Is That a Gun in Your Pocket?


In their own way, they're both sticking to their guns.

In their own way, they’re both sticking to their guns.

(2016) Comedy (Area23s) Andrea Anders, Matt Passmore, Cloris Leachman, Katherine McNamara, John Michael Higgins, Garren Stitt, Horatio Sanz, Lauren Bowles, John Heard, Christine Estabrook, Kevin Conway, David Denman, Fernanda Romero, Max Lloyd-Jones, Marshall Bell, Terrence Beasor, Ray Auxias, Julie Brister, Gina Gallego, Eileen Grubba, Victoria Moroles. Directed by Matt Cooper

 

In Texas, there is power and then there is power. For the men, the power resides behind the barrel of a gun. For the women, the power can be found between their legs. At least, that is what this comedy would have you believe.

In the oh-so-very Texas town of Rockford, the town motto is “Live free, shoot straight.” The men work at the fruit packing plant all week long, the one owned by the reclusive billionaire Cyrus Rockford who hasn’t been seen in decades (the prevailing rumor is that he’s been dead for years) and on weekends, go out hunting. The womenfolk take care of the kids, the house and occasionally get together in their book clubs. Things are going the way they’ve always gone there for generations.

Glenn Keely (Passmore) is one of the plant’s managers and, rumor has it, a prime candidate for a vice-president’s position. His life is pretty dang sweet; his wife Jenna (Anders) is smart, gorgeous and sexy; his daughter Sandy (McNamara) is the same. His son Lance (Stitt) is growing up to be a fine young man, even if he’s a bit impatient to get satellite TV.

Glenn is a bit of a gun nut; he collects the handguns, some of which are pretty sweet. When Lance decides to show off his dad’s latest purchase to his friends at school, it leads to an accidental discharge of the weapon that results in nothing more wounded than the crossing guard’s pride (and tush) but the thought of what could have happened is enough to give Jenna night terrors. What makes it worse is that none of the men seem to think much of the incident; the school gave his son a slap on the wrist, the sheriff (Heard) looks the other way and Glenn seems more concerned that Lance took the gun without permission than the fact that it went off in a crowded courtyard.

After airing her frustrations to her book club pals, she hits upon a plan; the men in town must give up their guns. Until they do, the women of town will withhold sex from the men. At first the ladies are reticent; will this even work? Getting the other women in town to come on board will be an uphill battle. Nevertheless they do it, the prime ringleaders being the foul-mouthed grandma (Leachman), the sexy Latina next door trying to have a baby (Romero) and the sheriff’s matronly wife (Estabrook).

To Glenn’s chagrin, Jenna’s leadership and determination galvanizes the ladies into an organized group to be reckoned with. At first the men dismiss the women’s stand, figuring it would blow over as soon as they began to miss their husbands embrace but as time goes by, it soon becomes apparent that the ladies aren’t going to give up the fight anytime soon. The spineless mayor (Higgins, channeling Fred Willard) is unable to rally the troops to get control of their women so it falls to an NRA-like organization called the National Gun Organization led by a dour Charlton Heston-worshipper (Bell) to send in the cavalry to rescue the men and their God-given rights to have as many guns as they want. The ladies are in all sorts of trouble until help comes from an unlikely source.

This is the second movie in a year to be based on the ancient Greek play Lysistrata by Aristophanes about a group of women who refused to make love until their men ceased making war. Quite frankly, associating that ancient play with the modern issue of gun rights vs. gun control is a stroke of genius. Unfortunately, the movie doesn’t really hold up to the concept; there is a TV movie of the week quality to the film that is quite disappointing.

Anders is a very attractive lead and with the right material could become a solid big screen leading lady. This isn’t the right material; it is riddled with cliches and stereotypes and nearly entirely white faces in the cast. Yes, even Texas has some diversity and more than a token Hispanic couple lapsing into Spanish whenever they get angry. Sorry Hollywood; those of us who are second generation or later view English as a first language and we don’t express our frustrations in Spanish. Just sayin’.

I also find it disconcerting that the filmmakers will throw some sobering facts out there in one breath (such as the number of mass school shootings after Newtown or that the Second Amendment only referred to arming state militias until the Supreme Court decreed that it referred to individual gun ownership in 2008) and then deliver a boner joke with the next. It does a disservice to the material and honestly if I were the parent of a child slain in a school shooting I would find it highly offensive.

This is an equal opportunity offender. Lefties will object to the cultural stereotypes, while conservatives will grouse about the Hollywood liberal gun control bent that the movie obviously has. Others will find the humor crude and vulgar. What it boils down to however is that anyone who loves a good movie will be greatly offended that this movie is far from even being mediocre; this is pure and simple a poorly made, poorly executed film that could have been so much better with sharper satire and fewer trouser tent gags.

REASONS TO GO: There are a few funny moments, mostly involving erections.
REASONS TO STAY: A film riddled with cliches and stereotypes. The tone is flat and dull. The filmmakers dumb down an important and controversial subject.
FAMILY VALUES: There are plenty of sexual references and sensuality, some brief violence, crude humor and profanity.
TRIVIAL PURSUIT: This is at least the fifth movie version of Lysistrata to be filmed, none using the original name or material.
CRITICAL MASS: As of 9/23/16: Rotten Tomatoes: 0% positive reviews. Metacritic: 6/100.
COMPARISON SHOPPING: Chi-Raq
FINAL RATING: 3/10
NEXT: Mechanic: Resurrection

Advertisement

Pick of the Litter – September 2016


BLOCKBUSTER OF THE MONTH

The Magnificent Seven

The Magnificent Seven

(Columbia/MGM) Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D’Onofrio. First, it was Akira Kurosawa. Next, it was John Sturges. Now, it’s Antoine Fuqua. All of them have directed a movie based on a story of seven lone warriors, fighting a hopeless battle to defend the defenseless against overwhelming odds. Seven Samurai (1954) was transplanted from feudal Japan to the American West and remade in 1960 as The Magnificent Seven. It now gets the remake treatment itself with an all-star cast (although not quite as all-star as the 1960 version) led by one of the most respected actors in Hollywood and one of the biggest up-and-coming franchise makers. It will be interesting to see if the new version can retain the timeless qualities of both of its predecessors. September 23

INDEPENDENT PICKS

Antibirth

Antibirth

(IFC Midnight) Natasha Lyonne, Chloë Sevigny, Meg Tilly, Mark Webber. As we wheel into the fall and the province of scary cinema, here is a horror movie in the tradition of Rosemary’s Baby and The Omen. A young party girl goes to a rave where she blacks out after some pretty intense celebrating. She doesn’t remember anything about what happened but shortly thereafter she discovers she’s pregnant. Electing to have the baby, soon it becomes obvious that this is no ordinary pregnancy – and she is carrying no ordinary baby. September 2

Max Rose

Max Rose

(Paladin) Jerry Lewis, Kerry Bishé, Dean Stockwell, Illeana Douglas. The legendary Lewis makes his first live action appearance on the silver screen in 21 years as a jazz pianist who discovers that his marriage of 65 years was a sham. Lost and alone, he decides to investigate and find out what went wrong and enters into a world of old friends, young children and a past that wasn’t what he thought it was.. September 2

Cameraperson

Cameraperson

(Janus) Kirsten Johnson, Catherine Johnson, Michael Moore. This isn’t so much a documentary as a diary, a look at the long and distinguished career of cinematographer Kirsten Johnson who has been behind the camera for some of the most compelling documentaries of the past 30 years, including Darfur Now, Citizenfour and A Place at the Table. It is not presented in a linear style but takes you to the places she’s been with a minimum of voice over or graphics. It is merely the images that have affected her over the years and through her, us. September 9

Other People

Other People

(Vertical) Jesse Plemons, Molly Shannon, Bradley Whitford, June Squibb. After leaving his home to become a comedy writer in New York, things don’t turn out as well as David had hoped; his career is going nowhere and to make matters worse, he’d just gone though a traumatic break-up with his girlfriend. Now his mother is terminally ill and with his New York life being at a standstill, he returns home to Sacramento to find that the worst year of his life might just possibly turn out to be his best after all. September 9

Is That a Gun in Your Pocket

Is That a Gun in Your Pocket?

(Area23a) Andrea Anders, Matt Passmore, Cloris Leachman, Katherine McNamara. In Texas, guns come right about even with religion to the point where the two are virtually indistinguishable. In small Texas towns, open carry laws are loose and it’s not uncommon for nearly the entire population of the town to be packing. In one small Texas town, a near-tragedy causes some of the ladies to take stock of the situation. In a modern twist on Lysistrata, the women of the town decide to withhold sex from their men until they agree to give up their guns. The question becomes, what will the virile men of the town choose – their firearms or the fairer sex? September 16

Mr. Church

Mr. Church

(Cinelou) Eddie Murphy, Britt Robertson, Natascha McElhone, Lucy Fry. Into the lives of a dying mother and her precocious daughter comes Mr. Church, who is hired to cook for the two of them by the woman’s ex-husband. What was supposed to be a six month gig turns into a lifetime as the cook becomes a lot more than just someone who prepares meals for the little girl who grows up into a beautiful, talented young woman; he becomes family. September 16

 

Audrie and Daisy

Audrie and Daisy

(Netflix) Daisy Coleman, Jim Fall, Delaney Henderson, Darren White. Two girls, two different towns, the same story, different endings. Two girls are sexually assaulted by boys they thought were their friends. When they stand up and demand justice, the small towns they live in close ranks. The girls undergo an immense amount of bullying in the social media, their lives and reputations dragged through the mud. This chilling documentary shows an all-too-common theme of how the sexes are perceived and how rape victims are often victimized a second time when they are shamed, called liars and sluts and otherwise ostracized by their communities. This will be playing a brief theatrical run in New York City and debuting on Netflix simultaneously. September 23

Goat

Goat

(Paramount) Nick Jonas, Ben Schnetzer, Gus Halper, James Franco. It is autumn and at colleges and universities across the land, a familiar ritual is underway: fraternity pledging. In recent years, the hazing rituals that mark the rite of passage between boys and men have become more brutal, more terrifying and fraternities themselves have become breeding grounds for alcoholism and rape. Some of the reasons that fraternities are turning out these kinds of guys have to do with what it takes to get in. Goat, although distributed by a major studio, is going more of an indie distribution route, opening in Los Angeles and New York theatrically and going on VOD simultaneously.. September 23

Milton's Secret

Milton’s Secret

(Momentum) Donald Sutherland, Michelle Rodriguez, Mia Kirshner, William Ainscough. A young boy is mercilessly bullied in school, and lives with parents who are stressed that they might lose their home despite the fact they are both working good jobs. Into the mix comes the boy’s grandfather and a caring teacher, both of whom find ways to unlock the potential within him. September 30