I’m Still Here


I'm Still Here

Joaquin Phoenix prepares for his next role in the remake of Grizzly Adams.

(2010) Mockumentary (Magnolia) Joaquin Phoenix, Antony Langdon, Casey Affleck, Jack Nicholson, Billy Crystal, Danny Glover, Bruce Willis, Robin Wright, Ben Stiller, Mos Def, Sean Combs, Jamie Foxx, Edward James Olmos, David Letterman, Conan O’Brien, Natalie Portman. Directed by Casey Affleck

 

We have an image of stars in our heads as self-absorbed divas who throw tantrums if they don’t get things EXACTLY the way they want it (“I told you, no BROWN M&M’s…why is that so hard?”) they throw legendary tantrums. We are fascinated by their behavior.

Which is what the makers of I’m Still Here are banking on. This is a chronicle of actor Joaquin Phoenix, who famously retired from acting after the 2008 indie romance Two Lovers to embark upon a rap career. He had a meltdown on the David Letterman show, one in which the host quipped “I’m sorry you couldn’t be here tonight Joaquin” which is shown here.

He also has an assistant named Anton (Langdon) that he humiliates  and abuses mercilessly, so much so that Anton takes a dump into the actor’s face while he’s sleeping. Such is the abuse that you will not think the act unjustified, although be assured that he’s not really doing what he appears to be doing. In fact, Phoenix is abusive to nearly everybody here to the point where it’s amazing that anyone would be willingly employed by him. Which is ironic because in reality, there were sexual harrassment charges brought against the filmmakers which were settled out of court.

There was some debate as to whether this whole thing was an elaborate hoax. At the time people were unsure and many of the reviews of the film from its 2010 release reflect that the critics were unsure and confused.

Let me set the record straight – it’s a hoax. Of course it was. Would Joaquin Phoenix allow a movie that portrayed him as an tyrannical egomaniac that is borderline psychotic ever see the light of day? Think about the logic; if someone is as egotistical as Phoenix is made out to be here, he would never allow his image to be tarnished.

I mean, Phoenix’ rap music is borderline unlistenable – and everybody but Phoenix knows it. Affleck’s camera captures the reactions to the music; from polite disbelief to outright hostility. Nobody but Affleck and Phoenix are in on the joke (and maybe some of the actors, such as Langdon) so you get their genuine reactions to situations that are awkward.

Which is fine, but the audience ends up being caught in the awkwardness, much like watching a friend who’s had too much to drink soil themselves. You want to get up, make your excuses and get as far away from the train wreck as possible which is not how you want your audience to feel. The truth is, this is really an exercise in ego – you’re not let in on the joke (which is a cardinal sin) and expected not to feel the fool when you figure it out – because if you don’t you wind up completely repulsed. Part of my distaste is the portrayal of Phoenix as a borderline drug addict – which considering the way his brother River passed away really stretches the line as far as I’m concerned.

There are a lot of celebrity cameos (as you can see from the credits above) and I believe none of them are in on the joke either. So you get the sense that the hoaxers did their jobs too well – they’ve really put one over on all of us to the point that there are plenty of people who think that it wasn’t a hoax. For me, seeing is believing.

WHY RENT THIS: Occasionally amusing.

WHY RENT SOMETHING ELSE: A crude exercise in ego. Not nearly as funny or engrossing as they think it is.

FAMILY VALUES: There is some graphic nudity and drug use, a plethora of swear words, plenty of anti-social behavior and crude content.

TRIVIAL PURSUIT: The person in the film that is playing Joaquin Phoenix’ father is actually Casey Affleck’s dad.

NOTABLE HOME VIDEO EXTRAS: There are some conversations in which Affleck, Phoenix and various critics and academics discuss the film, the hoax and the aftermath.

BOX OFFICE PERFORMANCE: $568,963 on an unreported production budget; this might have just made some money

COMPARISON SHOPPING: This Is Spinal Tap

FINAL RATING: 5/10

NEXT: The Matrix

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New Releases for the Week of October 22, 2010


Hereafter
Matt Damon peers out the window, afraid he is still being stalked by Ben Affleck.

HEREAFTER

(Warner Brothers) Matt Damon, Cecilie de France, Frankie McLaren, George McLaren, Jay Mohr, Bryce Dallas Howard, Richard Kind, Steven R. Schirripa. Directed by Clint Eastwood

The lives of three people in three different places on Earth are touched by death in different ways; a blue collar American is able to communicate with the dead but finds this less a gift and more of a curse. A French journalist has a near-death experience in a tsunami, shaking her to the very core of her being. Finally a young London boy loses his twin brother and searches for answers. Their lives will eventually intersect as they embark on a path to search for the truth of what they believe awaits in the hereafter.

See the trailer, interviews and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Supernatural Drama

Rating: PG-13 (for mature thematic elements including disturbing disaster and accident images, and for brief strong language)

Anton Chekhov’s The Duel

(Highline) Andrew Scott, Fiona Glascott, Tobias Menzies, Nicholas Rowe. A ne’er do well in a Russian village begins an illicit affair with a married woman, but when they plan for her to leave her husband for her paramour, his true nature begins to emerge in this well-reviewed version of a classic tale by the Russian author.

The trailer for this movie is unavailable.

For more on the movie this is the website.

Release formats: Standard

Genre: Drama

Rating: NR

I’m Still Here

(Magnolia) Joaquin Phoenix, Sean Combs. Actor Joaquin Phoenix shocked Hollywood in the fall of 2008 by announcing that he was retiring from his acting career and instead, becoming a hip-hop artist. Oscar-nominated actor Casey Affleck was behind the camera documenting this “career reinvention” that would later turn out to be a hoax. Still, the film that came out of it has gotten a good deal of buzz as a look at life in the public eye and the odd worship of celebrity that creates an environment that allows celebrities to do whatever they please.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Mockumentary

Rating: R (for graphic nudity, sexual material, pervasive language, some drug use and crude content)

Lebanon

(Sony Classics) Yoav Donat, Michael Moshonov, Zohar Shtrauss, Dudu Tassa. During the First Lebanon War of 1982, a lone Israeli tank and a platoon of paratroopers are sent to a hostile town for a simple mission that turns into a nightmare of survival as the soldiers, motivated by fear and instinct, try not to lose the best part of themselves in a situation that demands their worst.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: War Drama

Rating: R (for disturbing bloody war violence, language including sexual references and some nudity)

Paranormal Activity 2

(Paramount) Katie Featherston, Gabriel Johnson. Further supernatural goings-on are captured in a house via security cameras, this time affecting a different family in the sequel to the smash hit horror movie that was made for only $15,000 – I’m assuming the sequel cost them a bit more to make.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard, IMAX

Genre: Supernatural Thriller

Rating: R (for some language and brief violent material)

Stone

(Overture) Robert De Niro, Edward Norton, Milla Jovovich, Frances Conroy. A man imprisoned for covering up the murder of his grandparents with a fire is up for early parole, and that decision rests in the hands of a parole officer approaching retirement age. In order to up his odds, the prisoner sends his sexy, amoral wife to help convince the parole officer to set him free.

See the trailer, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard

Genre: Thriller

Rating: R (for strong sexuality and violence, and pervasive language)

The Tillman Story

(Weinstein) Pat Tillman, Dannie Tillman, Richard Tillman. When pro football star Pat Tillman gave up his lucrative career to fight for his country in Afghanistan, that was big news. When he gave his life for his country, that was even bigger news. The real story is his family’s fight to find out the truth behind his death, and the government’s equal determination to cover up that truth.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: R (for language)

Waiting for “Superman”

(Paramount Vantage) George Reeves, Geoffrey Canada, Michelle Rhee, Randi Weingarten. Oscar-winning documentarian Davis Guggenheim (An Inconvenient Truth) focuses his lens on the American public education system. Once the best in the world, it has become a morass of drop-out factories and bureaucratic bungling that inhibits rather than promotes academic excellence. However, there is still some hope as good teachers and innovative administrators are creating a new educational system with programs in charter schools and other enlightened academic institutions that may eventually deliver on the promise of leaving no child behind.

See the trailer, clips and an interview here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: PG (for some thematic material, mild language and incidental smoking)