New Releases for the Week of December 13, 2019


JUMANJI: THE NEXT LEVEL

(Columbia) Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Awkwafina, Danny DeVito, Danny Glover, Alex Wolff, Colin Hanks. Directed by Jake Kasdan

The gang is back, sucked into the world’s most dangerous videogame like dust bunnies in a vacuum cleaner. This time they are there to rescue one of their own and will brave unexplored territory – deserts and mountains in addition to the jungle – to make it home alive.

See the trailer
For more on the movie this is the website
Genre: Fantasy/Adventure
Now Playing: Wide Release
Rating: PG-13 (for adventure action, suggestive content and some language)

Black Christmas

(Universal) Imogen Poots, Cary Elwes, Aleyse Shannon, Lily Donoghue. A black masked killer stalks sorority women at a college during Christmas break in this remake of a classic 1974 horror film.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for violence, terror, thematic content including sexual assault, language, sexual material and drinking)

Code 8

(Vertical) Robbie Amell, Stephen Amell, Sung Kang, Greg Byrk.  *insert gravelly trailer voice here* In a world where 4% of the world’s population has super powers, those with extraordinary gifts have been discriminated against and forced to live in poverty. A young power-enabled man who is fighting to survive and is drawn into a seedy underground of crime.

See the trailer here
For more on the movie this is the website  
Genre: Superhero
Now Playing: Touchstar Southchase
Rating: NR

Hell on the Border

(Lionsgate) David Gyasi, Frank Grillo, Zahn McClarnon, Ron Perlman. This is the true story of Bass Reeves, who went from being an escaped slave during the Civil War to becoming the first African-American marshal in the American West.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Western
Now Playing: Premiere Fashion Square
Rating: R (for violence and language)

Mickey and the Bear

(Utopia) Camila Morrone, James Badge Dale, Calvin Demba, Ben Rosenfield. Mickey Peck works a job in a taxidermy shop in Anaconda, Montana. She must cope with her father, a veteran with severe PTSD who isn’t getting better, an oversexed boyfriend and her upcoming high school graduation – all without her late mother. This amazing first film from Annabelle Attanasio was recently reviewed by C365 – check the link in the section “Scheduled for Review” below.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for substance abuse, language throughout and some sexual material)

Richard Jewell

(Warner Brothers) Paul Walter Hauser, Sam Rockwell, Olivia Wilde, Jon Hamm. Clint Eastwood’s latest directorial effort is the story of the security guard at the 1996 Olympic Games in Atlanta who thwarted a bomb planted in Centennial Park and then wrongly came under suspicion for planting it there. The film has been controversial due to the Atlanta Journal-Constitution taking exception to the portrayal of its coverage and one of its reporters.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Wide Release
Rating: R (for language including some sexual references, and brief bloody images)

The Two Popes

(Netflix) Jonathan Pryce, Anthony Hopkins, Juan Minujin, Sidney Cole. Pope Benedict, a staunch conservative, is the leader of a Catholic church in crisis. He soon develops a relationship with the cardinal who would one day become Pope Francis, one who has sought to reform the Church.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Enzian Theater
Rating: PG-13 (for thematic content and some disturbing violent images)

ALSO OPENING IN ORLANDO/DAYTONA:

The Body
Ernesto’s Manifesto
The Great War
Kettyolanu Ente Malakha
Line of Descent
Mamangam
The Mandela Effect
Mob Town
Venky Mama

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

6 Underground
The Body
Kettyolanu Ente Malakha
Line of Descent
Mamangam
Mardaani 2
One Cut of the Dead
Venky Mama

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

The Body
Fantastic Fungi
Mamangam
Mardaani 2
Rabid
Synonyms
Venky Mama

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Aeronauts
Fantastic Fungi
Mamangam
Satantango

SCHEDULED FOR REVIEW:

Black Christmas
Fantastic Fungi
Jumanji: The Next Level
Mickey and the Bear
Rabid
Richard Jewell
Synonyms
The Two Popes

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Vero Beach Wine + Film Festival at Sea, Port Everglades, FL

New Releases for the Week of July 19, 2019


THE LION KING

(Disney) Starring the voices of Donald Glover, James Earl Jones, Chiwetel Ejiofor, Beyoncé Knowles, Seth Rogen, Billy Eichner, Alfre Woodward. Directed by Jon Favreau

The latest Disney live-action remake of an animated classic and the second by Favreau who helmed the latest version of The Jungle Book, this one follows the adventures of Simba, the young son of the Lion King Mufasa who must take back the crown from the treacherous Uncle who murdered his father and stole his kingdom.

See the trailer, clips, video featurettes and a promo here
For more on the movie this is the website
Genre: Family
Now Playing: Wide Release
Rating: PG (for sequences of violence and peril, and some thematic elements)

The Art of Self-Defense

(Bleecker Street) Jesse Eisenberg, Alessandro Nivola, Imogen Poots, Steve Terada. A timid man decides to learn martial arts after being attacked in the streets. However, as he starts developing some much-needed self-confidence, he discovers a darker testosterone-soaked side to his sensei.

See the trailer, clips and video featurettes here
For more on the movie this is the website  
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Barnstorm Theater, Regal Pointe Orlando, Regal Oviedo Marketplace, Regal Winter Park Village
Rating: PG (for thematic elements)

Carmine Street Guitars

(Abramorama) Rick Kelly, Cindy Hulej, Dorothy Kelly, Lenny Kaye. A small, unassuming guitar shop deep in the heart of Greenwich Village is a mecca for great guitarists not only in New York but all over the country. Owner Rick Kelly is one of the last true guitar craftsmen living, fashioning his guitars out of reclaimed wood from buildings 75 years old and more. Cinema365 has already reviewed this, the latest installment in the acclaimed Enzian Music Mondays monthly series; you can read it at the link under Scheduled for Review.

See the trailer here
For more on the movie this is the website  
Genre: Music Documentary
Now Playing: Enzian Theater (Monday only)
Rating: NR

Maiden

(Sony Classics) Tracy Edwards, Jo Gooding, Bruno Dubois, Barry Pickthall. The incredible true story of the first all-female crew to take on the grueling Round the World sailing race through some of the roughest waters on Earth. Likewise, Cinema365 has also reviewed this previously and you can read the review at the link in Scheduled for Review.

See the trailer here
For more on the movie this is the website  
Genre: Documentary
Now Playing: Regal Winter Park Village
Rating: PG (for ] language, thematic elements, some suggestive content and brief smoking images)

ALSO OPENING IN ORLANDO/DAYTONA:

Above the Shadows
Armstrong
Bottom of the 9th
Ruta Madre
Smile Please
Summer Night

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Ismart Shankar
Kadaram Kondan</em
Ophelia
Rojo

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Bottom of the 9th
Iron Sky: The Coming Race
Ismart Shankar
Pathinettam Padi
Smile Please

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Ismart Shankar
The Raft

SCHEDULED FOR REVIEW:

The Art of Self-Defense
Carmine Street Guitars
The Lion King
Maiden

New Releases for the Week of December 9, 2016


Office Christmas PartyOFFICE CHRISTMAS PARTY

(Paramount) Jennifer Aniston, Jason Bateman, Olivia Munn, T.J. Miller, Kate McKinnon, Courtney B. Vance, Jillian Bell, Rob Corddry, Jamie Chung. Directed by Josh Gordon and Will Speck

The CEO of a large company wants nothing better than to close down the branch that her hard-partying screw-up of a brother manages. The Chief Technical Officer wants to save the jobs of the people there. The only way to do it is to close a big sale and the only way to do that is with a Christmas party of epic proportions.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content and language throughout, drug use and graphic nudity)

All We Had

(Gravitas) Katie Holmes, Stefania Owen, Richard Kind, Luke Wilson. A young mother of a teenage daughter flees yet another ill-advised boyfriend and heads out on the road. When the money runs out and the car breaks down, they are stranded in a small town where a kind-hearted diner owner gives her a waitressing job and the two find out that the world may not be as bad a place as they thought it was. Look for a review for this here on Cinema365 shortly.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

The Bounce Back

(Viva) Shemar Moore, Nadine Velazquez, Matthew Willig, Kali Hawk. A relationship expert appears on a talk show whose host is convinced he is a charlatan. Of course, you know he’s going to fall in love with her and in doing so must confront the painful truth of his past relationships.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Loew’s Universal Cineplex, Cinemark Artegon Marketplace, Regal Oviedo Marketplace, Regal Waterford Lakes

Rating: PG-13 (for sexual content, language and brief drug use)

Frank and Lola

(Paladin) Michael Shannon, Imogen Poots, Justin Long, Rosanna Arquette. An up-and-coming chef and an aspiring fashion designer have a torrid affair. It seems to be everything he ever wanted – until a man from her past appears on the scene, calling into question everything he thinks he knows about her – and himself.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Premiere Fashion Square Cinemas

Rating: R (for some disturbing violence and language throughout)

Manchester by the Sea

(Roadside Attractions/Amazon) Casey Affleck, Michelle Williams, Lucas Hedges, Kyle Chandler. A janitor living in Boston is shocked to discover that he has been named guardian of his teenage nephew after his older brother dies. Moving to his hometown – a quaint New England fishing village – his life is transformed by the experience.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: R (for language throughout and some sexual content)

Miss Sloane

(EuropaCorp) Jessica Chastain, Sam Waterston, John Lithgow, Allison Pill.  Elizabeth Sloane is one of the most formidable and successful lobbyists in Washington. She is known for doing whatever it takes to win but when she takes on the most powerful opponent of her career, she must choose whether winning is worth the price she must pay for it.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language and some sexuality)

New Releases for the Week of June 3, 2016


Teenage Mutant Ninja Turtles Out of the ShadowsTEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS

(Paramount) Megan Fox, Stephen Amell, Alan Ritchson, Laura Linney, Will Arnett, Noel Fisher, Stephen Farrelly, Brad Garrett (voice), Tyler Perry. Directed by Dave Green

The heroes on the half shell are faced with the appearance of one of their greatest villains from the comic book series and will be challenged greater than they have ever been before (at least on the silver screen). Will they come out ahead? Will Paramount make enough to justify a third film?

See the trailer, clips, promos and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sci-fi action violence)

Housefull 3

(Eros International) Nargis Fakhri, Akshay Kumar, Jacqueline Fernandez, Abhishek Bachchan. The father of three beautiful daughters is not eager to see them get married. Three wily men are out to change his mind and prove to the stubborn dad that they are the perfect match for his little princesses.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: AMC West Oaks

Rating: NR

The Lobster

(A24) Colin Farrell, Rachel Weisz, John C. Reilly, Lea Seydoux. In this odd but oddly endearing romantic comedy, a man just dumped by his wife lives in a society in which he is given 45 days to fall in love again, or he is doomed to be changed into an animal of his choice. He is brought to a hotel where he is put into the most competitive dating pool ever. A commentary on modern romance and the opening night film at this year’s Florida Film Festival.

See the trailer, clips and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for sexual content including dialogue, and some violence)

Me Before You

(New Line) Sam Claflin, Emilia Clarke, Charles Dance, Vanessa Kirby. A quirky, happy-go-lucky 26-year-old English girl takes a job as a caretaker for a handsome, wealthy banker who has essentially given up on life. The two find that they are the one thing the other needs – the woman showing the man a life worth living, the man showing the woman the joys of stability. Before long, the two are finding their lives – and their hearts – are altering in unexpected ways.

See the trailer and an interview here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Wide Release

Rating: PG-13 (for thematic elements and some suggestive material)

Popstar: Never Stop, Never Stopping

(Universal) Andy Samberg, Sarah Silverman, Imogen Poots, Bill Hader. After reaching the apex of pop stardom with his first album, rapper Conner4Real sees his second album tank both critically and commercially, leaving his parasitic entourage wondering what comes next. From the Internet comedy team known as The Lonely Island.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for some graphic nudity, language throughout, sexual content and drug use)

Need for Speed


Let's race bitches!

Let’s race bitches!

(2014) Action (DreamWorks) Aaron Paul, Imogen Poots, Dominic Cooper, Ramon Rodriguez, Rami Malek, Harrison Gilbertson, Scott Mescudi, Michael Keaton, Dakota Johnson, Steve Ray Dallimore, Alan Pflueger, Brian L. Keaulana, Logan Holliday, Carmela Zumbado, Jalil Jay Lynch, Nick Chinlund, Chad Randall, Buddy Joe Hooker, Rich Rutherford, Tara Jones. Directed by Scott Waugh

Video games are fun. At least, that’s the general point of them. What could be more fun than playing a racing game, driving expensive cars you could never afford in cross country races and causing motorcar chaos in the form of multiple crashes? Why, doing it for real of course.

Tobey Marshall (Paul) is a brooding young man grieving for the recent passing of his dad. Dear old dad owned a high-end auto shop in bucolic Mt. Kisco, New York where Tobey makes a reputation for being a crackerjack racer. He and his crew – tech-savvy Finn (Malek), boyish daredevil and hero-worshipper of Tobey (not to mention occasional psychic) Little Pete (Gilbertson), worldly Joe (Rodriguez) and high flying Benny (Mescudi) – fix cars, hang out and watch the shop slowly wither away.

In comes Dino Brewster (Cooper), a rival of Tobey’s once upon a time who stole Tobey’s girl Anita (Johnson) who also happens to be Little Pete’s sister and went on to leave Mt. Kisco to drive for NASCAR. He’s since left the NASCAR circuit for reasons never fully explained and has gotten hold of a Mustang that legendary car customizer Carroll Shelby was working on prior to his death in 2012. If Tobey can finish the car, he’ll get a 25% split of the sale which Dino thinks will be in the $2 million range. Although Tobey doesn’t trust Dino as far as he could use him as a wrench, he needs the money so he and his crew get busy.

The car turns out to be more than anyone expected and Dino easily finds a buyer, wealthy Bill Ingram (Dallimore) whose representative, Julia Maddon (Poots) turns out to be a cheeky blonde Brit with a preference for Gucci boots. They agree to pay $2.7 million for the car. Everyone’s happy, right?

Wrong. Dino and Tobey are still bickering and decide to settle it behind the wheel. Little Pete wants in on the action. The three go street racing in identical Koenigsegg Ageras that Dino happens to have. During the ensuing race which Tobey looks to win, Dino purposely bumps into Little Pete’s car, sending it flying through the air and off a bridge, sending Little Pete off to a fiery grave.

Dino manages to convince the cops that he wasn’t there and of course the dozens of motorists who nearly or actually get into crashes because of the racers don’t notice the flaming red sports car so Tobey is sent to jail on a vehicular manslaughter charge for two years. When he gets out of jail two years after the fact, he’s lost everything. All he has left is vengeance masquerading as justice and the only way to do it is the De Leon, an underground street race run by an eccentric billionaire (Keaton) in which he can prove he’s the better driver once and for all.

To do that he’ll need a car and he gets one – the Mustang. However, Ingram insists that Julia accompany the car. After all, what billionaire wants to risk putting a car worth $2.7 million into the hands of an ex-con so he can run an illegal street race, right?

Look, this is based on a videogame, not an Oprah Book Club selection. Logic was never going to be the strong suit here, but  even so this movie is riddled with holes that even the least sensible of viewers is going to scratch their heads and say “But..but…” over. All I ask for in a movie is at least a little bit of common sense. There are so many elephants in the movie that are ignored that you can’t help but question how much respect the filmmakers had for their intended audience. Gamers aren’t idiots after all.

There are some saving graces to the film though. Paul, for one. While Tobey is a brooding, taciturn hero who doesn’t have a whole lot to say, Paul has all the charisma you would want a big screen leading man to have. He has the cred of his Breaking Bad work to keep the target audience from rejecting the film version out of hand.  Poots is a terrific actress still searching for a role deserving of her talents and once again she is wasted here. Someone needs to find the woman a better agent.

Likewise the movie gets points for doing their car stunts with practical effects rather than through CGI. Cars fly through the air, speed through city streets and country roads and crash into each other willy-nilly. Some of the stunts are pretty spectacular although there are only so many things you can do with a car that haven’t been done before. It sure is fun watching the filmmakers turn multi-million dollar cars that thee and me could never possibly afford to drive into oversized paperweights which seems to be the main attraction to this movie. Sadly, it doesn’t break the streak of really bad videogame adaptations from Hollywood. You’d think that someone somewhere could make a decent movie out of a videogame that isn’t a horror franchise. Just sayin’.

REASONS TO GO: Some nifty racing sequences. Great cars. Paul shows he has what it takes to be a lead actor on the big screen.

REASONS TO STAY: Lackluster logic-challenged plot. Overly long and repetitive.

FAMILY VALUES:  Plenty of foul language, some disturbing car crash scenes, nudity and sexuality.

TRIVIAL PURSUIT: Paul was originally being considered to play Dino Brewster but after executive producer Steven Spielberg and Waugh binge watched Breaking Bad they both decided he would be more suitable as the lead.

CRITICAL MASS: As of 3/23/14: Rotten Tomatoes: 23% positive reviews. Metacritic: 40/100.

COMPARISON SHOPPING: The Fast and the Furious

FINAL RATING: 5/10

NEXT: Tim’s Vermeer

New Releases for the Week of March 14, 2014


Need for SpeedNEED FOR SPEED

(DreamWorks) Aaron Paul, Imogen Poots, Dominic Cooper, Rami Malek, Michael Keaton, Dakota Johnson, Scott “Kid Cudi” Mescudi, Harrison Gilbertson. Directed by Scott Waugh

A blue collar mechanic, struggling to save his garage from going under, is framed on an illegal cross country race by an arrogant ex-NASCAR driver for manslaughter and is sent to prison. On being release, he yearns for revenge and knows the best way to get it is to beat his antagonist in an underground street race. However, with a bounty out on his car and the law chasing him, it will be an uphill task. Based on the bestselling racing videogame.

See the trailer, clips, interviews, featurettes, videos and promos here.

For more on the movie this is the website.

Release formats: Standard, 3D (opens Thursday)

Genre: Action

Rating: PG-13 (for scenes of reckless street racing, disturbing crash scenes, nudity and crude language)

The Single Mom’s Club

(Lionsgate) Tyler Perry, Nia Long, Amy Smart, Terry Crews. A group of single moms struggling to survive and raise their kids on their own get together and form a support group. Their bonds of sisterhood help them grow and change in surprising ways.

See the trailer, interviews and a video here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Dramedy

Rating: PG-13 (for some sexual material and thematic elements)

Veronica Mars

(Warner Brothers) Kristen Bell, Krysten Ritter, James Franco, Jamie Lee Curtis. Now graduated from law school, the titular character has left her amateur sleuthing of her high school years (and TV show) behind, looking to move forward with a career at a prestigious law firm. But somehow, the past keeps calling her back when her ex-boyfriend from high school comes under suspicion for murder. It looks like an open and shut case and just about everybody believes he’s guilty – but with Veronica on the case, you know the real culprit will soon take his place behind bars.

See the trailer, clips, interviews and B-roll video here.

For more on the movie this is the website.

Release formats: Standard

Genre: Mystery

Rating: PG-13 (for sexuality including references, drug content, violence and some strong language)

That Awkward Moment


Zac Efron is confident he's the prettiest one of the trio.

Zac Efron is confident he’s the prettiest one of the trio.

(2014) Romantic Comedy (Focus) Zac Efron, Miles Teller, Michael B. Jordan, Imogen Poots, Mackenzie Davis, Jessica Lucas, Addison Timlin, Josh Pais, Evelina Turen, Karen Ludwig, Tina Benko, Joseph Adams, Lola Glaudini, John Rothman, Barbara Garrick, Reif Larsen, Kate Simses, Emily Meade, Alysia Reiner, Julia Morrison. Directed by Tom Gormican

CINEMAOFTHEHEART-3

According to Jason (Efron), a book cover designer and long time player, any sentence uttered by a woman that you are seeing that begins with the word “So…” is an intimation of impending catastrophe. It is the linchpin of any relationship; the moment that a relationship moves from “dating” to “boyfriend/girlfriend.” It is the type of commitment that guys like Jason find to be about as repellent as walking barefoot over a floor covered in broken glass and scorpions.

He works with his buddy Daniel (Teller) who is basically a 16-year-old in a twenty-something’s body. Daniel uses Jason’s friend Chelsea (Davis) as a means of meeting women for one-night stands (Jason needs no help for that). The two have a third musketeer, Mikey (Jordan), a married doctor but Mikey’s just been hit by a bombshell; his wife Vera (Lucas) has been cheating on him with Harold, a lawyer who looks suspiciously like Morris Chestnut.

Mikey is depressed as all get-out and Daniel knows exactly what he needs – a night in a bar drinking and picking up some chick for a night’s entertainment. Mikey makes a connection with a young lady in glasses (Simses) who gives him her number to use “when (you’re) ready” while Jason ends up with a cute blonde named Ellie (Poots) who has an unusually high number of condoms in her apartment and wears hooker boots. Seeing as the New Yorker just printed an article on hookers in the East End dressing like hipsters, the perpetually broke Jason makes a pre-dawn run for it, fearing Ellie will be asking him for payment in the morning.

The three friends decide to make a pact, all of them having had a wonderful time the evening before – all three will remain single for as long as possible to keep the party going. Mikey is still a little hung up on his ex but agrees that he hadn’t had that much fun in quite some time.

It turns out Ellie isn’t a prostitute – she works for a publishing company that Jason’s socially awkward boss Fred (Pais) is courting. D’oh!  As it turns out, Ellie and Jason end up falling hard for each other. Daniel winds up falling hard for Chelsea – and she for him, hard as it is to believe. And as for Mikey, his attempts to reconcile with Vera turn out far better than he expected. Of course, all three of them, not wishing to look bad in the eyes of their friends, hide their relationships from each other. And of course all three of these geniuses end up imperiling their relationships because of their lack of communication. When will they ever learn?

I understand that this was on the Hollywood Black List of best unproduced scripts of 2012 and I have to wonder how on earth it got there, unless substantial revisions were made during filming. The movie is chock full of the same old tired rom-com clichés that have made nearly all of the romantic comedies produced by Hollywood over the past decade nearly identical in nature. It’s a form of chauvinism, thinking women will settle for the same old thing year after year…although considering some of the relationship choices I’ve seen some of my women friend make during that time, perhaps the studio bigwigs are on to something.

I haven’t been a great Zac Efron fan I have to admit but he does make a pretty decent romantic lead. He’s certainly got the looks and the abs for it and while his acting chops are pretty weak, the same thing could be said for both Matthew McConaughey and Channing Tatum at the same point in their careers and in both of the above I’ve seen a ton of improvement in that department. I could see Efron becoming a really good actor down the line.

Jordan is an amazing actor but he is hardly utilized here, essentially playing the role of the African-American friend. He has a few decent moments in the film and his banter with Teller and Efron is natural and unforced, something you can’t always say for the other two.

It is the women who fare best here. Poots has done some sterling work in films like A Late Quartet gets the meatiest role and makes the most of it; her expression as she stares at Efron as he goes through his antics is definitely worth a thousand words at least. This British actress has the kind of ability that is possessed by Jennifer Lawrence and Amy Adams; hopefully she’ll start to get some A-list roles sent her way soon.

While there are some new romantic movies opening up just in time for Valentine’s Day (especially the anticipated Winter’s Tale) as I have not seen them yet I can’t really recommend them much and for my money this is the best romantic movie in theaters at the moment; ladies will swoon over the handsome Efron and guys will appreciate the banter and relationship between the men which is pretty genuine. So fellas, this is a rom-com that you can actually enjoy without feeling you are enduring it for the sake of your woman’s tender attentions after the credits roll.

REASONS TO GO: Efron becoming a solid romantic lead. Occasionally very funny. Authentic relationship between the guys.

REASONS TO STAY: Too many rom-com clichés.

FAMILY VALUES:  Lots of foul language, even more sexual content.

TRIVIAL PURSUIT: The movie was originally to be released by FilmDistrict but after Focus absorbed that distribution company (their production side remains independent) this became the first FilmDistrict property to be distributed by Focus.

CRITICAL MASS: As of 2/12/14: Rotten Tomatoes: 22% positive reviews. Metacritic: 36/100.

COMPARISON SHOPPING: About Last Night

FINAL RATING: 6.5/10

NEXT: Cinema of the Heart continues!

New Releases for the Week of January 31, 2014


Labor DayLABOR DAY

(Paramount) Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg, James van der Beek, Tobey Maguire, Alexie Gilmore, Lucas Hedges. Directed by Jason Reitman

A chance meeting in a small town store brings Frank Chambers into the lives of 13-year-old Henry Wheeler and his mom. After Henry’s dad left, Henry’s mom has become reclusive, shaking uncontrollably and withdrawing gradually from the world. With good reason apparently – Frank is an escaped convict, in prison for a particularly heinous murder. All is not what it seems and soon Frank and Henry’s mom are creating a world of their own, although reality has a habit of intruding on these sorts of things.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romance

Rating: PG-13 (for thematic material, brief violence and sexuality)

Bride for Rent

(Star Cinema) Kim Chiu, Xian Lim. In order to get his inheritance, a young heir is required to be married. Sadly, he is not but that’s not going to stop him from getting what’s his. He hires a woman to impersonate his bride, and at first the plan is working perfectly. Unfortunately, he didn’t count on actually falling in love.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: NR

The Saratov Approach

(Saratov) Corbin Allred, Maclain Nelson, Nikita Bogolyubov, Bart Johnson. In 1998, two Mormon missionaries working in Russia were kidnapped and held for ransom from the Church of Latter-Day Saints. The movie opened in Utah last October and was such a hit that a nationwide release was set up.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: PG-13 (for some violence)

That Awkward Moment

(Focus) Zac Efron, Miles Teller, Michael B. Jordan, Imogen Poots. When one of a trio of bro-friends suffers a devastating breakup, both of his boys agree not to date until he’s ready. Of course, that’s easier said than done as that’s about the moment Ms. Right walks into all three of their lives.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Romantic Comedy

Rating: R (for sexual content and language throughout)

A Late Quartet


Practice makes perfect.

Practice makes perfect.

(2012) Drama (EntertainmentOne) Philip Seymour Hoffman, Catherine Keener, Christopher Walken, Mark Ivanir, Imogen Poots, Wallace Shawn, Liraz Charhi, Madhur Jaffrey, Nina Lee, Megan McQuillan, Anne Sofie van Otter, Jasmine Hope Bloch. Directed by Yaron Zilberman

 

A string quartet is more than the sum of its parts. The members must learn to play not only with great discipline and technical expertise but must learn to anticipate the play of the other members. Only when they are thinking about one another can they truly harmonize beautifully.

The Fugue Quartet began life as a pioneering group of young musicians looking to push the boundaries of classical music and have largely done that. They approach their 25th anniversary with plans for another major tour spotlighting Beethoven’s Opus 131, one of the most difficult pieces for quartets due to the pacing and the length (seven movements instead of four). In fact, the instruments often start to go slightly out of tune by the seventh movement, forcing the musicians to compensate for each other.

But the well-oiled machine that is the Fugue is about to face their biggest crisis. Cellist Peter Mitchell (Walken), the heart and soul of the group, has been diagnosed with Parkinson’s and won’t be able to play for much longer. He determines the first concert of the 25th season will be his farewell.

The news hits the other member of the quartet hard, particularly Juliette Gelbart (Keener), the viola player who was literally raised by Peter and Miriam (van Otter), the opera-singing wife of Peter who had passed away the year previously. The news also sets in motion a number of events, starting with Juliette’s husband Robert (Hoffman), the quartet’s second violin who has chafed under the autocratic rule of first violinist Daniel Lerner (Ivanir), the technically perfect first violin who likes things the way they are – and is even trying to convince Peter to stay.

Peter’s mind is made up though and he has thoughts of his replacement (Lee) although he’ll have to pry her away from the leader of her trio (Shawn) who isn’t inclined to let her go. In the meantime Robert has announced that he no longer wants to play second violin exclusively; he wants to alternate in the first chair. Daniel is having none of it and to Robert’s dismay and frustration, Juliette supports Daniel and not him.

This leads to a particularly dumb move on Robert’s part which sets in motion events that will pull Robert and Juliette’s daughter Alexandra (Poots) who is also a musician, and threaten to tear apart the quartet before they make it to the farewell concert.

First-time filmmaker Zilberman gets to work with an extraordinary cast and he makes the most of it; this might well be the most well-acted movie over all I’ve seen this year. Walken is on a role of really good performances and he continues it here. But it’s Hoffman who really impresses. This is one of his best roles in the past five years. At first you think Robert is being petulant and childish but as the movie progresses you realize that this is a man who has been second fiddle in every aspect of his life, not just in the quartet. It’s heartbreaking to watch him self-destruct.

Poots is a revelation. I’d thought her just a pretty face more or less but she has a scene with Keener in which long-percolating resentments between mother and daughter finally see the light of day and as such resentments often are it’s ugly and captivating.

The movie isn’t what you’d call fast paced; although the Beethoven piece is rousing and lively, the music that moves through the movie is the current of these musician’s lives. They live quiet, comfortable lives that are filled with the most beautiful music on earth. Heck, they’re responsible for making a lot of it so why not?

This is a movie about rhythms interrupted and so it might at times not sit well with those who like their movies to be more tranquil. It is also quite predictable (does anybody not see what Danny’s character does coming from nearly the beginning of the film?) and at times has that snooty pretentiousness that you only find in the fine arts.

I really liked this movie. It takes a look at the discipline that goes in to being a world class musician, and at how being part of a group – not just in rock and roll or even just in classical music but ANY group – requires the egos be put aside, that the focus is and always must be the good of the whole over the needs of the individual. It is not natural for human beings to think that way which makes it a minor miracle when they do.

REASONS TO GO: Plenty of good performances both musically and from the actors.

REASONS TO STAY: Predictable in places and pretentious in others.

FAMILY VALUES:  There are some bad words scattered here and there and a few scenes of sexuality.

TRIVIAL PURSUIT: At one time Ethan Hawke was cast in the film but had to withdraw due to scheduling conflicts.

CRITICAL MASS: As of 12/6/12: Rotten Tomatoes: 72% positive reviews. Metacritic: 67/100. The reviews are respectable.

COMPARISON SHOPPING: Footnote

STRING QUARTET LOVERS: The actors received rigorous training in how to properly play their instruments but the music you actually hear is from the world-renowned Brentano Quartet.

FINAL RATING: 7/10

NEXT: The Mummy (1999)

Fright Night (2011)


Fright Night

Colin Farrell doesn't take kindly to Anton Yelchin putting an explosive ketchup pellet in his Gatorade.

(2011) Horror Comedy (DreamWorks/Touchstone) Anton Yelchin, Colin Farrell, David Tennant, Imogen Poots, Toni Collette, Christopher Mintz-Plasse, Dave Franco, Reid Ewing, Will Denton, Sandra Vergara, Emily Montague, Chris Sarandon. Directed by Craig Gillespie

In these modern times we generally don’t get to know our neighbors very well. We live in isolation, insulated by walls and fences and the Internet. Our neighbors could be the kindest, sweetest, gentlest people on earth…or the embodiment of evil.

Charlie Brewster (Yelchin) is a high school senior with a hot girlfriend, Amy (Poots). His mom Jane (Collette) is a real estate agent and lives with her son in a nice development on the edge of Las Vegas. Charlie has transformed himself from being a geek to being one of the cool crowd. In this sense, he’s leaving behind old friends like Adam (Denton) and Ed (Mintz-Plasse) whom everyone calls “evil” for unspecified reasons.

He also has a new next door neighbor, Jerry (Farrell) who works nights doing construction on the strip. As a day sleeper, he blocks his windows and gee, there’s an awful lot of construction debris and apparently nothing going on in the exterior or the yard. He is, however extremely hot as both Jane and Amy notice, not to mention flirtatious.

Evil Ed isn’t convinced. He’s been noticing that several kids have been missing from school and he believes that Jerry is at the heart of it. In fact, Ed thinks Jerry’s a vampire, which bemuses Charlie no end. However, when Ed threatens to publish some nerdy pictures of Charlie, he reluctantly agrees to join Ed to find out what happened to Adam, who’s among the missing.

Unfortunately, it turns out Ed was right and when Ed disappears, Charlie goes up to Ed’s room to see the “proof” he had of Jerry’s vampire-ness and when he does, Charlie becomes a believer. So much so that when Jerry invites a beautiful sexy blonde neighbor (Montague) who happens to be a stripper over, he calls the cops. Thus the war of cat and mouse games begins.

Charlie enlists  the aid of Peter Vincent (Tennant), a stage magician at the Hard Rock Casino who is a self-professed vampire expert. Charlie’s going to need all the help he can get against a demon that’s over 400 years old and is an expert in self-preservation. Charlie is horribly overmatched but he’s got to find a way to prevail if he wants to see his mother and girlfriend alive again.

This is based on the 1985 Tom Holland movie of the same name which had William Ragsdale and Chris Sarandon in the Charlie and Jerry roles, respectively. That one was appeared on cable regularly for years; it was actually a different kind of vampire movie with enough camp and gore to counterbalance themselves and certainly a refreshing relief from all the slasher movies that were all the rage then.

The acting is pretty solid here. Farrell is playing a role he was really born to play – a bad guy who can do horrible things with abandon, but all with a twinkle in his eyes, a drink in one hand and a woman in his arms. Come to think of it, maybe Farrell didn’t have to do a whole lot of acting.

Yelchin has yet to impress me – until now. He does a bang-up job as the heroic lead, a part he may not be used to. He did buff up a little for the role, although not to the point of ridiculousness; this is supposed to be a skinny high school kid going up against the undead, but you don’t want the fight to be unbelievable or TOO uneven. Yelchin succeeds in avoiding those pitfalls.

To me, Tennant – a former Doctor Who – is the show stealer here. He plays Vincent as a cross between Criss Angel and William Powell, liquored up and a bit of a self-important jerk and outwardly a coward but when it counts he has the heart of a lion. There’s a rock star quality to Peter that is nicely counterbalanced by his inner nerd.

Poots, Collette and Montague are all beautiful, sexy and smart in their roles. I guess it doesn’t hurt that the script was written by a woman – in this case, “Buffy the Vampire Slayer’s” Marti Noxon. She brings the same hip quotient, quip repeatability and smarts to the movie that she did to the TV show. I don’t know that Joss Whedon, busy filming The Avengers at the moment, has seen this movie but if he has I have no doubt he’s proud of his protégé.

This is a highly entertaining vampire movie that may not go over well with the kids who love sparkling brooding vampires, but it does have nods to most of the vampire classics in one form or another – even in a backhanded way to Twilight. There is a crapload of CGI which varies in quality from seamless to noticeable.

There is an amazing chase scene in which Jerry pursues the Brewsters in their SUV which contains a lovely homage to the first Fright Night and contains some of the best stunt work in the movie. It’s a scene that obviously required meticulous planning, which is something I always appreciate from a filmmaker and so rarely get.

Fright Night is dying at the box office which is a shame. Hopefully people will pick up on how good this movie is on home video. It’s actually a clever movie that deserves a better audience than it’s apparently getting. Maybe if they’d only gotten Colin Farrell to sparkle…

REASONS TO GO: Smart, well-planned out and well-written. Very sexy where it needs to be. Great mix of horror and humor.

REASONS TO STAY: The gore gets kind of mind-numbing after awhile.

FAMILY VALUES: There’s a good deal of blood, gore and horror violence. These vampires don’t sparkle after all; there is also a good deal of sexuality and sexual references.

TRIVIAL PURSUIT: Sarandon, who played Jerry in the original Fright Night and its sequel (via flashback) makes a cameo as the driver of the car that rear-ends the Brewster’s car and thus is the only actor to appear in all three Fright Night movies.

HOME OR THEATER: I think this is one to watch at home on a dark and stormy night.

FINAL RATING: 7.5/10

NEXT WEEK: The Last Station