New Releases for the Week of January 23, 2015


The Boy Next DoorTHE BOY NEXT DOOR

(Universal) Jennifer Lopez, Ryan Guzman, Ian Nelson, John Corbett, Kristin Chenoweth, Lexi Atkins, Hill Harper, Jack Wallace, Adam Hicks. Directed by Rob Cohen

A high school teacher whose husband has recently walked out on her and her teenage son welcomes a new addition to the neighbor – a young teenage boy who becomes fast friends with her own son and takes an unhealthy interest in her. At first she is flattered by the attention; she’s just a little bit lonely and has been feeling under-appreciated as a woman for some time. But when things go too far and her husband moves to reconcile, the new neighbor won’t take no for an answer and he already has a few bodies buried to his credit.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Thriller
Now Playing: Wide Release
Rating: R (for violence, sexual content/nudity and language)

A Most Violent Year

(A24) Oscar Isaac, Jessica Chastain, David Oyelowo, Albert Brooks. 1981 would be the worst year on record for violent crime in New York City. An immigrant looking to provide for his family enters a slippery slope of moral compromises and dangerous decisions. When violence threatens his business, an investigation further details the corruption that is rampant in his industry and in his business. His next decisions will define who he is as a man – and possibly put his wife and children gravely at risk.

See the trailer, clips and featurettes here.
For more on the movie this is the website.
Release formats: Standard
Genre: Crime Drama
Now Playing: Enzian Theater
Rating: R (for language and some violence)

Cake

(Cinelou) Jennifer Aniston, Sam Worthington, Anna Kendrick, William H. Macy. A woman in chronic pain takes out her anger, frustration and rage on everyone around her, including those unfortunate enough to cross paths with her. When another woman in her support group commits suicide, she finds herself obsessed with the woman’s husband and son, inserting herself into their lives and maybe finding what she needs to move on with her life. Aniston received a Golden Globe nomination for her performance here.

See the trailer and a clip here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Drama
Now Playing: Wide Release
Rating: R (for language, substance abuse and brief sexuality)

Manny

(Gravitas) Manny Pacquiao, Liam Neeson, Mark Wahlberg, Jimmy Kimmel. Manny Pacquiao may well be the most popular boxer in the world and one of the all-time greats. He is revered as a national hero in his native Philippines where life comes to a screeching halt every time he fights. From inconceivable poverty to the height of the sports world, his life story could only have been invented by Hollywood – if it wasn’t already true.

See the trailer and a clip here.
For more on the movie this is the website.
Release formats: Standard
Genre: Documentary
Now Playing: AMC Loew’s Universal Cineplex
Rating: PG-13 (for some sports violence/bloody images)

Mortdecai

(Lionsgate) Johnny Depp, Gwyneth Paltrow, Ewen McGregor, Paul Bettany. An English noble, art dealer, scoundrel, rake and dilettante named Mortdecai is quietly – or not so quietly – heading into bankruptcy and scandal when a member of MI-5 approaches him to assist with a stolen painting which will be used to fund international terrorism. With his jaw-dropping beautiful wife, his ever-suffering manservant with him and an array of Russian mobsters, terrorists and assassins against him, Mortdecai will try to save his dignity – and maybe save the day in the process.

See the trailer, clips, interviews, promos and B-roll video here.
For more on the movie this is the website.
Release formats: Standard
Genre: Action Comedy
Now Playing: Wide Release
Rating: R (for some language and sexual material)

Strange Magic

(Touchstone) Starring the voices of Kristin Chenoweth, Alan Cumming, Alfred Molina, Maya Rudolph. Deep in the woods, creatures of myth battle for a magic potion and for the hearts of true love in a story inspired by Shakespeare’s A Midsummer’s Night Dream and with a soundtrack of popular music from the last six decades. From the studios of Lucasfilm, Ltd. and with the aid of Industrial Light and Magic comes this enchanting family film that arrives with almost no fanfare.

See the trailer, interviews, clips and B-roll video here.
For more on the movie this is the website.
Release formats: Standard (opens Thursday)
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for some action and scary images)

Advertisements

Iron Man


 

Iron Man

Stop! In the na-ame of love…Robert Downey Jr. finds his inner Supreme.

(2008) Superhero (Paramount/Marvel) Robert Downey Jr., Jeff Bridges, Gwynneth Paltrow, Terrence Howard, Jon Favreau, Leslie Bibb, Shaun Toub, Bill Smitrovich, Paul Bettany (voice), Nazanin Boniadi, Micah Hauptman, Samuel L. Jackson, Clark Gregg, Faran Tahir. Directed by Jon Favreau

 

Some superheroes are born to be heroes. Others are made by circumstance. The question is, were those sorts born to be heroes and always had that characteristic in them, or is it more a matter of necessity.

Tony Stark (Downey) has it all; the brilliant CEO of Stark Industries, he is young and one of the brightest minds in America. Most of the cutting edge weapons the military uses as their bread and butter were inventions of Stark, overseen by his partner, Obadiah Stane (Bridges) who worked with Stark’s dad, the founder of the company. Stane more or less bridged the gap between father and son.

In addition, Stark has a beautiful and efficient assistant, Pepper Potts (Paltrow) and a succession of Maxim supermodels to share his bed at night. His butler, Jarvis (Bettany) is completely electronic. He has a magnificent home in Malibu with a panoramic view of the Pacific. What’s not to like?

Out in Afghanistan demonstrating a new missile along with his good friend and military liaison Col. Jim “Rhodey” Rhodes (Howard),  Tony’s convoy is ambushed by insurgents and Stark is gravely injured, but taken to the caves where the insurgents are holed up. Just before losing consciousness, Tony notes that the weapons that attacked the convoy were manufactured by his own company.

There is shrapnel near Stark’s heart so Raza (Tahir), the leader of Ten Rings (the terrorist group that captured him) forces Dr. Yinsen (Toub) to keep Stark alive, which he does with an electromagnet ringing the industrialist’s heart powered by a car battery. Once Stark is able to, Raza orders him to build the Jericho missile (the same sort that Stark had been demonstrating) for his group which Stark knows will be used against American forces. This he cannot abide. He convinces Raza he’s building the missile while in reality he and Yinsen are creating a suit of armor that will allow him to break out of the caves and get away. He does, but barely – he has to construct a miniaturized nuclear power source called an ARC reactor to power the suit but the flight capabilities of the armor are limited and Stark crashes some miles from the caves, destroying the suit.

Back at home, Stark announces that Stark Industries would be getting out of the weapons industry to the consternation of Stane and Stark’s shareholders. Stark responds by withdrawing from the public eye, going into his home workshop to upgrade both the reactor and the armor. The sleeker Mark II armor, red and gold after his racing team’s colors, prove to be a powerful weapon as Stark returns to Afghanistan to prevent Ten Rings from destroying Yinsen’s village, leaving Raza to the less than merciful villagers.

In the meantime Pepper discovers that someone within Stark is selling advanced weapons technology to terrorists and had set up Tony for capture and eventual murder by Ten Rings. She notifies SHIELD, a newly formed government agency set up to deal with exactly these sorts of issues and Agent Coulson (Gregg) is dispatched to investigate.

Ten Rings has discovered the pieces of Stark’s original armor, as well as the blueprints for it. Scientists attempt to reverse engineer the armor which they do, but they are unable to build an ARC reactor to power it. There’s only one of them in the entire world – and it’s the only thing keeping Stark alive. The terrorists want it and will use whatever means necessary to get it.

When this was released in 2008, Marvel had licensed their characters to specific studios; X-Men, Daredevil and the Fantastic Four to Fox, Spider-Man and Ghost Rider to Columbia. They had a vision of creating a shared universe like the one they created in their comic books but in order to do that they would have to have control over their characters and how they were being used; this couldn’t be done if they were licensed all over hell and gone so they decided to create a movie division of their own and with a fairly substantial investment, announced an ambitious slate of five films of which this was the first.

It is here that the roots of The Avengers were laid. The tremendous success of the movie not only established Marvel Comics (who were already seeing great success with their licensed properties) as a major force in Hollywood. Even the notoriously hard-to-please comic fan base were impressed not only with this film specifically but with the vision of Marvel generally.

The fact that this is a kick-ass summer movie doesn’t hurt. Downey is perfectly cast as the wise-cracking billionaire industrialist with an eye for the ladies and a mind unparalleled anywhere in the world. Much of the dialogue was ad libbed and Downey tends to excel in that kind of environment with a quick wit of his own. Downey was already a fan of the comics when he was approached to play the part; he had a real understanding from the get-go as to who Tony Stark is and what makes him tick.

Favreau hit a home run not only with the casting of Downey but with the look and feel of the movie. In many ways this was the anti-Batman; whereas Nolan’s hero is dark and brooding, Stark takes himself less seriously. That both are wealthy playboys is about all Bruce Wayne and Tony Stark have in common.

In fact, the movie looks like it could be taking place right here, right now. Most of the weapons that are employed during the movie (of course excluding the armored suit and the Jericho missile) are at least based on weapons that are either already in use or not far away from it. That gives the movie a sense of realism that other superhero films lack.

The supporting roles are more or less backseat drivers for the movie. Bridges looks like he’s having a good ol’ time as the bald and bearded Stane. Paltrow provides some nice chemistry as Potts and Howard, while given not much to do, does it well at least.

This turned out to be a huge fanboy chubby-inducing blockbuster of a film. It accomplished nearly everything it set out to do, creating a huge universe for filmmakers to play in – one that has been expanded upon with every succeeding film. They’ve also set the quality bar very high, one which has been at least approached if not met with all the other films that Marvel Studios has released since (not including the Ghost Rider films – sorry Nic). This is a favorite that holds up well even after all the other films that have since seen the light of day. It all started here and it’s worth going back to the beginning once in awhile to see how far you’ve come.

WHY RENT THIS: Kick-started Marvel Studios into becoming one of the industry’s big players. Elevated both Downey and Favreau’s career.

WHY RENT SOMETHING ELSE: Final battle between Iron Man and Iron Monger kind of anti-climactic.

FAMILY VALUES:  There is plenty of action which of course means violence – some of it on the ugly side. There are also some suggestive situations. Tony Stark is a playboy billionaire after all.

TRIVIAL PURSUIT: The sound used during a target lock on Iron Man’s Head Up Display is the sound of a laser cannon firing in the original Space Invaders arcade game.

NOTABLE HOME VIDEO EXTRAS: There’s a look at the history of the Iron Man comics, as well as some rehearsal and audition footage. There’s also a hysterical piece from the Onion News network about the adaptation of the Iron Man trailer into a feature length film. The Blu-Ray edition also has a “Hall of Armor” that examines the various iterations of the armor complete with 360 degree rendering.

BOX OFFICE PERFORMANCE: $585.2M on a $140M production budget; the movie was a great big hit!

COMPARISON SHOPPING: Spider-Man

FINAL RATING: 8.5/10

NEXT: Craigslist Joe

Marvel’s The Avengers


Marvel's The Avengers

Jeremy Renner and Scarlett Johansson are a bit grumpy because they didn’t get a nifty uniform.

(2012) Superhero (Disney/Marvel) Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Samuel L. Jackson, Tom Hiddleston, Stellan Skarsgard, Clark Gregg, Cobie Smulders, Gwynneth Paltrow, Paul Bettany (voice), Alexis Denisof, Powers Boothe, Jenny Agutter, Harry Dean Stanton. Directed by Joss Whedon

 

Okay, take a deep breath now. It’s finally here, after five years of anticipation, of endless speculation, it’s here. Earth’s Mightiest Heroes, assembled in one place. Comic book fans of all sorts have been squirming in their chairs for months waiting for this movie to make it into the multiplex.

The thing is, this isn’t a movie just for those who love superheroes. This is spectacle on an epic scale, with battles raging in the skies as well as in the streets of Manhattan. However, there is more to it with a bit of pathos as well as some sharp dialogue. For those wondering, you don’t necessarily have to have seen the preceding Marvel superhero movies, although it helps to have done so.

Loki (Hiddleston) has been released from his quantum exile by the Tesseract, a cube of immense power that SHIELD has been using to try to create a self-sustaining energy source. He immediately uses his spear to control Professor Erik Selvig (Skarsgard) who’s been consulting with SHIELD on the project, and Clint “Hawkeye” Barton (Renner), an agent of SHIELD.

SHIELD director Nick Fury (Jackson) realizes that war has been declared on Earth by Loki – and he may have an army of alien beings behind him. The armed might of the world’s armies will be insufficient to stop what’s coming, so he is forced to recruit the most powerful beings on Earth to stop the threat – Iron Man (Downey), he of the powerful metal battle suit; Dr. Bruce Banner (Ruffalo), a brilliant scientist and expert on gamma radiation who when angered turns into a gigantic mindless beast that can tear about virtually anything without much effort, and Captain America (Evans), a soldier from World War II rescued from a decades-long sleep who was enhanced at the genetic level by a super soldier formula.

They are joined by the Black Widow (Johansson), an athletic spy and master interrogator and agent Phil Coulson (Gregg), Fury’s right hand – and eye in the field. They’re going to need all of them because with Hawkeye swinging for the other team, Loki is privy to all of SHIELD’s dirty little secrets.

The rest of the team is transported to SHIELDS heli-carrier, an airport carrier with gigantic helicopter rotors and the ability to turn invisible – yes, a cloaking shield! Eat your hearts out, Trekkers! In any case, Banner works on a device to track the unique but faint gamma radiation signature of the Tesseract. In the meantime, Loki is captured by Cap and Iron Man in Germany.

That brings Thor (Hemsworth) into the mix. Thor, Loki’s adopted brother, has noticed what Loki is up to and has had his father send him to Midguard (Earth) at some great cost. The intention is to bring Loki back to Asgard to answer for his crimes there. However, there is work to be done on Earth before that can happen – heading off the invasion that Loki has initiated, for one thing and the alien Chitaurs are not particularly interested in a gentle, benevolent rule. It will take the combined might of all of them to thwart Loki’s intricate plans and save the Earth from being subjugated by alien masters.

This is everything a superhero film is supposed to be; it captures the dynamics of each individual character and Whedon and writer Zak Penn extrapolate how the interpersonal relationships would work given their personalities and egos (which, to be fair, the comics have been doing for years). The result is a believably dysfunctional group of heroes who can be prima donnas and have their own agendas from time to time. Tony Stark (the alter ego of Iron Man) for example is highly suspicious of SHIELD’s motives and distrusts government, particularly after they forcibly tried to take away his work from him in the first two Iron Man movies.

Everyone gets to shine here, from the big guns (Downey) right on down to Gregg who has few scenes but makes the most of them. All of them, including Nick Fury (who hasn’t had much to do in previous films except for a good deal of expository dialogue) kick patooty, whether each other (as in  Thor-Hulk battle) or against the aliens (Cap gives the big green guy the orders “Hulk smash” and Hulk, grinning broadly, does just that).

It might have gone a little bit long (and waiting until the very end of the credits for the second extra scene might be a too much to ask) but all in all this is mind-blowing when it needs to be and visceral when it has to be. Watching Hulk smash is one of the great joys in life, as is seeing Cap’s leadership abilities come to life, or Tony Stark’s ego.

Nothing I say is going to dissuade people who want to see this from seeing it or those that don’t want to see it from avoiding it. If you don’t like superhero movies, if you find big loud action movies with Dolby sound and 3D glasses to be sensory overload, you’re going to be uncomfortable with this. HOWEVER if you don’t mind or actively love these things, you’ll be in your element here.

A note to parents: please don’t bring your kids along if they’re say seven or younger. The movie is a bit long for kids with short attention spans, it’s very scary in places and LOUD throughout. There was a moment when Hulk was roaring and I happened to be glancing at a little girl who couldn’t have been more than five years old covering her ears with a look of ABSOLUTE terror on her face. She had no business being there and you know it wasn’t her idea to go. Get a babysitter folks, or take them to see a Pixar film instead or be prepared to have an angry mob of people at the theater turn on you. This isn’t a little kids movie by any stretch of the imagination. If your kids aren’t able to handle a two hour movie at home, they probably won’t be able to handle it in a theater – and if you should know how easily frightened they are. The movie theater isn’t a day care center.

REASONS TO GO: Extremely well-choreographed action sequences. None of the heroes get short shrift.

REASONS TO STAY: Might be a bit long for those with short attention spans.

FAMILY VALUES: There is a good deal of violence of the alien invasion sort, as well as a few fairly scary sequences. This is definitely not for children under, say, seven years old.

TRIVIAL PURSUIT: The movie became the fastest to earn $200M at the U.S. box office – it only took three days to reach that milestone.

CRITICAL MASS: As of 5/10/12: Rotten Tomatoes: 93% positive reviews. Metacritic: 69/100.The reviews are almost without exception positive.

COMPARISON SHOPPING: X-Men

STAN LEE LOVERS: The legendary Marvel Comics grand vizier shows up in his cameo during a montage of interviews of Big Apple residents being interviewed about the battle just fought on city streets.

FINAL RATING: 8.5/10

NEXT: Indiana Jones and the Last Crusade

New Releases for the Week of May 4, 2012


May 4, 2012

MARVEL’S THE AVENGERS

(Disney/Marvel) Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Stellan Skarsgard, Samuel L. Jackson, Clark Gregg, Cobie Smulders, Gwyneth Paltrow, Paul Bettany (voice), Alexis Denisof. Directed by Joss Whedon

At long last it is here, the movie we’ve been waiting for ever since Iron Man brought the Marvel franchise to the forefront of comic book films. Here Loki leads an alien invasion of Earth and it will take the combined strength of Earth’s mightiest heroes to save the planet from subjugation. Some theaters around the country will be holding a Marvel marathon, showing all six films preceding The Avengers chronologically on Thursday, culminating with a midnight showing of this film – check your local listings to see which theater is presenting this in your neck of the woods. As Stan Lee himself might say, Excelsior!

See the trailer, featurettes, clips, interviews and promos here.

For more on the movie this is the website.

Release formats: Standard, 3D, IMAX 3D

Genre: Superhero

Rating: PG-13 (for intense sequences of sci-fi violence and action throughout, and a mild drug reference)

Damsels in Distress

(Sony Classics) Greta Gerwig, Adam Brody, Analeigh Tipton, Aubrey Plaza. A group of fashionistas at a college take a new girl under their wings in order to teach her their somewhat unorthodox ways of helping people who they deem are in need of it. When the new girl is pursued by a young man, it sets off a chain of events that will change the dynamic of the girls and maybe – just maybe – give them an entirely new viewpoint on life.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for mature thematic content including some sexual material)  

The Kid with a Bike

(Sundance Selects) Cecile de France, Thomas Doret, Jeremie Renier, Egon Di Mateo. A young boy is abandoned by his father who leaves him with only a bicycle. The boy reasons that the father must still care something for him since the bike was left. He is taken under the wing of a kindly hairdresser who finds herself caring for the boy despite his erratic behavior and troubled nature. His search for a father figure may threaten the last relationship he has yet if he isn’t careful.

See the trailer and clips here.

For more on the movie this is the website

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for thematic elements, violence, brief language and smoking)  

Monsieur Lazhar

(Music Box) Mohammed Fellag, Sophie Nelisse, Emilien Neron, Danielle Proulx.  A Montreal middle school class, devastated by the suicide of their teacher whose body was discovered by one of their number, is given a new teacher who has some baggage of his own. Cinema365 saw this as part of the recent Florida Film Festival, the review for which can be read here.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for mature thematic material, a disturbing image and brief language)

Two Lovers


Two Lovers

Isabella Rossellini comforts Joaquin Phoenix.

(2008) Romantic Drama (Magnolia) Joaquin Phoenix, Gwynneth Paltrow, Vinessa Shaw, Isabella Rossellini, Elias Koteas, Moni Moshonov, Samantha Ivers. Directed by James Gray

It is difficult to really find the path that’s right for you in life. Early on, your parents may choose one for you and maybe it’s a good path, but right for them, not for you. And if you have a damaged soul, it can be particularly difficult to find any path at all.

Leonard Kraditor (Phoenix) is coming off of one of those romantic break-ups that sucks your soul right out of your body and sends it spinning into the ether. He is somewhat damaged goods to begin with, having issues with bipolar disorder (which to the film’s credit is treated matter-of-factly instead of as a dramatic device) and the break-up shakes him up badly.

He winds up moving back in with his parents in Brighton Beach. He also starts working for his dad (Moshonov) in the dry cleaning business delivering garments to his customers. His mom (Rossellini) wants him to marry a nice Jewish girl (instead of the shikseh who broke his heart) and sets him up with Sandra Cohen (Shaw), the daughter of another dry cleaner. Matchmaker, matchmaker make me a match…

Sandra and Leonard seem to hit it off, but that’s before he meets Michelle (Paltrow), a neighbor who makes Leonard’s problems look positively non-existent.  She is volatile, capricious and prone to grand dramatic gestures and to top things off she’s seeing a married man (Koteas) with problems of his own. On the surface, they would seem to be bad news for one another – which is why they are so attracted to each other, of course.

Of course, Leonard’s mom is mortified; this can only end in disaster and emergency rooms and suicide attempts. Surprisingly, Sandra isn’t about to give up an essentially good man like Leonard without a fight – and Leonard isn’t willing to give up Michelle without one either. How can any man find happiness with two lovers?

The point is, they can’t. At some point you have to commit and that’s what Leonard, whose broken heart has yet to fully heal, has trouble with. It’s in many ways a very powerful look at a situation that we could potentially find ourselves in, particularly in a time where love can become as lethal as an Arizona whacko. Okay, maybe not that lethal.

This is a movie for smart people to a very large degree; there are few of the clichés that dumb down Hollywood romances so often these days and there seems to be at least an attempt to add some realism to the relationships between admittedly damaged people. While yes there’s an element of New York hip to the movie (which can be a deal killer for Big Apple haters), the filmmakers concentrate on the broken shards of Leonard and Michelle’s lives and how they are trying to reassemble something into a whole. There is no pat ending and no Romance 101 storyline. The relationships have ups and downs and Leonard winds up facing a real dilemma; both of these girls are “right” for him only in different ways, and each comes with her own drawbacks. Choosing one over the other is no easy matter and no matter how he chooses, someone’s going to get their heart broken, possibly Leonard himself as well.

The performances are suitably muted and layered with depths of pain and humanity which are gradually peeled away. This is particularly true of Phoenix and Paltrow; Shaw really doesn’t have as much to work with but she does a solid job as perhaps the only person here I’d want to spend more than an afternoon with.

The movie unfortunately garnered more press for Phoenix’ antics while promoting it; it is while doing press for this movie that he made his now-notorious announcement that he was retiring from acting to take up a hip-hop career which turned out to be an elaborate – and somewhat baffling – hoax, as well as his legendary appearance on the Letterman show that resulted in David Letterman’s now famous line “Thanks for joining us Joaquin. It’s too bad you couldn’t be here tonight.” To a degree, Phoenix wound up overshadowing the movie in terms of hype which I think wound up ultimately doing the film a disservice.

WHY RENT THIS: A well-acted, intelligent slice of life-type look at a young man who is kind of drifting through life and facing a tough decision.

WHY RENT SOMETHING ELSE: The somewhat adrift central characters can be maddening. Those who don’t like New York-centric films might find reason to loathe this.

FAMILY VALUES: It has its fair share of vulgar language, a bit of sexuality (some of it fairly raw) and a little smidgeon of drug use.

TRIVIAL PURSUIT: The movie is set in the Brighton Beach area of Brooklyn. Paltrow’s mother, actress Blythe Danner, starred in the 1986 movie Brighton Beach Memoirs.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $16.3M on an unreported production budget; the film in all likelihood came close to breaking even or might have even made a little bit of cash.

FINAL RATING: 5.5/10

TOMORROW: Bigger Stronger Faster

New Releases for the Week of January 7, 2011


January 7, 2010

Gwynneth Paltrow is a little bit country.

COUNTRY STRONG

(Screen Gems) Gwynneth Paltrow, Tim McGraw, Garrett Hedlund, Leighton Meester, Marshall Chapman, Jeremy Childs, Cinda McCain, Alana Grace, Katie Cook. Directed by Shana Feste

A promising young country singer-songwriter gets involved with a fading superstar who has had some substance abuse problems and embarks on a tour with her (along with a beauty queen turned singer) for one last stab at recapturing her former glory, as organized by her husband slash manager. However, their inner demons, romantic entanglements and egos threaten to derail the tour – and their careers.

See the trailer, promos, interviews, music videos and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: PG-13 (for thematic elements involving alcohol abuse and some sexual content)

Inspector Bellamy

(IFC) Gerard Depardieu, Clovis Cornillac, Jacques Gamblin, Marie Bunel. A respected chief of police chooses to spend his vacation time at the family estate of his wife, despite her desire to take a nice, long, well-deserved cruise. The fact is, he hates to travel and there’s always an excuse not to – as when his alcoholic younger half-brother arrives, followed by a wanted man who shows up demanding Bellamy’s protection. Job…life…job…life…so many decisions!

See the trailer here.

For more on the movie this is the website.

Release formats: Standard,

Genre: Suspense

Rating: NR

Season of the Witch

(Relativity) Nicolas Cage, Ron Perlman, Claire Foy, Christopher Lee. A hero from the Crusades is tasked by the church to transport a young girl convicted of witchcraft to a remote abbey where she will be destroyed during an ancient ritual. The hero is unconvinced of her guilt, while others are convinced she’s responsible for the Black Plague. Some people just need a scapegoat.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Supernatural Action

Rating: PG-13 (for thematic elements, violence and disturbing content)

New Releases for the Week of May 7, 2010


Iron Man 2

You have been repulsed.

IRON MAN 2

(Paramount) Robert Downey Jr., Gwynneth Paltrow, Mickey Rourke, Don Cheadle, Sam Rockwell, Scarlett Johansson, Garry Shandling, Jon Favreau. Directed by Jon Favreau

The summer blockbuster kicks off with quite possibly the most anticipated release of the season. In the sequel to the 2008 smash, Tony Stark finds the U.S. government eager to take control of his amazing Iron Man armor away from him, control he isn’t willing to give away quite yet. To make matters even worse, a rival industrialist wants his own version of the armor and is willing to do anything to get it, including employ a Russian psychopath to take Stark out.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Rating: PG-13 (for sequences of intense action violence and some language)

Babies

(Focus) Ponijao, Bayar, Mari, Hattie. This French documentary follows the lives of four babies from just before birth until their first birthday. The idea is to explore the cultural similarities and differences in our attitudes towards birth, children and child-rearing, from locations as diverse as a nomadic family on the Mongolian steppes, a technologically savvy family in modern Tokyo, an agrarian tribal family in Namibia and a new age family in San Francisco, who may be the most alien one in the bunch.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Rating: PG (for cultural and maternal nudity throughout)

The Girl with the Dragon Tattoo

(Music Box) Michael Nyqvist, Noomi Rapace, Lena Endre, Peter Haber. Based on a worldwide best seller (and soon to be made into a Hollywood version), this Swedish film is about a 40-year-old murder that is being investigated by a disgraced reporter and a computer hacker, who discover that the murder is only the tip of the iceberg when it comes to the secrets of the corrupt Vanger family. This is meant to be the first film in a trilogy.

See the trailer, a clip and an interview here.

For more on the movie this is the website.

Release formats: Standard

Rating: Not Rated (but recommended for Mature Audiences due to graphic violence, nudity, rape and language)