New Releases for the Week of December 27, 2013


The Secret Life of Walter Mitty

THE SECRET LIFE OF WALTER MITTY

(20th Century Fox) Ben Stiller, Kristen Wiig, Sean Penn, Shirley MacLaine, Adam Scott, Kathryn Hahn, Patton Oswalt. Directed by Ben Stiller

Walter, a worker drone at Life Magazine as it gasps its last, is a dreamer who sometimes zones out as he imagines fantastic heroic scenarios starring himself. Yet he never acts on these impulses, never does anything memorable or notable. He yearns for love but does nothing to pursue it. When at last he is pushed into it, the greatest adventure he could imagine awaits.

See the trailer and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Wednesday)

Genre: Adventure Comedy

Rating: PG (for some crude comments, language and action violence)

47 Ronin

(Universal) Keanu Reeves, Hiroyuki Sanada, Ko Shibasaki, Rinko Kikuchi. After a ruthless warlord betrays and murders their master, 47 now-leaderless samurai (known in Japan as Ronin) vow revenge. Standing in their way are wizards and demons who have their own plans.

See the trailer, clips  and a featurette here.

For more on the movie this is the website.

Release formats: Standard, 3D (opens Tuesday)

Genre: Martial Arts Fantasy

Rating: PG-13 (for intense sequences of violence and action, some disturbing images, and thematic elements)

Grudge Match

(Warner Brothers) Robert De Niro, Sylvester Stallone, Kevin Hart, Alan Arkin. Two out of shape boxers retired for 30 years are pushed into resuming their bitter rivalry with a final match to determine the whole she-bang, but are these two old codgers ready?

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Wednesday)

Genre: Sports Comedy

Rating: PG-13 (for sports action violence, sexual content and language)

Justin Bieber’s Believe

(Open Road) Justin Bieber, Scooter Braun, Usher Raymond, Ludacris. Unaware that his 15 minutes were done about an hour ago, here comes a concert video of Canada’s most shameful export.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Wednesday)

Genre: Musical Documentary

Rating: PG-13 (for thematic elements including some unsettling images) 

Mandela: Long Walk to Freedom

(Weinstein) Idris Elba, Naomie Harris, Tony Kgoroge, Riaad Moosa. The story of the late Nelson Mandela and his struggle to end South Africa’s repressive system of apartheid appears in theaters only a few weeks after the great leader finally passed away. Some studios have all the luck.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard (opens Wednesday)

Genre: Biographical Drama

Rating: PG=13 (for some intense sequences of violence and disturbing images, sexual content and brief strong language)

The Wolf of Wall Street

(Paramount) Leonardo di Caprio, Jonah Hill, Matthew McConaughey, Margot Robbie. A stockbroker goes from starry-eyed ambition to absolute corruption as he rides the wave that was Wall Street during the 80s. The rise and fall of Jordan Belfort mirrors Wall Street’s own in the eyes of the public. The latest from Martin Scorsese and a huge Oscar contender.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard (opens Wednesday)

Genre: True Life Drama

Rating: R (for sequences of strong sexual content, graphic nudity, drug use and language throughout, and for some violence)  

Advertisements

Cars 2


Cars 2

Tow Mater and Lightning McQueen, together again.

(2011) Animated Feature (Disney*Pixar) Starring the voices of Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, Jason Isaacs, Eddie Izzard, John Turturro, Brent Musburger, Joe Mantegna, Thomas Kretschmann, Peter Jacobson, Bonnie Hunt, Darrell Waltrip, Franco Nero, Tony Shalhoub, Jeff Garlin, Bruce Campbell, Sig Hansen, Vanessa Redgrave, John Ratzenberger, Cheech Marin, Paul Dooley. Directed by John Lasseter and Brad Lewis

Pixar has become a brand name in the same way Lexus and Rolex are. It has become a symbol of prestige, the very best in their industry. Of course, no human institution can operate at peak ability every time out.

Lightning McQueen (Wilson) makes a triumphant return home after winning his fourth Piston Cup, marking him as one of the all-time NASCAR greats. He is happy to hang out with his best friend Tow Mater (Larry the Cable Guy) and his girlfriend Sally (Hunt) when he receives word that a former oil billionaire gone alternative fuel-happy, Sir Miles Axelrod (Izzard) is putting together a World Grand Prix, a series of three races around the world (two of them in Europe, one in Asia – none in North America which seemed to be bending a bit backwards not to make this one as overly American as the first Cars) showcasing his new alternative fuel Alinol.

Lightning is a bit reluctant to go but after smug, arrogant Formula 1 racer Francesco Bernoulli (Turturro) – a clever reference to the principle of fluid dynamics which is part of what makes the modern automobile engine work – insults Lightning, its game on.

In the meantime, British spy Finn McMissile (Caine) discovers a plot led by the renegade scientist Professor Zundapp (Kretschmann) to ignite the Alinol fuel with a burst of microwaves, leading the public to believe that the fuel is unsafe and forcing them to buy their crude oil – the professor and his group happen to own the world’s largest fuel reserve.

The overall leader of the plot is unknown but an American agent has a photo of him. Finn and his compatriot, inexperienced tech agent Holly Shiftwell (Mortimer) are supposed to pick up the film at the party for the World Grand Prix, but the agent is spotted and in desperation, attaches the film to Mater, who has been embarrassing Lightning with his ignorant antics. Mistaking Mater for the spy, Finn and Holly team up with Mater who must discover who’s behind the plot (which turn out to be a consortium of lemons, cars like Pacers, Yugos and Gremlins, all of which have been written off as bad cars), a mission that becomes more urgent when it is revealed that Lightning is the next target for destruction.

By now, most people are well-aware that this may well be the weakest movie in the Pixar filmography. In terms of storyline, this is certainly true – the plot is quite a bit of fluff, disposable and not particularly original. When compared to such work as Up, Wall-E and Toy Story, it certainly doesn’t hold up well.

However from an entertainment point of view, it isn’t a bad choice for a summer afternoon. The movie has a breakneck pace that keeps it from being boring at any given time. Like all Pixar films, it is a work of outstanding visual achievement – the details of the world are absolutely amazing, and often clever. Keep an eye out for a number of Pixar in-jokes, from director John Lasseter’s name appearing in a clever way on the London speedway track to the name of a movie at the local Radiator Springs drive-in resembling that of a Pixar classic. There are also nice little cultural references, such as Sig Hansen of “Deadliest Catch” fame voicing a Cars-world version of the F.V. Northwestern, the vessel that Sig captains both on the show and in real life.

Whereas the original Cars tried to re-create a 50s Route 66 American Southwest vibe, this is a full-on 1960s British spy caper feel. Everything from the supercool Finn McMissile to the gadgets to the music makes those of us old enough to remember them (or those willing to have checked them out on Netflix or cable TV) the spy movies of Caine, James Bond or James Coburn, among others. There are homages to these films scattered throughout, sometimes subtly and occasionally not so much.

This is a movie which is more about entertaining the audience than it is about blowing them out of their seats. It isn’t a bad thing to be entertained; it’s just that the bar has been set so high by previous Pixar films that it’s almost impossible for any movie to measure up. I suppose it’s not a bad thing for a film company to be victims of their own high standards – and this movie certainly is. It’s not a bad movie, it’s just not a great movie and I guess that’s enough to upset some people in the critical community. I can recommend it without a second thought, just don’t go in expecting too much other than mindless good fun and you’ll enjoy it purely on that level.

REASONS TO GO: Your kids will want to see it. Visually delightful.

REASONS TO STAY: Not on par with Pixar’s other films. Mostly fluffy, could easily have been a direct-to-cable film from a story standpoint.

FAMILY VALUES: Perfect for family viewing, as you’d expect.  

TRIVIAL PURSUIT: Luigi visits Lightning to visit his Uncle Topolino. Topolino is the Italian name of Mickey Mouse.

HOME OR THEATER: This is going to seem sacrilegious, but I think it’s going to look just as great at home as it does in a movie theater.

FINAL RATING: 6.5/10

TOMORROW: La Mission