Lucky


Lucky

The happy couple - how lucky!

(2011) Comedy (Phase 4) Colin Hanks, Ari Graynor, Ann-Margaret, Jeffrey Tambor, Mimi Rogers, Adam J. Harrington, Allison Mackie, Tom Amandes, Michelle Davidson, Olivia Sather, Heather Marie Marsden, Sean Modica, Jill Carr, Elizabeth Uhl. Directed by Gil Cates Jr.

 

Love and marriage can be a killer. Compromise and understanding are keys to any relationship, but especially in any marriage, particularly in new ones. Getting to understand your partner in any relationship is the key to making it work.

Ben Keller (Hanks) is a bit of a noodle. He is a quiet, shy sort who works as an accountant. He seems generally nice although a bit socially awkward. He has a crush on the receptionist, Lucy St. Martin (Graynor) and has had since school but has never acted on it, not really. She’s aware of his affections but she is much more pragmatic; she has her eye casting about for men in a different economic strata. Ben is beneath her notice, frankly.

That is, until Ben wins the Iowa State Lotto and over $38 million. Overnight he’s a millionaire and Lucy suddenly sees him as husband material. Soon they are dating and before long, they are married, much to the satisfaction of Pauline (Ann-Margaret), Ben’s mom who had despaired of her shy son ever finding a match.

Lucy may be all about the money and Ben doesn’t seem to be too shy about spending it on her – from building her a dream home to an expensive Hawaiian honeymoon. It is in fact while in Hawaii that Lucy discovers that Ben has been keeping a secret from her and it’s a doozy – mild-mannered Ben is a serial killer and as Lucy looks a little more deeply into this, she discovers that his victims bear a more than passing resemblance to herself.

The director is the son of a Hollywood producer (best known for producing the Oscar telecasts) who is directing the son of an acting legend (Hanks, son of Tom). That really is neither here nor there but it is some interesting trivia. The premise here sounds tailor made for a black comedy directed by the likes of the Coen brothers but Cates comes off as a bit inexperienced here.

This kind of material needs a deft touch, one that is light where it needs to be but unfortunately the direction is mostly heavy-handed. We are hit in the face with an anvil rather than tickled gently with a feather. While the former gets our attention initially, it gets old quickly and eventually leaves us numb. The latter may not necessarily be as attention-getting at first but it stays with us longer for far more pleasant reasons.

Hanks is rapidly getting a reputation for playing nice guys with a dark side (as he does in “Mad Men”) and this might be his quintessential role. He resembles his father in many ways but he is much more of a sad sack than Daddy ever was. He isn’t quite the indelible lead man his father is but he has the DNA for it, not to mention that he adds his own stamp.

Graynor is kind of a cut-rate Renee Zellweger in a lot of ways, particularly in her delivery. She’s kind of a skinny Bridget Jones without the accent here. I get the sense she’s emulating the screwball comedies of the ’30s in the way she makes her character sassy and plucky. It’s not really original in any way but she at least captures the essence of the character nicely.

Veteran character actor Tambor plays a detective who is investigating the disappearance of several young girls. Tambor’s laconic delivery is perfect for the role and he always seems to deliver the goods no matter how small the role (and this one is small but memorable indeed). Ann-Margaret is also a welcome addition. In fact, the cast is pretty solid.

The filmmakers seem to be caught between making a screwball comedy and a black comedy and wind up with neither. There are some great moments (as when Lucy has a frank conversation with Ben’s victims) as well as some that could have been. Unfortunately, this is a movie where it felt like each turn it could have made could have gone better if they’d taken a different direction. Chalk it up to inexperience and hope the next one is better.

WHY RENT THIS: Nice performances from Graynor and Tambor. Competent black comedy.

WHY RENT SOMETHING ELSE: Lacks consistency.

FAMILY VALUES: There is some bad language, a bit of violence, some sexuality and a couple of gruesome images.

TRIVIAL PURSUIT: The Hawaii-themed restaurant scene was actually filmed at a zoo exhibit in Omaha.

NOTABLE DVD EXTRAS: There’s a music video by David Choi singing “I Choose Happiness” from the movie.

BOX OFFICE PERFORMANCE: $8,564 on an unreported production budget; no way this made any money.

FINAL RATING: 5/10

NEXT: Thin Ice

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Bad Teacher


Bad Teacher

Who's haughty? Cameron Diaz and Lucy Punch engage in a pose-off.

(2011) Comedy (Columbia) Cameron Diaz, Justin Timberlake, Lucy Punch, Jason Segel, Phyllis Smith, John Michael Higgins, Dave “Gruber” Allen, Jillian Armenante, Matthew J. Evans, Thomas Lennon, Molly Shannon, Rick Overton, Kaitlyn Dever, Kathryn Newton. Directed by Jake Kasdan

Most of us owe at least a part of who we are to our teachers. Some remain engrained in our memory, teachers who make a positive difference, who inspire and guide. Others are less significant in our lives but have some sort of impact. Once in awhile we have a teacher who impacts our lives in a negative way.

Elizabeth Halsey (Diaz) has only been at John Adams Middle School for a year but she has already made an impression – and not the good kind. Not liked by her colleagues, ignored by her students, she’s just killing time until she marries her rich fiancée. When she is given a bon voyage at the end of the year, her fellow teachers can only muster up a $37 Boston Market gift card as a going away present.

Unfortunately, the engagement falls through and Elizabeth must return for another school term. This doesn’t sit well for her and her new mission is to find a new husband who will take care of her for the rest of her life in the kind of comfort she aspires to. A candidate comes along in substitute teacher Scott Delacorte (Timberlake) who has just ended a long-term relationship with a large-breasted girlfriend and whose family runs a high-end watch company.

Elizabeth zeroes in on the big-breasted aspect of the former girlfriend and decides that her ticket to the easy life is a boob job. She means to get that operation by hook or by crook but on a teacher’s salary, that kind of money just isn’t there. So she goes about using her feminine wiles and her manipulative nature to get the cash. When she finds out from her friend Lynn Davies (Smith) that a bonus is paid to the teacher whose class gets the highest score on the state test, she decides that she must actually teach her class to pass the test. Of course, she takes a short cut here as well; she obtains a copy of the test from administrator Carl Halabi (Lennon) by pretending to be a reporter, seducing him and drugging him. Nice girl, no?

In the meantime, she finds that she has a rival for Scott’s affections in uber-cheerful teacher Amy Squirrel (Punch), who despite her outwardly sweet and perky nature hides suspicions and a dark side. The two women go to war, while nice guy gym teacher Russell Gettis (Segel) tries to romance an uninterested Elizabeth.

Diaz has never been one of my favorite actresses; she always seems a bit high-strung to me. However, this is a role that is from my point of view, perfect for her. Elizabeth is shallow, self-centered and without any sense of morality whatsoever. She smokes pot in the parking lot, throws rubber dodge balls at her students’ heads when they get an answer wrong, shows up to work hung over and simply shows a movie with a classroom theme to her students, and dresses provocatively at every turn.

Segel has a certain sweetness to him that we’ve seen in films like Forgetting Sarah Marshall that serves him well here. He also has a bit of a bite which also serves him well here. He is by far the most likable character in the film. Punch, last seen in Dinner With Schmucks, is delightful in the antagonist role. Watching her unravel onscreen is one of the movie’s better accomplishments.

Kasdan, who also directed the musical bio spoof Walk Hard: The Dewey Cox Story, doesn’t pull any punches here. This is mean-spirited, over-the-top and without any redeeming moral qualities whatsoever. Now, I’m not the blue-nosed sort who thinks every movie needs to have a strong moral compass and I can occasionally find a laugh in mean things happening to people who don’t deserve it. However, I require that if you’re going to do a comedy this mean-spirited, there needs to be at least a few laughs.

This is not a movie that pretends to have an uplifting message, and in that sense, the movie is exactly what it appears to be. To that end, it really boils down to your own personal preference; do you prefer laughing at people, or laughing with them. For my own personal taste, this isn’t my kind of humor so the rating for the movie reflects that to a certain extent. However, even people who like this sort of thing may have a hard time finding more than a few chuckles for the full feature.

REASONS TO GO: The movie is at least true to its convictions. Diaz moves out of her comfort zone and Segel is at least pleasant.

REASONS TO STAY: Most of the movie’s funniest moments can be seen in the trailer. Offensive on nearly every level.

FAMILY VALUES: Plenty of foul language as well as raunchy jokes, sexuality, nudity and a bit of drug use make this not fit for family viewing.  

TRIVIAL PURSUIT: Writers Lee Eisenberg and Gene Stupnitsky both worked extensively on “The Office” where Smith is a cast member.

HOME OR THEATER: Nothing here screams “see this in a theater.”

FINAL RATING: 4/10

TOMORROW: Larry Crowne