(2017) Horror (IFC) Milo Ventimiglia, Amanda Schull, Shawn Ashmore, Bridget Regan, Jonathan Frakes, Javier Botet, Spencer Drever, Adam Hurtig, Will Woytowich, Scott Johnson, Sarah Constible, Beverly Ndukwu, Jean-François Ferland, Jan Skene. Directed by Clay Staub
There’s something about creepy old farms that just seem to lend themselves to horror movies Old time farm implements like pitchforks, scythes and rakes become all the more sinister hanging in a barn when someone is being stalked by a creature or a serial killer. American Gothic has more than one subtext, after all.
A local farmer’s wife, Maria Pritchard (Regan) and her son Jonah (Drever) have disappeared and suspect number one is the husband, abusive but devout Jackson Pritchard (Ventimiglia). They’ve owned their piece of land in Devil’s Gate, North Dakota for generations and while Jackson awaits the arrival of angels to make his barren soil fertile the FBI in the person of Special Agent Daria Francis (Schull) to investigate the disappearance.
One wonders who called her in; it certainly wasn’t good ol’ boy Sheriff Gruenwell (Frakes) who not-so-subtly warns her to stay away from Pritchard; reluctantly, he allows Deputy Colt Salter (Ashmore) to accompany her. The Deputy warns the Special Agent that Jackson, whom he went to high school with, is a little bit twitchy and is known for his explosive temper. Still, nobody is prepared for the police cruiser they arrive on the farm in to be struck by numerous bolts of lightning. I mean, lightning doesn’t strike the same place twice, right?
Well, it does in Devil’s Lake and more to the point on the Pritchard place. Soon it becomes apparent that Jackson may not be as crazy as everyone thinks he is; there are most definitely some things lurking in his basement. There are also beings coming from the sky but they might not be the angels Jackson thinks they are.
The cast is pretty strong with some TV veterans as well as Ashmore who cut his teeth on the X-Men movies. Surprisingly, Ventimiglia chews the scenery more than I’ve ever seen him do before. He was such a compelling figure in Heroes but here he truly embraces the crazy. A fairly high percentage of his dialogue is shrieked rather than stated and when he’s quiet, it’s because he’s giving a menacing mumble. Beyond that, it’s great to see Frakes in a role that isn’t named Will Riker although it is a bit disturbing to realize that 31 years has passed since he originated that role in Star Trek: The Next Generation and the years are definitely taking their toll.
The actors for the most part do their jobs well but they aren’t given a whole lot to work with; the characters really aren’t developed much as writer-director Staub and his co-writer Peter Aperlo don’t give them much in the way of character development to hang their hats on. There are other compensations however; the creature effects are pretty damn good and reminiscent of the work of Guillermo del Toro. There’s also some nifty storm effects although they don’t really break any new ground there.
It’s not an entirely well-filmed movie though. The cinematography ranges from outdoor shots that are so overlit that they look like the sun’s exploding, or indoor shots that look like they were lit by candlelight. Less extremes on both ends would have been sincerely appreciated.
For the most part this is a fairly entertaining sci-fi/horror creature feature, set on a desolate farm in the middle of nowhere a la Texas Chainsaw Massacre loaded with traps a la Saw and some slimy monsters a la Pan’s Labyrinth. This isn’t a rocket science kind of movie but it is a decent enough thrill ride nonetheless.
REASONS TO GO: Some of the special effects are pretty impressive. It is good to see Jonathan Frakes in a non-Star Trek role.
REASONS TO STAY: Ventimiglia is more than a little bit over-the-top. The cinematography is either virtually washed out or just about too dark to see.
FAMILY VALUES: There is a lot of violence and gore.
TRIVIAL PURSUIT: The town itself is fictional but there is a town in North Dakota called Devil’s Lake.
BEYOND THE THEATERS: Amazon, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 2/13/18: Rotten Tomatoes: 36% positive reviews. Metacritic: 37/100.
COMPARISON SHOPPING: The Last Exorcism
FINAL RATING: 6/10
NEXT: For the Love of George