New Releases for the Week of February 15


ALITA: BATTLE ANGEL

(20th Century Fox) Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson. Directed by Robert Rodriguez

Based on a legendary manga, this collaboration between director Robert Rodriguez and producer James Cameron involves a young cyborg girl who awakens with no memory of who she is in a future she doesn’t recognize. A kindly doctor takes her in, knowing that there is a deadly secret the girl possesses that the unscrupulous rulers of the city will stop at nothing to control.

See the trailer, video featurettes, clips and an interview here
For more on the movie this is the website

Genre: Science Fiction
Now Playing: Wide Release

Rating: PG -13 (for sequences of sci-fi violence and action, and for some language)

Happy Death Day 2U

(BlumHouse/Universal) Jessica Rothe, Israel Broussard, Ruby Modine, Phil Vu. The young woman who escaped a deadly loop of reliving her birthday over and over again ending in her own murder finds herself back in the same loop, only this time she is not sure at all why.

See the trailer and an interview here
For more on the movie this is the website

Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence, language, sexual material and thematic references)

Isn’t It Romantic?

(New Line) Rebel Wilson, Liam Hemsworth, Adam DeVine, Priyanka Chopra. An unlucky-in-love architect awakens from a mugging to discover that she is living as the leading lady in a rom-com – the type of movie that she absolutely detests.

See the trailer, video featurettes and a clip here
For more on the movie this is the website

Genre: Romantic Comedy/Fantasy
Now Playing: Wide Release

Rating: PG-13 (for strong violence, drug material, and some language including sexual references)

The Wandering Earth

(CMC) Guangjie Li, Chuxiao Qu, Man-Tat Ng, Jinmai Zhao. When the sun begins to die, threatening all life on planet Earth, brave astronauts must find a way to save us all. Their Chinese opening last weekend took in more than $400 million.

See the trailer here
For more on the movie this is the website

Genre: Science Fiction
Now Playing: Regal Waterford Lakes

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Dev
Donnybrook
Gully Boy
Lords of Chaos
Oscar Nominated Shorts (Animated, Documentary, Live Action) 2019

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Dev
Gully Boy
Love at First Kiss
Oscar Nominated Shorts (Animated, Documentary, Live Action) 2019

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Donnybrook
Gully Boy
Lovers Day
Oscar Nominated Shorts (Animated, Documentary, Live Action) 2019

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Dev
Gully Boy]
Lords of Chaos
Oscar Nominated Shorts (Animated, Documentary, Live Action) 2019
Return of the Hero

SCHEDULED FOR REVIEW:

Alita: Battle Angel
Happy Death Day 2U
Isn’t It Romantic?

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Reel Representation, Maitland

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Happy Death Day


Isn’t reliving the same day over and over and over again a scream?

(2017) Horror (Blumhouse) Jessica Rothe, Israel Broussard, Ruby Modine, Charles Aitken, Laura Clifton, Jason Boyle, Rob Mello, Rachel Matthews, Ramsey Anderson, Brady Lewis, Phi Vu, Tenea Intriago, Blaine Kern III, Cariella Smith, Jimmy Gonzales, Billy Slaughter, Donna Duplantier, GiGi Erneta, Lindsey Smith, Dane Rhodes, Caleb Spillyards, Missy Yager. Directed by Christopher Landon

We all have days that we’d rather forget. Days in which things don’t go the way they’re supposed to, days in which we do things we’re not proud of, days when we’re the victims of bad circumstances. Think about how awful it would be to relive those days over and over and over again; it would be enough to drive anyone insane.

Tree Gelbman (Rothe) is having that kind of day that nobody wants to relive. The Bayview College sorority sister wakes up after a night spent partying in a dorm room – a dorm room! – apparently having spent the night with a cute but nondescript guy named Carter (Broussard) whose name she has already forgotten. She makes her way across campus to the sorority house, encountering a global warming activist, a couple soaked by a sprinkler and a fainting frat pledge. Her dad keeps calling and she keeps on ignoring the calls.

He’s calling because it’s her birthday and she’s going to have an even worse day than she’s already had. That evening, on the way to a frat party, she is ambushed by someone wearing a mask of the college’s mascot (the Bayview Babies – really?) who shoves a knife into her – several times.

But then she wakes up, much to her surprise and then she relives the same day, the same events, only to meet the same fate. No matter how she changes things up, her killer always finds her. She realizes she’s going to have to find out the identity of her killer if she’s to escape his homicidal rage and bust out of this strange and terrible time loop.

This is a movie that borrows liberally from other movies, most notably Groundhog’s Day and Scream. I don’t think a movie has to reinvent the wheel every time out but there should be at least some originality and some effort put in to developing the characters so they aren’t just two-dimensional types but that doesn’t really happen here. And that’s okay so long as the movie remains entertaining and thankfully it does.

Rothe is the centerpiece here. Tree starts out the movie self-centered and shallow in what is pretty much a sorority stereotype but as you’d guess during the course of her many relived days she begins to discover what a bitch she’s been and  begins to actually grow. By the end of the movie she’s still not entirely likable – wisely the writers don’t go a complete 180 on us – but she’s more likable. Rothe, a veteran of young adult movies and the Mary + Jane TV show on MTV, shows a great deal of presence and camera-friendliness. I hope she’ll be able to break out of these teen stereotype roles and get some meatier parts at some point soon.

I do like the meta twist at the end – that was an unexpected delight – but discovering who the killer is isn’t going to take a lot of brain power for anyone who has seen more than one or two slasher movies in their time. I would have liked to see more of the self-awareness that the writers showed at the end as it would  have made the movie a lot more fun since the slasher aspect was so rote.

The movie has done pretty well at the box office especially considering it’s bargain basement production budget and I wouldn’t be surprised if there is a sequel or two on the horizon. There are some pretty fun aspects here and if your expectations aren’t too high you should get a kick out of the film, although I would tend to recommend it more for teens and young adults who haven’t seen a whole lot of slasher movies but like the ones that they’ve seen. On that basis what they see here will seem a lot more fresh and new than it does for older farts like this reviewer who has been there and seen that but was entertained nonetheless.

REASONS TO GO: Rothe has some potential as a lead actress. The Meta ending was much appreciated.
REASONS TO STAY: The film borrows too liberally from other movies. The plot twist is a little too easily figured out.
FAMILY VALUES: There is plenty of violence and scenes of terror, some crude sexuality as well as brief partial nudity, profanity and brief drug use.
TRIVIAL PURSUIT: The producers couldn’t get the rights to use the ringtone in the trailer, 50 Cent’s “In Da Club” so they were forced to use an original tune as Tree’s ringtone in the movie.
CRITICAL MASS: As of 11/4/17: Rotten Tomatoes: 69% positive reviews. Metacritic: 57/100.
COMPARISON SHOPPING: Groundhog’s Day
FINAL RATING: 6/10
NEXT:
The Light of the Moon

New Releases for the Week of October 13, 2017


THE FOREIGNER

(STX) Jackie Chan, Pierce Brosnan, Katie Leung, Rufus Jones, Charlie Murphy, Michael McElhatton, Lia Williams, Pippa Bennett-Warner, Stephen Hogan. Directed by Martin Campbell

A Chinese businessman living in London is horrified to see his daughter killed in a terrorist bomb blast. Grieving and obsessed with seeing justice for his daughter’s murder, he crosses swords with a government official with a past who may have clues as to the identity of the terrorist. What the official doesn’t realize that the businessman also has a past – one that may very well cause all sorts of mayhem before all is said and done.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for violence, language, and some sexual material)

American Satan

(Miramax) Denise Richards, Booboo Stewart, Malcolm McDowell, Mark Boone Junior. In a moment of weakness, a young rock band makes a deal with the devil. Fame and fortune seem to be coming their way but they soon realize the cost is way too high. Can they figure out a way to get out of their deal before it’s too late?

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: AMC Universal Cineplex

Rating: R (for strong sexual content, nudity, drug use throughout, pervasive language and some violence)

The Florida Project

(A24) Brooklynn Prince, Willem Dafoe, Valeria Cotto, Caleb Landry Jones. In a decrepit hotel near Walt Disney World, a precocious and fearless 6-year-old girl gets into mischief with her friends while her rebellious mother barely scrapes together enough for the two of them to get by. Over the course of one magical summer, the young girl will take magic wherever she can find it under the watchful eye of the grumpy manager with a heart of gold. A festival favorite, this one has been getting Best Picture Oscar buzz and was shot right here in Orlando.

See the trailer and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater

Rating: R (for language throughout, disturbing behavior, sexual references and some drug material)

Happy Death Day

(Blumhouse/Universal) Jessica Rothe, Israel Broussard, Ruby Modine, Rachel Matthews. In the grand tradition of Groundhog Day, a high school senior relives the same day over and over again. It’s her birthday, normally a good thing – but it’s also the day she is murdered. She must find out the identity of her killer and survive until the next day – or be doomed to be killed over and over and over and over and over…

See the trailer, clips and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence/terror, crude sexual content, language, some drug material and partial nudity)

Marshall

(Open Road) Chadwick Boseman, Josh Gad, Kate Hudson, Sterling K. Brown. A cocky young African-American lawyer takes on a controversial case that has wider ramifications in the fight for civil rights. The lawyer will have to battle the prejudices of an entire nation in order to triumph but triumph is what Thurgood Marshall’s whole career would be about – as the first African-American to be appointed to the Supreme Court.

See the trailer, interviews and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: PG-13 (for mature thematic content, sexuality, violence and some strong language)

Professor Marston and the Wonder Women

(Annapurna) Luke Evans, Rebecca Hall, Bella Heathcote, Connie Britton. Psychologist William Marston is best known today for creating the Wonder Woman comic in 1941. Incorporating the feminist ideals of his wife and their lover, the comic was controversial from the beginning but Marston stood up for his creation, making her the most popular female superhero in the world.

See the trailer, featurettes, clips and an interview here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: R (for strong sexual content including brief graphic images, and language)

The Secret Scripture

(Vertical) Rooney Mara, Vanessa Redgrave, Eric Bana, Theo James. A woman who has been placed in a psychiatric care facility begins to receive visits from a young psychologist. His interest in her diary begins to trigger flashbacks to her youth which was filled with romance, obsession, intrigue, turmoil and ultimately the mental breakdown that got her committed.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Thriller
Now Playing: AMC West Oaks

Rating: PG-13 (for disturbing thematic content, some sexuality and lanuage)

ALSO OPENING IN ORLANDO/DAYTONA:

Blood Money
Raju Gari Gadhi 2
RWBY Volume 5: Premiere

ALSO OPENING IN MIAMI:

Brawl in Cell Block 99
Mark Felt: The Man Who Brought Down the White House
The Meyerowitz Stories (New and Selected)
Raju Gari Gadhi 2
Rumble: The Indians Who Rocked the World

ALSO OPENING IN TAMPA:

6 Below: Miracle on the Mountain
Jane
Manolo: The Boy Who Made Shoes for Lizards
Marjorie Prime
MFA
Raju Gari Gadhi 2
Udaharanam Sujatha

ALSO OPENING IN JACKSONVILLE:

Lucky
Raju Gari Gadhi 2

SCHEDULED FOR REVIEW:

Brawl in Cell Block 99
The Florida Project
The Foreigner
Happy Death Day
Lucky
Marjorie Prime
Marshall
The Meyerowitz Stories (New and Selected)
Professor Marston and the Wonder Women
Rumble: The Indians Who Rocked the World

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Miami Film Festival GEMS (Miami, October 12-15)

Jack of the Red Hearts


Famke Janssen prays for strength.

Famke Janssen prays for strength.

(2015) Drama (ARC Entertainment) AnnaSophia Robb, Famke Janssen, Scott Cohen, Taylor Richardson, Israel Broussard, John D’Leo, Sophia Anne Caruso, Drena De Niro, Chris Jarell, Tonye Patano, Maria Rivera, Preston Fritz Smith, Ana Maria Jomoica, Stephen Hill, Nan Lynn Nelson, Harry Sutton Jr., Drena De Niro, Parisa Fitz-Henley, Jenny Jaffe, Brianna Mann, Christine Toy Johnson. Directed by Janet Grillo

Autism is something that is often written about and occasionally depicted on the movie screen but rarely does it show what it means day to day to a family with an autistic child, particularly a low-functioning one. As the mom here snaps at an insensitive remark about her autistic daughter, “She’s not Rain Man.” Sadly, the movies give an image of autism as a kind of cute disease turning the folks that have it into happy idiots. That’s as far from the truth as can be.

Jack (Robb) is a street-smart, street-tough kid who has just turned 18. She and her sister Coke (Caruso) have been in and out of foster homes and juvenile detention for years. Jack’s probation officer (Patano) is pretty much fed up with her and is ready to send her to adult jail this time, now that she’s old enough. Jack wants nothing more than to get Coke out of the system so the two can live together and take care of each other.

But Jack’s going to need money to get an apartment for them if that’s going to happen and something more stable – a real job that pays well, but Jack has no employment experience. With the help of a friend she connives her way as a caregiver into the household of Kay (Janssen), Mark (Cohen), Robert (Broussard) and autistic Glory (Richardson).

The bills have been piling up and they can no longer afford Kay staying home and caring for Glory, but the child needs full-time supervision and the family needs two incomes and quite frankly, Kay needs the break, worn down from caring for a child who is no easy task. Jack, a born hustler, convinces the actual applicant (Jaffe) to leave her resume and references with her and then Jack assumes the identity of Donna, a well-qualified caregiver. Of course, Jack knows nothing about caring for an autistic 11-year-old but she figures how hard can it be?

Well, any actual parent of an autistic child will tell you that it can be terrifyingly hard. Autistic kids, depending on the type of autism, can lash out, go into trance-like states, be stubborn as mules, obsess with odd items, require rigid conformity and/or act out in very violent and public ways, often when it is least convenient. The thing the movie gets right is that caring for a child who has difficulty functioning can break a parent down; this is their child whom they love and they can’t hold a conversation with them, or at least only a rudimentary one. It requires extreme patience and an amazing amount of love.

What it doesn’t require is a stock character from an Afterschool Special who is about as badass as Taylor Swift saving the day. The script is riddled with clichés and as predictable as the Cubs missing the playoffs. Robb is a talented actress but she is reduced to face-scrunching, high-level mugging and when called upon to smoke (which she does because, you know, street kid) she’s the most unconvincing smoker ever, clearly not inhaling. I’d much rather that Jack be a non-smoker than be an approximation of one.

I’ve met several autistic kids in my life, some more high functioning than others but Richardson is completely unconvincing in the role. Her smile is like she’s posing for a head shot and when she’s screaming and acting out, I don’t see in her performance how incredibly intense this acting out can be. The best way to think about it is that she’s pretending to smile rather than actually smiling. Now, I’m fully aware that every autistic kid is different and some may well smile like they’re in a toy commercial, but it comes off as non-genuine here and it is distracting overall to the movie. Richardson has a history of playing Annie onstage, so you know she’s got talent, but this was a definite misfire and I blame the director, who should know better.

I liked Janssen’s performance as the long-suffering mom. Janssen clearly gets how stressed out Kay is and how bone-weary she is. When Janssen gets the chance to act with silence, she is marvelous – conveying far more of the parental experience with her eyes and her facial expression than the script is doing. Sadly there is so much that the script does that stops the movie dead in its tracks, like a family sing-along that feels completely in-authentic and the denouement in which is exactly what you think it will be. Even the plot twists aren’t twists so much as lane changes.

I really give the filmmakers credit for wanting to make a film about how autism affects the entire family, and there is a great movie to be made on the subject, but this really isn’t it. Too many predictable plot points, unconvincing acting from the two actors who needed to be at their best and just pedestrian filmmaking torpedo what should have been a compelling film. Janssen’s performance is worth checking out but that only takes the movie so far; a very mild and disappointing recommendation.

REASONS TO GO: Janssen is compelling as the mom. An inside look at the life of a family with an autistic child.
REASONS TO STAY: With a predictable movie-of-the-week plot, loses some of its credibility. Robb and Richardson give subpar performances.
FAMILY VALUES: Depictions of teen misbehavior, adult subject matter, teen smoking and some mildly foul language.
TRIVIAL PURSUIT: Grillo in real life is the mother of an autism spectrum child.
CRITICAL MASS: As of 2/26/16: Rotten Tomatoes: 63% positive reviews. Metacritic: 55/100.
COMPARISON SHOPPING: Molly
FINAL RATING: 5/10
NEXT: Legendary