Operation Red Sea (Hong hai xing dong)


The Sea Dragons are here to kick ass and slurp noodles and they’re all out of noodles.

(2018) War (Well Go USA) Yi Zhang, Johnny Huang, Hai-Quing, Jiang Du, Luxia Xiang, Sanâa Alaoui, Fang Yin, Yutian Wang, Guo Yubin, Henry Mai, Yu Dawei, Fenfen Huang, Nisrine Adam, Faical Elkihel, Ren Dahua, Hanyu Zhang, Noureddine Aberdine, Cai Jie, Qiang Wang, Bing Bai, Siyan Huo. Directed by Dante Lam

For awhile there it felt like the good ol’ US of A had the market cornered on chest-thumping military action films. Well, move over Uncle Sam; China has earned themselves a seat at that particular table with this big budget modern day warfare look at an elite squad (not unlike Seal Team 6) in the Chinese Navy.

The movie starts out with them rescuing a Chinese merchant vessel from Somali pirates. Captain Phillips much? In any case, no sooner have they mopped up that operation when they are urgently diverted to the North African (fictional) country of Yewaire which is suffering through a revolution being orchestrated by a terrorist organization called Zaka. Sure they want to set up their own intolerant theocracy there but there is a much more sinister motive; they’re trying to get at a supply of yellowcake, a type of weapons-grade Uranium. With that, they would be able to make a terrifying number of dirty bombs that could potentially wipe dozens of cities from the face of the map.

But then they take some Chinese civilians hostage and anyone will tell you that’s a really bad idea. The squad – called Sea Dragons – is sent in and put to work rescuing their citizens, preventing the terrorists from getting the yellowcake and in general saving the day while looking pretty dang good at it.

Like Hollywood hits 13 Hours: The Secret Soldiers of Benghazi, American Sniper and Lone Survivor, Operation Red Sea is as much entertainment as it is recruitment video – some might say propaganda (and they wouldn’t be far wrong). The military, in this case the Chinese military, is portrayed in a totally badass light with plenty of macho testosterone-laden one-liners meant to portray just how badass they are although the dialogue “Tom Yi: Give ‘em Hell!” is as cringe-inducing as a similar line from a World War II war flick is today. Kind of makes you want to slap a dame on the butt and give the Krauts what for although the Krauts here are the 21st all-purpose villain Arab terrorists.

There is a significant difference between this film and American versions however; for one thing, the Sea Dragons aren’t really given much individual character. For them and apparently the Chinese military in general as well, it’s all about the team and not the individual. The snipers here aren’t getting into one-on-one battles with their opposites pretty much although there is a little bit of that; the whole “Army of One” campaign that the US Army ran a few years back would have never played in China. Individualism is Western weakness; sacrificing for the good of society is much more desirable and that really sums up our societies in a nutshell.

Consequently there really aren’t a lot of standout performances here although the Chinese actors on display here are much more restrained than we normally see from Chinese films. One place they’ve definitely improved are on the battle sequences; utilizing Korean effects houses (the best at these kinds of effects in the business) the battles look realistic and terrifying. There’s a boatload of gore and I’m talking about an aircraft carrier, not a dinghy. Fingers are blown off, jaws are unhinged, people are perforated, stabbed, shot, burned and eviscerated and from time to time, heads are lopped off. The carnage can be pretty intense so be mindful of that if you are sensitive to such things.

This is going to feel a lot like movies you’ve seen before if you’re an American although if you’re Chinese chances are this will be much more unfamiliar ground. If the flag-waving and chest-thumping may be a little bit too bizarre for you coming from a Chinese film, it might be understandable. Not that long ago a movie like this would never have been picked up for American distribution; the Chinese military would not carry much of a resonant rooting interest for American audiences – the fact that not one Chinese civilian gets killed in this film is no accident. The message is that Chinese citizens are perfectly safe while the military is around which is some powerful stuff if you’re a citizen of the People’s Republic.

The entertainment value is pretty strong though and even though it is a bit of a different attitude than similarly themed American films there’s still the visceral enjoyment. To quote the legendary Big Jim McBob and Billy Sol Hurok, a good many things get blowed up real good. This film, playing this week at the New York Asian Film Festival, had a limited theatrical release this past February and will be available on various streaming services as well as on home video effective July 24th. If you like your war movies with all the gore and none of the angst, this one is for you.

REASONS TO GO: The action sequences are well-plotted. The movie is entertaining throughout.
REASONS TO STAY: It may be a little too long for some American audiences. It feels like a fairly standard American military action B-movie.
FAMILY VALUES: There is some profanity as well as strong and often bloody violence.
TRIVIAL PURSUIT: The movie is loosely based on the evacuation of Chinese citizens from the port town of Aden during the Yemen Civil War of March 2015.
CRITICAL MASS: As of 7/2/18: Rotten Tomatoes: 83% positive reviews. Metacritic: No score yet.
COMPARISON SHOPPING: Navy SEALs
FINAL RATING: 6.5/10
NEXT:
Respeto

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Haywire


Haywire

Gina Carano finds that Michael Fassbender makes a nice stool.

(2012) Action (Relativity) Gina Carano, Ewan McGregor, Michael Douglas, Channing Tatum, Bill Paxton, Antonio Banderas, Michael Fassbender, Michael Angarano, Mathieu Kassovitz, Eddie J. Fernandez, Aaron Cohen, Maximo Arciniega. Directed by Steven Soderbergh

 

Trust is a hard thing to come by and shouldn’t be given lightly. However at some point you have to at least hope that those in the same boat as you are going to watch your back. Sometimes though the people in that boat might have differing agendas.

Mallory Kane (Carano) is an operative working for a private security agency, the kind that takes care of things that government agencies can’t or won’t. After a hostage rescue in Barcelona doesn’t go quite according to plan, Kane and her fellow team member Aaron (Tatum) hook up before going their separate ways.

Mallory’s boss Kenneth (McGregor) next assigns her to a quick job as eye candy to MI-6 agent Paul (Fassbender) in Dublin as they pursue a French asset named Studer (Kassovitz). In a barn on the Frenchman’s estate, Mallory finds the hostage she rescued with a bullet in his brain. That raises her suspicions. When Paul turns against her and tries to kill her in their hotel room, that makes her downright paranoid.

She now has to escape her own operatives and law enforcement as she tries to get to the bottom of things as to why she was double crossed. She’ll have to discover who was behind it – Kenneth, the government official who employed him (Douglas), the diplomat (Banderas) who isn’t all he appears to be and the only person she can trust is her father (Paxton).

Stephen Soderbergh has done action movies before (The Limey) although he is best known for the Oceans 11 series. He makes a noble effort here but it falls a bit short of the mark. The problem here lies mostly in the writing. For one thing, there is no real suspense; most of the betrayals and double crosses you see coming. They’re not just telegraphed, they’re on digital video on demand.

Also, I found the pacing kind of uneven. The movie jerks along like it has sugar in the carburetor. There’s a scene of action, then a flashback, then exposition, then more action…there isn’t the kind of flow that makes a movie like this work. There’s also a distinct but odd lack of energy, like the cast and crew didn’t eat their Wheaties or something. It’s extremely laid back.

There are some good performances here. Carano, a MMF superstar, carries the load here and she shows a great deal of potential. She has one romantic encounter with Tatum and she looks like she felt awkward doing it but otherwise she handles herself well, not to mention she’s very attractive. Some female reviewers have expressed some satisfaction at watching her kick the asses of every other guy in this movie, but badass women are no stranger to Hollywood – maybe those reviewers should watch a couple of Pam Grier movies for future reference. Carano, a trained professional, is an excellent ass-kicker it must be said.

There’s lots of action for those who are into that, from car chases to occasional gun fights. I do like that Mallory works for an independent contractor and not a shadowy government agency, that is more in line with modern sensibilities. However, the pros and the cons of this film break just about even. I’m leaning towards a very slight not recommended, but I could be pushed either way.

REASONS TO GO: Plenty of action. Carano is easy on the eyes.

REASONS TO STAY: The pacing is kind of choppy. The plot is kind of predictable. Lacks passion – felt more like a payday than a movie.

FAMILY VALUES: Lots and lots and lots of violence. Then lots more.

TRIVIAL PURSUIT: Gina Carano’s voice was digitally altered to make it deeper sounding after the studio decided her voice was too-feminine sounding for the role.

CRITICAL MASS: As of 1/24/12: Rotten Tomatoes: 82% positive reviews. Metacritic: 67/100. The reviews are good.

COMPARISON SHOPPING: The Mechanic

EUROPEAN LOCATION LOVERS: Won’t be loving this. Most of the location shots could have been filmed anywhere. You never get a sense of place in this movie.

FINAL RATING: 5/10

TOMORROW: The Girl on the Train