(2009) Thriller (Sony Classics) Julianne Moore, Amanda Seyfried, Liam Neeson, Max Theriot, R.H. Thomson, Nina Dobrev, Mishu Vellani, Julie Khaner, Laura de Carteret, Natalie Lisinska, Tiffany Knight, Meghan Heffern, Tamsen McDonough, Kathryn Kriitmaa. Directed by Atom Egoyan
Sexuality is one of mankind’s preoccupations, and it occupies a good deal of our time and energy. We ascribe to it wonders and magic, but in truth it is just a physiological function. For a physiological function we sure give it a whole lot of our thought.
Catherine Stewart (Moore) is a gynecologist who knows more about the physical aspects of sex than most. She knows about it more professionally than personally however; her marriage to academic David Stewart (Neeson) has become more platonic over time. She chalks it up to familiarity and age, but there are signs that her good husband may be cheating on her.
Being a smart, capable professional lady rather than confront her husband or hire a detective, she hires Chloe (Seyfried), a prostitute she meets to attempt to seduce her husband and then report back to Catherine as to whether he takes the bait.
Soon, we discover that Chloe may have an agenda of her own and that Catherine is having a crisis of sexuality of her own. When Chloe takes Catherine and David’s son Michael (Theriot) under her wing, that agenda may be turning sinister.
Canadian director Egoyan is one of those cinematic soldiers who is better known to art-house lurkers and professional critics than the general public. He is a talent who looks at sex in a more straight-forward way than his neighbors to the south tend to; he neither romanticizes it nor demonizes it, simply recognizes that it is a part of life.
Here there is a certain kinky side to things and Egoyan doesn’t shy away from that either. I’m not necessarily talking about fetishes so much as exploring darker aspects of our sexuality, and using sex to get what we want. Chloe is not above such things.
Although Neeson is the marquee name, Moore is the star of this show. Her Catherine is a complex, multi-layered creature who doesn’t always act the way you’d expect her to. I get that they’re trying to show her insecurities just beneath her professional demeanor, but c’mon, for someone as smart and accomplished as she is she sure does some dumb things (as mentioned above).
Seyfried, the sweet waif from Mamma Mia has become one of the more reliable young actresses out there. Here, she does the femme fatale for the first time that I’m aware of and she pulls it off very nicely. Her Chloe is obviously disturbed and has some pretty sick issues, but you still wind up feeling a little sorry for her, even after…well, let’s not get into that. Don’t want to spoil things for you.
Egoyan and writer Erin Cressida Wilson are not entirely to blame for this; Chloe is based on a French film by Anne Fontaine called Nathalie which I have not seen but I am assured by SF Chronicle critic Mick LaSalle is a pretentions and overbearing load of twaddle. I found that a bit surprising since Fontaine is normally a very good writer and director.
Still, everyone makes a misstep once in awhile. The premise is a bit ponderous, I grant you that. I mean, why would any woman in her right mind ask someone she doesn’t know to seduce her husband to prove that he’s faithful? Sounds a lot like entrapment to me. And just because you have a beautiful, sexy young woman throw herself at a middle-aged married man doesn’t mean he’s cheating. It just means he can be tempted – who’s to know that he would have ever strayed if not for the machinations of his wife.
Chloe is an Atom Egoyan film, so that means it won’t be completely without any merit whatsoever. There are certainly elements that are recommendation-worthy. However the cohesive whole doesn’t quite make the cut for me.
WHY RENT THIS: Good work by Moore and Seyfried, with Neeson in more of a supporting part. Extremely sexual which immediately casts it as non-American in origin.
WHY RENT SOMETHING ELSE: The erotica is kind of Skinemax-worthy. Catherine doesn’t always act according to character.
FAMILY VALUES: There’s a good deal of sexual dialogue in the movie, some nudity and other foul language., not to mention a bit of violence.
TRIVIAL PURSUIT: While filming this movie, Liam Neeson’s wife Natascha Richardson passed away as a result of injuries sustained in a skiing accident. The schedule was rearranged so that Neeson only needed a further days of shooting after returning to the set.
NOTABLE DVD EXTRAS: None listed.
BOX OFFICE PERFORMANCE: $11.7M on a $14M production budget; the movie was not profitable at the box office.
FINAL RATING: 6/10
TOMORROW: The Woman in Black