorers in the catacombs of Paris are trapped by a rock fall. With no choice but to go further into the labyrinth, they find themselves lost. Soon, inexplicable things begin to happen to them and the group realizes that they have stumbled onto an ancient secret, one which may cost them their lives.

See the trailer, clips, an interview and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Horror

Rating: R (for bloody violence/terror, and language throughout)

50 to 1

(Ten Furlongs) Christian Kane, Skeet Ulrich, William Devane, Madelyn Deutch. A group of New Mexico cowboys who have more heart than brains are stunned when their crooked-footed horse qualifies for the Kentucky Derby. Getting the horse there though is half the battle and once they get there, they’ll only have to face the elite of horse racing in the glare of the biggest spotlight in the sport. If ever there was an impossible dream, this must be it.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sports Drama

Rating: PG-13 (for some suggestive material and a bar brawl)

The Calling

(Vertical) Susan Sarandon, Topher Grace, Gil Bellows, Donald Sutherland. A small town police detective has never had a whole lot of work thrown her way but a series of murders in the surrounding area puts her face to face with a serial killer who is answering to a higher calling.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for violent content, disturbing images and some language)

Cantinflas

(Pantelion) Oscar Jaenada, Michael Imperioli, Ilse Salas, Barbara Mori. Mexico’s most beloved comedian has a story that is largely unknown outside his native land. From humble beginnings he rose to the bright lights and fame of Hollywood, co-starring in the Michael Todd Oscar-winning epic Around the World in 80 Days. This is his story.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Biography

Rating: PG (for thematic elements, language, smoking and some suggestive material)

Land Ho!

(Sony Classics) Paul Eenhoorn, Earl Lynn Nelson, Karrie Crouse, Elizabeth McKee. Two dear old friends, once married to two sisters, have drifted apart over the years. Now that one is divorced and the other is a widower, they decide (albeit one of them reluctantly) to take a vacation to Iceland where the two may find the adventure still in their hearts even if the bodies aren’t quite what they used to be.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for some language, sexual references and drug use)

November Man

(Relativity) Pierce Brosnan, Luke Bracey, Olga Kurylenko, Eliza Taylor. One of the CIA’s most lethal operatives has been living in relative peace and quiet in Switzerland after retiring. However, he is lured out of the pasture for one final mission, but soon discovers that it is not what it seems to be and that he will be forced to take on his most brilliant protégé in a game that he once knew but whose rules have changed.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard (opened Wednesday)

Genre: Action

Rating: R (for strong violence including a sexual assault, language, sexuality/nudity and brief drug use)

Raja Natwarlal

(UTV) Emraan Hashmi, Humaima Malik, Kay Kay Menon, Deepak Tijori. After a small time con man is wronged by a big time gangster, the grifter seeks the help of his mentor to get his revenge on the crook.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

New Releases for the Week of September 21, 2012


September 21, 2012DREDD

(Lionsgate) Karl Urban, Olivia Thirlby, Lena Headey, Rakie Ayola, Wood Harris, Warrick Grier, Jason Cope, Joe Vaz, Scott Sparrow. Directed by Pete Travis

In the future, the world is divided into irradiated wastelands and vast cities overcrowded and crime-ridden. Justice is dispensed by Judges, a combination street cop, judge, jury and executioner. The most feared of these is Dredd, who with his rookie partner Anderson is tasked with riding the streets of Slo-Mo, a drug that allows users to experience reality at a fraction of its normal speed. However, the drug lord who controls most of it, an ex-prostitute named Ma-Ma doesn’t take too kindly to having her business interrupted and a war erupts that will push even Dredd beyond his limits. Based on the iconic British comic series.

See the trailer, promos and featurettes here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Science Fiction

Rating: R (for strong bloody violence, language, drug use and some sexual content)

10 Years

(Anchor Bay) Channing Tatum, Rosario Dawson, Justin Long, Kate Mara. A group of friends reunite for their 10 year high school reunion. This ensemble piece follows them through the big night to see how they have – and haven’t – changed over the years as their tangled relationships begin to unravel before their very eyes.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for language, alcohol abuse, some sexual material and drug use)

End of Watch

(Open Road) Jake Gyllenhaal, Michael Pena, Anna Kendrick, America Ferrera. Two cocky young police officers patrol the mean streets of south central Los Angeles, one of the most dangerous areas in the country. They wind up in the crosshairs of a Mexican drug cartel after a routine traffic stop leads them into places they never dreamed they’d be. Only their loyalty and support for one another and the love of their families stands between them and oblivion.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Crime Drama

Rating: R (for strong violence, some disturbing images, pervasive language including sexual references, and some drug use)

Heroine

(UTV) Kareena Kapoor, Arjun Rampal, Randeep Hooda, Shahana Goswami. A Bollywood actress, once the best in the business, sees her career go on the decline despite her best efforts to stay on top.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

House at the End of the Street

(Relativity) Jennifer Lawrence, Elisabeth Shue, Max Theriot, Gil Bellows. A newly-divorced mom and her teenage daughter move into a new house hoping to make a fresh start. That is, until they discover that a neighboring home was the scene of a gruesome multiple murder. Things go downhill from there when the daughter develops a relationship with the only survivor of the massacre – and the person responsible for the crime may be back for seconds.

See the trailer, featurettes and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Horror

Rating: PG-13 (for intense sequences of violence and terror, thematic elements, language, some teen partying and drug material)

The Master

(Weinstein) Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams, Rami Malek. Shortly after the Second World War a down-on-his-luck veteran is ensnared by a charismatic intellectual who has created a faith-based organization to which the vet becomes his right-hand man. However, the ex-soldier begins to see and hear things that cause him to question the faith he has embraced and the man who has become his mentor.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: R (for sexual content, graphic nudity and language)

Trouble With the Curve

(Warner Brothers) Clint Eastwood, Amy Adams, Justin Timberlake, John Goodman. A baseball scout, one of the most respected in the game, is starting to show his age. His eyesight isn’t so good and he wants to go out on top, but his team is questioning his judgment. His only option is to ask his daughter, a bright young lawyer who has grown apart from him as of late, to help him. She puts her career on hold despite her misgivings and her father’s objections to spend some quality time with him and in the process, the two find out some long-held secrets about one another that might tear them apart permanently.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Sports Drama

Rating: PG-13 (for language, sexual references, some thematic material and smoking)

Unconditional

(Harbinger Media Partners) Michael Ealy, Lynn Collins, Bruce McGill, Diego Klattenhoff. When a senseless act of violence takes the husband of a children’s author away from her, she loses her faith and her desire to live. However, an encounter with a couple of kid leads to a reunion with her oldest friend whose compassion and kindness towards the kids in an underprivileged neighborhood leads to new revelations about God’s role in her life.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Christian Drama

Rating: PG-13 (for some violent content and mature thematic elements)

The Promotion


The Promotion

Seann William Scott and John C. Reilly have a competition to see which one can look the stiffest.

(2008) Comedy (Dimension) John C Reilly, Seann William Scott, Jenna Fischer, Lily Taylor, Fred Armisen, Gil Bellows, Bobby Cannavale, Rick Gonzalez, Chris Conrad, Nathan Geist, Adrian Martinez, Masi Oka, Angel Guzman, Joshua Eber, Mario Larraza. Directed by Steve Conrad

 

Ambition is a fine thing sometimes. We all want to improve our circumstances, to provide better for ourselves and our families. Generally speaking we do this through getting new jobs or promotions through the companies we work for. Getting these, however, is much easier said than done.

Doug Stauber (Scott) is a mild-mannered assistant manager at a Chicago-area grocery store. He’s extremely good at it, although he isn’t what you’d call a forceful personality. When the chain he works for announces that they’ll soon be opening a new store in the area, he figures he’s a shoo-in for the job to the point where he sinks all of the savings of himself and his wife Jen (Fischer) into a down payment for a house that they can only afford if he gets the job which he’s sure he will.

But not so fast there Sparky. Also in the running is Richard Wehlner (Reilly), who has just moved his family to Chicago from Quebec. He is a recovering alcoholic and at one time ran with a biker gang who has turned his life around.  Getting this position would really help solidify his standing and help he and his wife Lori (Taylor), a hot-headed Scot, finally get over the hump.

Now if this sounds like we’re going to see 90 minutes of two men trying to sabotage one another, think again. Mostly the two guys sabotage themselves. This is not a Judd Apatow comedy by any stretch of the imagination, although the key elements for it might be there. Had Apatow gotten hold of this, it would have been a very different movie.

The thing is that both Doug and Richard are essentially nice guys. You’re not really sure who to root for (although Doug, who also does the voice-over narration, seems to be the surrogate for the audience) since there’s no real bad guy, although occasionally the two both make weak attempts to undercut the other.

Scott, best known as Stifler in the American Pie movies (and upcoming American Reunion) usually plays characters that are much more over-the-top than this one. Really, I found this to be the kind of character usually played by Paul Rudd – nice, mostly mellow with just a hint of wild man in him. Reilly, on the other hand, has that wild man in his past big time. Still he’s much more of a hangdog now, like a dog who’s been to obedience school and been neutered in the process. Few do that kind of role better than Reilly and he does it well here.

Taylor is a very talented actress more known for her indie films but she shines in her brief on-screen appearances here, stealing scenes effortlessly with her charm and comic timing. Fischer is sometimes underrated because of her beauty and sexuality but she does a fine job as the unsuspecting wife of Doug, unaware that the job he said was in the bag really isn’t.

There are some nice bits here (like an apology to community leaders after the company determines was a racially-motivated incident that turns horribly, horribly wrong) and director Conrad, one of the finest writers in Hollywood who you’ve probably never heard of tackles his first feature directing job with a surprisingly sure hand.

The whole movie is pretty low key which can be a double edged sword. A lot of comedies will “tell” viewers when to laugh, either using visual cues, sound effects or cues from the score. You don’t really get that here; Conrad trusts in the intelligence of his audience to know what’s funny. Of course, that generally means they don’t always do.

I give the film big props for trying something new but there isn’t enough tension here to keep the viewer’s interest, nor are there enough laughs to overcome that. This goes down as a good idea with good intentions that didn’t quite translate to a good movie.

WHY RENT THIS: A competitive comedy where both the leads are actually decent guys – a very innovative set-up.

WHY RENT SOMETHING ELSE: So low-key in places that you wonder if you’re supposed to laugh.

FAMILY VALUES:  There is plenty of foul language, a good deal of it sexual. There’s also a scene of drug use.

TRIVIAL PURSUIT: The movie was originally scheduled for release in May 2007 but was delayed for a full year, mainly to add the cameo appearance of Oka who at the time was starring in “Heroes.”

NOTABLE DVD EXTRAS: There’s a gag reel but other than that the usual suspects. 

BOX OFFICE PERFORMANCE: $424,030 on an unreported production budget; I think it likely that the movie lost money, probably quite a bit.

FINAL RATING: 5/10

TOMORROW: Handsome Harry