Cub (Welp)


I am NOT Groot!

I am NOT Groot!

(2014) Horror (Artsploitation) Maurice Luijten, Evelien Bosmans, Titus de Voogdt, Stef Aerts, Jan Hammenecker, Gil Eeckelaert, Noa Tambwe Kabati, Ricko Otto, Louis Lemmens, Thomas de Smet, Pieter De Brabandere, Jessie Tweepenninckx, Isah de Zutter, Hauke Geimaert, Ebe Meynckens, Ymanol Perset, Nabil Missoumi, Jean-Michel Balthazar. Directed by Jonas Govaerts

What could be more natural than a bunch of young boys, scouts in fact, camping in the woods? It’s one of the rites of boyhood throughout the world. Of course, the boys are supervised by a pair of scout leaders and a den mother, but still, there’s something liberating about ghost stories of werewolves and monsters in the woods in the dead of night. But what if the monsters are real?

Kris (de Voogdt) and Peter (Aerts) – the later of which goes by the name of Baloo – are the said scout leaders. Jasmijn (Bosmans) is the den mother/camp cook/Peter’s girlfriend. Among the boys are David (Kabati), the troop leader and Dries (Lemmens), the timid bespectacled boy who is bullied by the bigger ones. And then there’s Sam (Luijten).

Sam, who has had a difficult childhood, has been bullied by all the others all his life. He has seized upon the camp leaders’ tale of Kai, the werewolf and is looking high and low for the feral boy, even though the tale is just a legend. Then Sam finds Kai (Eeckelaert). Of course, nobody believes him; Sam has been known to tell a tall tale or two throughout his life. This time, though, he’s not fibbing. He runs into a feral boy who wears a wooden mask, giving him a kind of primeval feel. He looks awfully scary at least.

It turns out that when the local school bus factory was shut down, there was a rash of deaths in the woods. Most of the local townsfolk like the go-kart riding delinquents Vincent (Perset) and Marc (Missoumi) are uncomfortable going into those woods. There are traps set all over the woods, some of them lethal. Someone is watching them…all of them and what they don’t know is that they’ve blundered into the territory of a madman who will see all of them dead – no matter how young.

This indie horror opus hails from Belgium and gives us a little bit of insight into  Belgian life. I was unaware that there was that much antipathy between the French and Flemish communities, but I suppose that ill feelings for those not belonging to the same group as you is pretty much universal.

It is also pretty much universal that the woods are a beautiful place and the cinematography here is nice and lush. It really is a pretty looking film, despite the fairly significant amount of gore. One doesn’t always find decent camera work in an indie horror film, so when there is a movie that has some you can’t help but be grateful for it.

I also liked the score, which is organ heavy and reminded me of the Goblin-scored giallo films of the 70s, which for a horror buff like myself brought back some pleasant memories; less experienced horror buffs may feel less nostalgic about it.

Most of the attention here centers on the three adults – or teens, which would probably be more accurate, and on Sam. The rest of the kids get little screen time, which is probably wise; good child actors are hard to find. However, Luijten is a find. He plays the timid, put-upon bullying victim, but he’s also stone cold at times. He shows some impressive acting range and I wouldn’t mind seeing him in more films someday.

In many ways, this is a bit of a throwback sort of horror piece; while there are a few too many camping-in-the-woods horror cliches here, for the most part this compares favorably with movies of the 70s and 80s that could be called the golden age of slasher films. There are some clever traps here, including one involving a beehive and a bow and arrow, that make the death scenes less rote than other, less imaginative films have given us.

While there are some hints of sexuality here, there really isn’t a lot that is overt; I think the movie would have benefited from less subtlety in that department. Also, we don’t really get a good deal of background about Sam and why he is the way he is and I think a little bit more explanation would have been helpful as well. Still, these are quibbles and this is quite impressive, not just for a first-time director on a micro-budget but for anybody. This has made some appearances on the festival circuit here on the states and is fixing to get released on DVD and Blu-Ray here on August 18. This isn’t a game-changer but it is a well-made horror movie in a sub-genre that is fairly crowded, but it acquits itself pretty well by comparison. Definitely recommended.

WHY RENT THIS: Nicely executed. Some clever traps.
WHY RENT SOMETHING ELSE: A few too many kids in the woods horror tropes. Some character background might have been nice.
FAMILY VALUES: Plenty of gore and images of terror, children in peril, foul language and a smidgen of sexuality
TRIVIAL PURSUIT: The scouts camp near a village called Casselroque, a sly reference to Castle Rock where Stephen King set many of his stories.
NOTABLE DVD EXTRAS: The Blu-Ray edition includes a music video and a short film; both editions feature an SFX reel.
BOX OFFICE PERFORMANCE: Not available.
SITES TO SEE: Netflix (DVD rental only), Amazon, Vudu
COMPARISON SHOPPING: Friday the 13th
FINAL RATING: 6.5/10
NEXT: Brighton Rock

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Aftermath (2012) (Poklosie)


You can't beat Ireneusz Czop's performance with a stick.

You can’t beat Ireneusz Czop’s performance with a stick.

(2012) Drama (Menemsha) Ireneusz Czop, Maciej Stuhr, Zbigniew Zamachowski, Danuta Szarflarska, Jerzy Radziwilowicz, Zuzana Fialova, Wojciech Brzezinski, Danuta Borsuk, Andrzej Mastalerz, Anita Podderbniak, Magdalena Gnatowska, Ryszard Roncziewski, Zbigniew Konopka, Elzbieta Romanowska, Lech Dyblik, Jaroslaw Gruda, Zbigniew Kasprzyk, Robert Rogalski, Maria Garbowska. Directed by Wladyslaw Pasikowski

We really don’t know what darkness lurks in the hearts of our neighbors. Even in the nicest, most bucolic towns there can be absolute horrors beyond imagining. Some people will go to the most extreme of measures to keep those secrets hidden.

Franck Kalina (Czop) has flown to Poland from Chicago. His destination is a pretty remote one; to get there he has to take a plane, a train, a bus and then walk the rest of the way. He is there to visit his brother Jozef (Stuhr) who runs the family farm.

Franck has been in America nearly 20 years and has been estranged from his brother at least for that long but when Jozef’s wife Jola shows up at his door with their kids and without explanation, he returns to the land of his birth to get to the bottom of things. There he finds Jozef has been essentially ostracized by the town. Why? Because he’s unearthing old Jewish tombstones that were repurposed by the Nazis during World War II as flagstones, pavement and other uses. He can’t really explain why he’s doing it other than it seems right; there’s nobody left to look after them.

Franck soon becomes embroiled in the controversy as the incidents escalate from rocks thrown through windows to anti-Semitic graffiti on their barn to physical violence directed against Jozef and his dog. Only the retiring village priest (Mastalerz) and a kindly medic (Fialova) seem to have any sympathy for them at all. Franck’s dogged determination to discover what the reason is for all the hatred over stones for people nobody can remember leads to a shocking discovery.

This movie took nearly a decade to secure the financing to make it to the screen. The movie is inspired by a real incident in the village of Jedwabne during the Second World War. The controversial non-fiction book Neighbors by Princeton scholar Jan Gross (which was denounced as anti-Polish and inflammatory) about the subject inspired the filmmakers to make Aftermath. Even now the events are a sore subject with the Polish people; even reviews of the film in American newspaper have inspired some passionate posts both pro and con; some look at the filmmakers as brave men who have become the first Poles to directly acknowledge the events in Jedwabne and in other places like it in the Arts. Others have condemned it as furthering vicious slander against the Polish people.

This is an incredibly moving film which is on one level the bond between two very different brothers. Franck is taciturn and confrontational but at the same time he didn’t have the decency to return home for the funeral for his parents. Jozef is stubborn and unforgiving but has a curious soft spot for the underdog. Both men, surprisingly, are what I’d call environmental anti-Semites. They habitually refer to Jews as “Yids” and often say things that convey their low opinion of Jews in general and Polish Jews in particular. Franck even intimates that the troubles Poles have getting decent jobs in the U.S.is due to Jewish interference.

They do make the unlikeliest of righteous men but yet they are. It works making them so un-heroic in many ways. These aren’t American action heroes who use their fists to get themselves out of sticky situations; they get beat up and they often seem to go out of their way to avoid conflict but who can blame them – at every turn they are attacked verbally and physically by the townspeople and the new rector (Radziwilowicz) arrived to replace the retiring priest for some odd reason is stirring the town up to do so.

Czop and Stuhr deliver raw, honest performances that depict the brothers as deeply divided and unsure how to bridge the gulf between them until this common cause unites them. They are dogged more than brilliant and stubborn more than compassionate. Perhaps the problem that some conservative Poles have with the film is that none of the Poles in the movie come off as good guys.

This isn’t a movie for the faint of heart. It tackles the issues of hatred, greed and suspicion in the real world and it does so in a real world way. While I saw this movie at the Central Florida Jewish Film Festival, there are no living Jews in the movie until the final scene – and yet the ghosts of the Jewish dead in the Holocaust hang heavy over the film itself. This is the kind of movie that will leave you speechless and is much worth seeking out if you can find it (the official website has a list of theaters playing the movie if you want to click on the picture above and find out if it’s playing near you). It is another contender in what is turning out to be a very strong year for independent films as one of the best of the year.

REASONS TO GO: Czop and Stuhr deliver powerful performances. Raw and emotional.

REASONS TO STAY: May be too intense for some.

FAMILY VALUES:  Some disturbing images and thematic content. There’s also a little bit of violence and some foul language.

TRIVIAL PURSUIT: Received the Yad Vashem Chairman’s Award at the 2013 Jerusalem Film Festival for excellence in depiction of the Holocaust.

CRITICAL MASS: As of 11/19/13: Rotten Tomatoes: 76% positive reviews. Metacritic: 62/100.

COMPARISON SHOPPING: Schindler’s List

FINAL RATING: 9.5/10

NEXT: The Attack