Anthropoid


Nobody likes a bomb.

Nobody likes a bomb.

(2016) Historical Drama (Bleecker Street) Cillian Murphy, Jamie Dornan, Charlotte Le Bon, Toby Jones, Sean Mahon, Bill Milner, Jan Hájek, Pavel Reznicek, Alena Mihulová, Harry Lloyd, Detlef Bothe, Roman Zach, Mish Boyko, Sam Keeley, Ondrej Maly, Marcin Corocinski, Karel Hermánek Jr., Václav Neuzil, Jiri Simek, Andrej Polak, Anna Gerislová. Directed by Sean Ellis

 

Truth may be stranger than fiction, but there are some true stories that are not strange at all, but point out the best that humanity can be – and the worst. Not all of those sorts of stories stay with us for long and indeed this one remains only relatively well-known in Eastern Europe, but it is a story worth the telling.

After the Berlin Accords gave what was then known as Czechoslovakia to Nazi Germany to be used as fuel for the war machine to come, Prague became an occupied city and the entire region was ruled with an iron fist. Holding that fist was Reinhard Heydrich (Bothe), one of the authors of Hitler’s Final Solution and who would become known as The Butcher of Prague.

The Czech government in exile decided to make a statement and sent a team of paratroopers into the countryside outside Prague who had the mission of assassinating Heydrich. Leading the team was Josef Gabcik (Murphy) and Jan Kubis (Dornan), two Czech soldiers. Things went bad from the beginning; Kubis injured his foot while landing and the two resistance fighters who were sent to meet them turned out to be Nazi collaborators. The two soldiers barely escaped with their lives.

They finally found legitimate resistance members in Prague, but the situation there was very chaotic. There was little or no information to be hand; the city was under severe restrictions and people were being rounded up and imprisoned with impunity. There were infiltrators everywhere and knowing whom to trust was no easy task. “Uncle” Hajsky (Jones) was trying to make some sort of organization through all this but most of his men had been arrested. He put up the two paratroopers in the Moravec home whose mother (Mihulová) was a resistance member and their son Ata (Milner) loyal to the cause.

To keep suspicions from being aroused over the new arrivals, girlfriends were supplied; Marie (Le Bon) for Josef and Lenka (Gerislová) for Jan. The deception turned out to be a lot more accurate as the two couples began to actually fall for each other. Wartime can be a great accelerator of romance.

In the repressive atmosphere of Prague, however, getting their mission completed would be no easy task and with little contact with their government and almost no intelligence to go on, the two men had their work cut out for them. What would happen would become one of the greatest instances of heroism to come out of the War and is a source of national pride to the Czechs even to this day.

It is not an easy thing to write a review or a movie that is about actual history; while one doesn’t want to supply spoilers for those who may not be aware of how the story unfolded, at the same time it is difficult to write about the film without giving at least some plot points away. Suffice to say that Ellis and company have given us a movie whose historical accuracy is better than almost any movie I’ve ever seen; that is a double-edged sword however.

The movie does drag in places, particularly in the first half. Once the assassination is attempted, the movie is turbo charged and Ellis delivers some really fine suspense sequences and one of the best shoot-outs since the climax of Butch Cassidy and the Sundance Kid. Murphy and Dornan are both fine actors and they’re given some exceptional material to work with. Both men are imperfect, neither are superheroes and both have the kinds of doubts and frailties that real heroes must overcome to do extraordinary things.

Those who are aware of the history behind the celluloid are going to view this a lot differently than those who are unfamiliar with the story; even the latter group however may find the sense of things spiraling towards a final conclusion somewhat overwhelming. We all know that the Titanic is going to sink even before we view the movie; how it gets there and who survives is what makes that movie a classic.

As a movie, Anthropoid makes an excellent history lesson. That doesn’t always translate to entertainment however, unless you are entertained by history and fortunately for me, I am. I found the film fascinating and I was moved enough to research the real Operation Anthropoid which is where I discovered that the filmmakers stuck to the facts of the incident quite closely which is something to be admired, although at times they seem to be willing to sacrifice entertainment for accuracy. I think that both could have coexisted better as the last half of the movie clearly shows; had the first half been able to capture the tension of the second this would have been a clear front runner to be one of the best movies of the year. Unfortunately, it is slow in getting underway so this will have to remain a solid, historically accurate war film that is flawed but nevertheless worth seeing.

REASONS TO GO: Historically accurate and full of gut-wrenching suspense. The performances are strong throughout.
REASONS TO STAY: The sense of impending doom is oppressive at times. Slow-moving in the first half of the film.
FAMILY VALUES: Plenty of violence here as well as some fairly disturbing images.
TRIVIAL PURSUIT: The scene in which Ata Moravec is tortured was filmed in the same place where it actually happened.
CRITICAL MASS: As of 9/6/16: Rotten Tomatoes: 60% positive reviews. Metacritic: 59/100.
COMPARISON SHOPPING: Operation: Daybreak
FINAL RATING: 6.5/10
NEXT: Don’t Think Twice

A Million Ways to Die in the West


Only Charlize Theron knows what to do with the hordes of film critics who have turned their venom loose on this movie.

Only Charlize Theron knows what to do with the hordes of film critics who have turned their venom loose on this movie.

(2014) Western Comedy (Universal) Seth MacFarlane, Charlize Theron, Giovanni Ribisi, Amanda Seyfried, Neil Patrick Harris, Sarah Silverman, Liam Neeson, Christopher Hagen, Wes Studi, Matt Clark, Evan Jones, Aaron McPherson, Rex Linn, Brett Rickaby, Alex Borstein, Ralph Garman, John Aylward, Gilbert Gottfried, Ewan McGregor, Christopher Lloyd, Ryan Reynolds. Directed by Seth MacFarlane

During the 1950s, Americans tended to idealize the Old West. Rugged cowboys rode the range, rescued pretty school marms from bandits and varmints, and generally saved the day with an “aw, shucks” modesty. Cowboys were real men, Indians were the enemy and things were pretty simple. Of course, it wasn’t really like that.

The Old West was in reality a brutal place where arguments were solved with guns, violence was rampant, sanitation was next to impossible and the only thing worse than contracting a disease was going to the doctor to get it cured. Albert (MacFarlane), a sheep farmer in hole-in-the-wall Old Stump, Arizona, knows it better than most. He is the sort of guy who would rather negotiate than fight, which makes him yellow in the Old West. That’s fine and dandy with Albert. He’d much rather be a live coward than a dead hero.

His girlfriend Louise (Seyfried) doesn’t necessarily agree with that philosophy. After a humiliation after being challenged to a gunfight, Louise decides she’s had enough and dumps Albert in favor of Foy (Harris), a successful shop owner who caters to moustache owners. Albert is devastated. Louise was one of the only things worth staying in the West for. San Francisco would be a much better place for him, much to the disdain of his father (Hagen). His close friends Edward (Ribisi) and Ruth (Silverman) commiserate but they have problems of their own. For one, they’ve been together and they want to have sex, but also want to wait until they get married and keep their purity. Until then, Ruth will continue working as a prostitute to help save up enough to get married. Yeah, it’s that kind of movie.

Into his life waltzes Anna (Theron), a gorgeous blonde who is new in town. She also happens to be a crack shot and when Albert loses his temper and challenges Foy to a gunfight, she offers to help Albert work on his marksmanship. Of course, they soon develop into something more than friends even though Albert still wants to win Louise back. However, Anna might have forgot to mention that she’s married – to Clinch Leatherwood (Neeson), one of the most vicious and deadliest gunfighters in the West.

The title is apt. MacFarlane’s character constantly grouses throughout about how dangerous it is out in the West and throughout the film people get killed by wild animals, shot by ornery bandits, crushed by blocks of ice and in a memorable sequence, fart themselves to death.

Fans of MacFarlane’s TV show Family Guy will no doubt feel right at home here. However, it should be said that the humor is pushes the envelope HARD and there are some things that you’re going to find offensive, like the shooting gallery gag that also serves as the fodder for an after-the-credits scene with a surprise cameo appearance. In fact, there are a ton of cameos to keep an eye out for.

Otherwise, this is one of those movies that throws as many jokes as it can into the mix and sees which ones you find funny and which ones you don’t. When the comedy works here, it’s sidesplitting. When it doesn’t, it’s groan-inducing. Fortunately, it works more than not.

MacFarlane is an appealing lead, although his character is a kind of neurotic nebbish, sort of like Woody Allen in chaps. MacFarlane, who co-wrote as well as directed and starred in this, has the characters act in fairly modern idioms, which allows 2014 audiences to relate better to the action in some ways while others might find this anachronistic and off-putting. It is part of the humor to hear someone from 1882 say “Oh, snap!” although again, there was some sniffing from critical quarters.

The supporting cast isn’t a bunch of straight men (and women) to MacFarlane as a lot of modern comedies tend to do; they all have their funny moments which you would want from a cast of talented actors like this. Only Neeson seems to be playing it straight, although he does give Clinch an outrageous Lucky Charms Irish accent which apparently he insisted upon before taking the part. I don’t know if a gunslinger with an Irish brogue rates laughs but okay.

MacFarlane references other Western comedies, notably Blazing Saddles and Django Unchained (which isn’t, strictly speaking, pure comedy) directly and otherwise. He makes use of Utah’s Monument Valley (subbing for Arizona) with some nifty cinematography, graphics and score right out of a 1950s epic screen Western. Visually speaking, he’s got the Western part down. However, the story doesn’t really support the length of the film and I got a little bit fidgety there towards the end.

This hasn’t been getting good reviews and I’ve also read some comments from non-reviewers that expressed how offended they were at this movie. There are those who tolerate offensive humor more than others and if you’re one of the others it wouldn’t be a good idea for you to check this out. I don’t think this is as good as MacFarlane’s previous movie Ted but that movie had its share of squirm-inducing moments. Use that as your guide as to whether you should see it or not. This isn’t for everybody, but the people that it is are going to love it.

REASONS TO GO: When it’s funny, it’s hysterical. Fun concept.

REASONS TO STAY: Overkill. Runs about 20 minutes too long. Those who don’t tolerate profanity and sex very well should stay the fuck away.

FAMILY VALUES: A cornucopia of profanity and sexual innuendo, some violence and drug use.

TRIVIAL PURSUIT: Theron wore a wig throughout the shooting because she had shaved her head for the filming of Mad Max: Fury Road.

CRITICAL MASS: As of 6/3/14: Rotten Tomatoes: 33% positive reviews. Metacritic: 44/100.

COMPARISON SHOPPING: Blazing Saddles

FINAL RATING: 6/10

NEXT: Maleficent