(2016) Science Fiction (Netflix) Robbie Amell, Rachael Taylor, Shaun Benson, Gray Powell, Jacob Neayem, Adam Butcher, Tantoo Cardinal, Jamie Spichuk. Directed by Tony Elliott
There are times in our lives where we all want a do-over. What if you had to do over the same three hours and every time you did, you still managed to muck it up?
Renton (Amell), a scientist, wakes up with a gasp. He is in bed with his former flame Hannah (Taylor) when masked men barge into their bedroom. And as things turn out, Renton ends up dead on the floor. But then he wakes up again.
He quickly realizes he’s caught in a time loop, one which is lasting precisely three hours, fourteen minutes and fifteen seconds (math majors will get the significance). It’s the near future and in this dystopian vision, a single corporation essentially rules Earth. Renton has been working on a new energy source that will break the hold of said evil corporation and save the planet – the air is already unbreathable.
The baddies want to confiscate Renton’s experiment and kill the inventor of the device that can threaten their employer’s stranglehold on the world and it seems they are succeeding but Renton remembers what is going on from loop to loop and Hannah is beginning to too. Can the two of them figure out how to break out of the loop and use the device Renton has invented to buy freedom from corporate tyranny?
This is a bare bones Canadian production that doesn’t utilize a whole lot of effects or a lot of cast. It mostly takes place in several rooms of a single house, and of course there are no costume changes. Still, one gets the sense of a large budget than what they likely had. Kudos should go to the production design crew for making this look apocalyptic and futuristic without resorting to a whole lot of CGI.
Amell has mostly a lot of small screen experience and that’s fine for something like this that is destined mainly for streaming and home viewing. His performance is solid but not as inspiring as I would have liked in a character like his. I’ve enjoyed his work on TV but he hasn’t yet shown that he can take a feature and carry it yet. Taylor is more intriguing here, but to be fair she has a lot more to work with than Amell, whose character is essentially sci-fi dystopian hero 101.
Like most movies set in a time loop (the most famous being Groundhog Day) there is a certain amount of repetitiveness here that is inevitable. Some movies with this theme handle it better than others; this one is definitely on the lower end of the scale in that regard. The middle third of the movie feels a bit like a slog in places.
Still, as Netflix entertainment goes there is a certain amount of niche filling that this satisfies. Those who like sci-fi and time travel conundrums will probably end up liking this as well. Mainstream audiences may be less enthusiastic but Amell is hunky, Taylor is gorgeous and the baddies are nasty enough to make this a worthwhile investment of time for certain Netflix subscribers.
REASONS TO GO: There are some interesting concepts here.
REASONS TO STAY: As with many time travel films, there is a lot of repetition.
FAMILY VALUES: A fair amount of violence and some sensuality.
TRIVIAL PURSUIT: The film played at the Toronto Film Festival before opening on Netflix.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 10/11/16: Rotten Tomatoes: No score yet. Metacritic: No score yet.
COMPARISON SHOPPING: Synchronicity
FINAL RATING: 6/10
NEXT: Blair Witch