Going the Distance


 

Going the Distance

Getting typecast in romantic comedies can make any actress a little catty.

(New Line) Drew Barrymore, Justin Long, Charlie Day, Jason Sudeikis, Christina Applegate, Ron Livingston, Jim Gaffigan, Oliver Jackson-Cohen, Natalie Morales, Kelli Garner, June Diane Raphael, Rob Riggle, Terry Beaver, Matt Servitto, Sarah Burns, Taylor Schwenke.  Directed by Nanette Burstein

Long distance romances are a fact of modern life. People meet online, or find jobs halfway across the country; in other words, things happen. Modern technology makes these kinds of relationships much easier than they were a decade ago, but it is still a very difficult proposition.

Erin (Barrymore) is a summer intern at a New York newspaper. She’s hoping to parlay the internship into a full-time job, but there aren’t any to be had so it will be back to San Francisco for further graduate work at Stanford in the fall. She loves New York and wants to be in the middle of things there, but she’ll have to check back in a year; hopefully there will be some available jobs then.

Garrett (Long) is a commitment-phobic guy who works for a record company. While he is passionate about music, he hates his job as the label, terrified at the economic enviornment for record labels, is only going for what appear to be safe acts that are going to generate revenue as opposed to making great music.  His personal life is no better; he goes from girlfriend to girlfriend, unable to understand why they leave him and wondering what it is that he’s missing in his personality to make relationships work. His friend Box (Sudeikis) and roommate Dan (Day) think his best bet is going to the bar and tying one on.

At the same bar is Erin. It doesn’t take a rocket scientist to figure out that the two are going to meet. It also isn’t a stretch to figure out they’re going to hit it off and over Erin’s last six weeks, fall in love. And that once the six weeks are over, they’re going to want to continue the relationship from afar.

That much is a given. However, what is really surprising is that the obstacles that the couple faces aren’t manufactured. They are the kind of things long-distance daters deal with every day. Both Erin and Garrett are working in industries that are on the endangered list;  jobs aren’t plentiful so they are pretty much stuck where they are and that is really what separates the two of them.

There’s a good deal of sex here which is also part and parcel of the long-distance experience. On those occasions they do get together it’s hard to keep their hands off of each other (or other body parts). Sometimes that can lead to fairly embarrassing situations involving dining room tables and paper-thin bedroom walls. That also shows in their phone conversations, and in their relationships with other people. In short, they are both sexually frustrated and constantly horny.

Barrymore projects one of the sweetest natures in show biz, much like Meg Ryan did a decade ago, and has quietly become one of the most reliable romantic comedy actresses in the business. She is sweet but with a core of steel; she takes no crap and stands up for what she believes in both onscreen and off. It is also a good bet that whenever you get a movie that Barrymore is in, the soundtrack is going to be rich with great indie rock acts, and this one is no different in that regard.

Erin has a great relationship with her uptight sister (Applegate) and her somewhat pedantic brother-in-law (Gaffigan) and their devil-spawn daughter Maya (Schwenke). But it is Box and Dan that nearly steal the show; every time they are onscreen, something is going on that’s going to at least make you giggle. Most of the comedy that goes on in this romantic comedy is coming from them.

Justin Long has never been one of my favorite actors, but he does what he does very very well. He seems to be mellowing and maturing as time goes by, which is slowly turning my opinion of him. Here he has a natural chemistry with Barrymore that makes the relationship even more believable. He has a hangdog look and some natural comic timing which I’ve seen in other movies as well as in some of his television work; unfortunately the few comic bits he gets to do really are some of the least successful in the film.

It’s no secret that American romantic comedies have been slowly fading in quality over the past several years. Part of the reason for that has to do with most writers following the same formula; boy meets girl, they fall in love, they are separated by misunderstanding or circumstance and they reconnect in the final reel. Studios will allow no departures from the formula, mainly because these kinds of movies tend to do really well at the box office.

This movie more or less follows the same formula, but fortunately does it in an entirely organic way so that it doesn’t feel formula. As I said earlier, most of the obstacles in the relationship evolve out of real world obstacles. There are no comic misunderstandings, no forced breakups; just two people who love each other that is separated by the circumstances of their lives and frustrated by it.

I also admired that Barrymore didn’t try to play a sweet young thing in her mid-20s. Here, she is in her 30s and trying to make up for lost time after a failed relationship. It made sense and contributed to the overall realism of the movie.

I’m not exactly sure why the movie was exiled to the frozen wasteland that is the Labor Day weekend, traditionally a very poor movie-going weekend. This is a solid, charming little film that doesn’t force its charm nor does it rely on its stars to elevate mediocre material. It isn’t going to rewrite the manual for romantic comedies, but it at least delivers on the formula in a way that isn’t the same old thing. I, for one, appreciate that.

REASONS TO GO: Barrymore is perhaps the most reliable rom-com actress in the business today. This is a romantic comedy that has its feet planted in the real world.

REASONS TO STAY: Too many typical rom-com clichés pepper the plot.

FAMILY VALUES: You’ll be seeing far more of Justin Long than perhaps anybody was ever meant to see; there is also a share of bad language and sexual references that is more than average. There’s also one scene of extended marijuana use; if you’re okay with all of that, let your kids have at it. Otherwise, older teens and above would be my recommendation.

TRIVIAL PURSUIT: Barrymore and Long are a couple in real life.

HOME OR THEATER: This is a good movie to pop up some popcorn in the microwave, grab a couple of sodas from the fridge and cuddle up next to your honey on the couch for.

FINAL RATING: 6/10

TOMORROW: My One and Only

New Releases for the Week of September 3, 2010


September 3, 2010

Drew Barrymore doesn’t think it’s so funny when Justin Long brings up the David Letterman thing.

GOING THE DISTANCE

(New Line) Drew Barrymore, Justin Long, Charlie Day, Jason Sudeikis, Jim Gaffigan, Kelli Garner, Rob Riggle, Christina Applegate, Ron Livingston. Directed by Nanette Burstein

A young couple gets into a summer fling they both expect will end once the girl returns home across the country to San Francisco. When something meaningful unexpectedly develops, they decide to give a long distance relationship a go. When long hours on the cell phones, an abundance of text messages and vague plans to meet again aren’t enough, things begin to heat up, alarming the friends and relatives of the couple who appear both are on an express train to yet another doomed relationship for the both of them. Can anyone really make a long distance relationship work?

See the trailer, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: R (for sexual content including dialogue, language throughout, some drug use and brief nudity)

The American

(Focus) George Clooney, Violante Placido, Thekla Reuten, Paolo Bonacelli. An American assassin, weary of death, holes up in a bucolic Italian village. He receives an assignment to assemble a weapon for a contact there, but a friendship with a local priest and a torrid affair with a beautiful woman put him in more danger than he can imagine. It is never a good idea for an assassin to have any sort of relationship with anyone – they can be deadly to everyone involved.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Suspense

Rating: R (for violence, sexual content and nudity)

Machete

(20th Century Fox) Danny Trejo, Jessica Alba, Robert De Niro, Michelle Rodriguez. Based on the faux trailer that appeared before the B-Movie homage Grindhouse, an ex-Mexican federale roams the streets of Texas after being double crossed. That’s a bad idea when it comes to a fellow named Machete, particularly when the name is well-earned. Plenty of carnage, plenty of babes, plenty of Latin spice and a heaping helping of B-Movie oeuvre will  be sure to delight fans of action movies from the ‘70s which ultimately inspired this.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Action

Rating: R (for strong bloody violence throughout, language, some sexual content and nudity)

Micmacs

(Sony Classics) Dany Boon, Andre Dussollier, Nicolas Marie, Jean-Pierre Marielle. A man whose father was killed by a roadside bomb is struck by a stray bullet in a freak accident. When he emerges from the hospital, he takes in with an ex-con who lives in a dump and has assembled an eclectic group of friends to make up an odd family. When they find out about his plight, they plot to take revenge against those responsible. This, the most recent film by visionary director Jean-Pierre Jeunet (who also directed City of Lost Children), opened up in limited release on May 28.

See the trailer, clips, and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: French Crime Comedy

Rating: R (for some sexuality and brief violence)

We Are Family

(UTV) Kajol, Kareena Kapur, Arjun Rampal, Nominath Ginsberg. A divorced Indian woman living in Australia with her family seems to have everything under control. However, when her ex-husband brings in his new girlfriend, a career-oriented woman, into the picture, things get complicated, turning even worse when they are all forced to live under the same roof. This is loosely based on the American tear-jerker The Stepmom.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Indian Drama

Rating: NR