New Releases for the Week of December 16, 2016


Rogue One: A Star Wars StoryROGUE ONE: A STAR WARS STORY

(Disney) Felicity Jones, Diego Luna, Alan Tudyk, Donnie Yen, Wen Jiang, Ben Mendelsohn, Forest Whitaker, Riz Ahmed, Mads Mikkelsen, Jimmy Smits. Directed by Gareth Edwards

The first stand-alone theatrical film in the Star Wars universe concerns the plans of the Death Star. How did the Rebels acquire them? It was only a couple of lines about how many died getting those plans to the Alliance. Now we can see the story of how it happened. Expect this to be one of the biggest (if not the biggest) box office hits of the year.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for extended sequences of sci-fi violence and action)

Collateral Beauty

(New Line) Will Smith, Edward Norton, Keira Knightley, Kate Winslet. After a successful advertising executive on Madison Avenue suffers an incalculable tragedy, he retreats from life, trying to find answers. In his suffering, he writes letters to Love, Time and Death. What he doesn’t expect is to get personal answers.

See the trailer, clips, an interview and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and brief strong language)

Jackie

(Fox Searchlight) Natalie Portman, Peter Sarsgaard, Greta Gerwig, Billy Crudup. The story of Jacqueline Bouvier Kennedy Onassis, one of America’s most iconic figures of the 20th century, at one of the defining points in American history – the assassination of her husband. Portman’s performance is considered the strong favorite to take the Oscar for Best Actress this year.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Enzian Theater (opens on Wednesday)

Rating: R (for brief strong violence and some language)

La La Land

(Summit) Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt. An actress and a musician, both struggling, are drawn together by their passion for their art and eventually that passion is amplfied  for each other. However as they each begin to achieve success they are forced to make choices between their relationship and their careers which threaten both.

See the trailer, interviews, a featurette, a clip and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Musical
Now Playing: AMC Disney Springs, Regal Winter Park Village (expanding Christmas Day)

Rating: R (for some disturbing violence and language throughout)

We Are X

(Drafthouse) Yoshiki, Gene Simmons, Toshi, Pata. In America, the band X are punk legends, but this isn’t about them. This is about the Japanese band X, one of the most accomplished metal bands in the world.  Their story isn’t well-known in America nor is their music but that should change once people see this documentary, part of the Music Mondays series at the Enzian. This is a band that may be considered rock gods but that doesn’t mean they’ve had it easy.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater (Monday only)

Rating: R (for some language)

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Wiener-Dog


Music to tame the savage beast.

Music to tame the savage beast.

(2016) Black Comedy (IFC/Amazon) Greta Gerwig, Kieran Culkin, Danny DeVito, Ellen Burstyn, Julie Delpy, Keaton Nigel Cooke, Tracy Letts, Charlie Tahan, Ari Graynor, Zosia Mamet, Michael Shaw, Marcella Lowery, Connor Long, Tyler Maynard, Devin Druid, Sharon Washington, Rigoberto Garcia, Haraldo Alvarez, Dain Victorianio, Andrew Pang, Trey Silver, Molly Gay, Bridget Brown. Directed by Todd Solondz

 

Indie auteur Todd Solondz is one of those directors that either you love or you hate. There is rarely anyone who takes the middle ground with his films, which tend to be somewhat misanthropic. His view of the human condition, particularly as it applies to American suburban life, is pretty bleak. Would that change given in his newest film?

No it wouldn’t. This has been touted as something of a follow-up to his seminal 1995 film Welcome to the Dollhouse but only in the sense that it has a couple of characters in common with that film albeit portrayed with all-new actors. This is a series of four vignettes linked together with the presence of a sad-eyed dachshund who endures four different owners of various degrees of likability.

He is brought from the pound initially by Danny (Letts) and Dina (Delpy), parents of Remi (Cooke), a young boy who survived what appears to be some form of cancer. He’s lonely and depressed and the Wiener-Dog, as he names him, seems just the tonic. However, Danny and Dina have their own things going on; Dina isn’t above manipulating her son, explaining that the reason that they have to have Wiener-Dog spayed is so that she doesn’t get pregnant from being raped by a local dog. Charming.

But Remi frankly isn’t mature enough to handle the dog so she is returned to the local shelter to be put down. However, veterinary assistant Dawn Wiener (Gerwig) rather than putting a healthy dog to death steals Wiener-Dog away and keeps her for herself. In many ways Dawn is as lonely as Remi was, and now that she has a Wiener-Dog of her own, she renames him Doody after Howdy-Doody, not necessarily getting the other connotation of that name.

A chance meeting with an ex-high school classmate named Brandon (Culkin) whom she continues to crush on despite the fact that he was unrelentingly cruel to her in high school leads to a road trip to Ohio, ostensibly to get drugs but also for Brandon to meet up with his brother Tommy (Long) and his wife April (Brown), both of whom are afflicted with Down’s syndrome. They will galvanize Dawn into doing the most selfless thing she’s ever done.

After a hilarious “intermission” starring Wiener-Dog herself, we go to the next vignette. Doody is now owned by Dave Schmerz (DeVito), a screenwriting teacher at a New York-area university (and not one of the better ones) who is juggling teaching students who don’t think they have anything to learn with trying to sell a screenplay that his condescending agent has been dangling in front of him like the proverbial carrot. He doesn’t realize that he’s a laughingstock, his refrain of “What if…now what?” having become something of an iconic mock. This leads him to do something quite drastic.

Finally, we meet Nana (Burstyn), a bitter, crotchety elderly woman who lives with an apathetic housekeeper (Lowery). Nana is visited by her granddaughter Zoe (Mamet) who never visits unless she needs money. Zoe has a new boyfriend, the artist Fantasy (Shaw) who doesn’t have a terribly high opinion of anyone not named Fantasy. Nana and Zoe end up having a bit of a heart-to-heart but as it turns out, something nasty is just around the corner for Nana.

Solondz is, as I mentioned earlier, not really everyone’s cup of tea. Those who enjoy his particularly type of brew will find this film extremely palatable, although some may grouse that his movies all carry similarities that are beginning to get a bit repetitive. He likes to employ the anthology format and has done so on more than one occasion.

When Solondz is at his best, he can be wickedly funny. He blows past boundaries without a second thought and treats sacred cows like they’re so much hamburger meat. However, his point of view about humanity is not very compatible with those raised on Disney thinking that everyone is basically a prince or princess at heart. Mostly, he sees humans as selfish, self-centered, cruel, vain and morally weak. He doesn’t paint flattering pictures of the species and quite frankly he isn’t required to.

He sure does coax out some great performances from his actors though. DeVito turns in a marvelous performance that is easily the best thing he’s done in years or even decades. His sad sack screenwriter is a figure of pity even though he is a bit of jerk at times. Still, DeVito does a lot of work with his eyes getting his emotions across here and it works. You can feel the beat down dog elements of the character and you can also feel the pressure beginning to escape as he reaches the boiling point.

Equally marvelous is Burstyn, who wears this bizarre oversize eye wear that are like a cross between aviator sunglasses and World War I flying ace goggles. She orders people around like a martinet but that doesn’t disguise the terrible vulnerability inside her. She knows her granddaughter is taking advantage of her, and she knows her granddaughter is making terrible life choices, but nonetheless she helps her out. Burstyn imbues the role with gravitas and dignity, solidifying herself as the grand dame of American cinema.

Da Queen was very vocal about her feelings for the film, stating that she dug it right up until the last five minutes and I have to concur. Anyone who knows me knows that I’m a huge dog person; I have been known to wear a t-shirt that states “I don’t care who dies in a movie as long as the dog lives.” Animal lovers in general and dog lovers in particular will have a hard time with the ending. I get why Solondz went this particular route and to a certain extent I can admire it, but those who find violence to animals unpalatable had best check out before the movie ends.

There are moments here that are as good as anything I’ve seen from Solondz but the ending was really a deal killer for me. Maybe it’s a bit illogical for me to be fine watching humans being chopped up like celery but not able to watch even a hair on poor Fido’s head harmed but that’s how I’m wired, so take this with a grain of salt. This isn’t filmmaking for everyone, but then again it’s not meant to be. I can admire a movie like this without liking it and the shame of it was that I liked most of it but the parts I didn’t like I loathed. Maybe that’s what Solondz had in mind all along.

REASONS TO GO: There are some really funny moments here. DeVito and Burstyn come through with some tremendous performances.
REASONS TO STAY: The ending is extremely disturbing and most definitely not for dog lovers. A little bit too much like all of the director’s other films.
FAMILY VALUES: There is some pretty disturbing content (particularly if you’re an animal lover) as well as some animal excretions, as well as quite a bit of profanity.
TRIVIAL PURSUIT: The part of Dawn Wiener from Welcome to the Dollhouse was originally played by Heather Matarazzo who turned down the opportunity to reprise the role. Greta Gerwig was cast instead.
BEYOND THE THEATER: Amazon
CRITICAL MASS: As of 8/24/16: Rotten Tomatoes: 76% positive reviews. Metacritic: 66/100.
COMPARISON SHOPPING: Welcome to the Dollhouse
FINAL RATING: 6/10
NEXT: Breaking a Monster

New Releases for the Week of August 19, 2016


Ben-HurBEN-HUR

(MGM/Paramount) Jack Huston, Morgan Freeman, Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi, Ayelet Zurer, Pilou Asbæk, Sofia Black-D’Elia, Moises Arias. Directed by Timur Bekmambetov

Union general Lew Wallace is best known today for his epic novel Ben-Hur: A Tale of the Christ from which a silent film classic starring Ramon Navarro was adapted in 1925, and one of the most venerated films in history starring Charlton Heston was released in 1959. Now, 57 years later comes a new version of the story of Judah Ben-Hur, a noble among Jews at the time of Jesus Christ who is betrayed by his childhood friend Messala and falsely accused of attempting an assassination of the Roman governor. Sentenced to be a galley slave for what is expected to be a short life, he manages to escape and seeks revenge against his one-time friend, but an encounter with Jesus Christ changes all that.

See the trailer, interviews, featurettes, a clip and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Swords and Sandals
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence and disturbing images)

Breaking a Monster

(Abramorama) Malcolm Brickhouse, Jarad Dawkins, Alec Atkins, Alan Sacks. Three young African-American boys fall in love with heavy metal and put together a band. Calling themselves Unlocking the Truth, they dream of making it big as arena rockers. After practicing at home, they decide to venture out into Times Square and their impromptu concerts draw attention, but not as much as their YouTube videos. They become the subject of major label attention and a 70-year-old industry veteran signs on to manage their careers. However, boys will be boys and as these young guys try to navigate the treacherous waters of the music industry, it is uncertain whether they’ll just get their feet wet or drown in the sorrow of unfulfilled potential.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard (one performance only, Monday 8/22 at 9:30pm)
Genre: Musical Documentary
Now Playing: Enzian Theater

Rating: NR

Hell or High Water

(CBS) Ben Foster, Chris Pine, Jeff Bridges, Katy Mixon. Two West Texas brothers – one a divorced father trying to support his son as best he can, the other a violent ex-con – come together to rob branch after branch of a bank that is attempting to foreclose on their family land. Essentially fighting a battle to take down an amoral corporate financial institution, they are being chased by a surly Texas Ranger who is nipping at their heels. With one last job to pull before their plan is complete, the forces of law and justice will collide in the dry wasteland of high summer in the Lone Star state.

See the trailer, clips, interviews, premiere footage and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Crime Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for some strong violence, language throughout and brief sexuality)

Imperium

(Lionsgate) Daniel Radcliffe, Toni Collette, Tracy Letts, Sam Trammell. An idealistic young analyst working for the FBI is given an assignment outside of his comfort zone – to infiltrate a violent neo-Nazi group that may have ideas of domestic terrorism on their minds. Protesting that he is woefully unprepared for this type of work, he nonetheless takes on the assignment and does his best to make headway in the dangerous underground white supremacist movement which will lead him to question everything he believes. This is inspired by an actual incident.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Loews Universal Cineplex

Rating: R (for language, some sexual references and brief nudity)

Kubo and the Two Strings

(Focus/LAIKA) Starring the voices of Charlize Theron, Matthew McConaughey, Ralph Fiennes, Art Parkinson. A young boy, eking out a living telling stories in a seaside town in a mythological Japan, unintentionally summons a demonic force with an axe to grind on Earth. Fleeing for his life, he will have to save his family, solve the mystery of the fall of his father who happens to be the greatest samurai warrior the world has ever known with only a magical musical instrument to battle Gods, monsters and demons.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for thematic elements, scary images, action and peril)

Our Little Sister

(Sony Classics) Haruka Ayase, Masami Nagasawa, Kaho, Suzu Hirose. Three beautiful sisters, living in a Japanese city, are called back to their rural home when their philandering father who abandoned them 15 years earlier passes away. There they meet Suzu, a half-sister they never knew they had. When they discover that her mother has also passed away, they invite her to live with him and begin a new life as a quartet of women in modern Japan.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Dramedy
Now Playing: Regal Winter Park Village

Rating: PG (for thematic elements and brief language)

War Dogs

(Warner Brothers) Miles Teller, Jonah Hill, Bradley Cooper, Ana de Armas. Based on a true story, this film follows two twenty-something entrepreneurs who get in way over their heads when they exploit a little-known loophole involving small business for government contracts and land a 300 million dollar deal to arm the Afghan government. This allows them to make deals with people that the U.S. Government can’t negotiate with – which turns out to be an incredibly dangerous proposition.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Dramedy
Now Playing: Wide Release

Rating: R (for language throughout, drug use and some sexual references)

Wiener-Dog

(IFC/Amazon) Greta Gerwig, Kieran Culkin, Danny DeVito, Julie Delpy. A single dog touches many lives in this comedy by indie icon Todd Solondz. The dog goes on a bit of a road trip, garnering multiple masters all in need of something that perhaps may be too much for one soulful dog to supply. This dark comedy is an honest look at the longings and experiences of America circa 2016 with an all-star cast to bring it all into focus.

See the trailer, a clip and a link to viewing the full movie on Amazon here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for language and some disturbing content)

New Releases for the Week of June 10, 2016


The Conjuring 2THE CONJURING 2

(New Line) Patrick Wilson, Vera Farmiga, Madison Wolfe, Frances O’Connor, Lauren Esposito, Benjamin Haigh, Simon McBurney, Franka Potente. Directed by James Wan

The paranormal investigations of Ed and Lorraine Warren continue as they visit London to look into the haunting of a house in Enfield that is terrifying a single mother and her four children. This is the sequel to the massive 2013 hit with the cast and director James Wan returning.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for terror and horror violence)

Maggie’s Plan

(Sony Classics) Greta Gerwig, Travis Fimmel, Maya Rudolph, Julianne Moore. Maggie wants to have a baby. Maggie doesn’t want to have a husband. Maggie is looking for the right sperm donor. Maggie finds a man who would be perfect, but he’s married. Maggie falls in love with the man. Bad Maggie.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Regal Winter Park Village

Rating: R (for language and some sexuality)

Now You See Me 2

(Summit) Mark Ruffalo, Daniel Radcliffe, Jesse Eisenberg, Woody Harrelson. The Four Horsemen have become folk heroes after their exploits of turning magic shows into Robin Hood-esque stunts. Now, they’re being forced to help a ruthless tech CEO make a terrifying power grab. In order to get out of it and thwart their nemesis, they’ll have to pull off the most dangerous, spectacular stunt of all – if they are to find the who is really pulling the strings.

See the trailer, a clip and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for violence and some language)

Warcraft

(Universal/Legendary) Travis Fimmel, Ben Foster, Ruth Negga, Dominic Cooper. The Orcs and the Humans have been enemies, perpetually at war with one another since, well, ever. But into their world comes a new evil that threatens to eliminate both species and the two must reluctantly work together in order to survive. But can they trust one another? Based on the popular Blizzard video game.

See the trailer, clips, promos, interviews, a featurette and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for extended sequences of intense fantasy violence)

New Releases for the Week of September 4, 2015


Best of EnemiesBEST OF ENEMIES

(Magnolia) William F. Buckley Jr. Gore Vidal, Kelsey Grammer (voice), John Lithgow (voice), Dick Cavett, Christopher Hitchens, Noam Chomsky. Directed by Robert Gordon and Morgan Neville

In 1968, the Vietnam War was raging and LBJ had announced that he would not run for President. The counterculture was beginning to make its presence felt and there was a great deal of anger directed towards the American government for the first time. Richard Nixon, who would eventually win the presidency, was running against Vice-President Hubert Humphrey with Alabama governor George Wallace running on an independent ticket, and the election was as vitriolic as it had ever been. Trying to make sense of everything, a series of televised debates was set up – not between the candidates, but between conservative commentator/essayist William F. Buckley Jr. and liberal author Gore Vidal. Both men were urbane, charming and literate and both absolutely loathed one  another with a passion. These debates would change the way television covers politics.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater
Rating: R (for some sexual content/nudity and language)

Chloe and Theo

(ARC Entertainment) Dakota Johnson, Theo Ikummaq, Mira Sorvino, Andre De Shields. Elders of the Inuit Eskimos, disturbed by the effects of climate change on the polar ice cap, send Theo to New York City to speak to the United Nations. He meets and befriends a young homeless woman who becomes inspired by his gentle wisdom. With the help of a kind lawyer, they will get the opportunity to present their message to the world; change our destructive ways before we are destroyed by them.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: AMC West Oaks
Rating: PG-13  (for brief violence)

Mistress America

(Fox Searchlight) Greta Gerwig, Lola Kirke, Michael Chernus, Rebecca Henderson. A lonely college freshman in New York City is compelled by her mother to look up the daughter of the man mom is about to marry, a kind of soon-to-be stepsister. The two hit it off and the freshman begins to accept her proto-sister as a role model. However, as she is seduced by the energy and madcap schemes of her friend, things take an abrupt change. An early review for the film can be found here.

See the trailer, clips, interviews and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: AMC Downtown Disney, AMC West Oaks, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village
Rating: R (for language including some sexual references)

Tangerine

(Magnolia) Kitana Kiki Rodriguez, Mya Taylor, James Ransone, Clu Gulager. Christmas Eve in El Lay is like nowhere else, and even on Christmas Eve there can be prodigious drama. Sin-Dee, just released from jail after doing 28 days for soliciting and when the volatile working girl finds out that her pimp slash boyfriend has been cheating on her while she was cooling her heels, the proverbial ca-ca is going to hit the fan.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater
Rating: R (for strong and disturbing sexual content, graphic nudity, language throughout and drug use)

The Transporter Refueled

(EuropaCorp) Ed Skrein, Ray Stevenson, Loan Chabanol, Gabriella Wright. The franchise is rebooted with Ed Skrein taking over for Jason Statham as Frank Martin, a dapper, fastidious sort who has a complicated set of rules for his vocation of transporting sensitive cargo for questionable people. A father-son bonding weekend is interrupted when he takes a job for a client, a quartet of lovely femme fatales who orchestrate a daring bank robbery. Unfortunately, they have stolen from the Russian mob and Frank is caught reluctantly but squarely in the middle.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Action
Now Playing: Wide Release (opens Thursday)
Rating: PG-13 (for scenes of violence and action, sexual material, some language, a drug reference and thematic elements)

Un gallo con muchos huevos

(Pantelion)  Starring the voices of Bruno Bechir, Carlos Espejel, Angelica Vale, Omar Chaparro. Amongst Mexican children, Huevo Cartoon is king and the animated television series makes it to the big screen and for the first time, to El Norte. A small, timid young chicken must find his inner rooster if he and his friends are going to save his family and his home from an evil rancher.

See the trailer, interviews and a clip here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, Regal The Loop
Rating: NR

A Walk in the Woods

(Broad Green) Robert Redford, Nick Nolte, Emma Thompson, Mary Steenburgen. A travel writer rather than retiring to his beautiful wife and large family, decides to push himself one last time and hike the length of the Appalachian Trail. He can only find one friend to accompany him however; the irascible and womanizing Katz, who is more interested in sneaking out of town to avoid paying a debt. The peace and tranquility that the writer longs for goes right out the window with that decision.

See the trailer, clips, interviews, promos and a featurette here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: Adventure
Now Playing: Wide Release
Rating: R (for language and some sexual references)

Mistress America


Just two broke girls talkin'.

Just two broke girls talkin’.

(2015) Comedy (Fox Searchlight) Greta Gerwig, Lola Kirke, Michael Chernus, Rebecca Henderson, Matthew Shear, Jasmine Cephas Jones, Heather Lind, Cindy Cheung, Charlie Gillette, Shelby Rebecca Wong, Joel Marsh Garland, Andrea Chen, Seth Barrish, Shana Dowdeswell, Dean Wareham, Amy Warren, Shoba Narayanan, Morgan Lynch, Adrea Teasdale. Directed by Noah Baumbach

There is New York, and then there is everywhere else. I suppose that those who live there have every right to feel a kind of smug superiority about where they live; after all, they have world class museums, world class concert halls, world class nightclubs, world class restaurants…hell, anyone who is bored in New York isn’t trying very hard.

Tracy (Kirke) is becoming a New Yorker. Well, she’s becoming a college student at Barnard. Keen to be a writer, she’s not the sort that fits in easily. That’s especially true lately, as her mom (Henderson) is getting ready to re-marry. Tracy yearns to become a member of the literary society at Barnard, who celebrate publication of a new author by sneaking into their room at night and throwing a pie in their face while they sleep. Rad, eh? However, she meets rejection even here. Tracy realizes to get in with the literary crowd she’s going to need something special to write about.

As part of her mom’s new marriage, she is going to have a new stepsister, so upon her mom’s insistence she arranges to meet her soon-to-be-sister, Brooke (Gerwig). Tracy takes an immediate liking to Brooke. She’s almost ten years older and established in the city; she’s getting ready to open a fabulous new restaurant and has some really cool ideas. She hangs out with cool people and lives in a loft that’s zoned for commercial use. She’s full of energy and life and talks a mile a minute, sometimes about deep things but sometimes just idle chatter.

When one of the investors in her restaurant – the one who happens to be her boyfriend – pulls out, Brooke is left dangling in the wind. She has no choice but to go to the home of her arch-nemesis Mamie-Claire (Lind) in the Godforsaken wilderness of Greenwich, Connecticut and demand her due. You see, years ago, Mamie-Claire stole an idea of Brooke’s and made a fortune out of it. That wasn’t the only thing she stole though – she took two of Brooke’s cats and her boyfriend at the time Dylan (Chernus) who was himself independently wealthy but is now Mamie-Claire’s somewhat henpecked husband. Oh, how the mighty have fallen.

But things go from bad to worse as the discovery is made that Tracy has been writing a story with Brooke as the lead character – and not everything is complimentary. Brooke is feeling betrayed and everybody around her – even Mamie-Claire – think that was a dick move. But was it?

I do think Baumbach and Gerwig, who co-wrote this thing, were out to make a modern screwball comedy. The rhythms of the dialogue are very similar and the patter is snappy, although not in a retro way. I’m thinking that this is a brilliant move on their part because in many ways Gerwig is a modern Carole Lombard.

But as smart an idea it is, the ambitions here are a bit more than the pair can chew. The trouble with screwball comedies is that they are a bitch to pull off right, and there are so many examples of great films in that genre out there that unless you’re damn near perfect from screenplay to final film, your movie is just going to suffer by comparison.

The movie here isn’t perfect. It starts out with a couple of very annoying characters whose dialogue is so unrealistic, whose attitudes are just so smug and self-important that it’s incredibly hard to do anything but despise them. If I ran into Brooke and Tracy at a cocktail party, I’d quickly find other people to chat with – they’re way too pretentious for my taste. When I think of indie films that Baumbach and Gerwig have collaborated on previously, the first half of the movie has the worst characteristics of their worst efforts. I really was ready to write this one off before I was halfway through the movie.

Fortunately it gets better. In fact, it improves a hell of a lot and the scenes set in Greenwich are inspired. Gerwig always seems to do better in large ensembles than in smaller groups; when it’s essentially just her and Tracy with Tracy being a shadowy image of Brooke, the movie is just annoying. When Brooke has a lot of people to bounce off of, the movie is enjoyable. I think that Gerwig is one of those actresses who needs to be diluted a little bit and the more people she has to interact with, the better she is. Da Queen has said that she can only take Gerwig in small doses and I can see why she has that effect on her; there is a bit of a narcissistic quality to the characters Gerwig plays in Baumbach films and those types of characters tend to rub Da Queen the wrong way.

I was very torn with this movie. The first part is excruciating but the second part I really liked. So how does one rate a movie like this? Straight down the middle; a zero for the first half of the film, a ten for the second for a cumulative score of five. Be warned that the first part of the movie is hard to sit through but the second half makes the first half almost worth it.

REASONS TO GO: Gets better as it goes along. Gerwig is always charming.
REASONS TO STAY: Horrible first half. Characters act and speak like they’re in a 21st century screwball comedy.
FAMILY VALUES: A fair amount of foul language and some sexual references.
TRIVIAL PURSUIT: In Lola Versus Gerwig played a character named Lola. In Gone Girl Kirke played a character named Greta.
CRITICAL MASS: As of 8/31/15: Rotten Tomatoes 83% positive reviews. Metacritic: 76/100.
COMPARISON SHOPPING: :Frances Ha
FINAL RATING: 5/10
NEXT: Digging for Fire

Baghead


There's nothing creepier than a friendly half-naked guy with a paper bag over his head in the woods.

There’s nothing creepier than a friendly half-naked guy with a paper bag over his head in the woods.

(2008) Dramedy (Sony Classics) Ross Partridge, Steve Zissis, Greta Gerwig, Elise Muller Jett Garner, Cass Naumann, Jennifer Lafleur, Darrell Bryant, Anthony Cristo, Jen Tracy Duplass, Heather Hall, David Zellner, Dan Eggleston, Spencer Greenwood, Stephanie Huettner, Amy Quick Parrish, Vincent James Prendergast. Directed by Jay and Mark Duplass

The creative process isn’t something you can really force. It happens or it doesn’t. However, sometimes it helps to shut out the distractions of your daily life and just get to it.

Four wanna-be filmmakers/actors are attending a film festival – Matt (Partridge) who is in his 30s and is still awaiting the stardom that he’s sure is coming his way; Chad (Zissis) who is beginning to watch his hairline recede and is desperately in love with Michelle (Gerwig), the youngest of their group and a budding alcoholic who is less interested in Chad than she is with Matt. There’s also Catherine (Muller) who has had an on-again, off-again relationship with Matt which might be on or it might not be. She’s not really sure.

While at the film festival they watch a really bad feature by pretentious director Jeff Garner (playing himself) play with some acclaim, they come to the bitter realization that they’re not going to ever make the movie that will be the vehicle to establish their talents unless they write it themselves. Matt suggests heading to a cabin in the woods to write a film about four young people being stalked in a cabin in the woods by a guy with a bag over his head. It would be a slasher film spoof with a modern allegory of….oh, it’s crap.

But as the complex relationships between the four rear their ugly heads and create the kind of tension that they were trying to escape from in the first place, it becomes clear that they are being stalked by a guy with a paper bag over his head. Is it life imitating art or just a horrible coincidence?

For many, this is a mumblecore classic – the first of the genre to get distribution from a label affiliated with a major studio. Like most mumblecore films, very little happens here other than listening to people bitch and moan about their lives and loves. The budget is microscopic, the cast necessarily compact and the acting fairly naturalistic. But this is no Scream, mumblecore-style.

Zissis is the most appealing character here. Chad doesn’t have Matt’s ego or Catherine’s insecurities or Michelle’s immaturity, although he is a bit of a lost puppy. He also has a hopeless attachment to Michelle who is unlikely to return those feelings. Most of us at one time or another have been in a similar situation so we can watch Chad flail away futilely for the brass ring and nod in sympathy; we’ve all done it.

Gerwig, who is in many ways the face of mumblecore, is at her very best here. Her characters are generally flaky yet warmhearted and that is no different here. Don’t get me wrong; these characters can be annoying over the course of a 90 minute film but when played less for quirkiness and more for a terminal case of youth then we end up in her corner instead of irritated. Gerwig isn’t always successful at striking that balance but she does it here.

The other two performances depict rather unpleasant human beings, although of the two Partridge’s Matt is a bit more well-defined. Muller’s character is pretty one-dimensional as written but she gamely does what she can with it.

The problem with movies like this is that they have to grab our interest a little bit more strongly than other sorts of movies either with clever dialogue, an engaging plot or terrific performances. Baghead falls short in all three categories. I can only take so much self-absorption before I start getting the screaming meemies. I can respect the mash-up of genres here, blending romance, slasher horror, supernatural thriller and Hollywood indie and I can admire the tight craft that the Duplass brothers bring to the table – for a second feature this is incredibly self-assured. However, I can pretty much leave the hand-held camera gymnastics. I shouldn’t need to take anti-vertigo meds to watch a DVD.

WHY RENT THIS: Zissis and Gerwig have a sweet chemistry.

WHY RENT SOMETHING ELSE: Nothing much happens. Not always as interesting as it thinks it is.

FAMILY VALUES: The language is a bit foul in places. There’s also some nudity and sexuality.

TRIVIAL PURSUIT: The second of five films directed by the Duplass brothers and the first to get a major studio release.

NOTABLE HOME VIDEO EXTRAS: There’s an entertaining interview in which the Duplass brothers supply both frequently asked questions and answers, as well as a brief short called Baghead Scares.

BOX OFFICE PERFORMANCE: $140,106 on an unreported production budget.

COMPARISON SHOPPING: Adaptation

FINAL RATING: 5.5/10

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