Infinite


Mark Wahlberg threatens to get all samurai on your ass.

(2021) Science Fiction (Paramount) Mark Wahlberg, Chiwetel Ejiofor, Sophie Cookson, Jason Mantzoukas, Rupert Friend, Toby Jones, Jóhannes Haukur Jóhannesson, Liz Carr, Kae Alexander, Tom Hughes, Joana Ribeiro, Wallis Day, Alicia Charles, Mark Fleischmann, Lloyd Griffith, Jack Roth, Leon Annor, Nabil Elouahabi, Jumayn Hunter, Melissa Neal. Directed by Antoine Fuqua

The movie industry has for a very long time now been franchise-oriented. That’s the bread and butter of the major studios; that’s where they sink the bulk of their investments. The negative aspect is that franchises often can be overly repetitive, and so the need to add new, fresh franchises becomes paramount (no pun intended). The problem with that is that franchises rely on a first film that not only sets the stage for future films, but kicks butt at the box office or ratings.

The makers of Infinite (based on a novel by D. Eric Maikranz) were dealt bad cards from the beginning. The pandemic took what was envisioned to be a summer blockbuster and left it to debut on the Paramount Plus network, which was at the time freshly re-christened from CBS All-Access and had yet to make Netflix-like subscriber numbers (it still hasn’t). I think they were hoping to use the film as an enticement to get subscribers, but it didn’t really happen in the kind of numbers I think they were hoping for. Part of the problem is because not many knew much about the film.

The film (and book) posits that there are a group of people who are reincarnated retaining all the knowledge and skills from their past lives; these are called Infinites. The Infinites are at war; the bad guys, the Nihilists led by Bathurst (Ejiofor) want nothing more than to die and be at peace. Since dying only means they’ll get reincarnated once again, the only way to ensure that they’ll Rest in Peace is to wipe out all life on Earth, which seems a little extreme. Opposing them are the Believers who are led by Garrick (Carr), a wheelchair-bound strategist.

The Nihilists had developed a device called the Egg that would destroy all life on Earth, which seems to be redundant since the McRib is capable of doing the very same thing. An agent of the Believers named Treadway (O’Brien) has managed to steal the Egg and hide it away, but he is killed before he can reveal the location to his fellow Believers.

Years later, Evan (Wahlberg) has been diagnosed with schizophrenia due to the voices he hears. He often has vivid dreams that when he wakes up, leave him with a skill he didn’t know he had – like forging samurai swords, for example. The Believers think he might be the reincarnation of Treadway; so, unfortunately, does Bathurst (Treadway and Bathurst sounds like it should be the name of a legal firm that represents corporate polluters), and both want Evan very badly because locked in his memory is the location of the Egg One of the Believers, Nora (Cookson), has a very personal connection to Evan; she believes that the Egg can restore Treadway, who was her lover.

The movie reunites Wahlberg and Fuqua, who was his director on The Shooter. Fuqua has helmed some very good films, including Training Day. This, sadly, won’t be remembered as one of his best. While the original concept is pretty compelling, the execution here is faulty, largely because of the convoluted plot and minimal character development. Like many action films that have many working parts, the characters here are given short shrift, often reduced to a single personality trait (one has a bad temper, one is confined to a wheelchair, one is a smart alec and so on and so forth).

I get the sense that much of the backstory was left for future installments and indeed there is a lot of world building going on here. I would have preferred a smaller team with fewer characters, but better developed ones. There is a lot of CGI as you might expect – for the most part it is better than average, although there are a few exceptions. The fight scenes and action set pieces are uneven; some are absolutely mind-blowing, while others are merely okay.

Wahlberg, at fifty, is a bit long in the tooth to be starting a potential franchise like this, but then again that would leave the door open for a surprise death and reincarnation, much like Doctor Who. He is in spectacular shape (and gets shirtless to let us know just how spectacular that is) and I like his casting here; he is very much a working class Joe and reacts to things as a working class Joe.

This is a movie that got a lot of bad breaks. The pandemic led to multiple delays which eventually led to it not getting a shot at a theatrical release. It became a tentpole release for the fledgling Paramount Plus network, but didn’t generate the kind of response that got people enthusiastic about subscribing, nor is there any enthusiasm for a potential sequel. It’s just another would-be franchise film that didn’t connect with a wide audience.

REASONS TO SEE: Better-than-average SFX and action sequences.
REASONS TO AVOID: Really pushes believability in places.
FAMILY VALUES: There is profanity, violence (occasionally bloody and disturbing) and some drug use.
TRIVIAL PURSUIT: Evan gets the same reincarnation test that is given the Dalai Llama.
BEYOND THE THEATERS: Paramount Plus
CRITICAL MASS: As of 01/01/22: Rotten Tomatoes: 16% positive reviews; Metacritic: 28/100.
COMPARISON SHOPPING: The Old Guard
FINAL RATING: 6/10
NEXT:
Off the Rails

Mission: Impossible – Fallout


Proof positive that Tom Cruise is Peter Pan.

(2018) Spy Action (ParamountTom Cruise, Henry Cavill, Ving Rhames, Simon Pegg, Rebecca Ferguson, Alec Baldwin, Sean Harris, Angela Bassett, Vanessa Kirby, Michelle Monaghan, Wes Bentley, Frederick Schmidt, Liang Yang, Kristoffer Joner, Wolf Blitzer, Raphael Actoque, Andrew Cazanave-Pin, Grahame Fox, Efion Jolly, Lolly Adefope, Alix Bénézech. Directed by Christopher McQuarrie

 

Ethan Hunt (Cruise) returns in maybe the best, most kinetic and most edge-of-your seat action films of the M:I franchise. He and his intrepid team of IMF heroes – whittled down now to computer genius Luther (Rhames) and worry wart Benji (Pegg) – are tracking down stolen plutonium that has made its way into the hands of an absolutely bonkers terrorist group who thinks the only way that mankind can be saved is to suffer first. A lot.

Actually, the plot really isn’t all that important in a film like this; just give the guys an excuse to perform unbelievable stunts and you have a license to print money and yes, the stunts here are of the “No, he did not!!!!” variety that will leave you gape-mouthed with astonishment. If there’s one thing this franchise has always delivered on, it’s spectacular stunts.

In many ways, this is the best film of the franchise, tying together ends you didn’t even know were loose from other films. Add to the mix the regal Angela Bassett as a by-the-book CIA officer and Henry Cavill as an agent who’s an ends-justify-the-means kinda guy, and you’ve got a summer movie that you will want to watch year-round (and given its presence on Hulu and Amazon Prime, you can do just that).

Cruise, at 56, is at last starting to look middle-aged rather than the eternal young guy he’s been throughout the series. Rhames is also beginning to look like this might be his series swan song, or close to it. If this does turn out to be the last film in the franchise, it’s a marvelous way to go out. However, I wouldn’t bet my last dollar that we don’t see Ethan Hunt and cohorts at least one more time.

REASONS TO SEE: Incredible stunt sequences, as always. Might be the best film in the franchise, tying together a number of other films in the franchise in a nice bow.
REASONS TO AVOID: Cruise and Rhames are getting a little bit long in the tooth for this.
FAMILY VALUES: There is some profanity and plenty of action and violence, including some fairly intense sequences.
TRIVIAL PURSUIT: Cavill was offered the role via public Instagram post by director Christopher McQuarrie.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Hulu, Vudu, YouTube
CRITICAL MASS: As of 12/2/19: Rotten Tomatoes: 97% positive reviews: Metacritic: 86/100.
COMPARISON SHOPPING: Kingsman: The Secret Service
FINAL RATING: 7.5/10
NEXT:
Beyond the Law