Life is Hot in Cracktown


Life is Hot in Cracktown

When in doubt, glower.

(Lightning Media) Kerry Washington, Evan Ross, Brandon Routh, RZA, Illeana Douglas, Shannyn Sossamon, Lara Flynn Boyle, Desmond Harrington, Thomas Ian Nicholas, Tony Plana, Victor Razuk, Ridge Canipe, Vondie Curtis-Hall. Directed by Buddy Giovinazzo

There are those who will argue that crack cocaine is the most devastating thing to happen to the projects ever. There is certainly some merit to the argument; crack destroys lives and encourages crime. This insanely addictive drug can turn even good people into monsters.

Sometimes in the movies, you’ll see the heroes walking down an inner city alley and encounter criminals and junkies in various stages of decay. The heroes will interact briefly with them, conclude their business, and then move along. This movie is quite frankly about the people in that alley in the first place.

In a nameless inner city neighborhood lives Marybeth (Washington), a pre-op transsexual who works as a prostitute to help save the money for her operation. She lives with her boyfriend Benny (Harrington), a small-time burglar who is developing issues with his own sexuality. Manny (Razuk) is a devoted husband and father who works two jobs to support his stay-at-home wife (Sossamon) and their colicky baby. Willie (Canipe) is a wise-beyond-his-years young boy who lives in the welfare hotel where Manny is a security guard, his mom (Douglas) a crack addict who chooses drugs over her children. Willie is in love with a heartbreakingly young hooker, and looks after his sister when his mother is too high to care for anybody.

The specter of Romeo (Ross, who is the son of Diana Ross) looms over this neighborhood. He’s a vicious and ambitious thug who wants to move up the ladder in his gang. He is completely amoral and without conscience, but doesn’t have a gun yet. When he finally acquires one, all hell literally breaks loose.

Giovinazzo wrote this based on his own novel, and like those who adapt their own material he had a very difficult time in cutting judiciously. Because this is written as an ensemble piece, the movie shifts gears every time it shifts focus to another character. The overall effect is that of a car with a broken transmission, jarring the driver every time it shifts.

Giovinazzo would have been better served to focus on only a few characters and let the rest fade into the background of the story, but I can see where he might have had difficulty in doing that because there are compelling elements to each story, and compelling performances throughout. Razuk and Canipe are the most memorable of the characters and quite frankly I wouldn’t have minded devoting more time to their stories; however, Washington delivers a spectacular performance and her character’s story shouldn’t be ignored. Ross is a smoldering presence who fills the screen up with absolute dread every time he’s onscreen; you wonder what horrible thing he’s going to do.

The movie opens with an extended gang rape by Romeo and his thugs of his own girlfriend. It’s not a pretty scene and it definitely sets the tone of the movie. Giovinazzo certainly pulls no punches nor shies away from any inner city horror, no matter how cruel or vicious. This may be too intense for some, while others will enjoy wallowing in the grittiness. For me, it’s a slice of inner city life, a particularly rotten and putrid slice with maggots crawling about the carcass. I can’t say I was entertained, but then again I couldn’t tear my eyes away either.

WHY RENT THIS: This redefines gritty. You’ll want to take a shower to wash off the slime when you’re done watching.  Canipe and Razuk are the characters you’ll remember.

WHY RENT SOMETHING ELSE: There are too many storylines to follow to reasonably get much of a feel for many of the characters.

FAMILY VALUES: Drug use is at a premium here; there is also a good deal of foul language, violence and a fairly graphic depiction of rape. In addition there’s plenty of sex and nudity. Fun for the whole family.

TRIVIAL PURSUIT: Giovinazzo took a ten year break from directing to teach filmmaking at the New York School of Visual Arts and NYU.

NOTABLE DVD EXTRAS: None listed.

FINAL RATING: 4/10

TOMORROW: Nanny McPhee Returns