Florida Film Festival 2014


Florida Film Festival 2014Last night, the Florida Film Festival announced their line-up for 2014 and it is another impressive one. The Festival will run from April 4 through April 13 this year and 170 feature films and shorts are on this year’s menu. While we won’t be previewing all of them, this is just a taste of some of the films you can expect to see.

Last year’s opening night film, 20 Feet From Stardom, went on to win an Oscar for Best Documentary Feature and opening night guests were wowed by one of the film’s stars, Merry Clayton (the female voice on the Rolling Stones’ “Gimme Shelter”) crooning a sensual and amazing version of Leon Russell’s “A Song for You.” While that set an awfully high bar, this year’s opening film has plenty of quality of its own. A Trip to Italy is the sequel to 2010’s The Trip and returns stars Steve Coogan and Rob Brydon as well as director Michael Winterbottom. Once again Coogan and Brydon play versions of themselves, sent to write restaurant reviews but this time not in the North of England but in Italy. They kept audiences in stitches with their impressions and comedic routines but deep down there was a story that kept the interest of the readers. I can’t wait to see what they do in the sequel.

Ernest and Celestine netted an Oscar nomination of its own for Best Animated Feature at the recent Academy Awards and while it lost to Frozen this story about the unlikely friendship between a bear and a mouse is sure to delight children of every age. The British crime comedy Dom Hemingway stars Jude Law as a safe cracker newly released from prison who wants to reconnect with his daughter and settle his debts but that proves to be a proposition far less easy than it sounds. For No Good Reason documents artist Ralph Steadman’s remarkable career, his collaborations with writers Hunter S. Thompson and William Burroughs and of course his unsettling and iconic drawings. Johnny Depp hosts this passion project. 

Joe is the latest from director David Gordon Green and stars Nicolas Cage as a rough and tumble ex-con with a hair-trigger temper who falls in with a young boy whose life has been at least as hard luck as his own. The ex-con takes a liking to the boy who finds in Joe a father figure which doesn’t sit too well with the boy’s actual father. This is said to be one of Cage’s best performances in years and might just elevate him out of the poor reputation he’s had in recent years. The Double is a stylish modernization of the Dostoevsky novella in which a shy and abused young worker, played by Jesse Eisenberg, has his life taken over by a brash and manipulative doppelganger, also played by Eisenberg. 

Gabrielle is a French-Canadian romance about a developmentally challenged woman’s quest to assert her independence. Obvious Child tackles the controversial subject of abortion as a young stand-up comedian finds her life turned upside down by an unexpected pregnancy. Before I Disappear chronicles a despondent young man’s attempts to commit suicide marred by his responsibility to babysit his niece. In Words and Pictures stars Clive Owens and Juliette Binoche play teachers of English and Art who in an effort to inspire students who couldn’t care less declare a war between words and images. Cheatin’ is the newest animated feature by Oscar winning animator Bill Plympton – ’nuff said. 

Crimes Against Humanity pairs a woman whose pet rabbit has died and who has been hospitalized with frequent nosebleeds with a pompous boyfriend whose investigation of sexual escapades at the university he works at becomes an obsession. In I Believe in Unicorns a woman with a vivid imagination falls for a skateboarding punk and chooses to run away with him, leaving her disabled mother behind. Doomsdays covers two slackers who convinced the apocalypse is just around the corner take to squatting in vacant Catskills vacations homes until the food runs out or they are chased off. The addition of two other would-be squatters changes the dynamic irrevocably. This year’s Audience Award winner at Slamdance was Copenhagen, a voyage of discovery of a young man who journeys to the Danish capital to discover his last living relative and finds love instead. Last I Heard stars Paul Sorvino as a mob boss who returns from prison to find that his gang has become inconsequential and the world a far different place than he left it. 

No No: A Dockumentary follows the fabled career of Pittsburgh Pirate pitcher Dock Ellis who famously pitched a no-hitter while tripping on LSD in 1970. How he overcame his addictions and reached out to help others in similar straits is one of baseball’s great untold stories. Levitated Mass is a fascinating look at artist Michael Heizer’s monumental task of transporting a 340 ton boulder from a Southern California quarry to the L.A. County Museum of Art and creating a media and social sensation in the process. American Jesus examines the pervasive Christianity in all it’s different forms and effects on American culture as seen through the eyes of a Spaniard. 

Mail order brides is the subject of Love Me as the documentary filmmaker follows several relationships that were established in that manner and discovers that they aren’t all you might think. Mission Congo details the abuses of an American televangelist in the Congo following the Rwandan genocide under the guise of humanitarian aid. The Sacrament is the latest from horror auteur Ti West and covers a filmmaking crew’s descent into the hellish secret of a Utopian religious cult during a documentary shoot. The Babadook was one of the films at this year’s Sundance that got a great deal of attention; in it a single mom reads to her son from a mysterious storybook which prompts strange and frightening occurrences in their home.

Chu and Blossom stars Ryan O’Nan, Mercedes Ruehl and Melanie Lynskey in a story about  a unique Korean exchange student adjusting to life in the United States. After Winter, Spring is a loving tribute to a way of life that is rapidly disappearing – the French family farm. Led Zeppelin Played Here looks into a mythic concert that may or may not have taken place. 

In addition to new movies, there are some classics that will be available at the Festival this year including the Oscar-winning murder mystery Murder on the Orient Express with an all-star cast, The Big Lebowski which is one of the Coen Brothers’ classics, the Italian thriller Investigation of a Citizen Above Suspicion and the James Bond classic Goldfinger

There are usually celebrities involved at Film Festivals and the FFF has had their share. Not all of the celebrity attendees have been confirmed at press time but two who are on the list for 2014 include Paul Sorvino who will be in attendance on Friday April 11 for the screening of his new film Last I Heard and Giancarlo Esposito for a screening of Spike Lee’s Do the Right Thing in celebration of the film’s 25th anniversary.

That’s just a rundown of some of the films that will be on the docket for this year’s Festival. There are also panel discussions and of course the legendary parties that the Festival throws every year.Ticket packages and passes are on sale now at the website (just click on the logo above to go directly there) and individual film tickets will be on sale Saturday, March 15th. 

This promises to be another memorable Festival and if you’ve never been, you owe it to yourself to go and experience it firsthand. Words can’t describe the experience but it is fun, engaging and unforgettable. Filmmakers and celebrities rub elbows with film fans at the Festival and you never know who you will run into while grabbing a drink at the Eden Bar at the Enzian. It might even be me.

As always, movies from the festival will have the Festival logo above attached to the review to mark it as a proud participant in the 2014 Festival. Cinema365 will cover the Festival from beginning to end and beyond – last year we posted over 50 reviews of Festival films and related events and we should be in the same neighborhood this year. This is one event that I look forward to all year long and as we get closer to opening night, the excitement is building exponentially. This truly is one of the great Film Festivals in the country – it has been ranked as one of the 50 best in the entire world by IndieWire and the top 25 coolest in the country by MovieMaker magazine. That isn’t by accident; while I do tend to gush about the Festival it is really a unique event. If you love movies – and even if you don’t love ’em but just love to socialize – this is your event. Get your tickets now – you’ll thank me for it later.

Goldfinger


Goldfinger

Shirley Eaton is just golden.

(United Artists) Sean Connery, Honor Blackman, Gert Frobe, Harold Sakata, Cec Linder, Bernard Lee, Lois Maxwell, Desmond Llewellyn, Shirley Eaton. Directed by Guy Hamilton

There are many who consider this to be the ultimate James Bond movie and quite frankly, I’d have to agree with them. All of the elements come together and make this the standard against which not only all other Bond movies are measured, but all other spy movies as well.

James Bond (Connery) is in Miami having a little R&R when he receives a call from his boss M (Lee) to assist the CIA in observing Auric Goldfinger (Frobe) who happens to be staying at the Fontainebleau as is Bond. Felix Leiter (Linder), the CIA liaison, gives Bond the low-down; Goldfinger comes to the pool area every day to cheat at canasta, having a young beautiful blonde by the name of Jill Masterson (Eaton) report what his opponent’s cards are via shortwave radio to his hearing aid. Bond, being Bond, decides to mess with Goldfinger. He seduces Masterson, causing Goldfinger to lose. However, Goldfinger doesn’t take kindly to losing and sends a flunky named Oddjob (Sakata) to knock out Bond and repay Masterson for her betrayal by painting her gold, suffocating her skin.

As it turns out, MI6 has a big interest in Goldfinger owing to his smuggling of gold in and out of the UK. They’re wondering how he’s doing it and put Bond on the job. He follows the portly villain to Switzerland, where he has a run-in with Tilly, Jill’s sister. Oddjob murders her as well, making the score Oddjob 2, Masterson girls 0. He also captures Bond, which gives Goldfinger the opportunity to set up an industrial laser aimed for the Bond family jewels. It also gives Goldfinger to deliver the all-time classic villain line when Bond asks “You expect me to talk?” (For the record, the response is “No, Mister Bond, I expect you to die”).

Bond, thinking quickly on his feet (or on his back as it were), implies that he knows a lot more than he actually does. This forces Goldfinger to send Bond back to his Kentucky horse ranch under the watchful eye of his personal pilot Pussy Galore (Blackman), the dirtiest character name in the history of movies. There, he uncovers Goldfinger’s real ambition; to set off a nuclear device at Fort Knox, irradiating the largest gold supply in the world and making his own supply ultimately far more valuable. Can Bond stop the nefarious plot and overcome the seemingly indestructible Oddjob?

This was the Bond that essentially became the template for all the Bond movies to follow. It set the bar and quite high as well. For better or worse, all other Bond movies are measured against this one, just as all Bond villain are measured against Goldfinger, all Bond flunkies are compared to Oddjob and all Bond girls are compared to Pussy Galore.

The ultimate Bond car is the Aston-Martin DB5 that makes an appearance here. With its changing license plate, rocket launchers, oil slick dispensers and ejection seat, it was the ultimate spy vehicle. The car became so popular that two working models were built (complete with ejection seat) and toured the world in support of the film.

Like most Bond films of the era, the attitude towards women is pretty dated. While Pussy is a strong, independent woman, she is no match for Bond’s machismo; in fact, all it takes is a single kiss for her to see the error of her ways, a kiss that is forced upon her, I might add. In our more enlightened times, we might call that sexual assault.

It is the action that makes Goldfinger what it is, and that action is breathtaking. The assault on Fort Knox is one of the most awe-inspiring action sequences in the history of the movies. While some of the special effects look a little clunky, it still stands up 45 years after the fact.

I’m not saying this is the perfect movie, mind you. It is pretty darn close, however. It’s a reflection of its times, and that certainly needs to be taken into account, but it is timeless in all the important aspects of the movie. If you haven’t seen Goldfinger yet, your film education is incomplete without it.                    

WHY RENT THIS: By far, the best of the Bond movies. Frobe is one of the best baddies of all time and Connery was never better than he was here.

WHY RENT SOMETHING ELSE: Well, maybe you just don’t like movies made in the 20th century. Your loss.

FAMILY VALUES: There’s a surprising amount of violence, much smoking (remember, that was common for the era) but still pretty tame by modern standards.

TRIVIAL PURSUIT: One of the hoodlums gathered at Goldfinger’s ranch is played by an uncredited Garry Marshall, future director of Pretty Woman and Valentine’s Day, among others.

NOTABLE DVD EXTRAS: The new Blu-Ray contains a digitally enhanced print and there are a number of contemporaneous features about the making of the film. There are also some screen tests of some other actors who tested for the Goldfinger part, as well as a featurette on the phenomenon of the movie and one on the Aston Martin DB5, possibly the most popular movie car of all time.

FINAL RATING: 10/10

TOMORROW: You Only Live Twice