(2011) Romantic Fantasy (Summit) Kristin Stewart, Robert Pattinson, Taylor Lautner, Peter Facinelli, Ashley Greene, Kellan Lutz, Jackson Rathbone, Elizabeth Reaser, Nikki Reed, Billy Burke, Rami Malek, Maggie Grace, Mackenzie Foy, Dakota Fanning, Lee Pace, Anna Kendrick, Michael Sheen, Christopher Heyerdahl, Booboo Stewart, Daniel Cudmore, Justin Chon, Julia Jones, Sarah Clarke. Directed by Bill Condon
Sometimes you have to take into account as a critic that your own personal taste isn’t going to mesh well with the intended audience of a film. One instance where that has been demonstrated time and again is in the Twilight series. Wildly popular, particularly among young girls (and to a large extent, their moms) it has spawned a diehard fanbase who identify themselves as TwiHards. It has also spawned an incredible backlash, mainly among boys (and to a large extent, their dads) who despise the series with a vitriol heretofore reserved for the same regard held by Jews for Nazis.
So what is a critic to do? Are we supposed to write one review for the intended fanbase and another for the rest of the world, or try to make something that can be useful to those who aren’t necessarily fans of the series but may be curious whether or not to see the movie for themselves? Generally, I tend to go for the latter route as those fans have likely already seen the movie at least once – probably during its theatrical run or if not on home video certainly.
Taking place following the events of The Twilight Saga: Eclipse, the long-awaited wedding of Bella (Stewart) and Edward (Pattinson) is finally here and yes, the blushing bride looks ravishing in a demure-yet-sexy wedding dress that of course keeps her grinning groom hungry for more. Bella’s good friend Jacob Black (Lautner), the werewolf who was the third leg of the love triangle with vampire Ed, is less sanguine about the union – not just because he wants Bella for himself but also because he realizes just how dangerous it can be for Bella. They have words and Jacob ends up running into the woods, leaving Edward to escort a distraught Bella back into the reception.
They honeymoon on Isle Esme off the coast of Brazil. There, the loving couple at last consummates their marriage. True to form, Bella wakes up one morning and discovers herself pregnant. This isn’t necessarily a good thing. It isn’t that Bella and Edward don’t want children – it’s just that the mortal human body wasn’t meant to bear the child of a supernatural undead being like Edward. It is unlikely that Bella will survive it.
Her pregnancy proceeds at an advanced rate and they cut short their honeymoon and head back to Forks. When the werewolves find out what has happened, they are furious – and terrified. The spawn of such a union will be demonic indeed and in order to protect themselves, they must kill Bella before she can give birth. Jacob of course is having none of this and he leaves his pack, creating a new pack with Seth (Stewart) and Leah (Jones) with Jacob as the Alpha.
Bella grows progressively weaker and soon is forced to drink human blood to keep the fetus viable and allows Bella to gain some much-needed strength. When she goes into labor, all Hell is going to break loose. Edward must convert her into vampirism but will it be enough to save him – to save them all?
Condon is actually a pretty decent director with such movies as Gods and Monsters and Dreamgirls to his credit. He brings Guillermo del Toro’s usual cinematographer Guillermo Navarro on board and Navarro responds with the most beautifully shot movie of the series. He also continues to stock the soundtrack, as those who came before him did, with some nifty alt-rock tunes that nicely enhance the movie and appeal nicely to the target crowd.
Unfortunately, the dialogue is cringe-inducing and the acting really hasn’t improved much over the course of the series. Of course, you can’t really blame the actors for that – Summit’s demanding shooting schedule in producing one of these suckers every year is bound to take its toll.
There is enough here that makes this a much superior film to New Moon which isn’t saying much, but it’s still not enough for me to really recommend it to most audiences. Hardcore fans will love this as they inevitably would – TwiHards are nothing if not loyal – and even those not quite so obsessed but still within the target audience are likely to find this worthwhile.
The overwrought drama and again, choosing to make Bella a simpering idiot rather than a truly strong role model for her audience is frustrating. Meyer and those involved with the series have chosen to waste an opportunity to create a hugely popular series with strong female role models and instead turns it into an indigestible bodice ripper with little redeeming value other than it excites the fantasies of young girls and middle-aged women alike. While there is certainly nothing wrong with that as a goal, at least couldn’t they have made Bella able to protect herself?
WHY RENT THIS: There are plenty of fans who think this is the best film of the series.
WHY RENT SOMETHING ELSE: I’m not one of them.
FAMILY VALUES: There are some scenes of paranormal action, some partial nudity and scenes of sexuality, a couple of disturbing images and some mature (relatively speaking) thematic elements..
TRIVIAL PURSUIT: Author of the Twilight series of books Stephenie Meyer has a cameo appearance as a guest at the wedding of Bella and Edward.
NOTABLE HOME VIDEO EXTRAS: There is a wedding video done in the hand-held style of most home wedding videos. There’s also a Jacob Fast-Forward and an Edward Fast-Forward in which those on the respective teams can watch all the scenes that their favorite heartthrob is in without having to endure those scenes with that other guy.
BOX OFFICE PERFORMANCE: $712.2M on a $110M production budget.
COMPARISON SHOPPING: Beautiful Creatures
FINAL RATING: 4/10
NEXT: Farewell, My Concubine