New Releases for the Week of February 14, 2020


SONIC THE HEDGEHOG

(Paramount) James Marsden, Ben Schwartz, Jim Carrey, Tika Sumpter, Natascha Rothwell, Neal McDonough, Adam Pally. Directed by Jeff Fowler

The classic SEGA videogame comes to the big screen as a strange visitor from another dimension, possessed of unbelievable speed, whose power is sought afte by the nefarious Dr. Robotnik. It will take all of the brash, blue hedgehog’s power to stay out of the scientist’s clutches, but he has help – a new friend he made on Earth.

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Genre: Family
Now Playing: Wide Release
Rating: PG (for action, some violence, rude humor and brief mild language)

After Midnight

(Cranked Up) Jeremy Gardner, Brea Grant, Henry Zebrowski, Justin Benson. A bartender is dumped by his girlfriend after he stubbornly refuses to consider marriage. After that, he is stalked every night at closing time by a hideous creature. Let that be your Valentine’s Day lesson, boys.

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Genre: Horror
Now Playing: Barnstorm Theater
Rating: NR

Come As You Are

(Goldwyn) Grant Rosenmeyer, Hayden Szeto, Ravi Patel, Gabourey Sidibe. Three young men with disabilities flee their overprotective parents on a road trip to Montreal to a brothel that specializes in special needs clients. They are aided by a traveling nurse in their quest to lose their virginity.

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Genre: Comedy
Now Playing: Old Mill Playhouse
Rating: NR

Camp Cold Brook

(SHOUT!) Chad Michael Murray, Danielle Harris, Michael Eric Reid, Courtney Gains The producer of a paranormal investigative show, desperate to stave off cancellation and financial ruin, decides ti film at the notorious Camp Cold Brook where years earlier a tragedy led to the drowning of several campers. When they arrive at the deserted camp, however, the production team gets much more than it bargained for.

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Genre: Horror
Now Playing: Barnstorm Theater
Rating: NR

Downhill

(Searchlight) Julia Louis-Dreyfus, Will Ferrell, Miranda Otto, Zach Woods. A family ski trip turns into disaster when the father apparently deserts his family when threatened by an avalanche. This leads to the crack in their marriage to be forced much wider. This is an English-language remake of the 2014 Swedish film Force Majeure.

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Genre: Comedy
Now Playing: Wide Release
Rating: R (for language and some sexual material)

Fantasy Island

(Columbia) Michael Peña, Lucy Hale, Maggie Q, Portia Doubleday. This isn’t your mommy and daddy’s Fantasy Island, the 70s television show with Ricardo Montalban and Herve Villechaize. Here, a much darker Mr. Roark turns vacationer’s fantasies into living nightmares.

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Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for some violence, terror, drug content, suggestive material and brief strong language)

First Lady

(ArtAffects) Burgess Jenkins, Corbin Bernsen, Jenn Gordon Chandler, Nancy Stafford. When a President dies in office, his widow agrees to help the bachelor Vice-President run for the Presidency by agreeing to be his First Lady in order to keep the ditzy wife of his opponent from ruining the dignity of the office. However, when a better offer comes along, can she walk away from the White House?

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Genre: Romantic Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Epic Theaters of Clermont, Epic Theaters of West Volusia, Old Mill Playhouse, Regal The Loop, Regal Waterford Lakes
Rating: PG (for some thematic elements)

The Kindness of Strangers

(Vertical) Zoe Kazan, Andrea Riseborough, Caleb Landry Jones, Bill Nighy. Six ordinary people in New York City in search of hope and maybe even love find their lives intersecting and that their dreams could lie in one another’s hands.

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Genre: Drama
Now Playing: Studio Movie Grill Sunset Walk
Rating: NR

Les Misérables

(Amazon) Damien Bonnard, Alexis Manenti, Djebril Zonga, Issa Perica. A trio of police officers in a rough part of Paris find themselves overrun by an angry mob during the course of an arrest. As events unfold, a drone captures their every move on camera. This was a finalist for the Best Foreign Language Film at last weekend’s Oscars.

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Genre: Dramedy
Now Playing: Cinematique Daytona Beach
Rating: R (for language throughout, some disturbing/violent content, and sexual references)

Love Aaj Kal

(Reliance) Kartik Aaryan, Sara Ali Khan, Randeep Hooda, Arushi Sharma. Two souls journey through life and love during various reincarnations.

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Genre: Romance
Now Playing: AMC West Oaks, Cinemark Universal Citywalk, Touchstar Southchase
Rating: NR

The Photograph

(Universal) Issa Rae, LaKeith Stanfield, Lil Rel Howley, Courtney B. Vance. The death of her renowned photographer mother leaves a young African-American with mixed feelings, but a photograph found hidden in a safe deposit box sends the estranged daughter on a journey through her mother’s early years, where she finds an unexpected romance with a young journalist.

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Genre: Romance
Now Playing: Wide Release
Rating: PG-13 (for sexuality and brief strong language)

Spy Intervention

(Cinedigm) Drew van Acker, Poppy Delevingne, Blake Anderson, Brittany Furlan. When the world’s greatest spy finds the woman of his dreams, he elects to retire from international espionage and settle down for a suburban life. When the world comes under threat, however, his colleagues stage an intervention to get him back into the game – which, it turns out, he’s all too eager to do.

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Genre: Spy Comedy
Now Playing: Studio Movie Grill Sunset Walk
Rating: NR

VHYes

(Oscilloscope) Kerri Kenney, Thomas Lennon, Charlyne Yi, Tim Robbins. Shot entirely on VHS cameras, this retro comedy shows what happens when a precocious 12-year-old records over important family memories with a collection of his favorite late night shows and homemade videos.

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Genre: Comedy
Now Playing: Enzian Theater
Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Varane Aavashyamandu
World Famous Lover

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Citizen K
The House on Wannsee Street
Jose
Julieta
The Last Thing He Wanted
Varane Aavashyamandu
World Famous Lover

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

India vs. England
Varane Aavashyamandu
World Famous Lover

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Varane Aavashyamandu
World Famous Lover

SCHEDULED FOR REVIEW:

Camp Cold Brook
Downhill
Fantasy Island
Sonic the Hedgehog

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Cinema Verde International Environmental Film Festival, Gainesville FL
Love Your Shorts Festival, Sanford FL
Miami International Science Fiction Film Festival, Palmetto Bay FL

The Hate U Give


Driving while black can be fatal in 21st century America.

(2018) Drama (20th Century FoxAmandla Stenberg, Regina Hall, Russell Hornsby, Anthony Mackie, Issa Rae, Common, Algee Smith, Sabrina Carpenter, K.J. Apa, Dominique Fishback, Lamar Johnson, TJ Wright, Megan Lawless, Rhonda Johnson Dents, Tony Vaughn, Marcia Wright, Al Mitchell, Karan Kendrick, Jevon Johnson, Mike Stoudt, Tye Claybrook Jr., Andrene Ward-Hammond. Directed by George Tillman Jr.

 

In the latter years of the 20-teens, it was fashionable for those of white privilege to say that race relations had markedly improved. After all, blacks can vote now, can’t they? They can use the same bathrooms as white people, can’t they? They’re not in chains anymore, are they?

The chains that African-Americans wear in the 21st century are much more subtle than iron but just as binding and just as evil. We can see those shackles so clearly in this adaptation of a best-selling young adult novel.

Starr Carter (Stenberg) is a bright, vivacious 16-year-old African-American girl who lives in Garden Heights, a predominantly black working-class neighborhood. Her father Maverick (Hornsby) is a former activist who had a bad run a few years ago and ended up doing jail time as a gang member for local gang leader King (Mackie). He currently owns a corner grocery market in the Heights; Starr’s mother (King), however, wants her babies to escape the Hood and to that end she has sent Starr, her brother Seven (Johnson) and younger sister Sekani (TJ Wright) to Williamson Prep, an upper-crust private school which is mostly white.

Starr exists in two different worlds which she is able to compartmentalize at first. However, while being driven home from a party by her childhood friend Khalil (Smith), they are pulled over by a white cop for no apparent reason. Although Starr begs Khalil to keep his hands on the dashboard and to obey every command given him by the obviously nervous patrolman, Khalil adopts a more confrontational attitude and when he reaches for a hairbrush inside the car, the panicked cop shoots him dead.

The shooting of another unarmed black youth puts the community into an uproar. Starr, the only eyewitness, is terrified if she comes forward to testify in front of the grand children that she and her family will be targeted by the police. Equally real is King’s desire that Starr not testify because it would come out that Khalil worked for King as a drug dealer. This is not information King is particularly eager to see go public.

Starr is caught in the center of a ticking time bomb. On the one hand, she wants to honor Khalil’s memory by standing up for him; on the other hand, she wants to protect her family. Doing the right thing never seemed so hard.

The movie captures the flavor of the African-American community in a way that makes it seem almost idyllic, from the ranks of the community to the warmth of family. It also doesn’t shy away from portraying the violence in the community; a party is interrupted by gunshots, and King in a particularly vicious move orders a store to be firebombed with children inside.

Still, the frustration of the black community is very palpable and very understandable from the very first scene, in which Maverick explains to his children how to survive an encounter with the police. This is not a talk white parents need to have with their kids but it is tragically all-too-common in African-American homes. The script makes no bones about the conditions that have created this situation.

The star here is Starr, or rather, Amandla Stenberg who is absolutely riveting. She gives Starr an inner strength that shows through even when she’s full of doubt. Starr has a playful side that Stenberg captures nicely, but also a vulnerable side. Starr is one of the most nuanced characters to come out of literature in the past decade, and she’s one of the most nuanced characters to come out of the movies as well, thanks largely to Stenberg. Hornsby also gets points for a strong performance as Maverick.

The movie stumbles a bit in its occasional strident tone; not that it’s unjustified, mind you, but it can be preachy in places. The ending is a little bit out there, and there are a few plot contrivances that felt a little forced. It also is a fairly long movie which might not sit well with its target audience. However, if you give this film a chance you will find it might just strike a powerful chord in you. That is, unless you’re one of those folks who think that African-Americans should be grateful for the strides they’ve made over the past sixty years. Then again, those folks are the least likely to want to see a movie like this.

REASONS TO SEE: Stenberg shows real strength in her performance. Captures the positives of African-American culture; the sense of community and family, for example.
REASONS TO AVOID: Sometimes grows overly strident in its message (although that is somewhat understandable).
FAMILY VALUES: This is definitely adult, thematically speaking. There is also quite a bit of profanity, some violence and drug references.
TRIVIAL PURSUIT: Screenwriter Audrey Wells died of cancer the day before the film was released, 13 days before the national wide release.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, HBO Go, Microsoft, Movies Anywhere, Redbox, Vudu, YouTube
CRITICAL MASS: As of 1/19/20: Rotten Tomatoes: 97% positive reviews: Metacritic: 81/100.
COMPARISON SHOPPING: Monsters and Men
FINAL RATING: 7.5/10
NEXT:
The Sisters Brothers