(2003) Action (Paramount) Mark Wahlberg, Charlize Theron, Edward Norton, Jason Statham, Mos Def, Seth Green, Donald Sutherland, Boris Lee Krutonog, Julie Costello, Gawtti, Franky G, Aaron Speiser, Olek Krupa, Thomas Alexander. Directed by F. Gary Gray
It started out as a perfect heist. The brazen pilfering of Venetian gold, misdirection to lead pursuit away, and the recovery of the ill-gotten gains. Better still, this wasn’t the work of mastermind John Bridger (Sutherland), who is looking to get out of the game for good, but of his protégé, Charlie Croker (Wahlberg), who is taking over the crew.
Unexpectedly, they are betrayed by Steve (Norton) one of their own, who wants all the gold for himself. Knowing that Bridger has an aversion to carrying guns, Steve brings a few of his own and uses them. Most of the crew gets away, but John Bridger does not.
Fast forward a few years. The crew has managed to track down the elusive Steve back to Los Angeles, and are just itching for a little payback – not to mention the gold they stole. Left Ear (Mos Def), computer expert Napster (Green) and driver Handsome Rob (Statham) have reunited with Charlie, but they need an expert safecracker to take John’s old role. It so happens that John’s daughter Stella (Theron) has become an excellent safecracker, after a fashion; she is a security consultant who tests the vulnerability of safes for large corporations. She’s not really interested in ill-gotten gains, but it turns out she is very interested in getting revenge on the man who killed her father.
As with most caper movies, there are twists, turns and suspense a-plenty. Some wonderful car chases, some terrific action sequences and a nice bit of poetic justice near the end, although I couldn’t really call it an unexpected twist. Director F. Gary Gray is a bit too heavy-handed for that. He also has too many extraneous characters in the movie. I’m not sure if he’s trying to do some misdirection of his own, but it doesn’t work.
We could have done without the Russian mobsters and the informant, Skinny Pete (Gawtti). Frankly, some of the gang could have used a little more screen time. Gray, however, cast this movie to near-perfection. Green is fast becoming the Steve Buscemi for a new generation; he is nervous, quirky and always entertaining when he is riffing on his own. Statham is perfectly cast as Handsome Rob, the driver. He is absolutely riveting when he is on screen, and while he hasn’t gotten the huge screen star career I thought he was going to when I first saw this, he has managed to carve out a pretty satisfying niche in the action genre and has made some fairly nice films, although there is a lot of b-movie drekk in there as well. Wahlberg is settling into an action-hero niche nicely, although I’ve found him to be one-dimensional at times here but he nicely fills the role of the resourceful mastermind for the purposes of this film.
It is Theron who really caught my notice. Up until this point I’d never been very fond of her – she’sd always seemed kind of prissy in most of the movies I’ve seen her in up until this film, but she really held her own, and quite frankly, she looks better than she ever has at least until Snow White and the Huntsman (I know, I know, I’m a shallow, shallow man). Edward Norton gets to be a smarmy bad guy, a role in which he excels and pretty much perfects here.
The psychology of the movie is a little predictable; father-figure gets gunned down in front of the impressionable eyes of the hero, who seeks justice and gets it without getting his hands dirty. You know that the trigger-happy Norton is going to get his at the end of the movie, but you can’t have the hero getting blood on his hands; Hollywood might be going retro, but the anti-hero is a bit too retro for the tastes of most studios. I think it’s a bit hypocritical to line up Wahlberg as a criminal, but then he’s not a murderer, so he’s not too bad a guy. Of course, I could just be getting too grumpy in my old age.
Some movies should never be remade. Others can benefit from an updating. The 1969 Michael Caine caper movie on which this one is based is not what you would call a classic, but it is a movie of its time. That said, The Italian Job does what another remake, 2001`s Oceans 11 set out to do; take a movie of its time and make it timeless. Oceans 11 succeeded in its attempt, which isn’t as easy as it sounds. The Italian Job doesn’t quite become timeless, but it is an entertaining movie, and as the years have passed it has remained that way. I guess it is timeless after all.
WHY RENT THIS: Great action sequences. Theron emerges as a major star. Fun summer entertainment. Great ensemble.
WHY RENT SOMETHING ELSE: Wahlberg lacks the charisma I would have liked to have seen here. A little bit predictable.
FAMILY VALUES: There’s a bit of violence and a lot of action.
TRIVIAL PURSUITS: Lyle’s girlfriend at the end of the film is played by Kelly Brook, who was Jason Statham’s actual girlfriend at the time.
NOTABLE HOME VIDEO FEATURES: There is a featurette on Mini-Coopers (which are used extensively in the chase sequence) and on the actors two weeks in drivers school (they did a lot of their own driving stunts).
BOX OFFICE PERFORMANCE: $176.1M on a $60M production budget; the film was a hit.
COMPARISON SHOPPING: Oceans 11
FINAL RATING: 7.5/10
NEXT: A Beautiful Life