New Releases for the Week of November 2, 2018


BOHEMIAN RHAPSODY

(20TH Century Fox) Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Joe Mazzello, Aidan Gillen, Tom Hollander, Mike Myers, Aaron McCusker. Directed by Bryan Singer

This is the story of Queen, one of the most legendary of classic rock bands and their flamboyant lead singer Freddie Mercury. The band would redefine what rock and roll sounded like and looked like, adding an operatic sound and unforgettable live show to the lexicon of rock bands.

See the trailer, interviews, clips, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 4DX, Dolby, IMAX, RPX, XD
Genre: Musical Biography
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, suggestive material, drug content and language)

Beautiful Boy

(Amazon) Steve Carell, Timothée Chalamet, Maura Tierney, Amy Ryan. David and Nic Sheff, father and son with the father being an acclaimed writer, deal with the heartbreak and hope of drug addiction.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Oviedo Marketplace, Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for drug content throughout, language and brief sexual material)

Brewmaster

(The Orchard) Jim Koch, Brian Selders, Jen Kimmich, David Geary. The craft beer revolution is in full swing, with four new breweries coming into being every business day. This documentary follows the forces driving what’s happening in craft beer as seen through the eyes of a New York lawyer struggling to open his own brewery and a Milwaukee brewer trying to pass the  difficult test to become the beer equivalent of a sommelier.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater (Saturday only)

Rating: NR

Can You Ever Forgive Me?

(Fox Searchlight) Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone. Lee Israel was once a bestselling author of celebrity biographies but as the 80s became the 90s her profiles had fallen out of favor with the reading public. With nobody willing to publish her anymore and the bills piling up, she takes a desperate turn into something not quite legal.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Enzian Theater

Rating: R (for language including some sexual references, and brief drug use)

The Happy Prince

(Sony Classics) Rupert Everett, Colin Firth, Emily Watson, Tom Wilkinson. In the last days of Oscar Wilde’s life he takes the opportunity to reflect on his failures and transgressions with his trademark wit. Everett not only stars as Wilde but he also wrote and directed this passion project.

See the trailer and clips here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Daytona Cinematique, Old Mill Playhouse, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Winter Park Village

Rating: R (for sexual content, graphic nudity, language and brief drug use)

Nobody’s Fool

(Paramount Players) Tiffany Haddish, Tika Sumpter, Whoopi Goldberg, Omari Hardwick. After being released from prison, a wild child connects with her uptight sister to get her own life back together. However she soon finds that her sister’s online boyfriend may not be what he seems at all and that just won’t fly.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for sexual content and language throughout, and for drug material)

The Nutcracker and the Four Realms

(Disney) Mackenzie Foy, Morgan Freeman, Helen Mirren, Keira Knightley. A young mother desperately wants the key to open a box that contains the last gift her late mother wanted to give her. When she finds it, she is transported to an amazing land of magic and wonder where three realms live in peace and harmony. It’s the fourth realm that is the problem child as the tyrannical Mother Ginger wants to rule the four realms herself. The courageous girl must retrieve her key from the fourth realm if there’s even a chance of her returning home and bringing stability to the four realms.

See the trailer, interviews and video featurettes here.
For more on the movie this is the website

Release Formats: Standard, 3D, DBOX, DBOX 3D, Dolby
Genre: Family Fantasy
Now Playing: Wide Release

Rating: PG (for some mild peril)

Susperia

(Amazon) Dakota Johnson, Tilda Swinton, Chloe Grace Moretz, Malgosia Bela. A well-known dance company is wreathed in darkness. Some will succumb to madness, but others will find an awakening.

See the trailer, clips, video featurettes, an interview and a music video here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Pointe Orlando, Regal The Loop, Regal Winter Park Village

Rating: R (for disturbing content involving ritualistic violence, bloody images and graphic nudity, and for some language including sexual references)

The Viper Club

(Roadside Attractions) Susan Sarandon, Matt Bomer, Edie Falco, Lola Kirke.  When a mother gets word her son, a journalist, has been kidnapped by terrorists, she tries to work through the system to try and get him back only to find that the system isn’t interested in helping. Frustrated, she finds a clandestine network of journalists, philanthropists and activists who are willing to help – but can they?

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for language and some disturbing images)

What They Had

(Bleecker Street) Susan Sarandon, Michael Shannon, Blythe Danner, Robert Forster. A woman returns home to Chicago at the urgent summons of her brother. There, they both must deal with their mother’s deteriorating health and their father’s stubborn refusal to put her into a nursing home.

See the trailer, clips, an interview and a video featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for language including a brief sexual reference)

ALSO OPENING IN ORLANDO/DAYTONA:

4 Estrella
In Harm’s Way
Kayamkulam Kochunni
Sayyasachi

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Bodied
Daughters of the Sexual Revolution
Hopelessly Devout
Monster Party
Sayyasachi

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Daughters of the Sexual Revolution
In Harm’s Way
Monster Party
Sayyasachi

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Sayyasachi

SCHEDULED FOR REVIEW:

Beautiful Boy
Bodied
Bohemian Rhapsody
Can You Ever Forgive Me?
Nobody’s Fool
The Nutcracker and the Four Realms

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Cine-World Film Festival, Sarasota
Fort Lauderdale International Film Festival, Fort Lauderdale/Hollywood

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Logan Lucky


Logan Lucky gives you the most Joe Bang for your buck.

(2017) Heist Comedy (Bleecker Street) Channing Tatum, Adam Driver, Riley Keough, Katie Holmes, Daniel Craig, David Denman, Farrah Mackenzie, Seth MacFarlane, Charles Halford, Hilary Swank, Brian Gleeson, Jack Quaid, Katherine Waterston, Dwight Yoakam, Sebastian Stan, Darrell Waltrip, Jeff Gordon, LeAnn Rimes, Macon Blair, Ann Mahoney. Directed by Steven Soderbergh

 

When Steven Soderbergh announced he was retiring from directing Side Effects in 2012, a lot of film buffs – this one included – were disappointed. Soderbergh had been for more than 20 years one of the most fascinating and interesting directors ever since emerging from the indie ranks. He’d directed huge blockbusters and small intimated films but the time had come for him to hang it all up.

Thankfully, he couldn’t stay away for very long and his retirement only lasted five years. He’s back with this stupid entertaining film that can best be described as Elmore Leonard by way of The Dukes of Hazzard or the unholy lovechild of Oceans 11 and Talladega Nights.

Jimmy Logan (Tatum) is a former football star whose NFL dreams were derailed by a knee injury. Since then, he’s worked whatever jobs he could find, be them in the mines of West Virginia or a construction gig in North Carolina. Through it all he makes the time to be a dad to Sadie (Mackenzie) who lives with her mom Bobbie Jo (Holmes) and her new husband Moody (Denman).

The Logan clan has always been the poster children for the adage “If it wasn’t for bad luck they wouldn’t have any luck at all.” Jimmy’s bum knee comes to the attention of the insurance company who deem it a pre-existing condition and the construction company that Jimmy is working for in the bowels of the Charlotte Motor Speedway has to let him go. To make matters worse, it turns out that Moody is opening up a new car dealership in a distant part of West Virginia and Jimmy is likely not going to see his daughter hardly at all. Moving to be close to his little girl is something he simply can’t afford.

So he decides that he is going to have to finance his life the old-fashioned way – by stealing, and he has a whopper of a plan. He’s going to rob the Charlotte Motor Speedway during a car show when the attendance is low and security is lax. Jimmy can’t do the job by himself so he enlists his war veteran brother Clyde (Driver) who lost his arm in Iraq, and his hairdresser sister Mellie (Keough).

Even that won’t be enough however; he needs a demolition expert and there are none better at it than Joe Bang (Craig). Unfortunately, Joe has had a disagreement with the law and is currently in residence at the West Virginia state penitentiary.. Jimmy and Clyde are going to have to break out Joe so his absence isn’t noticed and sneak him back in so that it’s like he was never gone. Why not just stay out? Because he’s close to his parole date and he doesn’t want to mess it up. Jimmy’s got a plan for that too, however.

Heist movies, when done properly are maybe the most entertaining of all movie genres. Fortunately, this one is done properly. It has a large cast but not too large; it’s got some fairly impressive names in it and a director who knows how to make use of them. The writing is taut and smart and even though much of the dialogue is delivered in thick Mountaineer State accents the pacing moves at lightning speed. There is literally never a dull moment in this film.

I have to admit that early on in Tatum’s career I was not a fan. I’m happy to say that I am now however. He has worked hard and improved almost with every movie; he has learned to improve where he can and on those things he hasn’t improved upon (yet) he makes sure he chooses roles that don’t accentuate his flaws. He has enough onscreen charm to make Leona Helmsley smile through a toothache and of course just about any lady (and quite a few men) will tell you that he’s not so hard on the eyes.

Daniel Craig is a revelation here. Generally he plays tightly wound characters but here he seems to let absolutely loose and have more fun than I’ve ever seen him have with a character, well, ever. With his bottle blonde spiky hair and cornpone accent so thick that it might have been laid on with a trowel, he inhabits the character without fear or inhibition. I would be happy to see a Joe Bang spin-off movie.

Soderbergh excels at these sorts of movies. His Oceans series is proof of that but he knows how to pace a movie to leave the audience breathless. This is about as high-octane as a NASCAR race and the viewer never has to wonder for a moment what’s going to happen next because Soderbergh wastes not a moment in this film. He also infuses it with a jet-propelled soundtrack of roots rock, country and high-octane rockers that hit the audience like a dose of jet fuel.

Now those of a Southern rural background might take offense to this and I can’t say as I blame them. The movie really plays to Hollywood stereotypes as the Southern rubes that are street-clever and get one over on the city slickers It is this kind of disparagement that drove many West Virginians to vote for Trump. Maybe that’s something liberal filmmakers should take a look at objectively.

As it is this is as fun a movie as I’ve seen this summer and after a season of bloated blockbusters and over-hyped disappointments it’s a pleasure to just sit back and enjoy a movie that you don’t have to think about but just have fun with. This has the makings of a sleeper hit if it gets marketed right; sadly, that doesn’t appear to have been the case. A lot of moviegoers don’t know much about this movie whose trailer wasn’t much seen in theaters or on television. Hopefully enough will catch on that this is a fun movie that is everything that a summer movie should be. That should be enough to call an audience out of the heat and into the multiplex.

REASONS TO GO: This is the kind of material that is right in Soderbergh’s wheelhouse.  The film is blessed with clever writing and a terrific soundtrack.
REASONS TO STAY: Rural Southerners might find the stereotypes offensive.
FAMILY VALUES: There are some crude comments as well as a smattering of profanity.
TRIVIAL PURSUIT: Tatum and Keough both co-starred in Magic Mike, also directed by Soderbergh.
CRITICAL MASS: As of 8/18/17: Rotten Tomatoes: 93% positive reviews. Metacritic: 78/100.
COMPARISON SHOPPING: Baby Driver
FINAL RATING: 7.5/10
NEXT: Sidemen: Long Road to Glory

New Releases for the Week of April 14, 2017


THE FATE OF THE FURIOUS

(Universal) Vin Diesel, Dwayne Johnson, Jason Statham, Charlize Theron, Kurt Russell, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges. Directed by F. Gary Gray

After the events of Furious 7, the team has been exonerated from their crimes and have settled down for more or less normal lives. However Dom Toretto just can’t seem to stay away from trouble and he hooks up with a cyberterrorist who has plans to unleash chaos on the world, betraying his team – his family – in the process. Now they will have to take down the woman who seemingly has Dom under her thumb and in order to do that they’ll be adding someone new to the team – a former adversary who almost took them all out.

See the trailer, clips, promos and a featurette here.
For more on the movie this is the website.

Release Formats: Standard, IMAX
Genre: Action
Now Playing: Wide Release

Rating: PG-13 (for prolonged scenes of violence and destruction, suggestive content, and language)

Altitude

(Lionsgate) Denise Richards, Dolph Lundgren, Jonathan Lipnicki, Greer Grammer. When an airplane is hijacked, the FBI agent who happens to be aboard is content to wait things out and not endanger any lives. But when she discovers that the ulterior motive for the hijacking was the presence of a thief who offers her millions to protect him – well, who could resist that?

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Loew’s Universal Cineplex

Rating: R (for language and some violence)

Frantz

(Music Box) Pierre Niney, Paula Beer, Ernst Stötzner, Marie Gruber. An elderly German doctor and his wife grieve for their son who had died during World War I which had recently ended. His fiancée is living with them, bringing them comfort. One day she sees a mysterious man laying flowers on her beloved’s grave and strikes up a friendship with him. It turns out that he and her fiancée were friends before the war. Soon he has become part of all their lives but he hides a secret that could turn out to be devastating to all concerned.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Drama
Now Playing: Enzian Theater

Rating: PG-13 (for thematic elements including brief war violence)

Gifted

(Fox Searchlight) Chris Evans, McKenna Grace, Lindsay Duncan, Octavia Spencer. A single man is given the responsibility of raising his niece when his sister passes away. As it turns out, she’s a math prodigy with infinite potential but rather than sending her to a specialized school where her talent can be developed at the expense of her childhood, he chooses to keep her in a normal school where she can have a normal childhood as her mother wished her to have. However, her grandmother won’t hear of it and sues for custody of the child, threatening to tear the two of them – who have formed a strong bond by now – apart.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Wide Release
Rating: PG-13 (for thematic elements, language and some suggestive material)

Spark: A Space Tail

(Open Road) Starring the voices of Jessica Biel, Susan Sarandon, Patrick Stewart, Hilary Swank. On a distant planet a young boy is forced into hiding after his family is massacred by a power-hungry General. He and his friends discover that the General is about to unleash a fearsome weapon that may destroy the universe – and only they can stop him.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Oviedo Marketplace

Rating: PG (for some action and rude humor)

Tommy’s Honour

(Roadside Attractions) Jack Lowden, Peter Mullan, Ophelia Lovibond, Sam Neill. This is the story of father and son, both titanic figures in the beginnings of the modern game of golf. Old Tom Morris is the groundskeeper at St. Andrew’s, the most prestigious golf club in Scotland; it is he who standardized the game at 18 holes and founded the first Open Championship. However, his son Tommy, a young and handsome lad, threatens to outshine his father as the first touring pro. Tom seems content with that but when Tommy marries beneath his station by Old Tom’s way of thinking, the two are on a collision course that leads to severe consequences – and leads Old Tom on a quest to honor his son.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Biography
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex, Regal Winter Park Village

Rating: PG (for thematic elements, some suggestive material, language and smoking)

P.S. I Love You


Hilary Swank contemplates Sunday morning alone with the Times.

Hilary Swank contemplates Sunday morning alone with the Times.

(2007) Romance (Warner Brothers) Hilary Swank, Gerard Butler, Harry Connick Jr., James Marsden, Lisa Kudrow, Gina Gershon, Kathy Bates, Nellie McKay, Jeffrey Dean Morgan, Dean Winters, Anne Kent, Brian McGrath, Sherie Rene Scott, Susan Blackwell, Michael Countryman, Roger Rathburn, Mike Doyle, Caris Vujcec, Alexandra McGuinness. Directed by Richard LaGravenese

Cinema of the Heart 2015

When the one we love passes away before their time, the loss is devastating. Letting go is nearly impossible, particularly when the person who is gone is the person you were supposed to grow old with. I can’t imagine coping with that kind of pain.

But that’s exactly what Holly (Swank) has to cope with. Her husband Gerry (Butler), a charming Irish rogue if ever there was one, has succumbed to a brain tumor, leaving Holly completely devastated. She has trouble leaving her apartment, where her memories of Gerry are vivid. When she does leave, she carries his urn (containing his ashes) with her like the security blanket of Linus van Pelt. She calls her own phone number endlessly so she can hear her husband’s voice on the answering machine.

Then she starts getting letters, notes and missives from her late husband, the first one accompanying a cake on her 30th birthday which falls not long after the funeral. Before he died, he suspected that Holly would have a hard time adjusting, so in order to ease her back into society he has come up with a plan to help her get over the hump. Each letter comes with instructions of things to do – some of them she is kind of reluctant to undertake but bolstered by her mom (Bates) and two best friends (Gershon, Kudrow) she puts herself out there, intending to honor her late husband’s last instructions.

Along the way she meets a bartender with a huge crush on her (Marsden) and an Irish singer who was once Gerry’s best friend (Morgan) and slowly Holly begins to come to life. But will that life ever be as sweet again?

A lot of critics found the movie misogynistic and creepy but I disagree, particularly on the former. One critic went so far to as to say that the movie denigrates women because one of the things that rescues Holly is her discovery that she has a knack for designing shoes. Really? So throwing yourself into creative work isn’t therapeutic?  Some critics really need to have that stick that is firmly implanted in their anus surgically removed.

I will say that it is a bit creepy to have one’s life directed by their spouse after they’ve died (and to the film’s credit the Kathy Bates character says as much) but there is also a tenderness to it, a revelation of the concern of a husband for his wife even after he’s gone. Puts the “til death do us part” thing to shame in a way because this is beyond death. Sometimes, love is looking out for the one you love even when you’re not there to do it.

This is a very different role than what we’ve come to associate with Swank; she’s normally more in her wheelhouse when she’s portraying strong women. And that’s not to say that Holly isn’t strong; it’s just that she’s been completely brought to her knees by a sudden, unexpected and overwhelming loss. It’s enough to bring anyone to their knees, come to that and I found myself relating to her when I thought about how I’d react if Da Queen were to be suddenly taken from me. I’d be a miserable wreck, a quivering mass of goo on the floor and likely I would hide in my bedroom for a very long time afterwards.

That said, you have to give Butler and Morgan credit for playing charming Irishmen. For Butler it pretty much comes naturally but Morgan had to reach a little bit for that bit of blarney. Morgan’s career has cooled a bit since he made this and I don’t understand why; I always thought he had some leading man potential but that hasn’t panned out as yet for him, although he continues to steal the show of just about every movie he participates in.

This is a bit bittersweet for Valentine’s Day as it concerns the loss of a loved one and rebuilding one’s life afterwards. I can’t say as I think this is perfect for couples just starting out but for those who have put some mileage in their relationship it is one that allows them to consider how they’d deal with the loss of the other, and while that sounds a bit morbid in a way, it also serves to remind you that life is a great big chance and that the rock of your life can be snatched out from under you at any time, more the reason to appreciate every last moment you can with them, particularly watching a romantic movie like P.S. I Love You on the couch on Valentine’s Day.

WHY RENT THIS: Sweetly romantic. The feelings of loss for Swank’s character hits home hard. Morgan and Butler are both scene-stealers here.
WHY RENT SOMETHING ELSE: The whole concept is a little bit creepy.
FAMILY VALUES: There is some very brief nudity as well as a few sexual references scattered about.
TRIVIAL PURSUIT: Jeffrey Dean Morgan had to learn to play guitar for the movie; his teacher was Nancy Wilson of the band Heart.
NOTABLE HOME VIDEO EXTRAS: There is a faux instructional video (done in faux black and white with faux scratchy film) on the game of Snaps which is briefly mentioned in the movie. There’s also a music video by James Blunt and an interview with author Cecilia Ahern whose novel the movie is based on.
BOX OFFICE PERFORMANCE: $156.8M on a $30M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray rental), Amazon (buy/rent), Vudu (buy/rent),  iTunes (buy/rent), Flixster (buy/rent), Target Ticket (buy/rent)
COMPARISON SHOPPING: Definitely, Maybe
FINAL RATING: 8/10
NEXT: Cinema of the Heart concludes!

New Releases for the Week of December 5, 2014


The PyramidTHE PYRAMID

(20th Century Fox) Denis O’Hare, Ashley Hinshaw, James Buckley, Christa-Marie Nicola, Amir K., Faycal Attougui, Philip Shelley. Directed by Gregory Levasseur

When an archaeology team discovers a previously lost pyramid in the Egyptian desert, there is much excitement and jubilation. When they explore the interior of the structure and discover it is unlike any pyramid previously known, they are puzzled. When members of their team begin to die horribly, they are terrified.

See the trailer, a clips and a featurette here.
For more on the movie this is the website.
Release formats: Standard
Genre: Horror
Now Playing: Wide release
Rating: R (for some horror violence and bloody images

By the Gun

(Millennium) Ben Barnes, Harvey Keitel, Leighton Meester, Toby Jones. A smooth-talking, fast-moving small-time criminal from the streets of Boston yearns to move up in the underworld and to walk in the circles of the criminals he has idolized since he was a young boy. Once he finally gets inside, he discovers it’s not what he thought it would be and when he gets into a conflict with a Mafiosi, survival might not be an option for him.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Crime Thriller
Now Playing: AMC Downtown Disney
Rating: R (for strong violence, sexual content, nudity, language throughout and some drug use)

The Homesman

(Roadside Attractions) Tommy Lee Jones, Meryl Streep, Miranda Otto, Hilary Swank. When three pioneer women on the prairies of the American West lose their minds due to the harshness of their lives, it falls upon a pious and independently-minded woman to somehow transport the women to the home of a minister and his wife who have agreed to take the three women in. Getting them there, however is no easy task and she employs a drifter with a faulty moral compass to help make the journey.

See the trailer and clips here.
For more on the movie this is the website.
Release formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for violence, sexual content, some disturbing behavior and nudity)

Velimoonga

(Bhavana) Nikki Galrani, Biju Menon, Siddique, Aju Varghese. A politician, content with his life and with an happy-go-lucky attitude, stumbles onto a girl half his age and ends up completely smitten. Knowing he doesn’t have a reasonable chance in the world at winning her affections, he decides to try anyway.

See the trailer here.
For more on the movie this is the website.
Release formats: Standard
Genre: Bollywood
Now Playing: Cinemark Artegon Marketplace
Rating: NR

The Core (2003)


Hillary Swank suddenly realizes  there will be no Oscar nominations for this one.

Hillary Swank suddenly realizes there will be no Oscar nominations for this one.

(2003) Sci-Fi Adventure (Paramount) Aaron Eckhart, Hillary Swank, Stanley Tucci, Delroy Lindo, DJ Qualls, Bruce Greenwood, Richard Jenkins, Tcheky Karyo, Alfre Woodard, Glenn Morshower, Christopher Shyer, Ray Galletti, Eileen Pedde, Rekha Sharma, Anthony Harrison, Nicole Leroux. Directed by Jon Amiel

As far as Hollywood is concerned, the world is in constant need of saving. If it’s not alien invasions, it’s natural disasters or incoming asteroids. Sometimes it’s even the wrath of God. But how do you save the planet from itself?

Weird things are happening all over the world. People drop dead suddenly with no explanation until it’s discovered that all of them wore pacemakers that caused arrhythmia due to electromagnetic interference. The space shuttle’s navigational equipment malfunctions, forcing a crash landing by heroic co-pilot Rebecca Childs (Swank); the culprit – an electromagnetic glitch. Birds start to slam into buildings and into the ground, their sense of direction confused by – you guessed it – electromagnetic interference.

One scientist has figured it out. Dr. Josh Keyes (Eckhart) has come to the horrifying conclusion that the molten core of the planet has stopped rotating, causing the planet’s electromagnetic shield to start to fail. He warns Dr. Conrad Zimsky (Tucci), the Presidential science advisor who at first pooh-poohs his conclusions but then comes to the horrifying realization that he’s right. As he warns the President’s cabinet, in three months human civilization will have returned to the stone age. In a year, all life on the planet will have fried.

There’s nothing to be done but to jump start the planet, but how do you get to the Earth’s core when the deepest hole ever dug is only seven miles? And once there, how can anything withstand the extreme temperatures? No fears there – an eccentric scientist, Dr. Ed “Braz” Brazzleton (Lindo) has developed a craft whose hull is made of the rare (so rare it’s non-existent) metal Unobtanium and uses sophisticated lasers to tunnel through rock like…well, a mole.

Also on the team is Serge (Karyo), a French weapons specialist whose nuclear device will be used to get the core moving, and commanding the mission is Robert Iverson (Greenwood) with Maj. Childs along as co-pilot. Of course, information control will be a key since if word got out there’d be panic the likes of which the world has never seen so expert hacker “Rat” Finch (Qualls) monitors the Internet. In mission control is General Thomas Purcell (Jenkins) on the military side and presidential advisor Stickley (Woodard) for the science.

But there will be many obstacles both known and unforeseen before they reach the Core and once they get there, a secret that explains why the rotation stopped will be revealed. With the life of every living thing on Earth hanging in the balance, this small team literally carries the weight of the world on their shoulders.

This is a surprisingly (although it shouldn’t be considering the cast) well-acted movie for the disaster genre. The premise is kind of intriguing. the science behind it not so much. In fact, most scientists point to this movie as having the most egregious scientific gaffes of any movie ever made. The laws of physics are constantly violated both in plot and execution.

But that doesn’t mean that there’s no entertainment value here. As with any good disaster movie there’s plenty of spectacle as iconic monuments the world over go bye-bye, including the Golden Gate Bridge and the Roman Coliseum. And, as I said, the cast is more stellar than most with Eckhart and Swank turning in solid lead performances, with Tucci, Lindo, Qualls and Karyo getting in some quality support for them, Tucci in particular getting props for his cross between Carl Sagan and Tim Gunn.

So kids don’t see this and expect to be a physics whiz. Real physics whizzes are going to watch this (if they haven’t already) and either tear their hair out and curse Hollywood roundly, or laugh and laugh and laugh until their pocket protectors explode. Disaster film junkies though will probably find this a cut above more recent Roland Emmerich end-of-the-world fare however.

WHY RENT THIS: An entertaining and thrilling popcorn flick surprisingly well-acted. Decent effects.

WHY RENT SOMETHING ELSE: Some of the situations they encounter are a tad ludicrous and the science behind the film is really, really faulty.

FAMILY VALUES:  There is a bit of swearing and some scenes that are gruesome by implication although nothing horrible is shown.

TRIVIAL PURSUIT: During the scene where Dr. Keyes uses a peach as an example to show the Earth, none of the fruit that the producers brought to the set were suitable so an apple was brought in, painted to resemble a peach and a peach stone inserted in the middle.

NOTABLE HOME VIDEO EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $73.5M on a $60M production budget; the movie lost money during its theatrical run although turned a profit once home video and cable sales are factored in.

COMPARISON SHOPPING: Journey to the Center of the Earth

FINAL RATING: 7/10

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New Year’s Eve


New Year's Eve

Josh Duhamel prepares to raise a toast to handsome men

(2011) Romantic Comedy (New Line) Hilary Swank, Robert De Niro, Josh Duhamel, Michelle Pfeiffer, Sarah Jessica Parker, Katherine Heigl, Zac Efron, Jon Bon Jovi, Sofia Vergara, Abigail Breslin, Jessica Biel, Ashton Kutcher, Halle Berry, Cary Elwes, Seth Meyers, Til Schweiger, Carla Gugino, Sarah Paulson, Lea Michelle, Common, Chris “Ludacris” Bridges, Larry Miller, Penny Marshall, Matthew Broderick, Alyssa Milano, Hector Elizondo, Jack McGee, Yeardley Smith, James Belushi, Ryan Seacrest, John Lithgow. Directed by Garry Marshall

 

Garry Marshall is perhaps the pre-eminent director of romantic comedies working today with such classics as Pretty Woman to his credit. Recently he directed the holiday-themed ensemble piece Valentine’s Day which had considerable box office success. Could he match that with a second holiday?

Ingrid (Pfeiffer) is an assistant working for a completely oblivious executive (Lithgow) at a major record label in New York. She is sad, depressed and lonely and tired of being taken for granted, quits her job, taking with her four tickets to the company’s coveted New Year’s Eve bash at a local art gallery. She has a whole list of unfulfilled new year’s resolutions from the previous year. She enlists Paul (Efron), a courier, to help her fulfill them before midnight. If he does, the tickets to the party are his.

That party is being catered by Laura (Heigl), who until a year ago was the girlfriend of rock superstar Jensen (Bon Jovi, cast against type). It was on New Year’s Eve last year that Jensen bolted on Laura after proposing to her. He’s regretting his decision and wants to get back with her but she’s having none of it. Waiting in the wings is Ava (Vergara), Laura’s hot-blooded sexy Latin sous chef.

Sam (Duhamel) is attending a wedding in Connecticut but on the way back to New York to give a speech at a New Year’s party his car skids into a tree. He hitches a ride back to town with the parson who officiated the wedding, his wife (Smith) and grandfather (McGee). As they crawl through traffic back to the city, he recounts how he met a fascinating woman at the same party last year and is hoping he’ll run into her again.

Randy (Kutcher) is a bit of a cynic who hates New Year’s eve. He gets stuck in an elevator with his comely neighbor Elise (Michelle) who hopes her gig as a back-up singer for Jensen at his Times Square appearance might lead to a big break for her. The two are however stuck and it appears that it is going to be a pretty sad last day of 2011 for the both of them.

Kim (Parker) is a single mom who wants nothing more than to spend New Year’s eve with her daughter Hailey (Breslin). Hailey however wants to head to Times Square where a boy is waiting to bestow her first kiss on her. Kim doesn’t want her to go so in time-honored tradition Hailey runs off anyway and Kim frantically looks for her.

Expectant couples the Schwabs (Schweiger, Paulson) and the Byrnes (Biel, Meyers) bid to be the couple with the first baby of the New Year, which carries with it a $25,000 prize. It’s on as the highly competitive fathers look to figure out ways to hurry along their wives’ delivery, much to the disgust of the Byrnes’ New Age doctor (Gugino).

In the same hospital, Stan (De Niro) waits quietly to die, having refused treatment. The end is near and while the doctor (Elwes) can only make him comfortable, Stan is hoping to see the ball drop in Times Square from the rooftop, which the doctor says is against hospital policy. Nurse Aimee (Berry) stays by his side, not wanting the old man to die alone as he fights to make it to midnight.

However, the ball is in danger of not dropping. Claire (Swank) is in charge and feels the entire weight of the world on her shoulders. An electronic snafu has the ball stuck halfway up the pole. With her police officer friend Brendan (Ludacris) calming her down, she sends for super electrician Kominsky (Elizondo) to save the day and indeed, New Year’s Eve. Can there be a new year if the ball doesn’t drop?

As you can tell, there are a whole lot of plot threads to keep track of here. Marshall however keeps them all relatively easy to follow. This is very much an “old fashioned’ kind of romantic comedy and that’s meant in a good way; it doesn’t necessarily follow the same tired formula nearly every romantic comedy employs these days. There are big points for this.

Those who like star watching will be in hog heaven here. There are tons of cameos (as you can tell from the impressive list above), several of whom have no more than one or two lines of dialogue. Some of it is stunt casting but for the most part, all of the performers are pros and go about their business competently. There are even some Oscar winners who get a chance to slum a little bit.

As in any ensemble piece, there are some bits that work and others not so much. De Niro does some good work (as you knew he would) and paired up with Berry the two make a winning combination. Pfeiffer and Efron are surprisingly pleasant together, and Duhamel is as appealing a romantic lead as there is in Hollywood at the moment. There are plenty of moments that stretch disbelief to its limits (as when Breslin bares her bra in a crowded subway station, exclaiming “This isn’t a training bra” at which Parker rushes to cover her daughter up, squealing “This isn’t Girls Gone Wild” in a smarmy sit com-y voice. Does anybody do that?), in fact too many.

However, that’s really moot, honestly. This is meant to be fluff entertainment, cotton candy for the soul. It has no aspirations other than to entertain and even that it does gently. Not every movie, as I’ve often said, has to be a transformative experience. Sometimes it’s enough merely to sit back and forget your troubles for an hour and a half or two. That’s ambition enough for me.

REASONS TO GO: Star watching always fun. Some of the stories are heart-warming and tender.

REASONS TO STAY: Vignettes vary in originality and quality.

FAMILY VALUES: There are a few bad words and some sexual references.

TRIVIAL PURSUIT: Hector Elizondo has appeared in every movie Garry Marshall has ever made.

HOME OR THEATER: This many stars should be seen in a theater.

FINAL RATING: 6/10

TOMORROW: Young Goethe in Love