Being the Ricardos


We all love Lucy.

(2021) Biographical Drama (Amazon) Nicole Kidman, Javier Bardem, J.K. Simmons, Nina Arianda, Tony Hale, Alia Shawkat, Jake Lacy, Linda Lavin, Ronny Cox, John Rubenstein, Clark Gregg, Nelson Franklin, Jeff Holman, Jonah Platt, Christopher Denham, Brian Howe, Ron Perkins, Baize Buzan, Matt Cook, Josh Bednarsky, Dana Lyn Baron, Dan Sachoff, Max Silvestri, Renee Pezzotta. Directed by Aaron Sorkin

 

They don’t get much more iconic than Lucille Ball and Desi Arnaz, the real-life husband and wife team that headed up I Love Lucy, perhaps the greatest and certainly the most popular sitcom of all time. At its height, the show could claim 60 million viewers each and every week – when the country’s total population was 160 million, meaning than one out of every two and a half Americans were watching it. Water usage went down when I Love Lucy was on, because people wouldn’t use the bathroom while the show was airing. The show was by every standard a phenomenon.

This new film by Aaron Sorkin charts one week during the show’s second season. The episode Fred and Ethel Fight is the one that was getting made that week and things start with the Monday table read, but the show is in an uproar and for good reason. Over the weekend, a pair of events have happened; syndicated gossip columnist Walter Winchell has accused Ball (Kidman) of being a card-carrying member of the Communist party, a serious career-killiing no-no in the era of Tailgunner Joe McCarthy. A magazine article also shows Arnaz (Bardem), the Cuban émigré, out cavorting with someone who was definitely not Lucy.

With Lucy’s reputation at stake, and her marriage in trouble, it is the show that seems to be what keeps her going. A notorious perfectionist, Lucy endlessly tinkers with the script, much to the annoyance of director Donald Glass (Denham) and the amusement of co-stars William Frawley (Simmons) who played Fred Mertz, and Vivian Vance (Arianda), who played his wife Ethel. Lucy agonizes endlessly over little physical bits of business, from her arranging flowers for the dinner table, to Desi walking up behind her and covering her eyes with a playful “Guess who?”

The film is meant to be a backstage glimpse of a power couple that have never really gotten their due as innovators, savvy business people and forward-thinking producers (Ball and Arnaz were early champions of Star Trek and Mission: Impossible, both which ironically continue to be cash cow franchises for Paramount Studios, which owns the assets of Desliu (the production company that Desi and Lucy founded) today).

The movie follows a time-jumping path that can be confusing at times; there are semi-documentary interviews with the older versions of show runner Jess Oppenheimer (the younger version played by Hale), played by Rubenstein, producer Bob Carroll (Lacy) played by Cox and writer Madelyn Pugh (Shawkat) played by Lavin as an older woman.

We also see flashbacks to earlier points in the careers of both Arnaz and Ball, including their first meeting and eventual romance. The flashbacks do give a little context, but they tend to slow the film down somewhat and are at the end of the day, somewhat unnecessary. Still, Sorkin imbues the film with snappy dialogue (his trademark) and if he isn’t interested in giving us a real appreciation of the human beings that were Lucy and Desi, he does give us a real appreciation of their gifts as performers and behind-the-screen producers.

During this same week, Ball discovered she was pregnant which threw all sorts of consternation into the show; at the time, it was forbidden to even mention the word “pregnant” on the air – viewers of the show may recall the couple’s onscreen bedroom contained separate beds – and Lucy’s stubborn insistence that the pregnancy be written into the show, which despite overwhelming resistance from their sponsor (tobacco company Philip Morris) and the network, was eventually done, leading to some of the most memorable episodes in television history.

Kidman doesn’t particularly resemble Ball facially, but she captures her mannerisms and speech cadence nicely; Bardem is nothing like Arnaz but like Kidman does a good job of capturing the essence of the character. Simmons is memorable as Frawley, and Shawkat and Lacy have a playful relationship, while Shawkat and Kidman have a terrific scene as they discuss the difficulties in being a woman in the entertainment industry; they have improved some since then but not by much.

Kidman has already won the Golden Globe for her performance here and is virtually a shoo-in to be nominated for the Oscar when nominations for the 94th annual Academy Awards are announced on February 8th, 2022. The film is currently playing on Amazon Prime (link below) and may still be in some theaters near you, although to be honest this is a movie in my opinion best seen at home on TV, just like the sitcom was. You can also enjoy the episode that is depicted in the film is available on Hulu and Amazon (for Paramount Plus subscribers) and can be watched on the links therein.

REASONS TO SEE: Kidman captures Ball’s speech and mannerisms nicely. Another terrific screenplay by Sorkin (surprise!).
REASONS TO AVOID: Drags some in the middle.
FAMILY VALUES: There is profanity, sexual content, adult themes, period smoking and drinking.
TRIVIAL PURSUIT: Linda Lavin plays the older Madelyn Pugh, who executive produced the TV sitcom Alice that starred Lavin – and in which Desi Arnaz appeared in.
BEYOND THE THEATERS: Amazon
CRITICAL MASS: As of 1/19/22: Rotten Tomatoes: 68% positive reviews; Metacritic: 60/100.
COMPARISON SHOPPING: Stan and Ollie
FINAL RATING: 7.5/10
NEXT:
Diane

New Releases for the Week of December 24, 2021


THE KING’S MAN

(20th Century) Ralph Fiennes, Harris Dickinson, Rhys Ifans, Djimon Hounsou, Gemma Arterton, Matthew Goode, Tom Hollander, Charles Dance. Directed by Matthew Vaughn

With the world on the brink of a ruinous war, one man must take on a tyrant bent on world domination – and in doing so founds an agency of superspies that will protect the world against the threats of darkness for the next century.

See the trailer here
For more on the movie this is the website

Genre: Action
Now Playing: Wide
(Opened Wednesday)
Rating: R (for sequences of strong/bloody violence, language, and some sexual material)

83

(Annapurna) Ranveer Singh, Deepika Padukone, Pankaj Tripathy, Tahir Raj Bhasin. One man with unshakable belief led the Indian cricket team to a monumental upset victory and put the national team of India on the map, helping issue an era of dominance in the sport that continues to this day.

See the trailer here
For more on the movie this is the website

Genre: Sports Biography
Now Playing: AMC West Oaks
Rating: NR

A Journal for Jordan

(Columbia) Michael B. Jordan, Chanté Adams, Robert Wisdom, Jalon Christian. A young soldier deployed to Iraq keeps a journal full of love and wisdom for his infant son. Based on a true story, the movie is directed by Denzel Washington.

See the trailer here
For more on the movie this is the website

Genre: War Drama
Now Playing: Wide
(Opens Saturday)
Rating: PG-13 (for some sexual content, partial nudity, drug use and language)

American Underdog

(Lionsgate) Zachary Levi, Anna Paquin, Dennis Quaid, Bruce McGill. Kurt Warner went from stocking shelves in a grocery store to a two-time MVP, Super Bowl champion and Hall of Fame quarterback, taking an unlikely route to greatness.

See the trailer here
For more on the movie this is the website

Genre: Sports Biography
Now Playing: Wide
(Opens Saturday)
Rating: PG (for some language and thematic elements)

Being the Ricardos

(Amazon) Nicole Kidman, Javier Bardem, J.K. Simmons, Nina Arianda. Acclaimed writer/director Aaron Sorkin takes us behind the scenes during a fraught production week of the legendary sitcom I Love Lucy while examining the complicated professional and personal relationship between stars Desi Arnaz and Lucille Ball.

See the trailer here
For more on the movie this is the website

Genre: Biographical Drama
Now Playing: AMC Disney Springs
(opened Wednesday) (also on Amazon Prime)
Rating: R (for language)

Licorice Pizza

(United Artists) Alana Haim, Cooper Hoffman, Sean Penn, Bradley Cooper. Oscar-nominated director Paul Thomas Anderson looks at two young people growing up and falling in love in the San Fernando Valley in the 1970s.

See the trailer here
For more on the movie this is the website

Genre: Dramedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Orlando, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village
Rating: R (for language, sexual material and some drug use)

The Matrix Resurrections

(Warner Brothers) Keanu Reeves, Carrie-Anne Moss, Jada Pinkett Smith, Neil Patrick Harris. Plagued by strange memories – and unable to remember people important to him, Neo finds himself back in the Matrix, which has changed a great deal since we saw it last.

See the trailer here
For more on the movie this is the website

Genre: Science Fiction
Now Playing: Wide
(Also on HBO Max) (Opened Wednesday)
Rating: R (for violence and some language)

Sing 2

(Universal) Starring the voices of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Bono. Buster Moon and his gang of big dreamers with big singing voices take their act to the glittering stages of…well, not Las Vegas, but something very much like it.

See the trailer here
For more on the movie this is the website

Genre: Animated Feature
Now Playing: Wide
(Opened Wednesday)
Rating: PG (for some rude material and mild peril/violence)

COMING TO VIRTUAL CINEMA/VOD:

Beanie Mania (Thursday)
Don’t Look Up
Lulli
(Sunday)
The Scary of Sixty-First
The Super Bob Einstein Movie
(Tuesday)

SCHEDULED FOR REVIEW:

A Journal for Jordan
American Underdog
Beanie Mania
Being the Ricardos
Don’t Look Up
The King’s Man
Licorice Pizza
The Matrix Resurrections
The Super Bob Einstein Movie

The Tomorrow War


Tomorrow isn’t looking quite so bright.

(2021) Science Fiction (Paramount) Chris Pratt, Yvonne Strahovsky, J.K. Simmons, Betty Gilpin, Sam Richardson, Jasmine Matthews, Edwin Hodge, Ryan Kiera Armstrong, Keith Powers, Mary Lynn Rajskub, Mike Mitchell, Jared Shaw, Alexis Louder, Rose Bianco, Seychelle Gabriel, Alan Trong, Chibuikem Uche, Dave Maldonado, Kasandra Banfield. Directed by Chris McKay

 

Among the pandemic’s casualties was this film, meant to be one of Paramount’s tentpoles in the never-to-be-forgotten (no matter how hard we try) summer of 2020 but relegated to the indignity of direct-to-streaming the following year.

High school biology teacher Dan Forester (Pratt), a former Green Beret who has felt unfulfilled since returning home from the Iraq War, is trying to find a research job without success. His wife Emmy (Gilpin) and daughter Muri (Armstrong) believe in him, but he still feels like he’s missing something. Perhaps it’s his estranged dad (Simmons), a no-nonsense macho sort who has become an anti-government hermit living off the grid.

But his life – and everyone else’s – is turned upside down with the appearance of time travelers appearing at a soccer game with disturbing news; earth has been invaded by aliens and 20 years in the future, mankind is on the verge of becoming extinct. The future needs soldiers and they’ve come to the past to recruit them.

The survival rate is appalling, but Dan knows he has to go and despite the objections of his wife and tears of his daughter, he knows that this is the war he was meant to fight. On the jaunt back to the future he befriends fellow scientist Charlie (Richardson) and soldier Dorian (Hodge), the latter of whom is entering his third seven-day tour. Oh, that’s right, I forgot to tell you – they can only spend seven days in the future before being bounced back to their own time.

He also meets a hard-boiled colonel (Strahovsky) who has a nagging familiarity to her (and only the most dullest of intellects won’t be able to figure out why). He faces the aliens – all tentacles and teeth, shooting bony white projectiles from their tentacles, which nets them the name “White Spikes.” But even the infusion of cannon fodder from the past isn’t making much of a difference as the aliens are too many, breed too quickly and are too blamed hard to kill. Mankind may well be doomed – unless someone can come up with a solution to nip the problem before it rears its ugly multi-tentacled head.

This sci-fi action/war movie has elements of alien invasion movies like Skyline and sci-fi war tales like Starship Troopers and falls about in the middle of those two films in terms of quality. Pratt is a bright spot, one of Hollywood’s most consistently successful stars since emerging in the MCU as Star-Lord nearly a decade ago. This doesn’t feel like another franchise film for him; while he excels in the action sequences, he sometimes falters when the scenes are more dramatic in nature. He has always tended to do better with a bit of a smirk than with a bit of pathos.

Strahovsky is a capable actress who should have become a big star after Chuck ended, but hasn’t gotten the kinds of roles that would elevate her there. Simmons shows off his buff bod, astonishing for a 66-year-old man, but is given little else to do. Richardson and Hodge supply good support – Richardson as comic relief, Hodge as resident badass support – but it’s clear that the centerpiece are the CGI alien and action set pieces.

What bothers me most about the movie is the plot inconsistencies. People from the past are sent forward in time to essentially serve as cannon fodder; doesn’t that affect the future if they die in the war, leaving them unable to return to the past and live out the lives they were meant to? It also seems somewhat odd that we are able to invent time travel and yet we have made no significant improvement in armament. Most wars tend to lead to breakthroughs in military technology but nothing here seems to be terribly advanced.

Still, there’s plenty of action, plenty of carnage, plenty of nasty aliens and plenty of Chris Pratt. Chances are this would have done only middling business in the theaters had their not been a pandemic, and likely would have lost money but the sale of the movie from Paramount to Amazon meant it will at least break even for the studio, although whether that translates to profit for Amazon is anyone’s guess.

=REASONS TO SEE: Pratt has become one of Hollywood’s most bankable stars.
REASONS TO AVOID: Some oddball plot inconsistences.
FAMILY VALUES: There is plenty of sci-fi violence and carnage, as well as some profanity including sexually suggestive dialogue.
TRIVIAL PURSUIT: Chris Pratt is married to Arnold Schwarzenegger’s daughter.
BEYOND THE THEATERS:
Amazon
CRITICAL MASS:& As of 11/28/2021: Rotten Tomatoes: 52% positive reviews; Metacritic: 45/100.
COMPARISON SHOPPING: Edge of Tomorrow
FINAL RATING: 6/10
NEXT:
Black Friday

The Front Runner


Hugh Jackman can’t believe he went from being Wolverine to being Gary Hart.

(2018) Biographical Drama (Columbia) Hugh Jackman, Vera Farmiga, J.K. Simmons, Mark O’Brien, Molly Ephraim, Chris Coy, Alex Karpovsky, Josh Brener, Steve Zissis, Tommy Dewey, Kaitlyn Dever, Oliver Cooper, Jenna Kanell, RJ Brown, Alfred Molina, Ari Graynor, John Bedford Lloyd, Steve Coulter, Kevin Pollack, Sara Paxton, Joe Chrest, Courtney Ford, Rachel Walters.  Directed by Jason Reitman

 

The story of Senator Gary Hart’s (D-Co.) 1988 Presidential campaign is either a comedy of errors, or a tragedy of monumental proportions – likely depending on your political point of view. The facts are fairly simple. Hart (Jackman) was considered the front runner for the Democratic nomination until the press – mainly in the person of Miami Herald reporter Tom Fiedler (Zissis) chased down rumor that Hart was having an extramarital affair with a model by the name of Donna Rice (Paxton). The scandal – which was all innuendo and is denied to this day by both Hart and Rice – was enough to sink Hart’s ship and wipe out his political career.

Reitman tends to lean towards the quixotic. It is clear that the Hart scandal signaled the end of a tacit understanding between the press and politicians that personal affairs were off-limits; the press smiled and looked the other way while John Kennedy had several affairs, most famously with Marilyn Monroe – so they say. Hart’s own stubborn refusal to see the coming storm and ignore the scandal that was brewing is seen as a tragic flaw in his character – he wanted to focus on the issues. In today’s political reality, that concept seems as quaint as the horse and buggy.

The movie is based on a book by journalist Mike Bai with the script co-written by Bai, Reitman and former political campaign staffer Jay Carson and thus has a ring of authenticity of it. Reitman seems to be going for a West Wing-like vibe in which idealists who want to make the world a better place are stymied by political realities, but the movie is oddly low energy, something that the West Wing could never have been accused of.

A dynamite cast including some outstanding performances by Farmiga as Hart’s long-suffering wife, Simmons as his campaign manager and Molina as Washington Post editor Ben Bradlee are a highlight. Reitman also treats Rice with much compassion, showing her as a victim and not as a golddigger which is how the contemporary press portrayed her. She was assuredly not that.

Still, I would have liked a bit more attention to period detail and maybe a less low-key performance by Jackman who would seem to be perfectly cast as Hart, but never really gets the politician’s personal charisma right. Hart was a front runner for a reason, but you wouldn’t know it by watching this film.

REASONS TO SEE: A stark reminder that we elect the leaders we deserve.
REASONS TO AVOID: A little too low-key for my taste.
FAMILY VALUES: There is some profanity as well as sexual references.
TRIVIAL PURSUIT: ever and Ephraim play two of the Baxter sisters on Last Man Standing.
BEYOND THE THEATERS: Amazon, AppleTV, Fandango Now, Google Play, Microsoft, Movies Anywhere, Redbox, Sling TV, Starz, Vudu, YouTube
CRITICAL MASS: As of 3/4/20: Rotten Tomatoes: 60% positive reviews; Metacritic: 61/100.
COMPARISON SHOPPING: Primary Colors
FINAL RATING: 6/10
NEXT:
Sorry We Missed You

Klaus


This is not your daddy’s Santa Claus.

(2019) Animated Feature (Netflix) Starring the voices of Jason Schwartzmann, J.K. Simmons, Rashida Jones, Norm McDonald, Joan Cusack, Will Sasso, Sergio Pablos, Mila Brener, Neda Margrethe Labba, Sydney Brower, Teddy Blum, Emma Shannon, Kendall Joy Hall, Julian Zane, Amanda Philipson, Finn Carr, Tucker Meek, Hailey Hermida, Jaeden Bettencourt. Directed by Sergio Pablos and Carlos Martinez López

 

We’ve all seen origin stories of the big guy in Red before. No, I’m not talking about Shazam! I’m talking about the real big guy. Santa. Claus, even.

This delightful animated feature has the distinction of being the first animated feature to be distributed by streaming giant Netflix (after a brief theatrical run) and it will have the added bonus of making animated feature aficionados wish that Netflix would have made it more widely available in theaters, because the animation is that gorgeous, with a hand-painted look that hasn’t been seen since the halcyon days of Disney, which is where director Sergio Pablos cut his teeth, by the by.

The film is about Jesper (Schwartzmann), the indolent scion of a politically connected and wealthy family. Jesper, the son of a Central European country’s postmaster general, is coasting his way through life, shirking work whenever possible and looking forward to using his family’s political connections to maintain his lifestyle of personal butlers, espressos on demand and silk sheets. However, his father has different ideas. He exiles his son to Smeerensburg (which is based on a Finnish town that no longer exists), a town above the Arctic circle where no letters have been mailed in years.

It turns out there’s a reason for that. The town is run by two families that have been feuding for centuries, the Krum family whose matriarch (Cusack) absolutely hates the patriarch (Sasso) of the Ellingboe family. The two family heads have recruited the children into a vicious cycle of hate and pranks which gives the film a kind of Looney Tunes feel and also a kind of warped satisfaction as the lazy Jesper is often the butt of the children’s tricks.

Through a convoluted set of circumstances, Jesper meets Klaus (Simmons), a lonely and isolated woodsman who has deliberately isolated himself for reasons that are made clear later. He has a gift for wood carving and eventually delivers a toy to a young child whose melancholy drawing touched his heart. Jesper, recognizing a scam when he sees one, induces the kids to write letters to Klaus to get him to send them toys; he just needs six thousand of them to be released from his exile. He utilizes Alva (Jones), a teacher who came to a town where none of the kids attend school, to teach the kids to write letters. She has resorted to converting the school to a fish market in order to make ends meet and save up enough to get out of that crazy town. But as the kindness of Klaus begins to affect the children, Mrs. Krum and Mr. Ellingboe begin to plot to end this change which threatens the status quo.

The movie starts out a bit slowly and the early Looney Tunes section might pale in comparison with classic cartoons, but it picks up steam as it goes along and never fails to charm. Kids will be entranced with the lovely images and adults will find the movie heart-tugging – the ending in fact is likely to generate more than a few tears from sensitive viewers. I, myself, loved it.

As Christmas films go, this one is certainly superior to the glut of direct-to-home video projects that make up the bulk of what’s available at this time of year. Klaus is the kind of movie you and your kids will want to see again and again, year after year. That’s the kind of Christmas gift that keeps on giving.

REASONS TO SEE: The animation is magical. The film is charming throughout, with the ending being absolutely wonderful.
REASONS TO AVOID: It’s a bit of a slog during the first third.
FAMILY VALUES: There is some rude humor as well as mild animated action.
TRIVIAL PURSUIT: This is the first hand-drawn animated film to make use of CGI lighting techniques to give it almost a 3D feel.
BEYOND THE THEATERS: Netflix
CRITICAL MASS: As of 12/8/19: Rotten Tomatoes: 92% positive reviews: Metacritic: 63/100.
COMPARISON SHOPPING: Santa Claus is Coming to Town
FINAL RATING: 7.5/10
NEXT:
The Boy, The Dog and The Clown

New Releases for the Week of November 22, 2019


FROZEN II

(Disney) Starring the voices of Kristen Bell, Idina Menzel, Josh Gad, Jonathan Groff, Sterling K. Brown, Evan Rachel Wood, Alfred Molina. Directed by Chris Buck and Jennifer Lee

Elsa has magical powers, that much we know, but where did they come from? The question has become more important with her kingdom hanging on the line, Elsa, Olaf, Anna, Kristoff and Sven must undergo an adventure that even Elsa’s powers may not be able to protect them on.

See the trailer here
For more on the movie this is the website
Genre: Animated Feature
Now Playing: Wide Release
Rating: PG (for action/ peril and some thematic elements)

21 Bridges

(STX) Chadwick Boseman, Siena Miller, Keith David, J.K. Simmons. The son of a slain cop is given responsibility to track down a pair of cop killers. As his investigation deepens, he goes from being the hunter to being the hunted.

See the trailer here
For more on the movie this is the website  
Genre: Crime Drama
Now Playing: Wide Release
Rating: R (for violence and language throughout)

A Beautiful Day in the Neighborhood

(TriStar) Tom Hanks, Matthew Rhys, Susan Kelechi Watson, Chris Cooper. A jaded and broken reporter is assigned to interview Fred Rogers, and has his life transformed by the experience.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Wide Release
Rating: PG (for some strong thematic material, a brief fight, and some mild language)

The Irishman

(Netflix) Robert De Niro, Al Pacino, Joe Pesci, Anna Paquin. A former World War II veteran who earned his living postwar as an operative for a notorious crime family, reminisces about his part in the disappearance of Jimmy Hoffa. This is the latest from legendary director Martin Scorsese and is said to be one of his best ever.

See the trailer here
For more on the movie this is the website  
Genre: Gangster
Now Playing: Enzian Theater
Rating: R (for some strong violence, and for language and brief nudity)

Waves

(A24) Kelvin Harrison Jr., Lucas Hedges, Taylor Russell, Sterling K. Brown. A suburban African-American family in South Florida led by a well-meaning but domineering father navigate the shoals of love and loss in this Oscar hopeful.
See the trailer here
For more on the movie this is the website  
Genre: Romance
Now Playing: Enzian Theater (opens Wednesday)
Rating: R (for language throughout, drug and alcohol use, some sexual content and brief violence – all involving teens)

ALSO OPENING IN ORLANDO/DAYTONA:

Adithya Varma
Age Out
The Courier
Pagalpanti

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

Adithya Varma
Age Out
Cunningham
Frankie
George Reddy
Pagalpanti
Synonyms

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

The Divine Move 2: The Wrathful
Edie
Pagalpanti

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Adithya Varma
George Reddy
Pagalpanti

SCHEDULED FOR REVIEW:

21 Bridges
A Beautiful Day in the Neighborhood
Synonyms
Waves

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Key West Film Festival, Key West FL
Ocean Dance International Film Festival, Miami FL

New Releases for the Week of November 23, 2018


RALPH BREAKS THE INTERNET

(Disney) Starring the voices of John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson, Jack McBrayer, Jane Lynch, Alan Tudyk, Alfred Molina. Directed by Phil Johnston and Rich Moore

Ralph and his new friend Princess Vanellope discover a Wi-Fi router in the arcade which turns out to be a portal to a much larger world where, of course, they immediately get into trouble.

See the trailer, clips, promos, interviews, video featurettes, a music video and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, RPX, XD
Genre: Animated Feature
Now Playing: Wide Release (opened Wednesday)

Rating: PG (for some action and rude humor)

Bodied

(NEON) Calum Worthy, Jackie Long, Rory Uphold, Jonathan “Dumboundead” Park. A Berkeley grad student writing his thesis on the use of a certain racial slut in battle rap becomes enmeshed in that underground world. This has already been reviewed by Cinema365 and a link to that review can be found below.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: Enzian Theater

Rating: R (for strong language and sexual content throughout, some drug use and brief nudity)

Creed II

(MGM/New Line) Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad. Adonis Creed tries to balance his personal and family obligations with his preparations for the biggest fight of his career – against the son of the man who killed his father in the ring.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, Dolby
Genre: Sports Drama
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for sports action violence, language and a scene of sensuality)

The Front Runner

(Columbia) Hugh Jackman, Vera Farmiga, J.K. Simmons, Molly Ephraim. Gary Hart was a Senator with a promising political career ahead of him launching his first Presidential campaign and is the odds-on favorite to grab the nomination and possibly even the presidency. His career though is derailed by a scandalous love affair.

See the trailer, clips and a video featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for language including some sexual references)

Green Book

(DreamWorks) Viggo Mortensen, Mahershala Ali, Linda Cardellini, Sebastian Maniscalco. A working class Italian-American is hired to drive a concert pianist from New York for a concert tour in the Deep South of the 1960s. Because his passenger is an African-American, the Green Book for the Negro Motorist must be used to find places that he can go safely. The two end up forging an unlikely friendship.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for thematic content, language including racial epithets, smoking, some violence and suggestive material)

The House That Jack Built

(IFC) Matt Dillon, Bruno Ganz, Uma Thurman, Siobhan Fallon Hogan. The twelve year career of failed architect turned serial killer Jack, who looked as his murders as works of art – while a more dispassionate view turns the art into madness. This is the latest from director Lars von Trier which means you will love it or loathe it but you won’t forget it.

See the trailer, clips, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater (Wednesday 11/28 only)

Rating: R (for strong disturbing violence/sadistic behavior, grisly images, language, and nudity)

Robin Hood

(Summit) Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson. An English knight, hardened by battle, returns to England to find it in turmoil, with corrupt nobles exploiting the people in the absence of their King. Accompanied by his Moorish commander and aided by a group of rebels, he mounts a revolt against the would-be tyrants while romancing the stunning Maid Marian.

See the trailer and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Action
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for extended sequences of violence and action, and for some suggestive references)

ALSO OPENING IN ORLANDO/DAYTONA:

Searching for Ingmar Bergman
Sinatra in Palm Springs

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Burning
Lila’s Book
Maria by Callas
Weightless

ALSO OPENING IN TAMPA/ST. PETERSBURG:

24 Kisses

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

None

SCHEDULED FOR REVIEW:

Bodied
Creed II
The Front Runner
Green Book
Ralph Breaks the Internet
Robin Hood

Justice League


Could this be Ben Affleck’s last appearance as Batman?

(2017) Superhero (Warner Brothers) Ben Affleck, Gal Gadot, Henry Cavill, Amy Adams, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J.K. Simmons, Ciarán Hinds, Amber Heard, Joe Morton, Billy Crudup, Lisa Loven Kongsli, Ingvar Sigurdsson, David Thewlis, Marc McClure, Sergi Constance, Julian Lewis Jones, Salóme Gunnarsdóttir. Directed by Zach Snyder

 

With the critical and commercial success of Wonder Woman earlier this year, expectations were high that the DC Extended Universe – the comic book publisher’s cinematic arm and their version of the Marvel Cinematic Universe – was at last ready to turn around after movies that were disappointing to both fans of the comics and accountants at Warner Brothers alike. That optimism proved to be unfounded as the film, though a hit at the box office was not as successful as the studio execs hoped and after another drubbing from fans and critics alike, the DCEU would eventually undergo massive restructuring. The question is was the movie really that bad?

Well, yes and no. The plot is fairly simple – a cosmic baddy known as Steppenwolf (Hinds in full motion capture splendor) is after three McGuffins called Mother Boxes secreted in various places on Earth. Batman (Affleck), ever the vigilant detective, divines that the Earth is about to come under attack but Wonder Woman (Gadot) is aware that the attack is already under way. With Superman (Cavill) out of the picture, Batman realizes they’ll need a team of superheroes to battle the nearly omnipotent Steppenwolf. He gathers the three others he’s aware of; Aquaman (Momoa) who has dominion over the ocean and those who dwell within it, Cyborg (Fisher) who is learning to adjust to his mostly machine body, and the Flash (Miller), a teen speedster very much unlike the CW version. While the latter is eager to join, the first two are reluctant until they are convinced that they are sorely needed. Massive battle sequences full of mind-numbing CGI follow.

I have to say I found the film entertaining for the most part. Momoa and Fisher make excellent heroes and in their first appearances in anything other than a brief cameo show that they are fully capable of heading up their own films – Momoa’s Aquaman is actually next on the DCEU schedule in December. Gadot and Affleck have proven themselves to be strong screen presences and both know what to do with their material and do it well. The one exception was Miller as The Flash; Snyder and his writers inexplicably went the annoying wisecracking teen route with the character which has already been tried with Quicksilver in the X-Men movies; it worked far better there. Miller is actually a really good young actor but he was sabotaged by the character who is just a jarring note that doesn’t fit in well with the rest of the team.

Snyder has a habit of using a lot of kinetic camera movement and that’s okay but given the massive amount of CGI being used in the movie the effect becomes mind-numbing and overwhelming. It’s visual overload and not in a good way. I would have preferred a little less CGI and a lot more character development but Snyder hasn’t shown the latter to be one of his strengths in any movie that he’s undertaken to date.

For me, the biggest problem with Justice League is Steppenwolf. Not so much in Hinds’ performance capture or his voice work but simply the character as written has absolutely no personality whatsoever and he just felt like a cookie cutter villain who is all like “Oh yes, I want to destroy the world because..” *yawn*

Even with all that going against that I still think that this movie gives some hope that the DCEU can turn things around. As I said there’s been a massive shake-up at the top with a new executive overseeing the franchise – Walter Hamada from New Line who helped build The Conjuring into a multi-film universe that has been as successful in every sense of the word as the DCEU has not been. Although the jury is out on whether Affleck will remain as the Batman for any further films (smart money is that he won’t), Gadot is a proven commodity and it appears both Momoa and Fisher have the ability to take a franchise film and run with it. With the Shazam movie on the horizon as well as a sequel to Wonder Woman there is still something to look forward to in the DCEU. I’m not sure they’re ready to equal Marvel’s cinematic success but there’s no reason to assume that they can’t get there.

REASONS TO GO: The film was reasonably entertaining. Momoa and Fisher acquitted themselves well. Affleck and Gadot continue to impress in their roles. There is still hope that the DCEU can turn itself around.
REASONS TO STAY: Miller’s Flash is way too annoying. The camera is too kinetic and the screen too filled with CGI, making everything look overwhelming and busy. Steppenwolf had zero personality which is a massive problem for your lead villain.
FAMILY VALUES: The film is loaded with action and violence.
TRIVIAL PURSUIT: Snyder’s daughter passed away during shooting; at first he and his wife (a producer on the film) tried to stay on as a way to work through their grief but after two months both decided to step down to spend time with their family. Joss Whedon stepped in and completed post-production as well as overseeing some reshoots
CRITICAL MASS: As of 1/19/18: Rotten Tomatoes: 40% positive reviews. Metacritic: 45/100.
COMPARISON SHOPPING: Avengers: Age of Ultron
FINAL RATING: 7/10
NEXT:
Kangaroo: A Love/Hate Story

New Releases for the Week of December 22, 2017


JUMANJI: WELCOME TO THE JUNGLE

(Columbia) Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Rhys Darby, Bobby Cannavale, Nick Jonas, Alex Wolff, Missi Pyle.  Directed by Jake Kasdan

A group of four bored teenagers discover an old video console and while fooling around with it are somehow transported into the game’s jungle setting, becoming the avatars they chose. They discover their strengths and weaknesses (don’t give Fridge any cake) and must work together if they are to survive the game and make it home. Based on the Robin Williams classic movie Jumanji.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Fantasy
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for adventure action, suggestive content and some language)

All the Money in the World

(Tri-Star) Michelle Williams, Christopher Plummer, Mark Wahlberg, Charlie Plummer. Sometimes, truth is stranger than fiction; in the 70s, the heir to a billion-dollar oil fortune was kidnapped and held for ransom. His grandfather, the richest man on Earth, refused to pay it despite having his grandson’s ear sliced off as proof the kidnappers meant business, leaving his mom to rescue her boy on her own. Also stranger than fiction, disgraced actor Kevin Spacey was originally cast as oil baron J. Paul Getty. After being accused of sexual misconduct and only weeks before the release date, director Ridley Scott decided to erase Spacey from the film and digitally insert Christopher Plummer instead. Like I said, stranger than fiction.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release (opens Monday)

Rating: R (for language, some violence, disturbing images and brief drug content)

Darkest Hour

(Focus) Gary Oldman, Kristin Scott Thomas, Ben Mendelsohn, Lily James. Early in World War II, the United Kingdom must replace their Prime Minister with a compromise candidate that nobody really wanted; Winston Churchill. He is given a nation to lead on the brink of complete military collapse; their army is trapped in Dunkirk and their navy and air force have taken a pounding. Somehow this unpopular Prime Minister must summon the will to lead his country through the darkest hour in their history.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: PG-13 (for some thematic material)

Downsizing

(Paramount) Matt Damon, Christoph Waltz, Kristen Wiig, Jason Sudeikis. A middle class couple makes the decision that a new shrinking technique will make their lives better. When the wife backs out at the last moment, the husband is left to begin a new life in a new world and rediscovers wonder and purpose.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Wide Release

Rating: R (for language including sexual references, some graphic nudity and drug use)

Father Figures

(Warner Brothers) Owen Wilson, Ed Helms, Glenn Close, J.K. Simmons. Two twin brothers discover that their father, whom they were told was dead, was in fact possibly very much alive – but their mother wasn’t sure which man out of several possibilities their actual dad is. They decide to go on a road trip to find out for certain.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for language and sexual references throughout)

The Greatest Showman

(20th Century Fox) Hugh Jackman, Michelle Williams, Zac Efron, Zendaya. The story of the legendary P.T. Barnum whose circus and museum of oddities became known as the Greatest Show on Earth is set to music from the team that gave us La La Land.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Musical
Now Playing: Wide Release (opened Wednesday)

Rating: PG (for thematic elements including a brawl)

Molly’s Game

(STX) Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera. Here is the incredible but true story of former Olympic-class skier Molly Bloom who following her athletic career ran a high-stakes poker game that made her an FBI target when it turned out some very dangerous Russian Mafia types were part of her clientele. Remember the whole truth is stranger than fiction thing?

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village (opens Monday)

Rating: R (for language, drug content and some violence)

Pitch Perfect 3

(Universal) Anna Kendrick, Rebel Wilson, Brittany Snow, Anna Camp. The publicity is touting that this is the final chapter in the Glee-rip-off series. We can only pray they’re not lying.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Musical
Now Playing: Wide Release

Rating: PG-13 (for crude and sexual content, language and some action)

The Shape of Water

(Fox Searchlight) Sally Hawkins, Octavia Spencer, Michael Shannon, Richard Jenkins. In a secret laboratory in the 1960s, a mute janitor discovers that the scientists are experimenting on a strange aquatic creature they took from the Amazon. She is determined to stop their cruel experiments on the creature when she discovers that not only is the being intelligent but an emotional attachment is developing between them. This film led all movies this year in total Golden Globe nominations with seven.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: Enzian Theater, Wide Release

Rating: R (for sexual content, graphic nudity, violence and language)

Tiger Zinda Hai

(Yash Raj) Katrina Kaif, Salman Khan, Anupriya Goenka, Paresh Rawal. Superspies Tiger and Zoya are pressed back into service eight years later when India is threatened by a potential despot. This is the sequel to the massive Indian hit Ek the Tiger.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Spy Action
Now Playing: AMC Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Crooked House
Hello!
Kaleidoscope
MCA – Middle Class Abbay

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Call Me by Your Name
Hello!
MCA – Middle Class Abbay
The Trace We Leave Behind

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hello!
MCA – Middle Class Abbay
Velaikkaran

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Hello!
MCA – Middle Class Abbay

SCHEDULED FOR REVIEW:

All the Money in the World
Call Me By Your Name

Darkest Hour
Downsizing
Father Figures
The Greatest Showman
Jumanji: Welcome to the Jungle
Molly’s Game
The Shape of Water

Patriots Day


These cops have no idea what's coming.

These cops have no idea what’s coming.

(2016) True Life Drama (CBS) Mark Wahlberg, John Goodman, Michele Monaghan, Kevin Bacon, J.K. Simmons, Christopher O’Shea, Rachel Brosnahan, Jake Picking, Lana Condor, Jimmy O. Yang, Melissa Benoist, Alex Wolff, Themo Melikidze, Martine Asaf, Michael Beach, Khandi Alexander, Cliff Moylan, Claudia Castriotta, James Colby, Billy Smith, Paige MacLean. Directed by Peter Berg

 

In many ways, our worth is determined by how our resolve is tested. It is at our worst moments when the best in us is drawn out. When the city of Boston was faced with an attack on their very identity, they showed the world more than extraordinary strength; they were Boston strong.

Tommy Saunders (Wahlberg) is not having a good day. He’s a gifted police officer who also has a gift for opening his mouth at the wrong moment. He has one more punishment duty to deal with – working as a uniformed officer at the finish line of the Boston Marathon. That also means putting on the yellow reflective vest which he thinks makes him look silly. His wife Carol (Monaghan) thinks it looks cute. To top it all off, Tommy’s knee is aching after kicking in a drug dealer’s door the night before and he forgets his brace at home; he asks Carol to bring it down to the finish line for him.

But Tommy’s day is about to get worse. Two Chechnyan brothers, Douchebag #1 (Melikidze) and Douchebag #2 (Wolff) have plans of their own. They plant two homemade bombs among the throngs watching the race at the finish line. After they stroll away, lost in the crowd, the bombs detonate, killing three people (including a child) and wounding scores. All is mayhem at the finish line.

Tommy takes charge, getting ambulances routed in and telling race officials to keep runners away. Medical personnel – some of them ex-military who knew what to do with wounds of this nature – respond immediately. Tommy’s boss, Commissioner Ed Davis (Goodman) takes charge as the FBI, in the person of Special Agent Richard DesLauriers (Bacon) who takes immediate charge once he recognizes this was an act of terrorism.

But finding the bombers is like finding a needle in a haystack. Even with all the cameras trained on the event, not many were pointed at the crowd. With Tommy’s help knowing the area as well as he does, the authorities begin to close in on the perpetrators of this vile act but it will take the largest manhunt in U.S. history to catch these guys.

I was really glad I saw the documentary on the Marathon bombing (see below) the night before I saw this movie, mainly because I was able to see how close to the actual events the movie came. While the documentary focused on the victims and their recovery, this movie has more focus on the manhunt and those participating in it.

One of those participating in it is Saunders and while Wahlberg does a great job of developing his character, one of the big problems is that Saunders is wholly fictional. We soon realize that because he appears at nearly every major plot point in the film which after awhile takes me as a viewer out of the realism of the movie because other than that the movie is extremely realistic which is an impressive accomplishment for a Hollywood film.

The recreation of the bombing itself is impressive; Berg masterfully works in actual camera footage of the blast along with staged re-creations of it. Berg repeats this at various portions of the film. The Patriots Day bombing was one of the most documented incidents in history and there is a lot of footage available, some of it wildly seen, some of it not so much. Still, we get a good glimpse of the various stages of the manhunt, from the bombing itself to the capture of Douchebag #1 and Douchebag #2.

If you’re wondering why I don’t use the names of the two bombers, it’s because I don’t want history to remember them. If I could, I’d expunge their names from every document, from every post – from everywhere. People like this should be erased from history. They don’t deserve to be remembered.

On the other hand, the good people of Boston – the survivors of the bombing, the law enforcement personnel who chased and caught those miserable scumbags, the medics and surgeons who worked tirelessly on healing the wounded, even those who came out in support of Boston. There has been some grousing that this was made too soon after the bombing – only three years had passed when this was released. I probably am not someone who can judge this properly; I would leave that to the citizens of Boston, particularly those affected by the tragedy. However, this is certainly a movie that honors and respects the victims and those who fought to bring the douchebags to justice so all in all, I don’t think anyone can complain overly much about that.

REASONS TO GO: The film is surprisingly accurate. Strong performances throughout the cast buoy the film.
REASONS TO STAY: There is a loss of credibility by having Wahlberg play a fictional character.
FAMILY VALUES: There is violence and graphic images of injuries, some drug use and profanity throughout.
TRIVIAL PURSUIT: This is the third collaboration between Berg and Wahlberg that was based on a true story; the other two are Lone Survivor and Deepwater Horizon.
CRITICAL MASS: As of 2/27/17: Rotten Tomatoes: 81% positive reviews. Metacritic: 69/100.
COMPARISON SHOPPING: Marathon: The Patriots Day Bombing
FINAL RATING: 7/10
NEXT: Decanted: A Winemaker’s Journey