Inside Out (2015)


Antonin Scalia reacts to recent Supreme Court decisions.

Antonin Scalia reacts to recent Supreme Court decisions.

(2015) Animated Feature (Disney*Pixar) Starring the voices of Amy Poehler, Phyllis Smith, Richard Kind, Bill Hader, Lewis Black, Mindy Kaling, Kaitlyn Dias, Diane Lane, Kyle MacLachlan, Paula Poundstone, Bobby Moynihan, Paula Pell, Dave Goelz, Frank Oz, John Ratzenberger, Josh Cooley, Flea, Carlos Alazraqui, Laraine Newman, Rashida Jones. Directed by Pete Docter and Ronaldo del Carmen

Growing up can be a dangerous thing. There are no manuals on how to deal with our emotions; we just have to do the best we can, which is generally not good enough. All we can do is learn from our mistakes and realize that it is okay not to be happy and cheerful every minute of every day.

11-year-old Riley (Dias) and her Mom (Lane) and Dad (MacLachlan) have moved to San Francisco from Minnesota and the usually cheerful Riley is not happy about it. She misses her friends, she misses playing hockey – a sport she loves and excels at – and she misses the shall we say less urban environment of her old home.

Up in her head, Riley’s emotions are working double time. In charge (more or less) is Joy (Poehler), a sprite-like being who wants all of Riley’s memories to be happy. Working alongside her are Sadness (Smith), Anger (Black), Disgust (Kaling) and Fear (Hader). Sadness is a squishy blue teardrop, Anger a red brick who sometimes blows flames out of his head, while Disgust is broccoli-green and Fear is a twitchy pipe cleaner with a bow tie.

The emotions work in Headquarters, the part of her brain where the emotions exert control and memories are made and separated into storage – long term, short term and core. “Islands” are formed by her core memories, helping to establish Riley’s personality – love of hockey, honesty, love of family, imagination and so on. A variety of workers keep the memories stored and occasionally, dump them to disappear (Phone numbers? Doesn’t need them. She keeps them in her phone) and make room for new ones. The memories manifest as little globes like pearls, colored by whatever emotion is associated with that memory although Sadness has discovered that when she touches a memory, the emotional hue can change.

Not long after that, a series of accidents strands Joy and Sadness together in the long term memory area of Riley’s head. Worse yet, the core memories have accidentally been sent there, which will slowly lead to her personality islands crumbling away. Joy and Sadness will have to work together to get those core memories back to Headquarters. They’ll be aided by Bing Bong (Kind), Riley’s imaginary playmate whom she hasn’t thought of in years. But they’ll have to hurry; Anger, Disgust and Fear have been left in charge and their decision-making process is, to say the least, untrustworthy.

This is one of the most imaginative animated features in years. Say what you want about the execution of the movie (which is, by the way, pretty dang nifty) but the concepts here are much different than any animated movie – or movie of any other kind – you’re likely to encounter.

The vocal performances are solid, albeit unspectacular although the casting of Black as Anger was inspired if you ask me. He steals the show whenever his rage button is pushed, which is frequently. Poehler gets the bulk of the dialogue as Joy but Kaling, Smith and Hader also get their moments and all of them encapsulate their emotional counterparts nicely.

True to its subject matter, the movie moves from whimsical (as when Bing Bong, Joy and Sadness move through the subconscious and change forms to two-dimensional and into Depression era animated figures) to downright moving (Bing Bong’s plaintive expression of his desire to make Riley happy, despite the fact that she’s forgotten him). While the emotional resonance of Wall-E and Toy Story 3 aren’t quite there, it still packs quite a powerful emotional punch in places. Softies, beware and bring plenty of tissue.

The only real quibble I have with the movie is that from time to time the story is not as straightforward as it is with other Pixar films and it might be a tad difficult to follow for younger kids, who will nonetheless be quite happy with the colors and shapes of the new characters that are likely to dominate the toy merchandise this summer (at least, until the new Minions movie comes out). It also has a tendency to set us up with what appear to be rules to follow only to do something a bit different. I’m not a stickler for such things – this is an animated feature, not a documentary – but some people who are anal about it might have issues.

The lesson to be learned here for kids is that it’s okay to be sad, or angry, disgusted or even afraid. It isn’t a requirement to be happy all the time – nobody is. We all must, sooner or later, deal with all of our emotions, even the not so nice ones. All of them are there for a reason.

Despite the minor flaw and given all of the movie’s strengths I found this movie to be beautifully rendered with a wonderfully imaginative setting and characters I could get behind. The storyline isn’t earth-shattering – essentially it’s about a disgruntled 11-year-old girl who wants to go back to the home she’s used to and acts out because of it – but all of us can relate to dealing with emotions, either because we know an eleven year old or at least been an eleven year old. Pixar has been on a bit of a cold streak as of late but this movie reminds us of how great this studio is and how much they have contributed to the animated feature genre. This is a gem, destined to be another in a long line of Pixar classics.

REASONS TO GO: Imaginative and different. Moving in places. Teaches kids that it’s okay to have negative emotions as well.
REASONS TO STAY: Can be confusing.
FAMILY VALUES: Some of the thematic elements may be a bit much for the very small; there is also some animated action and a few images that might be frightening for the less mature child.
TRIVIAL PURSUIT: Mindy Kaling was reportedly so moved by the script that she burst into tears during the initial meetings with director Pete Docter.
CRITICAL MASS: As of 7/5/15: Rotten Tomatoes: 98% positive reviews. Metacritic: 93/100.
COMPARISON SHOPPING: Up
FINAL RATING: 8,5/10
NEXT: Ted 2

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Mystery, Alaska


Russell Crowe on ice.

Russell Crowe on ice.

(1999) Sports (Hollywood) Russell Crowe, Ron Eldard, Burt Reynolds, Hank Azaria, Maury Chaykin, Colm Meaney, Mary McCormack, Lolita Davidovich, Ryan Northcott, Michael Buie, Kevin Durand, Scott Grimes, Mike Myers, Michael McKean, Adam Beach, Judith Ivey, Beth Littleford . Directed by Jay Roach

From then-TV flavor of the month David E. Kelley comes the town of Mystery, a small settlement amid the magnificent scenery of Alaska. There isn’t much to do there, so an awful lot of fornicating goes on. There is also a weekly hockey game that involves the young men of the town playing against one another on the town pond. The wide open space of the pond breeds tremendous skaters, guys who take flight on ice.

It also attracts the attention of Sports Illustrated writer Charlie Danner (Azaria), who is actually an ex-townie who was never well-liked. He calls them the best pond-hockey players in the world, and arranges a game with the NHL’s New York Rangers (like that would happen). And, predictably, this energizes the town and it’s somewhat quirky inhabitants.

There’s the passionate, but somewhat befuddled lawyer (Chaykin) who sits on the town’s hockey committee, and loves Mystery perhaps more than anyone else. There’s the crusty but good-hearted mayor (Meaney). There’s the curmudgeonly judge who wants nothing to do with the game (Reynolds). There’s also the libidinous defenseman (Eldard) who has more cojones than sense. Finally, there’s Sheriff John Biebe (Crowe), who is a veteran of the Saturday game recently demoted, now the reluctant coach of the team.

There aren’t a lot of ladies in the cast and most of them are either supportive and long-suffering (McCormack) or bored and unfaithful (Davidovich). The fact that hockey was so central to the plot was probably the biggest reason this movie did so poorly at the American box office which is a shame – the movie deserved a better fate.

This being a sports underdog movie, the overall outcome is more or less predictable. Director Jay Roach (both of the Austin Powers movies) has assembled a fine cast. Reynolds, for example, was just settling in to becoming a great character actor after years of floundering in lead roles after his glory years. Crowe shows some of the qualities that would elevate him in movies such as The Insider and Gladiator, but here he’s not quite as luminous as he would become in those breakout roles.

The success of Mystery, Alaska lies in creating a mood, and that is done rather well. Take away the unbelievable scenario and the sports-film clichés and you’d have a mighty good movie. Those obstacles, alas, are too difficult to overcome and this becomes just a pretty good movie instead of a great one which given its cast it could have been.

WHY RENT THIS: The movie’s got heart. Reynolds, Crowe and Azaria have some fine moments.

WHY RENT SOMETHING ELSE: The premise is preposterous. Too many clichés spoil this broth.

FAMILY MATTERS: There’s plenty of rough language and a fair amount of sexuality.

TRIVIAL PURSUITS: Mike Myers’ character of Donnie Shulzhoffer is reportedly a gentle spoof of legendary Canadian hockey commentator Don Cherry.

NOTABLE HOME VIDEO FEATURES: None listed.

BOX OFFICE PERFORMANCE: $8.9M on a $28M production budget; the film lost money.

FINAL RATING: 6.5/10

NEXT: The Goonies