(2014) Drama (Super Crispy) John Boyega, Rotimi Akinosho, Glenn Plummer, De’aundre Bonds, Keke Palmer, Fat Dog, Nora Zehetner, Todd Louiso, Sufe Bradshaw, Maximiliano Hernandez, Anika Noni Rose, Ethan Coach, Justin Coach, Jernard Burks, Wilfred Lopez, Nik Petcov, Kelita Smith, Zilah Mendoza, Kandiss Edmundson. Directed by Malik Vitthal
In the years since John Singleton’s groundbreaking Boys N the Hood illustrated the agonies and the ecstasies of South Central Los Angeles, little has changed. The choices are few for those restricted by poverty and apathy; selling drugs and using drugs. Getting out of the cycle of violence and poverty has become nearly impossible.
Bambi (Boyega) is boyishly handsome and just home after serving a 28 month stretch for armed robbery. His son Day (the Coach twins) has been staying with his Uncle Shrimp (Plummer) while Bambi’s girlfriend and baby mama Samaara (Palmer) is also in jail for a non-violent crime.
Bambi wants to be a good role model for his son and stay on the straight and narrow. Shrimp has other ideas. He wants Bambi to resume his place in Shrimp’s gang. Bambi would much rather get a job. However, the system is stacked against him; the state has filed for child support on behalf of Samaara, cranking a debt that Bambi can’t pay without a job. He can’t, however, get a job without a driver’s license and he can’t get a driver’s license with that child support debt on his record. It’s beyond Catch-22; it’s Catch-23.
As hard as it is for Bambi to stay straight, the thug life continues to intrude. His cousin Gideon (Bonds) is on the run from a rival gang who mean to murder him and Bambi’s proximity to Gideon is putting both him and Day in danger but Gideon is one of the few who are out to help Bambi make it on the level. Bambi’s mom (Zehetner) is a raging alcoholic and his half-brother Wayne (Akinosho) who has a partial scholarship to Howard’s business school but needs money to make up the difference so he can actually go to college is thinking of taking a short cut that may lead him down the same path that Bambi is trying to get off of. An act of violence puts everything in flux and puts Bambi even more at risk than he has been, leaving him and Day as vulnerable as can be, living out of a car that doesn’t run with a pair of skeptical detectives (Hernandez, Bradshaw) and a social worker (Rose) on Bambi’s back.
This is one of those movies that I really wanted to like a lot more than I ended up doing. Clearly Vitthal has a good eye and ear for inner city drama, and knows how to tell a good story. The trouble is, this is the kind of story that doesn’t really tell us anything new. Particularly in the light of recent events in Baltimore, Ferguson and other places around the country, we’re particularly sensitive to the plight of young black men in predominantly African-American communities that are riddled with poverty, crime and drugs. While this story is sadly not one far from the stories of many young African-American men, I get the sense that it has been told more than once and more than once in this very Film Festival.
That said, Boyega (who was tremendous in Attack the Block) has the chops and the looks to be the next Hollywood superstar. In my review of that movie, I compared him to Denzel Washington and certainly he has that kind of charisma and screen presence. Here, in a much more subdued and less obviously heroic role, he struggles with his conscience and his frustration, knowing that the easy way out is to revert back to the old life, but that it would lead him to exactly the same place – if not a cold, steel slab in the morgue.
The rest of the cast are fairly solid, with the Coach twins doing particularly well as Day; the father-son dynamic between the two is genuine and affecting. Very often actors this young have a difficult time bonding with their screen parents but in this case that’s not the case. The heart of this movie is Bambi’s devotion to Day and if we don’t believe that, we don’t believe the movie. That the movie is convincing on that end is admirable.
I take it that the slang being used here is genuine to the time and place; at times I had difficulty figuring out what some of the characters were saying and subtitles would have been genuinely appreciated. While some might write this off as a feature-length rap video (and with some justification), that would be a bit presumptive. This is a solid film by a filmmaker with potential that is dominated by an actor who may well be a great one in the very near future.
REASONS TO GO: Star-making performance by Boyega. Loved the father-son dynamic. Captures the Catch-22 of the modern inner city.
REASONS TO STAY: Doesn’t really break any new ground. At times needs subtitles to follow the inner city slang dialogue. A few too many cliches.
FAMILY VALUES: Violence and foul language throughout; some drug use and lots of adult themes.
TRIVIAL PURSUIT: Filmed at the actual Imperial Courts Housing Project in Watts.
CRITICAL MASS: As of 5/29/15: Rotten Tomatoes: 83% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: Fruitvale Station
FINAL RATING: 6.5/10