Blood Fest


A bunch of friends take a moonlit stroll through the woods.

(2018) Horror Comedy (Cinedigm/Rooster Teeth) Robbie Kay, Seychelle Gabriel, Jacob Batalon, Barbara Dunkelman, Tate Donovan, Zachary Levi, Olivia-Grace Applegate, Owen Egerton, Isla Cervelli, Paul Ogola, Nicholas Rutherford, Samantha Ireland, Tristan Riggs, Rebecca Lynne Wagner, Chris Doubek, Carl Thomas, Lynn Andrews III, Jessica Polk. Directed by Owen Egerton

 

Horror has rules. That has been drilled into the heads of fans throughout the annals of horror films; at least since Wes Craven’s Scream outline most of them for us. Still few genres have as much structural similarities between films as horror does. That has made for some pretty nifty self-referential meta films that remind us that virgins have a better chance of survival and never ever go into the basement by yourself.

Dax (Kay) loves horror movies, a love instilled by his mother (Ireland) who promised him that horror movies give us the opportunity to realize that we are stronger than our own films. Of course, she tells him that moments before she is brutally murdered by one of her husband’s (Donovan) patients who has a similar love for scary movies.

Flash forward fifteen years and Dax is eager to go to a major horror event called Blood Fest promising haunted attractions, panel discussions with filmmakers and horror icons, and a rave-like atmosphere with a horror movie theme. However, his dad won’t allow it (and tears up his precious ticket before his very eyes after a similar warning from his sister (Wagner): “Blood Fest is going to suck.” Little does he know how right she is.

Dax manages to get his hand on a precious wristband and makes it in for the big event and at first it’s everything he hopes it would be as he and his best friends Sam (Gabriel) and hacker Krill (Batalon) at his side. The MC is a well-known horror producer (Egerton) but he has plans for the revelers. You see, the horrors at Blood Fest are real and it will take all of their knowledge of the rules of horror films along with all their resourcefulness and courage to survive the night.

I’m not a big fan of horror comedies. Few of them succeed in balancing the screams with the laughs and this one is no exception but it is more successful than most. The fact is that they don’t go for the over-the-top laughs that bring the comedy into spoof territory, and spoofs are as far as I’m concerned the lowest form of cinematic humor. The scares are never particularly over-the-top either but there’s enough energy in the pacing and from the performers that the movie keeps your attention other than a few points where some exposition is going on.

The performances by the fairly low-budget cast are solid and professional. Chuck star Zachary Levi (also from the upcoming Shazam) has a thoroughly enjoyable albeit brief cameo, while the female cast is mega-sexy without any nudity which is quite a feat when you consider there’s at least one obligatory shower scene and a lesbian vampire make-out scene. Still, that’s just further proof that a woman doesn’t have to show her boobs to be sexy.

The writing is a bit spotty; the reveal is early on in the movie and while the mysterious partner behind the murders is kept hidden until near the end (and veteran horror fans should be able to figure out well before then) and while some of the plot points stretch the boundaries of plausibility to the breaking point (and beyond), for he most part the writing is pretty decent for this kind of film. The dialogue sounds authentic and there is a good deal of affection for the genre and those who love I – and obsess over it. This is a pleasant gem that will probably find a long shelf life on VOD and home video.

REASONS TO GO: Entertaining and generally well-paced.
REASONS TO STAY: A few plot points lack cohesion.
FAMILY VALUES: There is plenty of violence and gore, a good deal of profanity and some sexual innuendo.
TRIVIAL PURSUIT: Rooster Teeth is a content supplier mainly for YouTube; this is their third feature after Lazer Team and Lazer Team 2. It is actually however the second film released as Lazer Team 2 hasn’t yet received a release date.
BEYOND THE THEATERS: Amazon, Fandango Now, iTunes, Vudu
CRITICAL MASS: As of 9/1/18: Rotten Tomatoes: 58% positive reviews: Metacritic: 54/100.
COMPARISON SHOPPING: Scream
FINAL RATING: 6.5/10
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Gut


Jason Vail likes to watch.

Jason Vail likes to watch.

(2012) Horror (Gut Productions) Jason Vail, Nicholas Wilder, Sarah Schoofs, Kirstianna Mueller, Kaitlyn Mueller, Angie Bullaro, Ria Burns-Wilder, Leisa Haddad, Misty Gonzalez, Miles Joris-Peyrafitte, Karl Pfeiffer, Jordan Sariego, Christine Kadets, Deborah J. Atuk, J. Brett Rose, Heather Lattuca Ferrari, Frank Pelligra, Antonia Roman. Directed by Elias. 

There are things in our personality that we aren’t proud of. It might be a quick temper, or a tendency towards procrastination. Sometimes they are dark sides of our nature, something that we can’t share with anyone but a select few.

Tom (Vail) has a pretty decent life all things considered. He has a job albeit not a very good one, but his closest friend Dan (Wilder) works with him. The two have a shared love for horror flicks, the darker the better. But since Tom got married he and Dan have been drifting apart.

And why wouldn’t Tom start drifting away? His wife Lily (Schoofs) is amazing, very into sex and supportive. Their daughter Katie (the Mueller twins) loves her daddy very much. It’s a pretty good life, with a better one in their sights; Katie and Tom are thinking of moving away where they can get a better home and a better job for Tom. Besides, Dan has gotten a bit…clingy.

The two have lunch together nearly every day at a local diner. Not because the food is so great but Dan is sweet on Sally (Bullaro), a waitress there. Dan whines about Tom paying less attention to him and eventually Tom agrees to drop by and watch a video with him.

So one night Tom goes over to hang out with Dan in his apartment and Dan pulls out this DVD he’s purchased from the Internet and it’s freaking creepy. It’s a naked woman strapped to a table. Her cries are muffled.  A pair of hands in surgical gloves rubs up and down her torso before producing a wicked looking knife and cutting her open. Her cries slowly fade away as she bleeds out….after which those surgically gloved hands go inside her body, rooting away in an almost erotic, loving fashion.

So is the tape real? Both Tom and Dan seem to think it is. Tom is at first appalled and tells Dan not to order any more of those sorts of DVDs anymore. But despite his protests, Tom is secretly mesmerized by the images. And turned on by them. Sex with Lily has become less exciting and no matter what she does he finds himself unable to be stimulated unless he is thinking about those images.

As you can expect Dan gets more tapes of similar types and it is plain both men have become obsessed. Dan is missing work and Tom, well Tom and Lily are beginning to have problems. Even roughhousing with Katie is bringing images of blood on her bare torso to Tom’s mind. He can’t seem to get those images out of his head, even though he knows its wrong.

But as they inevitably do, things spiral out of control and both men begin to suspect that each of them may be the one taking these movies. Who is behind it? And what was Tom doing at the beginning of the film?

This is a disturbing psychological horror film. While there is some blood, there isn’t an overabundance of it. The theme is more about obsession with death than it is about actual death, and about the eroticism of horror.

The movie is very starkly filmed. Possibly that’s because of the low budget but I think it might also be intentional. The feel is almost clinical in some ways, which makes the horror even more intense. Adding to that sterility is the flat performances of the actors who at times seem to lack any emotion. Is it a commentary on how numb our society has gotten? I like to think it is.

This is both social commentary and horror – the eroticism of death and the general desensitized populace that is modern Western society. The problem with horror films in 2013 is that they have a hard time competing with the real horrors that we see every day – gunmen opening fire on schools, whack jobs planting bombs at popular and prestigious events, planes full of gasoline being flown deliberately into buildings full of people, terrorists strapping bombs to their chest and setting them off on city buses. How is a vampire or a werewolf compete with that when there are monsters everywhere with human faces?

Gut actually explores that a little bit and modestly at that. I found it to be disturbing and provocative and, if you’ll pardon the pun, a cut above most horror films that are out there.

NOTE: Gut is being released on DVD on May 28. Click on the photo above to go to their home page and find out a little bit more about it, or to stream the movie from several online sources.

REASONS TO GO: Unnerving. Clinical view of horror makes it more intense.

REASONS TO STAY: A curious emotional flatness to nearly all the characters.

FAMILY VALUES:  There’s some gore, quite a bit of graphic nudity and sexuality and a bit of bad language.

TRIVIAL PURSUIT: Played last year’s Orlando Film Festival.

CRITICAL MASS: As of 5/6/13: Rotten Tomatoes: 17% positive reviews. Metacritic: no score yet; while not a lot of mainstream critics have seen this (and those who have didn’t like it much), the underground horror press has been raving about this one for some time.

COMPARISON SHOPPING: Videodrome

FINAL RATING: 7/10

NEXT: Pain & Gain