Brave New Jersey


Martians, Mexicans, it doesn’t matter: no illegal aliens!

(2016) Comedy (Gravitas) Anna Camp, Heather Burns, Tony Hale, Sam Jaeger, Erika Alexander, Evan Jonigkeit, Raymond J. Barry, Dan Bakkedahl, Grace Kaufman, Mel Rodriguez, Adina Galupa, Leonard Earl Howze, Noah Lomax, Matt Oberg, Sandra Ellis Lafferty, Jack Landry, Bill Coelius, Blaque Fowler, Roy Hawkins Jr., Helen Ingebritsen, Harp Sandman. Directed by Jody Lambert

 

Older readers are probably familiar with the story of the radio broadcast of H.G. Wells’ War of the World by Orson Welles and his Mercury Theater ensemble on Halloween night, 1938. A precursor to found footage films of more recent times, the show was done in the style of a news broadcast of the time, leading many Americans to believe that Martians were really invading New Jersey.

In Lullaby, New Jersey – population 506 – life is pretty idyllic despite the Depression. Sure, there are many stores that are closed but it is a pleasant small town and most people take care of one another. The town may be in for a windfall as local entrepreneur Paul Davison (Jaeger) has invented the Rotolator, a machine that can automatically milk up to 15 cows simultaneously. It will revolutionize dairy farming and ground zero for this mechanical marvel will be Lullaby.

The town’s mayor, Clark Hill (Hale) is a sweet-natured, easy-going fellow who is taken for granted by his constituents and is a figure of some amusement. Nonetheless he gives much of his energy and passion to the town, although some of it is reserved for Lorraine (Burns), the wife of Paul Davison for whom Clark has had a secret crush on for years.

It’s Halloween and Lorraine’s daughter Ann (Kaufman) and adopted cousin Ziggy (Sandman) who fled Poland ahead of Hitler’s invasion (which wouldn’t take place until the following year for those following along at home) are dressed up as Greta Garbo and Abe Lincoln, respectively. Most of the townspeople are looking forward to the extravaganza unveiling the Rotolator which will be the highlight of Halloween, complete with fireworks. However, things are about to change.

People listening in on the radio are shocked to discover that there are reports of meteorites landing near Grover’s Mills – a town about a three hour drive from Lullaby. They are further shocked when Martians rise from the meteorites (which turned out to be spaceships) and turn their death rays on the good people of Grover’s Mills. As more and more spaceships land to their horror, it appears as if the human race is about to be wiped off the face of their own planet.

Former World War I soldier Ambrose Collins (Barry) takes command from the overwhelmed Sheriff (Rodriguez) and somewhat indecisive mayor and girds the town to arm itself to make a last stand. Going all gung-ho is schoolteacher Peg Prickett (Camp) who longs for a much more exciting life than being a small-town schoolteacher and is finally getting her opportunity much to the amazement of her fiancée Chardy Edwards (Oberg). Other members of the town turn to Reverend Ray Rogers (Bakkedahl) who hasn’t had his faith for a long time but finds it in this moment of crisis. Still, with lovers turning on one another and fathers leaving their family standing in the driveway as they drive away without them, can the town survive the invasion or it’s aftermath?

Apparently many of the individual incidents depicted in the film actually happened, although not all in the same town. I can’t speak to that personally; I do know that there was large-scale panic when the broadcast aired back in ’38. Some may have seen the 1975 TV movie The Night that Panicked America which presented a much more realistic version of what actually happened that night.

The cast is mainly veterans of television and indie films and they acquit themselves well. Hale, one of the stars of Veep acquits himself particularly well; the role of the somewhat taken for granted mayor. It seems to be right in his wheelhouse. In fact, most of the actors don’t seem to be stretching all that far which is in some ways a tribute to the casting director for picking the right people for the right roles. It’s also a double-edged sword as none of the actors seem particularly challenged but that’s not necessarily a bad thing.

What is necessarily a bad thing is that the movie is riddled with anachronisms and errors in logic. For example, Collins is depicted in his 70s – yet World War I ended just 19 years earlier. Chances are he’d be in his late 30s or 40s if he had actually fought in the Great War. Lambert would have been better off making him a veteran of the Indian Wars of the 1880s which would have made him about the right age if he wanted to use Berry for the role.

There is also the use of words like “data” and “hustle” which weren’t in general usage in the Depression, as well as a song that the mayor is writing which sounds more apropos to the Greenwich Village coffee house scene of the 60s than the Big Band era. I would have liked to see some of that cleaned up a bit.

The humor is mainly gentle and low-key; this isn’t a movie for belly laughs. It pokes fun at the absurdities of human nature and particular how gullible we can be. It does so without being particularly political which in this day and age is a welcome respite.

The movie which I would characterize as reasonably entertaining but flawed loses steam towards the end of the second act, leading to a set piece that concludes the action. There are no real surprises here but the movie is inoffensive and has enough going for it that I can at least give it a recommendation. Not a hidden gem so much as a hidden sweater that you can wrap yourself in for an hour and a half and feel cozy and warm.

REASONS TO GO: The film possesses a gentle and low-key sense of humor. This is a treatise on human gullibility.
REASONS TO STAY: There are far too many errors in logic and anachronisms. The humor is a little bit cornball.
FAMILY VALUES: There is some profanity and comic violence.
TRIVIAL PURSUIT: Some of the town exteriors were filmed in Maury City, TN – a very small town that has the look of a Depression-era town and with many of the stores on the main street long out of business, the feel of one too.
BEYOND THE THEATERS: iTunes, Vudu, YouTube
CRITICAL MASS: As of 8/6/17: Rotten Tomatoes: 47% positive reviews. Metacritic: 41/100.
COMPARISON SHOPPING: The Russians are Coming! The Russians are Coming!
FINAL RATING: 6/10
NEXT: Chronically Metropolitan

The League of Extraordinary Gentlemen


The League of Extraordinary Gentlemen

Sean Connery is the epitome of an extraordinary gentleman.

(2003) Action (20th Century Fox) Sean Connery, Richard Roxburgh, Peta Wilson, Stuart Townsend, Naseeruddin Shah, Tony Curran, Shane West, Jason Flemyng, Max Ryan, Tom Goodman-Hill, David Hemmings, Terry O’Neill, Rudolf Pellar, Robert Willox. Directed by Stephen Norrington

 

The League of Extraordinary Gentlemen, based on a wonderful graphic novel by Alan Moore, had such high expectations among its fans that almost no movie could meet them. Consequently it got terrible reviews and a great deal of Internet drubbing, which is too bad, since it’s quite a nice little movie.

The setting is just before the 20th century. The legendary African explorer and adventurer Allan Quatermain (Connery) lives a semi-retired life, having already found King Solomon’s Mines. He is recruited to save England from a madman, one who is using terrible technology to set world powers against one another in an effort to start a World War.

Queen Victoria is very much against the idea, so she has the mysterious M (Roxburgh) recruit the most extraordinary team of people she can find; Mina Harker (Wilson), who suffers from an unusual blood disease; the brilliant Captain Nemo (Shah), captain of the fabulous Nautilus; Rodney Skinner (Curran), a petty thief who happens to be invisible; and Henry Jekyll (Flemyng), who hides a hideous dark side. They also recruit the fey Dorian Grey (Townsend), a brilliant mind who has seen it all.

Attacked by the goons of their quarry, they escape with the aid of Tom Sawyer (West), a brash American Secret Service agent. Together, as a league, they journey to Venice to prevent the destruction of a peace conference. They are too late to entirely prevent the bombs from going off, but by teaming together they manage to save the city and most of its populace. They find that there is a traitor in their midst, and their adversary is not who they think he is at all.

This film has taken its share of critical abuse, and some of it is deserved. There are some definite leaps in logic; having a sub the size of the Nautilus floating in the canals of Venice is ludicrous at best. The computer-generated Mr. Hyde is dreadful. However, despite the reported problems on the set between Connery and director Stephen Norrington, Connery handles his role like a pro, making a believable Quatermain. He is gruff and irritable but absolutely money in the clutch. This is Connery’s film and he carries it well.

The atmosphere of a Victorian era slightly warped from the reality of history comes off nicely. There are plenty of terrific effects to make this big screen-friendly. The cast, once you get past Connery, is decent enough but nobody really stands out except for Townsend as Dorian Grey, channeling “Project Runway” a bit too much. Wilson, so good in the “La Femme Nikita” TV series, has plenty of screen presence but it’s not really channeled well, more the fault of the filmmakers than the actress.

Does it measure up to its source comic? Depends on what you mean. And it shouldn’t have to. Comparing a movie to a comic is like comparing a car to a plane. They are different media with different qualities. The comic book League is one of the best (IMHO) ever, and the film wisely departs from its storyline. Why compete with greatness when you can, perhaps, establish your own?  Of course, the movie doesn’t really establish greatness but it does try. Seeing all these beloved fictional characters together is a hoot, but ultimately is disappointing; you don’t get the sense of epic adventure their original tales gave us.

The movie actually did better in the global market than it did here in America. Although room is left at the end for a sequel, you will never see one. Moore has divorced himself completely from the movie, which in all fairness, he has pretty much done with every movie made on his source material. Still, it’s a wonderful concept, and the atmosphere combined with Connery as an adventure hero is enough to make this a movie worth seeing – especially inasmuch as this is, in all likelihood, Connery’s final film.

WHY RENT THIS: What is in all likelihood Connery’s final film performance is delivered with all the fire and charisma of all his previous ones. Fascinating concept. A kick to see all those beloved fictional heroes together.

WHY RENT SOMETHING ELSE: Lacks the epic spirit of adventure of the source. A bit silly in places.

FAMILY MATTERS: There’s plenty of action violence, a few bad words scattered here and there and a bit of sexual innuendo.

TRIVIAL PURSUITS: This was one of the first five movies to be released on Blu-Ray by Fox.

BOX OFFICE PERFORMANCE: $179.3M on a $78M production budget; despite the perception that this was a flop,it actually made a slight profit.

COMPARISON SHOPPING: Sherlock Holmes: A Game of Shadows

FINAL RATING: 7/10

NEXT: Ice Age: Continental Drift