Dead Air (2021)


Breaker! Breaker!

(2021) Thriller (FreestyleKevin Hicks, Vickie Hicks, Chris Xavier, Luca Iacovetti, Madison Skodzinsky, Mackenzie Skodzinsky, Ryan C. Mitchell, Mark Skodzinsky.  Directed by Kevin Hicks

 

What happens to the voices that go out over the airwaves? Do they just fade and dissipate into the ether, or do they carry forever, bouncing around the cosmos, giving a kind of immortality to those who have used HAM radios or broadcast radios? Makes you think.

William (K. Hicks) has known his share of tragedy. His father (Mitchell) died when he was young; his wife passed away from leukemia not long ago, leaving him with two teen daughters (the Skodzinsky sisters) to raise by himself. His mother has also recently passed, and left him a pile of boxes of old junk to sift through. In one box, he finds his dad’s old HAM radio apparatus. On a whim, he decides to give it a whirl.

To his surprise, he makes contact with Eva (V. Hicks), a lonely woman with a touch of paranoia and more than a touch of agoraphobia. She lives in what appears to be a bunker-like basement, and spends most of her day chatting on the radio. The two strike up a friendship despite some wariness on Eva’s part brought on by William’s cheerful curiosity.

But William has some issues of his own, mostly dealing with some traumatic repressed memories. He’s seeing a psychiatrist (Xavier) who is pushing for hypnotherapy which William is resistant to. But as he finds opening up to Eva is emboldening him, he agrees to be hypnotized and what he discovers about his past, and it’s connection to Eva, will change his life forever.

This microbudget indie thriller is billed as a horror movie, but it really isn’t. There are some supernatural elements, yes, but nothing really scary as such. Vickie Hicks wrote this and Kevin directed it; both elected to star in it, giving it a kind of home movie “let’s put on a show!” vibe, but their enthusiasm doesn’t translate to the screen. The acting is largely stiff and low-energy and the dialogue doesn’t help matters.

Thrillers almost demand twists and there are a few here, but by and large they’re fairly predictable, particularly if you’ve seen the trailer which I don’t recommend that you do if you’re going to watch this; the experience will be much better if you go in without any idea of what’s going on. While Kevin Hicks does a pretty decent job of building up suspense, he loses marks because much of the movie’s payoff is telegraphed in advance. This is the kind of movie that you watch once, and forget quickly.

REASONS TO SEE: Does a decent job of establishing a suspenseful aura.
REASONS TO AVOID: The acting and dialogue are both subpar.
FAMILY VALUES: There is some mild profanity and brief violence.
TRIVIAL PURSUIT: “Melder.“ from the HAM radio handle that Eva uses, is German for “reports.”
BEYOND THE THEATERS: Amazon, AppleTV, Google Play, Hoopla, Microsoft, Vudu, YouTube
CRITICAL MASS: As of 2/23/21: Rotten Tomatoes: No score yet, Metacritic: No score yet.
COMPARISON SHOPPING: Frequency
FINAL RATING: 5/10
NEXT:
Happy Times

Sinister 2


Bughuul reminds us there's no talking in the theater or else he sends these kids after you.

Bughuul reminds us there’s no talking in the theater or else he sends these kids after you.

(2015) Horror (Gramercy) James Ransone, Shannyn Sossamon, Robert Daniel Sloan, Dartanian Sloan, Lea Coco, Tate Ellington, John Beasley, Lucas Jade Zumarin, Jaden Klein, Laila Haley, Caden M. Fritz, Olivia Rainey, Nicholas King, Michael B. Woods, Tory O. Davis, Howie Johnson, Grace Holuby, John Francis Mountain, Nicole Santini. Directed by Ciarán Foy

There are monsters in this world; people who beat their wives, their children. People who create an atmosphere of fear, all so they can feel like a big man. One can run away from monsters like that; but then there’s no running away from the demons that follow you.

Courtney Collins (Sossamon) has separated from her husband with the intention of divorcing him. He is an abusive, evil man who has turned her twin sons Dylan (R.D. Sloan) and Zach (D. Sloan) into a terrified, nightmare-ridden boy (the former) and a mean, spiteful kid (the latter). She has found an old farmhouse with a de-consecrated church in the yard.

What she doesn’t know is that the house was the scene of a horrible crime in which an entire family was slaughtered – chained to the church floor and eaten alive by rats – with the young son missing. Investigating the crime is a Detective (Ransone) who was once a Deputy investigating a similar crime in the first Sinister. It weighs heavily on his mind that he couldn’t save his friend Ellison Oswalt and his family from the same fate; in fact, he was accused and later acquitted of the heinous crime, although he lost his job over it.

Now he has made it his mission to stop the demon Bughuul who is responsible for these murders. Bughuul, through the lost children he abducts, influences a child in a family moving into the home where one of these murders occurs to become his minion; when the family moves out, the child films the gruesome murders he commits. Afterwards, Bughuul takes his soul to join his legion of lost children.

Now the kids are after Dylan, showing him the murder films which stop the nightmares. The Detective is unnerved to find people living in the house – he’d been told it was vacant and had plans to burn it to the ground, stopping the demon’s reign of terror. He grows attracted to Courtney and the feeling is mutual. But with her ex Clinton (Coco) hot on her trail and hell bent on taking the kids back home with him, with no judge or law enforcement official in rural Indiana willing to stand up to the wealthy Clinton, Courtney is caught between hell and a hard place – literally.

Although a sequel pretty much to the first Sinister, this has little in common with the first film. No Ethan Hawke, for one thing – Sossamon is the biggest name in the cast which helps keep the costs low and the profit margin high. Scott Derrickson, who directed the original, is still on board as co-writer and producer but it is Irish director Foy, who has a nifty thriller called The Citadel to his credit, in the chair here.

The first film was incredibly creepy; the atmosphere was much more intense than it is here. There is more a Children of the Corn vibe which is said to be on purpose; Foy had wanted the film to be a tribute to the Stephen King story which spawned a plethora of cinematic stinkers – and has a lot in common thematically with both of the Sinister films. While some might find the homespun Indiana cornfield look frightening, it doesn’t quite do it for me personally.

Ransone does, though. Moving from a background comedy relief character to genuine horror hero, we get the kind of hero we can all get behind; he’s not brawny or a particularly good fighter (he gets beaten up at least twice during the film) but he is smart and sympathetic. He’s a nice guy whom we fear is going to finish last.

The movie’s subtext having to do with abusive husbands/fathers is welcome. Often the physical abuse is given as a reason as why abused kids turn into psychotic serial killers but here it is shown as terrifying as anything the demon can conjure up; there’s a scene where the Collins family is having dinner and Clinton eats first while the others sit in frightened silence, awaiting the signal that they can eat. It’s as stark and scary a scene in any horror movie this year. Sadly, none of the Bughuul stuff can equal it.

Part of the problem is that the kid actors in the movie who take up most of the screen time range from adequate to hard to watch. A movie like this by necessity requires a good number of child actors and that’s a double edged sword; if you can get good ones, it ratchets up the fear factor. If not, it can make your film look amateurish. It doesn’t quite sink to that level, but it certainly isn’t elevated by the performances of the children. And that’s not a knock on the kids, mind you – I don’t think it’s for lack of effort on their part, but they do have an awful lot of burden on their shoulders and that might be a little too much to ask of them.

Another issue I had with the movie is the various snuff films. The death scenes are so elaborate that to a large extent they aren’t believable. Sure, the kids are being helped by a demonic presence but it doesn’t feel like a kid could come up with these complex killing methods, ranging from putting a family on crucifixes and burning them alive to hanging them upside down above a swamp where alligators take their heads off. Gruesome fun to be sure, but not believable gruesome fun.

Even despite the deficiencies this ends up with a slightly higher rating than the first Sinister, largely because the ending of the first one was such a stinker. The ending here is a lot better; and while Bughuul is not the terrifying monster that maybe this franchise needs, the movie is scary enough in a white bread kind of way that it makes the movie worth checking out.

REASONS TO GO: Fairly creepy. Ransone steps up nicely. Like the inclusion of the abusive father.
REASONS TO STAY: Children of the Corn vibe doesn’t work. The filmed death scenes too elaborate. Overreliance on kid actors.
FAMILY VALUES: Plenty of violence, much of it gruesome; bloody and disturbing images, and some fairly foul language.
TRIVIAL PURSUIT: The only returning characters from the first film are Bughuul himself and the Detective, who in the first film was Deputy So & So (he never gets a name); here he is Detective So & So.
CRITICAL MASS: As of 8/30/15: Rotten Tomatoes: 12% positive reviews. Metacritic: 31/100.
COMPARISON SHOPPING: :Insidious
FINAL RATING: 6/10
NEXT: Mistress America