Top 10 of 2010


It’s that time of year again, the time when critics both well-known and unknown create their lists of movies that were the very best of the year just ended. People seem to love these sorts of things – my top 10 for 2009 remains one of my most popular pages in terms of visits on my site. I expect that this page will probably do even better.

As I said last year, these lists are entirely arbitrary and shouldn’t be taken as gospel. For one thing, people’s tastes are different. A movie that may affect me deeply might seem manipulative to you. A movie that floats your boat may seem a waste of time to me. We all have our buttons.

The truth is, assigning a “best of” tag to anything is a highly fluid process. I’ve given these movies a position on the list but the truth is ask me what my top ten is a few weeks from now and it likely won’t be the same as it is here. It might also include one or two movies that I might have missed during the course of the year, or others that I have seen again recently and re-adjusted my opinion of. Hey, it happens – as with women, it is a critic’s prerogative to change their minds.

What gets a movie on this list? The basic qualifier is whether I liked or not. After that, I’m looking at movies that affected me emotionally, or that I thought was innovative either in its storytelling techniques, its look or its approach. While special effects continue to improve and push the boundaries, nothing this year rivaled the complete game changer that was Avatar last year, so you won’t see a lot of special effects-heavy movies on this year’s list, although Inception and Scott Pilgrim vs. the World both came very close indeed.

Some critics limit their list to five movies; others go larger, with 20, 25, sometimes even 50 movies on their list. I’m limiting it to ten; it’s an arbitrary number, and seems to be something of a standard. Five isn’t enough and twenty is too many. Ten seems suitable for a list of movies that I think is worth honoring above and beyond all the rest.

Most of these movies are either in general release at the moment or are available on home video, on demand or on cable. You may not agree with all my choices. You may wonder why I didn’t choose, say, Toy Story 3 or The Social Network (which might be the most controversial omission) or why I did choose the ones I did. As I said, ask me again later and my mind may have changed.

This is meant to invite discussion or at least some thought. You may not agree on all of these films being the ten very best – you may not agree on the order. However, I think that we can all agree that these are all quality movies that have something to offer nearly everyone. If you’re looking to see a good movie, I can pretty much guarantee you won’t walk out of any of these feeling disappointed.

HONORABLE MENTION

There are a number of movies that didn’t quite make the cut of the top ten. I thought I’d add them here so you can get an idea of which ones came close, were considered and ultimately not chosen. Again, I will stress that all of these are quality films worth seeking out if you’re looking for entertainment, enlightenment or insight. In no particular order;

The Social Network, Toy Story 3, Scott Pilgrim vs. the World, Inception, Rush: Beyond the Lighted Stage, Waking Sleeping Beauty, Get Low, Love and Other Drugs, The Chronicles of Narnia: Voyage of the Dawn Treader, Legends of the Guardians: The Owls of Ga’Hoole, Shutter Island, Hot Tub Time Machine, The Secret of Kells, Leaves of Grass, Warlords, A Prophet, Cyrus, The Kids are All Right, The American, Let Me In, MegaMind, I Remember, Sophie Scholl: The Final Days.

Also a special shout-out must be made for Montana Amazon, an amazing little indie film that certainly would have made a good case for the top ten but is not scheduled for theatrical release until 2011. If it comes to your town, by all means seek it out. If you’re interested in reading the original reviews, just click on the title.

10.  MID-AUGUST LUNCH (PRANZO DI FERRAGOSTO)

(Zeitgeist) Gianni Di Gregorio, Valeria De Franciscis, Marina Cacciotti, Maria Cali, Grazia Csarini Storza, Alfonso Santagata, Luigi Marchetti, Marcello Ottolenghi, Petre Rosu. Directed by Gianni Di Gregorio

Released March 17, 2010 I first saw this at the Florida Film Festival and was overwhelmed by its charm and gentle nature. Here was a movie whose only aspiration was to make those watching it feel better, with perhaps a comment or two on aging in general. Genial Gianni takes on several older women along with his mother for a mid-August holiday in the oppressive heat of Rome. Gianni, chronically unemployed, is swept through life rather than sweeping through it, wanting no more than a good glass of white wine and the ability to cook a good meal.

WHY IT IS HERE: Gianni Di Gregorio wrote, directed and starred in this highly personal project which was based on his recollections of caring for his own elderly mother in the last years of her life. He also filmed it in his own apartment and utilized personal friends in the cast. The end result is a film that feels more like you’ve been invited to lunch by Italian friends, and are sitting around the table talking about this and that with them. Who doesn’t need more of that in their lives?

HIGHLIGHT SCENE: Aunt Maria decides to run away and have a glass of wine or three or more. Drunk off her ass, she makes a pass at Gianni when he retrieves her but not before displaying a vulnerable side that comes out of left field.

BOX OFFICE RESULTS: $675,299 domestic (as of 1/6/11), $9.3 million total.

BUDGET: Not available.

STATUS: Currently available on home video.

9. 127 HOURS

(Fox Searchlight) James Franco, Amber Tamblyn, Kate Mara, Clement Posey, Kate Burton, Lizzy Caplan, Treat Williams, Sean Bott, John Lawrence, Rebecca Olson, Pieter Jan Brugge, Jeffrey Wood. Directed by Danny Boyle

Released November 5, 2010 Danny Boyle won an Oscar with his previous movie Slumdog Millionaire and is in serious contention once again with this movie. He could have gone with a big budget film as his follow-up, done any one of dozens of projects but this was what he chose to follow-up his Oscar party with, the story of a cocky type-A personality who gets into a pickle and has to resort to extreme measures to get himself out. These types of true-life stories may be inspirational on paper but they don’t often translate to Hollywood box office gold, so choosing this project was a brave move in and of itself.

WHY IT IS HERE: Most of the movie takes place in a narrow canyon with Aron’s arm pinned to the wall with a boulder. It’s almost all Franco for the bulk of the movie and Franco delivers with a memorable performance that has to be a major contender for the Best Actor Oscar this year. Nominations for director and screenplay are probably not out of the realm of possibility either. The film takes essentially one person in a confined space for about an hour of screen time and makes it riveting, making this as good a piece of filmmaking as you are ever likely to see.

HIGHLIGHT SCENE: The scene in which Aron imagines himself as a guest on a talk show, in which the host asks him some pointed questions is humorous and poignant simultaneously.

BOX OFFICE RESULTS: $10.6 million domestic (as of 1/5/11), $10.6M total.

BUDGET: $18 million.

STATUS: Theatrical run has been completed for the most part; you may be able to find it in second run theaters. Home video release is tentatively scheduled for March 2011.

8. TRUE GRIT

(Paramount) Jeff Bridges, Matt Damon, Hailee Steinfeld, Josh Brolin, Barry Pepper, Dakin Mathews, Jarlath Conroy, Elizabeth Marvel, Roy Lee Jones, Ed Corbin, Leon Russom. Directed by Joel and Ethan Coen

Released December 22, 2010 I was none too pleased to find out that one of my all-time favorite westerns was being remade. I’m a big believer that if something ain’t broke, you don’t need to fix it. Most Hollywood attempts to remake classics had ended up in disaster – ask Gus Van Sant about his fling with Psycho sometime. On top of that all, Westerns haven’t been in vogue since, well 1969 when True Grit was first released. I had plenty of misgivings all right – and then I heard it was the Coen Brothers that would be directing it. Sigh. Everything is going to be all right.

WHY IT IS HERE: While this is still the basic plot and the same characters, the whole feel is different. The movie is said to be more in line with the Charles Portis novel the original was based on, and certainly feels more authentic to the time period of the original. The language is very much in line with the way people spoke during that time in history. That said, it isn’t The Duke and it isn’t the original and it will never really replace them, but given that Bridges turns in a performance that is as good as any actor turned in this year, it stands on its own.

HIGHLIGHT SCENE: Mattie in the pit. ‘Nuff said.

BOX OFFICE RESULTS: $95.4 million domestic (as of 1/6/11), $95.4 total.

BUDGET: $38 million.

STATUS: The movie is still out in general release in the United States and Canada; overseas release is planned for the early part of 2011. Home video release is tentatively scheduled for May of this year.

7. ALICE IN WONDERLAND

(Disney) Johnny Depp, Mia Wasikowska, Helena Bonham Carter, Crispin Glover, Anne Hathaway, Matt Lucas, Alan Rickman (voice), Timothy Spall (voice), Stephen Fry (voice), Christopher Lee (voice), Michael Gough (voice), Michael Sheen (voice). Directed by Tim Burton

Released March 5, 2010 From the beginning I thought this was a perfect match. Tim Burton and Lewis Carroll are much like peanut butter and chocolate; two great tastes that taste great together. Burton is one of the few modern directors that has the vision that is even in the same ballpark as Carroll’s.  

WHY IT IS HERE: This is one of the most visually impressive movies of the year. The vision of Underland is whimsical to be sure, sort of like an English garden as seen through a kaleidoscope while smoking a hookah. However, the thing to remember about this Alice is that this isn’t Lewis Carroll’s Alice. This is a different story based on Lewis Carroll’s characters. I guess they decided to keep the name for marketing value.

HIGHLIGHT SCENE: The Mad Hatter’s victory dance. You’ll know it when you see it.

BOX OFFICE RESULTS: $334.2 million domestic (as of 1/8/11), $1.0 billion total.

BUDGET: $200 million.

STATUS: Currently available on home video.

6. THE WHITE RIBBON (DAS WIESSE BAND)

(Sony Classics) Christian Friedel, Leonie Benesch, Ulrich Tukur, Burghart Klaussner, Ursina Lardi, Maria-Victoria Dragus, Leonard Proxauf, Susanne Lothar, Rainier Bock, Branko Samarovsky. Directed by Michael Haneke

Released December 30, 2009 Although this was released in 2009 in New York and Los Angeles, most of the rest of the country didn’t get to see this until January of 2010. An Oscar nominee for Best Foreign Film, this movie looked at the nature of evil and how it can appear in the most innocuous of places. Filmed in black and white, the movie never really attracted much of an audience which is a shame. It deserved better.

WHY IT IS HERE: The realization of a pre-World War I Germany is one of the best I’ve seen from a modern movie. It captures the nuances of a different era, from the politeness of the children to the monstrous discipline imposed on them. The last vestiges of feudal society are shown in this very chilling and very thought-provoking film.  

HIGHLIGHT SCENE: The scene when the Baroness discovers the ruined cabbage patch is priceless.

BOX OFFICE RESULTS: $2.2 million domestic (as of 1/11/11), $19.2 million total.

BUDGET: $18 million

STATUS: Available on DVD/Blu-Ray at most online and local home video outlets.

5. WAITING FOR “SUPERMAN”

(Paramount Vantage) Michelle Rhee, Geoffrey Canada, Anthony Black, Daisy Esparza, Bianca Hill, Bill Strickland, Randi Weingarten, Bill Gates, George Reeves, Davis Guggenheim (voice). Directed by Davis Guggenheim

Released September 24, 2010 Guggenheim came into prominence after directing the acclaimed documentary An Inconvenient Truth. Although some decried it, it did bring global warming into national consciousness and made Al Gore hip (briefly). Now, Guggenheim turns his attention on the American public school system, noting that almost everyone agrees it is badly in need of fixing.

WHY IT IS HERE: The movie shows the importance of education and suggests some means of fixing the public school system. While I don’t agree with all of the film’s conclusions (I think that the problem is much more complicated than blaming it on the teacher unions’ refusal to get rid of tenure), it certainly opens up the opportunity for dialogue and hopefully, focuses the attention of more Americans on the problems facing our students who at this point are going to be competing in a global economy insufficiently prepared for it.

HIGHLIGHT SCENE: The interweaving lottery results as the students being followed throughout the movie await their fate on which their future hangs in the balance.

BOX OFFICE RESULTS: $6.4 million domestic (as of 1/24/11), $6.4 million worldwide.

BUDGET: Not available.

STATUS: Scheduled for home DVD/Blu-Ray release on February 15, 2011.

4. THE FIGHTER

(Paramount) Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, Jack McGee, Mickey O’Keefe, Melissa McMeekin, Bianca Hunter, Erica McDermott, Jill Quigg, Dendrie Taylor, Kate O’Brien. Directed by David O. Russell

Released December 17, 2010 Six Oscar nominations, including Best Picture, Best Director, Best Original Screenplay, Best Supporting Actor (Bale) and Best Supporting Actress (Adams and Leo) show the members of the Academy were high on this movie and critics gave it high praise as well. The story of boxer “Irish” Micky Ward resonated with everyone who’s ever had to struggle to get out of a family member’s shadow.

WHY IT IS HERE: Great performances (Wahlberg didn’t get a Best Actor nomination but many felt he should have) and a terrific story made this one of the year’s highlights. Casting is definitely the key, as the chemistry between the various characters is authentic and compelling. Is it as good as classic boxing films like Raging Bull? No, but it’s damn close!

HIGHLIGHT SCENE: The catfight between Amy Adams and the sisters. Classic!

BOX OFFICE RESULTS: $72.7 million domestic (as of 1/23/11), $73.4 total.

BUDGET: $25 million.

STATUS: Currently in wide release.

3. WINTER’S BONE

(Roadside Attractions) Jennifer Lawrence, John Hawkes, Garret Dillahunt, Lauren Sweetser, Shelley Waggener, Kevin Breznahan, Dale Dickey, Isaiah Stone, Tate Taylor, Sheryl Lee, Ronnie Hall, Ashlee Thompson. Directed by Debra Granik

Released June 18, 2010 Every year at the Florida Film Festival, there is always one movie that just seems to capture my attention and imagination, and one that just is so good that it cannot be ignored. This year, even Oscar didn’t ignore it – the movie wound up receiving a nomination for Best Picture, as well as Lawrence for Best Actress and Hawkes for Best Supporting Actor. This is as high-quality an indie film as you are ever likely to see.

WHY IT IS HERE: In some ways, this is a grueling movie to watch. Ree Dolly, as played by Jennifer Lawrence, searches for her wayward drug dealing dad who has put her home at risk. With her mother suffering from mental illness, Ree is it when it comes to her younger siblings and it has cost Ree plenty. She yearns for a normal teenage life, one she knows she will never have. It’s heartbreaking, it’s compelling, it’s a look at the dark side of the mountain people to whom loyalty is a given but truth isn’t necessarily so.

HIGHLIGHT SCENE: A scene where Ree crashes a party where the people there are singing; it is both awkward and eloquent at once.

BOX OFFICE RESULTS: $6.3 million domestic (as of 1/23/11), $7.8 million total.

BUDGET: $2 million.

STATUS: Currently available on home video.

2.  FLIPPED

(Warner Brothers) Madeline Carroll, Callum McAuliffe, Anthony Edwards, John Mahoney, Aidan Quinn, Rebecca de Mornay, Penelope Ann Miller, Kevin Weisman, Ashley Taylor, Israel Broussard, Cody Horn, Ruth Crawford. Directed by Rob Reiner

Released August 6, 2010 First love is very special, very frightening and unforgettable. We remember it our entire lives and yet no movie has captured it so beautifully and as touchingly as this one. Director Rob Reiner makes his best movie in years, aided by a wonderful supporting cast (particularly Mahoney) and a pair of juvenile actors who are as good as anybody out there.

WHY IT IS HERE: This is a movie that flew below everybody’s radar. Critics missed it and audiences certainly did, as the studio gave it a microscopic release. It missed out on major award and fell between every crack that Hollywood has. That makes this a hidden gem just waiting for audiences to discover it. No movie left me feeling as good when I left the theater this year. I highly recommend you seek this one out – you’ll thank me for it later.

HIGHLIGHT SCENE: The conversation between Juli and Chet…or the one between Bryce and Chet…or the uncomfortable dinner scene with the Loskis and the Bakers…Oh hell, any scene that has Mahoney in it.

BOX OFFICE RESULTS: $1.3 million domestic (as of 8/6/10), $1.8 million total.

BUDGET: $14 million.

STATUS: Currently available on home video.

1. THE KING’S SPEECH

(Weinstein) Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Michael Gambon, Jennifer Ehle, Derek Jacobi, Claire Bloom, Timothy Spall, Eve West, Roger Parrott, Anthony Edwards, Patrick Ryecart. Directed by Tom Hooper

Released November 26, 2010 The Royal Family is much in the news and on the silver screen lately, with the Royal Wedding set for this year as well as films such as The Queen showing the human side of the family which has often been de-humanized by their status, not entirely of their own doing. Here, we see the courage of habitual stutterer George VI (father to current monarch Elizabeth II) who learns to overcome his affliction with the help of unorthodox Aussie speech therapist Lionel Logue. Rush, who plays Logue, was a producer on the film which received more Oscar nominations (12) than any other this year. Firth has a Golden Globe for best dramatic actor already on his mantle; he’s an odds-on favorite to add an Oscar to his collection.

WHY IT IS HERE: This is a movie that displays unusual courage and charm, given the subject matter. Some movies just grab your attention from the moment the projector lights up the screen and keep it until the theater employees come in to clean up the theater. This is one of those films. Every performance here is nothing short of amazing, led by Firth and Rush, as well as Carter – all of whom will be competing for acting Oscars in February. Director Tom Hooper brings you into the Royal Family’s boudoir and you feel like a fly on the wall in the palace halls, and that works for me. This is a quality production, from the set design to the costumes to the score and especially to the acting performances. I honestly thought the top three movies this year were very close in terms of quality – I could have been just as happy with either #2 or #3 in this spot – but at the end of the day, if there was one movie from 2010 that you should see for sure, this is it.

HIGHLIGHT SCENE: Some have mentioned the climactic scene where the King gives his radio address, but I much prefer the scene when George and Elizabeth are revealed to Myrtle Logue as her husband’s clients; it’s charming and shows as much heart as any scene in the movie.

BOX OFFICE RESULTS: $59.0 million domestic (as of 1/25/11), $108.8 total.

BUDGET: $15 million.

STATUS: Currently in wide release.

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Hot Tub Time Machine


Hot Tub Time Machine

John Cusack realizes for the first time this isn't a Merchant-Ivory film.

(MGM/United Artists) John Cusack, Rob Corddry, Craig Robinson, Clarke Duke, Crispin Glover, Lizzy Caplan, Chevy Chase, Sebastian Stan, Lyndsy Fonseca, Collette Wolfe, Charlie McDermott, Kellee Stewart. Directed by Steve Pink

Every so often a movie comes along that you have very low expectations for that, when you actually sit down to watch, not only exceeds them but by a large margin. It’s one of the joys of seeing a lot of movies.

Adam (Cusack) is 40-something and miserable. His girlfriend has just left him and not in a nice way. He was one of those bright souls that never really measured up to his potential, and he lives in a nowhere life with no future. His video-game playing nephew Jacob (Duke) lives in his basement, mainly because his sister Kelly (Wolfe) wants nothing to do with the boy, who is an unemployed geek and a virgin to boot.

Nick (Robinson) is also 40-something, working in a pet spa cleaning the anal canals of dogs and inspiring them to exercise on a treadmill. He once had a promising music career but gave it up after marrying Courtney (Stewart), who has him completely emasculated.

Lou (Corddry) is an out-of-control wild man who drinks to excess and is the friend that everyone likes in small…okay, microscopic portions. At 40-something, he’s unmarried, has no girlfriend and no real life. He drives into his garage one night, totally hammered out of his mind. When his favorite Bon Jovi song – “Home Sweet Home” for those keeping score at home – plays on his car stereo, he goes into full-on air concert mode, not realizing that the garage door has closed with the engine running and that every time he stomps his feet the engine revs, spewing further emissions into the closed space.

All three men are close friends who have drifted apart since their glory years in the mid-80s. When Lou is taken to the hospital as a suspected suicide, only Adam and Nick come to the hospital (apparently Lou’s family hates him, which is unsurprising). The doctor urges the two friends to keep an eye on Lou and find a way to cheer him up. The two decide to take him to Kodiak Valley, a ski resort that was the site of some of their best times from their misspent youth. Much to Lou’s disgust, they bring Jacob with them (Lou has an unreasoning and unexplained loathing for Jacob).

When they get there though, it is far from the glittering village of hedonism that they remember. It is run down with many of the store fronts boarded up. The hotel is falling apart and the one-armed bellboy Phillip (Glover) is dripping with attitude.

The carnage continues when they get to their room. The hot tub is non-functional with the only thing in it a decomposing carcass of a raccoon. The only thing worth the trip is the carving that Lou put in one of the nightstand drawers that asserted that Adam was apparently gay and proud.

However, after a fruitless evening of playing quarters and reminiscing, the four are amazed to find the hot tub fully functional. The party really gets started then with the four drinking like fish, including a Russian sports drink that’s apparently illegal here.

They wake up much the worse for wear and decide to go skiing. To their surprise they find that the ski slopes are crowded. To their surprise, many of the skiers are wearing leg warmers and headbands to hold feathered hair. The black guys are wearing Jheri curl. Michael Jackson is still black. It’s 1986 and they’re at the scene of their many crimes.

It seems that they’re all inhabiting their young bodies again – which they can see when they look into the mirror. But after meeting a cryptic hot tub maintenance man (Chase), they begin to realize that they are being constrained by the butterfly effect – the consequences that of a butterfly flapping its wings in Beijing causing a hurricane in Miami. In other words, the smallest action in the past can have devastating consequences in the future. Since Jacob was too young to be there, he is in danger of never having been born.

Of course, that’s nothing like finding out that his mom was also at the ski resort and she was something of a skank in her day. But the guys need to do exactly what they did that day in the past; Adam needs to break up with his girlfriend (and take a fork to the face for his problems), the happily married Nick needs to have sex with a groupie and Lou needs to get beaten up by Blaine (Stan), the arrogant preppy ultra-conservative leader of the ski patrol.

The thing is that by choosing different paths here they could make their lives a whole lot better in the future. However, the repercussions could also be devastating. Will they follow the path they chose once and return home to the lives they know, or will they take a chance and risk everything?

Director Steve Pink co-produced two of Cusack’s finer films, Grosse Point Blank and High Fidelity. This movie is totally unlike Cusack has ever done before. He plays the straight man here, but the film is infused with a surfeit of toilet and sexual humor. It is as raunchy as they come, raunchier even than last year’s The Hangover. While I don’t believe this is going to pull the kind of numbers that film did, it is at least of a similar quality.

Although Cusack is one of my favorite actors, he isn’t the reason I like this movie – Robinson and Corddry are. Corddry is manic and over-the-top in his performance. While he doesn’t deliver a Zach Galifinakis-like performance, he makes an indelible impression. Veteran actor Robinson is the master of the deadpan look, and he comes up with some of the best lines of the film.

The film reproduces the 80s quite well, from the look to the music although it tends to lead more towards the cliché side. It’s not as bad as, say, The Wedding Singer in dwelling on the excesses of the decade but it does spoof its share.

In some ways this is a parable about middle aged crazy, reclaiming our youth and second chances (in fact, the Jacob character plays the online social game Second Life incessantly which is a nice bit of business). On that level it works surprisingly well. Regret is a powerful thing, but the characters aren’t crippled by it precisely. They are however trapped by their choices to a certain extent which have colored their lives even to the present day. All three of these characters suffer from diminished returns on high expectations. It’s not a condition I’m unfamiliar with.

I found myself laughing throughout the movie, from beginning to end. Too often a lot of modern comedies start off strong and fade in the final reel; not so Hot Tub Time Machine. Yes, the humor is scatological and crude, but if you don’t mind something that’s less highbrow, this is for you. I was quite pleasantly surprised; ignore the less-than-stellar trailer and give it a shot.

REASONS TO GO: Surprisingly funny, much more than I expected it to be. Corddry and Robinson turn in some fine performances.

REASONS TO STAY: Might be too raunchy for some.

FAMILY VALUES: Much raunchiness, nudity and bad language. Mature teens and adults only.

TRIVIAL PURSUIT: The “what color is Michael Jackson” line spoken by Craig Robinson is ad libbed.

HOME OR THEATER: Nothing really screams big screen here.

FINAL RATING: 7/10

TOMORROW: Made of Honor

New Releases for the Week of March 26, 2010


March 26, 2010

Hiccup finds surfing the net is a whole 'nother ballgame when you're a Viking.

HOW TO TRAIN YOUR DRAGON

(DreamWorks) Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrara, Jonah Hill, Christopher Mintz-Plasse, Kirsten Wiig. Directed by Chris Sanders and Dean deBlois

Hiccup is a Viking…or rather, he lives in a Viking village and aspires to Viking-ness. However, these Vikings are all about killing the dragons that plague their village and steal their livestock. It has been a war without winner for generations until Hiccup actually meets a dragon and finds that they aren’t the monsters he was raised to believe they were. With the two sides locked in a death match, Hiccup has to find a way to get both sides to learn to see the world differently than they have been bred to in order to avoid the extermination of one or both of them.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard, 3D, 3D IMAX

Rating: PG (for sequences of intense action and some scary images, and brief mild language)

Chloe

(Sony Classics) Julianne Moore, Amanda Seyfried, Liam Neeson, Max Theriot. A married woman, suspecting her husband is cheating on her, hires a prostitute to test the loyalty of her man. But when the prostitute is untruthful about the nature of his fidelity, the family is embroiled in a situation that puts them all at risk. Acclaimed Canadian director Atom Egoyan has remade this from the French thriller Nathalie.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Rating: R (for strong sexual content including graphic dialogue, nudity and language)

Greenberg

(Focus) Ben Stiller, Greta Gerwig, Rhys Ifans, Jennifer Jason Leigh. Greenberg is a forty-ish L.A. resident who finds himself adrift at a crossroads in his life. Single, unemployed and house-sitting for his more successful brother, he has nothing to show for his existence on this Earth. Trying to reconnect with old friends in an effort to find the qualities he valued in himself that are lost, he finds instead something unexpected. From director Noah Baumbach of The Squid and The Whale fame.

See the trailer, clips and featurettes here.

For more on the movie this is the website.

Release formats: Standard

Rating: R (for some strong sexuality, drug use, and language)

Hot Tub Time Machine

(MGM) John Cusack, Rob Corddry, Craig Robinson, Chevy Chase. A group of four guys who have been friends for 25 years get together at a ski lodge to drink and muse about how dissatisfied they are with how their lives turned out. The four of them get into the hot tub and pass out there; when they wake up, its 1986 and they have the opportunity of a lifetime – to change their lives for the better. Trouble is, they can also change them for the much worse.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Rating: R (for strong crude and sexual content, nudity, drug use and pervasive language)