Return to Mount Kennedy


There are all sorts of ways to conquer peaks.

(2019) Documentary (1091Bob Whittaker, Chris Kennedy, Eddie Vedder, Malcolm Taylor, Senator Robert Kennedy, Jim Whittaker, Mark Arm, Bruce Pavitt, Matt Lukin, Steve Turner, Leif Whittaker, Dan Peters, Dave Hahn, Blanche Montbroussous, Eric Becker, Brian Jones, Dr. Michael Ross, Rich Hayward. Directed by Eric Becker

 

Often, we compare the greatest obstacles in our lives to mountain peaks. Scaling those peaks is used as a metaphor for overcoming those obstacles. Like our own limitations, the loftiest peaks are often the ones in our own mind; once we get around to climbing them, we find they aren’t so tall after all.

Bob Whittaker lived under an enormous shadow. His father Jim was the first American to scale Mt. Everest and was a national hero. He also co-founded the REI sporting goods chain and was the CEO there until he retired a few years ago. He is named for one of his father’s closest friends; Senator Robert Kennedy, the brother of the former President and former Attorney General during his brother’s administration.

In 1965, the tallest unscaled peak in North America was Mount Kennedy in Canada. As the peak was named for his brother, then-Senator Kennedy thought that it would be fitting if he were to accompany the first team to scale the peak. Even though he had no previous mountain climbing experience, the Senator was in safe hands as one of the leaders of the expedition was Jim Whittaker. It was there that the two formed a bond that would last until the Senator’s tragic assassination in Los Angeles just three years later. Bobby Kennedy’s son Chris speaks affectionately of Jim Whittaker taking on some of his late father’s duties, helping guide the young boy into manhood.

But Jim was away a lot during Bob’s childhood and the two grew estranged. Bob became a part of the grunge scene in Seattle in the 80s and 90s, becoming road manager for the indie rock legends Mudhoney. A somewhat wild and personable young man, he became the face of the Seattle scene for many. To this day he counts among his friends such luminaries as Eddie Vedder. Bob would eventually become road manager for REM for a dozen years before moving on to all sorts of other bands.

But rock music is a young man’s game and as Bob grew older, he began to pull away from the glamour of the music scene. He began to appreciate the joys of the wilderness. He became active in creating and maintaining green spaces in and around Seattle, and then in Washington state. Like his father before him, he became an avid conservationist and outdoorsman.

As the 50th anniversary of his father’s trek up Mount Kennedy with his good friend Robert Kennedy loomed, Bob began to think about that accomplishment and what it meant to his family. He decided that it would be a good opportunity to reconnect with his brother Leif, who had followed in his father’s footsteps and become a respected climber. Chris Kennedy was also invited and the son of the late Senator jumped at the chance even though he, like his father before him, had no mountain climbing experience.

The documentary tells the parallel stories of the two expeditions to the mountain in alternating fashion, entwining the story of the elder Whittaker and the late Presidential candidate with that of their sons. Legacy plays a big part in the movie’s theme; for all three of the men, their father’s achievements are inspiration to do something important with their lives. While at times it is a burden to them – as it is to most sons – it is also a source of pride to them as well – as it is to most sons.

The movie has almost a schizophrenic nature; there are the serene, wild places of the mountains and the Pacific Northwest and there’s the loud grunge, rock and roll excess of the music scene. Both make up different sides of Bob Whittaker and both are equally valid, even if he is emphasizing the mountains more than the music these days. It couldn’t have been an easy path from one to the other; it certainly isn’t the path most take in that direction but it seems to have worked for Whittaker.

But it isn’t Bob Whittaker’s movie alone, even if he is in most respects the central character. It is about family, first and foremost; for sons paying tribute to fathers. Its friends gone but not forgotten. It also gives us a glimpse at Bobby Kennedy and even as brief and superficial a glimpse as it is, it makes one sad to think of all the good he might have accomplished had he not been murdered for no real reason.

I don’t know that this is necessarily inspirational. I didn’t feel moved to recreate my father’s greatest triumphs by watching this but I was given a certain feeling, one of knowing that like Bob Whittaker, Leif Whittaker and Chris Kennedy, I’m walking in the footsteps on the trail my own father blazed. Being reminded of that may not necessarily set the world on fire, but it is important – and comforting – nonetheless.

REASONS TO SEE: Bob Whittaker’s enthusiasm is infectious. The stories from the first climb are fascinating.
REASONS TO AVOID: Loses a bit of focus during the last third.
FAMILY VALUES: There is some profanity and a bit of drinking.
TRIVIAL PURSUIT: Mount Kennedy lies in the St. Elias Mountain Range located in Kluane National Park, in Yukon, Canada. The peak was named for the slain U.S. President John Fitzgerald Kennedy in 1964 as a tribute by the nation of Canada.
BEYOND THE THEATER: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Vimeo, Vudu
CRITICAL MASS: As of 11/15/19: Rotten Tomatoes: No score yet: Metacritic: No score yet
COMPARISON SHOPPING: Free Solo
FINAL RATING: 7/10
NEXT:
The Warrior Queen of Jhansi

Darling Companion


Woman's best friend isn't necessarily a diamond.

Woman’s best friend isn’t necessarily a diamond.

(2012) Dramedy (Sony Classics) Diane Keaton, Kevin Kline, Dianne Wiest, Richard Jenkins, Elizabeth Moss, Mark Duplass, Ayelet Zurer, Sam Shepard, Lindsay Sloane, Jay Ali, Robert Bear, Casey, Paul Kiernan, Jericho Watson, Yolanda Wood, D.L. Walker, Dina Goldman, Ruben Barboza, Mark Robinette, Craig Miner, Anne Cullimore Decker, Aline Andrade. Directed by Lawrence Kasdan

Dog lovers are, if you’ll forgive me, a unique breed. Being one myself, I know whereof I speak. Da Queen will tell you that I’m borderline obsessive and if you pressed, she’d probably even admit that I left the rational border behind years ago. That’s okay. Guilty as charged. From time to time in movies I have to witness bad things happening to dogs. Da Queen will also tell you that there’s no surer way to turn this rational, logical critic into a slobbering mess than seeing harm come to a dog. It’s not just my dogs I love but all dogs.

I tell you this because I was a bit concerned when I heard what the premise for this movie was. When Beth (Keaton) and her daughter Grace (Moss) find an abandoned dog at the side of a Colorado highway, Beth immediately takes to her four-legged friend. Naming the dog Freeway, she adopts the critter when nobody steps in to claim it.

Her husband Joseph (Kline), a back surgeon who invests much more into his career than he does into his marriage although he is to his own mind completely devoted to his family, is a bit annoyed by the presence of the dog but when his wife insists, he capitulates grudgingly. What he doesn’t get is that he spends a lot of time away from the home while she raised her daughters. With Grace getting married at their Rocky Mountain vacation home in the fall, her nest will be officially empty. She needs something to fill it and a dog is an excellent choice.

Beth grows very fond of Freeway and the two are virtually inseparable but things get kind of crazy as the wedding approaches and of course Joseph is of little help. As Beth is helping Grace with the final details at the vacation house, Joseph – about as useful as a cell phone on top of Mt. Everest – is given the task of walking the dog. He does so, forgetting to put Freeway on a leash and so busy talking into his cell phone he barely notices when Freeway runs off after a deer.

When Joseph returns home sans dog, Beth is understandably distraught and unleashes her wrath on Joseph who doesn’t understand what the fuss is all about. “It’s not like it’s a person,” he complains, “it’s just a dog” to which Beth retorts “Love is love. It doesn’t matter whether it’s a person or a dog.” She has a point but then again I am somewhat unreliable  when it comes to objectivity in this regard.

Of course, Joseph is in the literal dog house but he searches for the dog without success. Beth, frantic, enlists Joseph’s sister Penny (Wiest) and her new boyfriend Russell (Jenkins) as well as Penny’s son Bryan (Duplass). Neither Joseph nor Bryan trust Russell whom they think has ulterior motives when it comes to Penny but Penny appears happy enough.

For Bryan’s part, he takes a shine to Carmen (Zurer), the housemaid who claims to have psychic powers who is certain that Freeway is still alive. This only furthers Beth’s determination and as the adults travel the beautiful countryside of the Rockies in the fall, they are forced to deal with each other one on one – for the first time in a very long time in some cases.

Some may recall Kasdan as the director of Silverado and The Big Chill as well as the writer of Raiders of the Lost Ark and Star Wars: Return of the Jedi. He co-wrote this with his wife Meg so we do get both sides of the equation in most of the relationships without being overly committed to one point of view or the other. Kasdan has the wisdom to know that there are always more than one in any relationship and the case is generally that no one person is always right or always wrong.

However, you can never be wrong when you cast Kevin Kline and nobody knows that better than Kasdan who gave the actor his big break in The Big Chill. Kline is an everyman who can play just about any role and make it believable. He’s also so damn likable that even when he’s playing a character who is a bit of a dick we still end up relating to him which is quite the gift. I think that likability is why we so rarely see Kline in a villain’s role, although he can play those with aplomb as well (see A Fish Called Wanda).

His chemistry with Keaton is genuine and unforced. Keaton who sometimes can overdo the neurotic thing at least doesn’t make her character a complete ditz. She does have some legitimate grievances and while the way things work out is a bit contrived (but what Hollywood film is not?) the character itself isn’t. The acting in fact is terrific all around – the movie in fact suffers from an embarrassment of riches with so many great actors in the movie that you wish some of them got a little more screen time and you tend to leave that kind of film feeling a little cheated – and yet if they’d made the film longer it would have been too long. Catch-22 lives.

While the movie ends up using the dog as a uniting force and the search for him/her as a metaphor as our own search for love and acceptance, it gets to its destination after a few too many convenient coincidences. Other than that though this is a beautifully shot movie – you also can’t go wrong setting a movie in the Rockies in the autumn, although it is Utah subbing for Colorado here. It leaves one with the warm fuzzies which isn’t a bad thing and although a lot of critics grouse about it, this isn’t a dog movie in the same sense as Marley and Me nor is it a dog of a movie in the sense of a whole lot of forgettable exercises in cinema but it is a movie that might just stick with you like a loyal, loving dog and who doesn’t love that?

WHY RENT THIS: Because, you know, dogs. I’ll see Kline in anything, even when he plays a bit of a jerk.
WHY RENT SOMETHING ELSE: A few too many contrivances. Too many great actors, not enough time.
FAMILY VALUES: Some sexual content as well as a bit of foul language.
TRIVIAL PURSUIT: This was Kasdan’s first time in the director chair since 2003’s Dreamcatcher.
NOTABLE HOME VIDEO EXTRAS: Along with footage of the New York premiere there’s also a featurette on the casting of the dog Freeway.
BOX OFFICE PERFORMANCE: $793,815 on a $12M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray rental only), Amazon (rent/buy), Vudu (rent/buy),  iTunes (rent/buy), Flixster (rent/buy), Target Ticket (purchase only)
COMPARISON SHOPPING: Father of the Bride (1991)
FINAL RATING: 7.5/10
NEXT: The Red Baron