Storm Boy


A boy’s best friend is his…pelican?!?

(2019) Family (Good Deed) Geoffrey Rush, Jai Courtney, Finn Little, Trevor Jamieson,

Morgana Davies, David Gulpilil, Erik Thomson, Chantal Contouri, Martha Lott, Paul Blackwell, Michelle Nightingale, Brendan Rock, James Smith, Rory Walker, Lucy Cowan, Bradley Trent Williams, Anna Bampton, Miraede Bhatia-Williams, Caroline Mignone. Directed by Shawn Seet

 

Children have a special affinity for animals that we tend to lose as we grow into adulthood. Not everybody loses it; lots of adults love animals as much as they did as children (if not more) and work very hard to protect the animal kingdom through organizations like the World Wildlife Fund, Greenpeace and the SPCA or as veterinarians, zoologists and activists trying to save the habitat that particular species need to thrive.

The 1964 Australian novel Storm Boy by Colin Thiele has been made into a live-action movie once before in 1976; a hit in Australia, the movie is less well here in the States. The new version is a bit different than either the novel or the 1976 movie. Retired businessman Michael Kingley (Rush) has turned his corporation over to his son Malcolm (Thomson) and now his son has negotiated a deal to turn over thousands of acres of unspoiled wetlands over to developers for mining and building upon. Malcolm’s daughter Madison (Davies) is very much against the idea and as a result an extremely wide rift has developed between father and daughter (all of this is new, by the way and not in the book or previous incarnations of the film).

The deal must be voted upon by the firm’s board which Michael sits upon. However, the board meeting is interrupted by a sudden storm which causes a floor to ceiling window in the office tower to shatter, letting in the high winds and rain. While everyone else flees the room, Michael is drawn to the broken window. He looks down and sees a pelican and is reminded of his childhood.

Much of the film takes the form of a flashback as Michael narrates his tale to his granddaughter. After Michael’s mother and sister were killed in a car crash, his grief-stricken father known about town as Hideaway Tom (Courtney) moves to a deserted and isolated coastline of Coorong National Park. The pair subsist there on whatever fish Tom can catch and whatever else Tom can scrounge. One day, young Michael (Little) finds three recently hatched pelicans whose mother had been shot by hunters. The three little birds don’t have much of a chance as an aborigine named Fingerbone Bill (Jamieson) who happens by tries to explain to the young boy, whom he names Storm Boy because of his love for pelicans (Ngarrindjeri tradition holds that when a pelican dies, the event brings on a storm). Storm Boy is not dissuaded and brings the young pelicans home to nurse to health.

Incredibly, the chicks survive and grow to adulthood with the help of the bemused Tom and Fingerbone Bill. Storm Boy names them Mr. Proud, Mr. Ponder and Mr. Percival and although the first two eventually fly away to make their own way in the world, Mr. Percival is inseparable from Storm Boy. The two create quite a sensation in town which is currently divided by a movement to turn the coastline into a nature preserve which doesn’t sit well with the local hunters. Still, everyone finds it amusing until one stormy day when Tom’s life is at risk when the engine to his boat fails during a storm. The seas are too rough to swim but only Mr. Percival can get a line out to the stricken boat.

Mr. Percival becomes a local celebrity and it appears as if the bird’s future is assured. However, well-meaning locals who are aware that Storm Boy has been home schooled by his dad take up a collection to send him to get a proper education. Storm Boy doesn’t much want to go; what would happen to his pelican, after all, if he left?

There is a definite pro-ecological message to the film which is much more overt than in previous incarnations of the story. Geoffrey Rush has been the target of some controversy of late but he does deliver a performance here that elevates the movie some. Courtney, whose work has always been solid, also stands out here.

The pelicans, unlike in a lot of recent family movies involving animals, are completely real and not CGI. A pelican trainer helped the birds with their “stage directions” and the birds were never tethered or restrained in any way; they often flew freely about the set and sometimes would fly out of shots they needed to be in, or into shots they weren’t supposed to be in. To the credit of Seet (primarily a television director up to now) he was patient concerning the birds and the result is a film with the kind of warmth that no amount of CGI no matter how life-like can replicate.

The movie feels cozy and warm with a feeling of safety and security, even though the events don’t necessarily reflect that. It’s the cinematic equivalent of being somewhere snug on a rainy afternoon, feeling content and drowsy. Not that the movie will put you to sleep – at least it didn’t put me there – but it certainly feels like a movie a lot of kids will eventually love, particularly those who love animals.

It’s not getting a wide release so you may have to search a bit to find it on the big screen but if for whatever reason you can’t, this is a definite rental once it becomes available on home video – and may end up being a purchase if your bird-loving kids enjoy it as much as I think they might.

REASONS TO SEE: The movie is warm and cozy like an old blanket on a rainy afternoon.
REASONS TO AVOID: The rescue scene is somewhat far-fetched.
FAMILY VALUES: There is some brief profanity, some difficult thematic elements and a bit of child (and pelican) peril.
TRIVIAL PURSUIT: The pelican who plays Mr. Percival in the film now resides at Adelaide Zoo.
CRITICAL MASS: As of 4/8/19: Rotten Tomatoes: 68% positive reviews: Metacritic: 67/100.
COMPARISON SHOPPING: Ring of Bright Water
FINAL RATING: 6.5/10
NEXT:
Big Kill

New Releases for the Week of April 5, 2019


SHAZAM!

(New Line) Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou, John Glover, Natalia Safran, Grace Fulton. Directed by David F. Sandberg

A 14-year-old streetwise orphan boy is selected by the mysterious wizard Shazam to receive super powers, which he accesses by shouting out the wizard’s name. Instantly the boy turns into a ripped, buff man who has super powers. But which ones? Being a kid at heart, the boy superhero decides to have fun with his powers but things turn serious when an evil genius brings his dark forces to bear on the young hero.

See the trailer, video featurettes and clips here
For more on the movie this is the website

Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of action, language and suggestive material)

Ash is Purest White

(Cohen) Tao Zhao, Fan Liao, Yi’nan Diao, Xiaogang Feng. The girlfriend of a low-level gangster is sentenced to prison for firing his gun when he is being beaten up by a rival gang. Refusing to give him up, she returns from prison only to find out that he’s moved on without her. This wonderful Chinese gangster movie played the Miami Film Festival last month. You can click on the link below (under Scheduled to Review) to read the Cinema365 review.

See the trailer here
For more on the movie this is the website
Genre: Drama
Now Playing: Regal Waterford Lakes
Rating: NR

The Best of Enemies

(STX) Taraji P. Henson, Sam Rockwell, Anne Heche, Wes Bentley. Based on a true story, a civil rights activist and the leader of the local chapter of the Ku Klux Klan in Durham, NC find themselves chairing a committee to implement the federally mandated desegregation of schools in the summer of 1971.

See the trailer here
For more on the movie this is the website

Genre: True Life Drama
Now Playing: Wide Release

Rating: PG=13 (for thematic material, racial epithets, some violence and a suggestive reference)

Pet Sematary

(Paramount) Jason Clarke, Amy Seimetz, John Lithgow, Jetė Laurence. A Boston doctor moves his family to rural Maine to start a quieter life. He discovers that there is an ancient burial ground in the woods behind his home. When tragedy strikes, his grief and desperation awaken an unfathomable evil that will enter his life with horrific consequences. The Stephen King novel on which this is based has already yielded an iconic movie back in 1989.

See the trailer, promos, video featurettes, interviews and a clip here
For more on the movie this is the website

Genre: Horror
Now Playing: Wide Release

Rating: R (for horror violence, bloody images, and some language)

The Public

(Greenwich) Emilio Estevez, Alec Baldwin, Jena Malone, Gabrielle Union. An Arctic blast has turned downtown Cincinnati into a deep freeze. A mousy librarian grows a backbone, going against policy to allow the homeless to shelter in the library. What starts out as an act of protest turns into a police standoff

See the trailer here
For more on the movie this is the website

Genre: Drama
Now Playing: Regal Waterford Lakes, Regal Winter Park Village

Rating: PG-13 (for thematic material, nudity, language, and some suggestive material)

Storm Boy

(Good Deed) Jai Coutrney, Geoffrey Rush, Finn Little, Morgana Davies. A successful businessman, retired now, begins to see images of his past that he can’t explain. He is forced to remember his childhood on an isolated coastline with his father and recounts the tale to his granddaughter, including his special friendship with an orphaned pelican.

See the trailer here
For more on the movie this is the website

Genre: Family
Now Playing: AMC Altamonte Mall

Rating: PG (for thematic elements, mild peril and brief language)

The Wind

(IFC Midnight) Caitlin Gerard, Julia Goldani Telles, Ashley Zuckerman, Dylan McTee. A woman living in an isolated cabin on the prairie in the mid-19th century is convinced that the constant wind is hiding something evil out beyond the line of sight. Although her husband tells her that it’s all just superstition, things are exacerbated with the arrival of another couple. Soon a chain of events is set in motion that will test the woman to her very core.

See the trailer here
For more on the movie this is the website

Genre: Thriller
Now Playing: Barnstorm Theater, Enzian Theater

Rating: R (for violence, disturbing images, and some sexuality)

ALSO OPENING IN ORLANDO/DAYTONA:

Majili
Palau The Movie
Transit

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Majili
Palau The Movie
Panchatantra
Romeo Akbar Walter
Screwball
Transit

ALSO OPENING IN TAMPA/ST. PETERSBURG:

The Chaperone
The Head Hunter
Majili
Mera Naam Shaji
Palau The Movie
Panchatantra
Prema Katha Chitram 2
Romeo Akbar Walter

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Majili
Mera Naam Shaji
Palau The Movie
Panchatantra
Romeo Akbar Walter

SCHEDULED FOR REVIEW:

Ash is Purest White
The Best of Enemies
Pet Sematary
Shazam!
Storm Boy
The Wind

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Sarasota Film Festival, Sarasota FL

The Exception


Christopher Plummer is resplendent as Kaiser Wilhelm II

(2016) Historical Drama (A24) Jai Courtney, Lily James, Christopher Plummer, Janet McTeer, Ben Daniels, Mark Dexter, Kris Cuppens, Eddie Marsan, Anton Lesser, Aubeline Barbieux, Lois van Wijk, Stephanie Auberghen, Martin Swabey, Lucas Tavernier, Kurt Standaert, Martin Savage, Karen Leclercq, Frederik Lebeer, Stephanie Van Vyve, Daisy Bouliton, Verona Verbakel. Directed by David Leveaux

As the First World War drew to a close, it became painfully obvious to the German people and to those in power that their Emperor, Kaiser Wilhelm II had failed them as a wartime ruler and he was quietly forced to abdicate and fled the country for a life in rural Holland in a place called Huize Doorn. There he remained in exile for the remainder of his life, surrounded by a few loyal former military men, Dutch servants and his devoted second wife Hermine.

It is 1940 and the Second World War is in full swing. Germany is ruled now by the Nazi party and their military victories have been startling in their speed and ferocity. The former Kaiser (Plummer) keeps abreast of these with keen interest, expressing admiration for Hitler although not for the party. The Nazis get wind that there is a British spy operating in the area so they dispatch Captain Stefan Brandt (Courtney) to take command of the Kaiser’s personal guard.

He is assisted by Dietrich (Dexter), an SS officer who informs Brandt that transmissions had been intercepted by the SS and that all they needed to pin down the location of the transmissions was a truck able to triangulate the signal and pin down its location. He assures Brandt that one is on the way.

Brandt – who was wounded in the invasion of Poland – is something of a ladies’ man and his eye falls on the comely made Mieke (James). The two begin a torrid affair which is forbidden; discovery could get Lily fired and Brandt sent back to combat duty. Both of them are what you’d call damaged goods with horrors in their past; not exactly an easy place to build a relationship from.

When the announcement that Nazi bigwig Heinrich Himmler (Marsan) will be visiting, the entire household is in a tizzy. Hermine is certain that this means her husband will be summoned back to Berlin to take his rightful place in a restored monarchy (delusion can be beautiful in its own way). The Kaiser believes it too – but Himmler has other plans.

As the search for the spy begins to close the noose, Brandt begins to suspect that Mieke might be involved. He will have to choose between his love for her and his duty to his country. Given what his country has become that might not be a very hard choice at all.

This is a fictionalized account of the Kaiser in his final year of life and pretty much the history that it gets right is that there was a man named Wilhelm who was once Kaiser of Germany. Most of the rest is fiction so if you’re going to this movie thinking you’re going to get a history lesson, think again. The saving grace here is that Plummer inhabits the role so well, capturing Wilhelm’s ego and Prussian love for pomp but also the decent fellow that lay just beneath although most accounts of the Kaiser don’t reveal a whole lot of regard for anyone other than himself. Plummer however is just so magnetic that you can’t help but enjoy the performance even knowing it’s a bit of a sham.

Courtney has much of the burden for the film as he’s really the centerpiece (the title refers to him rather than the Kaiser) and that’s maybe not such a good thing. There are some things that Courtney does really well – he was one of the bright spots of Suicide Squad I thought – but this really isn’t the type of role that’s in his comfort zone and you can tell because his performance is far from assured. Part of the issue is that Courtney doesn’t really excel at expressing emotion non-verbally and we don’t get a sense of the struggle going on within the character; we just see him get into a situation where he’s having sex with a beautiful woman and we just assume it blossoms into love but the process is never apparent so when it comes time for him to choose between love and country we never get a sense that it is a struggle for him.

It also must be said that Courtney is far too buff for his role. We see him naked quite a bit and unfortunately Courtney had just finished filming Suicide Squad when he started up with this and he still had an action hero’s body which really doesn’t jive with a German officer’s body during World War II. There wasn’t a lot of pumping iron going on at that time.

There are some other things as well. The dialogue is occasionally clunky and even some of these seasoned performers deliver it like “this isn’t how people talk; how the hell am I supposed to say this?” is bouncing around their brain pan. The movie looks a bit stage-y in places which isn’t surprising since Leveaux has a Broadway background. Be assured though that the pluses outnumber the minuses by a comfortable margin. Plummer alone should be reason enough to make a point of seeing this. And quite frankly, the ending has a kind of grace to it that is all too rare in motion pictures. I won’t give you much detail on that score other than to say the ending does elevate the film.

 

So this is a strong recommend. It’s still playing in a few cities here and there (Orlando is one of them as of this writing) but if it isn’t anywhere near you or it’s been and gone, do check it out on VOD (Amazon Prime subscribers can see it for free). This isn’t going to be one of the best movies of the year but it’s better than the majority have been and will be – even if it is as fake as a three-dollar bill.

REASONS TO GO: Christopher Plummer is on a hot streak. The final scene is a nice touch.
REASONS TO STAY: Some of the dialogue is a bit clunky.
FAMILY VALUES: There is a bit of profanity, some nudity and plenty of sexuality.
TRIVIAL PURSUIT: Some of the filming took place at the Kaiser’s actual home at Huize Doorn.
BEYOND THE THEATERS: Amazon, Fandango Now, Google Play, iTunes, Vudu, YouTube
CRITICAL MASS: As of 8/1/17: Rotten Tomatoes: 77% positive reviews. Metacritic: 60/100.
COMPARISON SHOPPING: Anthropoid
FINAL RATING: 7/10
NEXT: The Commune

New Releases for the Week of July 28, 2017


ATOMIC BLONDE

(Focus) Charlize Theron, James McAvoy, Eddie Marsan, John Goodman, Toby Jones, Sofia Boutella, Til Schweiger, Barbara Sukowa, James Faulkner. Directed by David Leitch

The most lethal assassin in MI6 is sent on assignment to Berlin to smuggle a dossier out of the city which has been destabilized by opposing forces. In a simmering cauldron of betrayal and murder, she is allied with the embedded station chief to navigate the back alleys and halls of power to get what Her Majesty’s government requires of her. She soon realizes that she has been betrayed from within and you know what they say hell hath no fury like. This is based on the Oni Press graphic novel The Coldest City.

See the trailer, clips, interviews, B-roll video and premiere footage here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action
Now Playing: Wide Release

Rating: R (for sequences of strong violence, language throughout and some sexuality/nudity)

A Ghost Story

(A24) Casey Affleck, Rooney Mara, Kesha Sebert, Will Oldham. Recently deceased, a ghost – complete with white sheet – haunts his beloved home while silently observing his grief-stricken wife. He is also able to see other inhabitants of the house both past and present. The latest film from director David Lowery has gotten much acclaim on the festival circuit.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: AMC Disney Springs, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: R (for brief language and a disturbing image)

The Emoji Movie

(Columbia) Starring the voices of T.J. Miller, James Corden, Anna Faris, Patrick Stewart. Deep in the heart of your smart phone lies a place called Textopolis where all your favorite emojis live. Each one of them has but one facial expression – except for poor Gene who has many. Wanting to be normal, he and his friends Hi-Five and Jailbreak search the phone and all its apps to find the code that will fix Gene. When unwittingly they discover a greater danger threatening the entire phone, the resourceful emojis will have to use all their skills to keep the emojis from being deleted for good.

See the trailer, a featurette and premiere footage here.
For more on the movie this is the website

Release Formats: Standard, 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for rude humor)

The Exception

(A24) Christopher Plummer, Jai Courtney, Lily James, Janet McTeer. As the Second World War looms, Kaiser Wilhelm II lives in exile in the Netherlands. A German soldier is assigned to determine whether the Dutch resistance has a spy or spies in the former ruler’s household. In the course of his investigation he falls for a Dutch Jewish girl who may or may not be the droid he’s looking for.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Historical Drama
Now Playing: Enzian Theater

Rating: R (for sexuality, graphic nudity, language and brief violence)

OPENING IN ORLANDO/DAYTONA:

Manifesto
Mubarakan
Vikram Vedha

ALSO OPENING IN MIAMI:

13 Minutes
A Family Man
Imperfections
Lady Macbeth
Landline
Mubarakan
My Father’s Land
My Journey Through French Cinema
Vikram Vedha
Wolf Warrior 2

ALSO OPENING IN TAMPA:

A Family Man
The Black Prince
Imperfections
The Last Face
Maurizio Cattelan: Be Right Back
Mubarakan

ALSO OPENING IN JACKSONVILLE:

I, Daniel Blake
Mubarakan
Vikram Vedha

SCHEDULED FOR REVIEW:

A Ghost Story
Atomic Blonde
The Emoji Movie
The Exception
Lady Macbeth
Landline

 

New Releases for the Week of December 2, 2016


IncarnateINCARNATE

(High Top) Carice van Houten, Aaron Eckhart, David Mazouz, Emjay Anthony, Catalina Sandino Moreno, Keir O’Donnell, Tomas Arana. Directed by Brad Peyton

An exorcist with the ability to enter the subconscious of his patients is assigned a tormented young boy with a particularly nasty demon inside. Fighting off the powers of this demon is no easy task, but the exorcist will also have to fight the demons of his past if he is to save the boy – and himself.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of horror violence, terror, disturbing images, brief strong language, sensuality and thematic elements)

Believe

(Freestyle Releasing) Ryan O’Quinn, Shawnee Smith, Danielle Nicolet, Kevin Sizemore. A businessman in a small town finds himself fighting the weak economy as Christmas approaches. Normally a sponsor of the town Christmas pageant, he finds himself forced to cancel the event. The friendship of a young boy whose faith is nearly boundless convinces him that he made the wrong decision and he turns to trying to save the pageant against all odds.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cinemark Artegon Marketplace, Epic Lee Vista, Regal Oviedo Marketplace, Regal The Loop, UA Seminole Towne Center

Rating: PG (for some violence, thematic elements and brief mild language)

Christine

(The Orchard) Rebecca Hall, Michael C. Hall, Tracy Letts, Maria Dizzia. Christine Chubbuck is a local newscaster in the Sarasota area in the 1970s. She’s smart, beautiful and ambitious, but suffers from depression in the face of personal and professional frustrations. What she does is shocking and makes broadcast news history.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Oviedo Marketplace

Rating: R (for a scene of disturbing violence and for language including some sexual references)

Man Down

(Lionsgate) Shia LaBeouf, Jai Courtney, Gary Oldman, Kate Mara. A U.S. Marine returns home from Afghanistan and finds it to be a far different place than where he left it. His estranged wife and son have disappeared and as he searches a landscape little different than the one he left, he is accompanied by a battle-hardened comrade who is more likely to shoot first than to ask questions later.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Loew’s Universal Cineplex, Regal Winter Park Village

Rating: R (for some disturbing violence and language throughout)

The Monster

(A24) Zoe Kazan, Ella Ballentine, Scott Speedman, Aaron Douglas. A divorced mother and her headstrong daughter are driving late at night on a lonely road in the woods to take the girl to see her father. They get into an accident when a wolf runs out in front of them. They manage to call 911 and get a tow truck out but it soon becomes clear that they are being hunted  by something malevolent and strong.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: AMC Disney Springs

Rating: R (for language and some violence/terror)

Suicide Squad


Wanna come out and play?

Wanna come out and play?

(2016) Superhero (Warner Brothers) Will Smith, Margot Robbie, Jared Leto, Viola Davis, Joel Kinnaman, Cara Delevingne, Jay Hernandez, Jai Courtney, Ben Affleck, Ezra Miller, Ike Barinholtz, Scott Eastwood, Karen Fukuhara, Adam Beach, Kenneth Choi, Alain Chanoine, Adewale Akinnuoye-Agbaje, Common, Jim Parrack, David Harbour, Shailyn Pierre-Dixon. Directed by David Ayer

 

There are those who maintain that a hero is nothing without a memorable villain to oppose him. That’s largely true; what would James Bond be without Blofeld, Holmes without Moriarty or Luke Skywalker without Darth Vader? We usually see things from the hero’s point of view but rarely do we get a glimpse into the world of the super villain.

Following the events of Batman v. Superman: Dawn of Justice, the American government is extremely nervous. What would happen, posits Amanda Waller (Davis) who works for a shadowy intelligence agency, if Superman had instead of saving the world decided to destroy it? Who would stop him? Waller has an idea, one that is magnificent in its simplicity and alarming at its utter amorality.

She “recruits” (i.e. forces) several super villains locked up in the Belle Reve black ops prison in the swamps of Louisiana to form up a team to take on certain situations which are essentially hopeless. Situations in which the superheroes that are out in public (which are essentially Batman (Affleck) and the Flash (Miller) at this point) shouldn’t be risked as they aren’t exactly expendable. These guys are exactly that. Waller knows that and at the same time, she knows they have nothing to lose by running. She has a solution that recalls The Running Man to a certain extent but absolutely doesn’t say anything particularly nice about the woman.

And who are these guys? For one, there’s Deadshot (Smith), an assassin for hire who never misses with any firearm you give him. Then there’s Harley Quinn (Robbie), the deranged ex-psychiatrist who is now the Joker’s (Leto) girlfriend but who is a formidable opponent of her own. Then there’s Diablo (Hernandez), a gang banger who can shoot flames in any direction but when his powers caused the death of his wife and son, is attempting to reform and has vowed to never use his powers again.

=Add to that list Killer Croc (Akinnuoye-Agbaje), a horribly mutated man who is half man, half crocodile and eats people when he gets the chance. Then there’s Enchantress, a demonic spirit that has possessed archaeologist June Moon (Delevingne) and possesses incredible magic powers, Captain Boomerang (Courtney), an Aussie thief whose weapon of choice is a boomerang that he is absolutely deadly accurate with. Finally there’s Slipknot (Beach), whose ability to climb any surface makes him a useful scout.

Overseeing these representatives of the lunatic fringe is Captain Rick Flagg (Kinnaman), a Navy SEAL who just happens to be Professor Moon’s boyfriend – and who is himself tough as nails. Having his back is Katana (Fukuhara), a Japanese martial artist with an enchanted sword that captures the souls of its victims – which include her husband among their number. Katana is able to communicate with the spirits in the blade, including her late hubby.

They are battling a mystical opponent who wants to essentially open a rift in the dimension that will end civilization as we know it. The problem is that the Suicide Squad as they have come to be known as don’t really give a rat’s tush about civilization. If they can stop fighting amongst themselves, though, they might just come through of it alive. The odds are not good for either however.

Let’s be blunt to start out; the DC Extended Universe (what they call their cinematic division) has not had the kind of success that Marvel has and the critics have absolutely excoriated this movie. Now, I will be the first to say that DC’s cinematic path hasn’t caught on for a reason; in trying to duplicate the tone of the very successful Dark Knight trilogy of Christopher Nolan. You’ll notice that the Marvel cinematic universe is anything but.

But is this movie really that bad? I don’t think so…for one thing it’s entertaining as all get out. Ayers is a director who has a very fine eye and a well-developed story-telling sense. He also knows how important it is for there to be fun in the equation, and there’s lots of great by-play between the characters and a lot of humor injected into the script.

He also has a helluva cast. Smith, one of the biggest stars in the world, has rarely been better than he is here. Yes, his Deadshot is one of the more developed characters in the film, but Smith gets to play a villain who has some human qualities as well (he’s absolutely devoted to his daughter, played by Pierre-Dixon for one). He also shows the kind of leadership skills shown by Chris Evans’ Steve Rogers in the Marvel Universe. The DC Universe sorely needs that.

Robbie has almost as much time in the movie as Smith and her Harley Quinn took a different path to the silver screen; Harley Quinn didn’t initially come from the comic books but from the television animated shows. She went from there to the comic books which she became something of an icon, particularly to female comic book fangirls. Robbie fills the role well; while some have groused that the character has been overly sexualized here (including Robbie herself), she turns in an intense performance, particularly since she has to go up against Oscar winner Jared Leto as her boyfriend/abuser the Joker.

Leto has been very vocal in his disappointment about what the role turned out to be, and in all fairness the Joker was never supposed to be a central character here. However, it stands to reason that you can’t really have Harley Quinn with Mr. J; it doesn’t work. His take on the Joker is a lot different than that of Jack Nicholson, Mark Hamill, Heath Ledger or even Cesar Romero. Not better, not worse, just different. I liked Leto’s Joker just fine; he’s supposed to be unpredictable and Leto certainly makes him that. He isn’t nearly as menacing as Ledger’s Joker, nor as twisted as Nicholson’s. However, this Joker is wilder, more untamed than either. It is a good interpretation.

There are a lot of special effects, particularly involving the mystical vortex thingy that the Big Bads are creating. There are an awful lot of trans-dimensional vortices in superhero movies as of late and as those sorts of things go, this one is no worse nor any better than most. It just isn’t all that impressive; neither are most of the practical effects. Also, there are moments when the plot gets a little bit, ahh, thick. I found it a touch confusing at times and perhaps more casual comic book fans might feel the same.

Otherwise, I enjoyed the heck out of the movie. These really aren’t the A-list of DC villains (although the Joker is present) but some of the mid-level guys. Quinn and Deadshot both look like slam-dunks coming back for more cinematic superhero goodness. And all things considered, this didn’t do the DC Extended Universe better; it might well be the best of the three that have appeared so far, at least in my book. However, it still isn’t slam dunk enough to really elevate the franchise into a place where I’m actually excited about it. Maybe Wonder Woman will bring that to the game.

REASONS TO GO: There is excellent interaction between an excellent cast. Smith is at his very best here. Brings some of DC’s lesser villains to light.
REASONS TO STAY: The special effects are unimpressive. The story is occasionally confusing.
FAMILY VALUES: As you’d expect, plenty of violence and superhero action, some sexually suggestive material and a bit of profanity.
TRIVIAL PURSUIT: Harley Quinn’s baseball bat was given to Kevin Smith to thank him for hosting the TV special Dawn of the Justice League shortly before this film came out.
CRITICAL MASS: As of 8/29/16: Rotten Tomatoes: 26% positive reviews. Metacritic: 40/100.
COMPARISON SHOPPING: Deadpool
FINAL RATING: 7/10
NEXT: Gleason

New Releases for the Week of August 5, 2016


Suicide SquadSUICIDE SQUAD

(Warner Brothers) Will Smith, Margot Robbie, Jared Leto, Joel Kinnaman, Ben Affleck, Viola Davis, Jai Courtney, Adewale Akinnuoye-Agbaje, Cara Delevingne. Directed by David Ayer

There are some jobs that a superhero just can’t do. They are far too valuable to risk. That’s when you send in the other guys, or in this case, a government-selected group of super-villains who have nothing to lose and are completely expendable. Given no option but to succeed or die, will they take on an impossible task and perhaps save the world, or bicker among themselves and go down in flames along with the rest of us?

See the trailer, a clip, a promo, a featurette and a video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence and action throughout, disturbing behavior, suggestive content and language)

Bazodee

(Serafini) Staz Nair, Kabir Bedi, Natalie Perera, Valmike Rampersad. The daughter of an Indian businessman agrees to marry a wealthy man in order to get her father out of the crushing debt he’s under. However, at her engagement party she meets an intriguing reggae musician with whom she develops a complicated friendship…which leads to forbidden feelings that catch the eye of the protective brother of her fiance who sets out to ruin everything and everyone involved.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: AMC West Oaks

Rating: PG-13 (for some suggestive content and brief language)

Nine Lives

(EuropaCorp/Relativity) Kevin Spacey, Jennifer Garner, Robbie Amell, Christopher Walken. A workaholic Dad on the eve of his biggest career triumph ever is on the way home to his daughter’s 11th birthday with the gift she’s always wanted – a cat. He hates cats, but had to scramble to find a gift and this is what he came up with. After a terrible car accident, he awakens with his consciousness inside the cat. He begins to get an entirely new outlook about his family through the eyes of the cat and begins to understand what he could potentially lose. It will take an extreme effort on his part to earn back his humanity and rejoin the family he’d taken for granted for so long.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Family Comedy
Now Playing: Wide Release

Rating: PG (for thematic elements, language and some rude humor)

Terminator Genisys


I just want to set the world on fire...

I just want to set the world on fire…

(2015) Science Fiction (Paramount) Arnold Schwarzenegger, Jason Clarke, Jai Courtney, Emilia Clarke, J.K. Simmons, Dayo Okeniyi, Matthew Smith, Courtney B. Vance, Byung-hun Lee, Michael Gladis, Sandrine Holt, Wayne Bastrup, Gregory Alan Williams, Otto Sanchez, Matty Ferraro, Griff Furst, Ian Etheridge, Nolan Gross, Seth Meriwether, Afemo Omilami, Teri Wyble. Directed by Alan Taylor

Some franchises seem to need little encouragement to be creative. Some tell a single story over the course of several films. Others essentially make the same movie over and over again.

The War Against the Machines is reaching it’s end; John Connor (J.Clarke) and his troops are storming an L.A. prison camp which hides Skynet’s secret weapon even as another brigade is storming the main server complex in Colorado. Complete victory is within their grasp; except that Skynet has sent a Terminator (Schwarzenegger) back in time to assassinate Sarah Connor (E. Clarke), his mother, before he can be born. John sends his right hand man, Kyle Reese (Courtney) back in time to stop the unstoppable cyborg.

Sounds familiar right? But this isn’t a reboot. When Reese gets there he discovers the Terminator has already been dispatched – by another Terminator, reprogrammed and sent back further in time to save Sarah – and now to save all of them from a liquid metal T-1000 (Lee) that is nearly impossible to destroy, but clever Sarah manages to find a way.

Now, they have a chance to stop Judgment Day itself but something is wrong with the timeline. Reese saw John getting attacked just before he was sent back in time and now Judgment Day isn’t in 1997 but in 2017. And the means that the nuclear holocaust will be achieved is through a new operating system, Genisys, that will link up everybody and everything – including the nukes. With the aging Terminator whom Sarah calls Pops – as he keeps insisting, he’s old not obsolete – the two will try to save the world from Skynet one last time but Skynet has an ace up it’s sleeve that nobody foresaw – except those who saw Paramount’s second trailer for the movie that spoils one of the biggest and unexpected twists that could have been this summer.

The Terminator franchise has seen better days. The first two films in the franchise were box office smashes and are beloved of science fiction and action film fans alike. The last two have done decent financial numbers but both critics and fans alike have excoriated both of them. Where in that demarcation does this one fall?

The latter, unfortunately. Critics have given this a spanking as you can see by the numbers below and fans have been essentially unimpressed. To be honest, I can’t say that this is one of the better movies in the series but it isn’t the worst either – Terminator Salvation gets that dubious honor – and quite frankly I think it holds up pretty well, despite the critical lambasting it has taken.

]Schwarzenegger, who essentially just made cameos during the last two films which were both filmed during his gubernatorial days but is fully back here and he steals the show. Arnold has never been the greatest of actors (though he has improved) but he’s always had a load of charisma. He manages to play the sympathetic Terminator nicely with genuinely horrifying attempts at a human smile, and a few unintentionally funny quips.

Too bad Arnold as a robot is more lifelike than the human characters. Jason Clarke has shown himself to be a capable lead actor in Life on Mars and in other films, but here he seems terribly lost. I’m not sure if he just required better direction, or any direction but I get the sense that he’s not sure how to play this messianic character and so plays him without much to recommend him by. At least he does a better job than Christian Bale did.

Courtney, who has been a villain in the Hunger Games movies does a mite better, but again seems a bit over his head. The same could be said for Emilia Clarke who has turned heads in Game of Thrones but seems strident and unlikable here instead of tough. Makes one wish her colleague in Thrones, Lena Headey, would have been the one asked to take the role here. She did a far better job in The Sarah Connor Chronicles.

The action sequences are better than average and the special effects likewise. Where the movie really falls down is in the story; it’s so convoluted, with parallel timelines and all sorts of techno babble which ends up slowing the momentum of the movie down at key moments (in one incredible sequence, four different characters try explain a plot point four times to a disbelieving character which is just beyond comprehension why anyone writing a major summer movie would do that. I think they should have simplified things a little or just didn’t explain anything and let the audience just go with it. They would have been better off in the long run. However, fans of the series might be interested to know that there will be at least two more movies made; Paramount has already greenlit them because the rights to the franchise revoke back to James Cameron in 2019 so the studio intends to get as much return from their investment as possible. I hope that the audience does, too.

REASONS TO GO: Some fine summer entertainment and eye candy. Schwarzenegger is clearly having fun.
REASONS TO STAY: Convoluted plot. A little too much like previous entries in the franchise.
FAMILY VALUES: A good deal of sci-fi violence and gun fighting, some partial nudity and a few choice words here and there.
TRIVIAL PURSUIT: Jason Clarke is the fifth actor to play John Connor. Rusty Griswold of the Vacation series has also had five actors in the same role, the only characters known to have that many different actors playing them.
CRITICAL MASS: As of 7/12/15: Rotten Tomatoes: 27% positive reviews. Metacritic: 38/100.
COMPARISON SHOPPING: I, Robot
FINAL RATING: 6.5/10
NEXT: Desire for Beauty

New Releases for the Week of July 3, 2015


Terminator GenisysTERMINATOR: GENISYS

(Paramount) Arnold Schwarzenegger, Jason Clarke, Jai Courtney, Emilia Clarke, J.K. Simmons, Dayo Okeniyi, Matt Smith, Courtney B. Vance. Directed by Alan Taylor

We’ve seen this one before; human resistance leader John Connor discovers that Skynet has sent a terminator cyborg back in time to kill his mother. He needs someone to protect her and brave Kyle Reese volunteers. Except when he gets back in time, things are a lot different than what John Connor remembered – and Sarah Connor is a whole lot tougher than John ever knew. She has a plan to keep Judgment Day from happening, but Skynet is going all out to ensure that it does.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website .
Release Formats: Standard, 3D, IMAX 3D (opened Wednesday)
Genre: Science Fiction
Now Playing: Wide Release
Rating: PG-13 (for intense sequences of sci-fi violence and gunplay throughout, partial nudity and brief strong language)

Aloft

(Sony Classics) Jennifer Connelly, Cillian Murphy, Melanie Laurent, Oona Chaplin. A woman abandons her son; he seeks answers, cutting himself off from feeling anything in order to bear the weight of a crushing tragedy. A woman who is obsessed with curing herself leaves everything she knows behind in a desperate attempt to follow her dream. All three will meet where past and present merge in an exciting film set in the mysterious and beautiful Arctic.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language and some sensuality)

Faith of Our Fathers

(Goldwyn/Pure Flix) Kevin Downes, David A.R. White, Stephen Baldwin, Candace Cameron Bure. As the Vietnam War is at its height, two new fathers report for duty – one a cynic, the other devout. They send to their new sons letters hand-written from in country. Years later their sons – now grown men – make a pilgrimage to the Vietnam War monument in Washington DC. They will meet as strangers but they will share a common bond – loving fathers whose bonds cannot be shattered by the chaos of war.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Faith-Based Drama
Now Playing: AMC Altamonte Mall, AMC Downtown Disney, AMC West Oaks, Regal Oviedo Mall, Regal Pointe Orlando, Regal Winter Park Village
Rating: PG-13 (for sexual content, drug material, language and some thematic elements)

Magic Mike XXL

(Warner Brothers) Channing Tatum, Amber Heard, Jada Pinkett Smith, Elizabeth Banks. Three years after Magic Mike, the legendary headliner of the Kings of Tampa hung up his g-string for good, the troupe is ready to call it a day. However, they want one last blow-out at a festival in Myrtle Beach and they convince Mike to dance one last time. On a road trip with stops in Jacksonville and Savannah, the boys will learn that it takes more than moves to be legendary.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: Dramedy
Now Playing: Wide Release
Rating: R (for strong sexual content, pervasive language, some nudity and drug use)

The Overnight

(The Orchard) Adam Scott, Jason Schwartzman, Taylor Schilling, Judith Godreche. Newly arrived in Los Angeles, a young couple with their young son know nobody in the trendy Silver Lake district. A chance meeting at a birthday party gets them invited to a pizza dinner with the young son who their own son has become fast friends with and his sophisticated parents. Once the kids are put to bed, things get very, very strange very, very fast. Not only has this been getting a huge buzz but this was one of the more acclaimed films at the recent Florida Film Festival and you can read my review of the movie here.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Sex Comedy
Now Playing: AMC West Oaks, Regal Winter Park Village
Rating: R (for sexuality/nudity and language)

The Water Diviner


Love can be illuminating.

Love can be illuminating.

(2014) Drama (Warner Brothers) Russell Crowe, Olga Kurylenko, Jai Courtney, Yilmaz Erdogan, Cem Yilmaz, Dylan Georgiades, Steve Bastoni, Isabel Lucas, Salih Kalyon, Megan Gale, Ryan Corr, James Fraser, Ben O’Toole, Jacqueline McKenzie, Jack Douglas Patterson, Ben Norris, Aidan Liam Smith, Damon Herriman, Sophia Forrest. Directed by Russell Crowe

The bond between father and son can be complicated. There’s always an element of competition between them; the old lion wants to have the loudest roar even as the younger lions are coming into their own. Still when push comes to shove, there isn’t a father who wouldn’t move heaven and earth for their children…sometimes even when hope is lost.

Joshua Connor (Crowe) has a farm in Australia. It’s not an easy life; water isn’t easy to come by in the arid landscape. However, with the use of a pair of sticks and his unerring instincts he is able to find places to dig wells that he desperately needs. It’s a hard life but it’s a good one – or would be. You see, Joshua sent his three sons Arthur (Corr), Edward (Fraser) and Henry (O’Toole) to war, in this case World War I. With many troops from their part of the world, they went to invade Gallipoli in Turkey and many thousands of young men in the ANZAC (Australia-New Zealand Army Corps) died in the attempt which ultimately failed. All three of Joshua’s sons were among the dead.

The grief of the loss of all her sons had led Joshua’s wife (McKenzie) to take her own life. Now with nobody and nearly four years gone, Joshua feels obligated to go to Gallipoli and bring the remains of his sons back home. However, there’s a problem there – basically so many soldiers died in the battle, one of the bloodiest of the First World War – that proper burials are only now just happening, led by an English Colonel (Courtney) who is being assisted by the Turkish officer Major Hasan (Erdogan) who led the Turkish forces at the battle. Civilians are not welcome – not that there are any clamoring to go. The battle site is still full of booby traps and other dangers that make it a dangerous place even in peacetime.

But Joshua has nothing to lose. With the help of Ayshe (Kurylenko), the owner of the hotel he is staying at in Istanbul and Orhan (Georgiades) her adorable moppet of a son he manages to make it past the British bureaucracy which is dead set on preventing his passage to Gallipoli. Once he makes it there though he acquires the friendship of Hasan, even though he commanded the forces that led to the deaths of his sons – and discovers that even amidst the carnage, hope exists. He also discovers that love might exist as well with the hotel owner whose husband disappeared in the same battle and is presumed dead, although she holds out hope that he may yet return.

Normally the presence of Crowe in front of the camera would insure a wide American release for a film, but the story is a bit of a hard sell to American audiences. Gallipoli doesn’t mean as much to us as it does to audiences in Australia and New Zealand, where the battle is part of the national identity. Released on the 100th anniversary of the battle, the story isn’t so much about the fight as it is of a father’s devotion to his children, even after they’re dead. It is about  his grief and his healing.

Crowe remains a compelling presence, giving one of his best performances in years. Joshua is a quiet and powerful presence, never demonstrative although once he begins interacting with the irresistible Orhan does he begin to start coming out of his shell. There is a bit of an aura of the supernatural here – Joshua has visions of his sons in the battle and is able to infer things that he shouldn’t have been able to know. The more practical-minded among the audience will find that whole concept to be poppycock, although the connection a parent has with their children and the way parents can sometimes know things they shouldn’t about their kids can’t be discounted.

This would be the last movie lensed by cinematographer Andrew Lesnie who also shot most of Peter Jackson’s Middle Earth films and he makes a stark contrast between Australia with it’s blade blue skies and dusty earth, and with Istanbul with its Blue Mosque and beautiful interiors. Then there’s Gallipoli itself with a lovely beach but once over the first hill becomes a scorched hell. Crowe made a smart choice in that department and it will remain part of Lesnie’s lasting legacy as one of the great cinematographers of his – and our – day.

Most of the battle is seen through flashbacks, particularly those that concern the brothers but those scenes can be pretty brutal with limbs getting blown off and young bodies being shredded by machine guns and artillery fire. Crowe doesn’t shy away from these scenes that depict the horrors of war, those who are upset by such things should be forewarned.

I generally don’t respond to specific criticisms of a film brought up by a different film critic but Andrew O’Hehir’s excoriation of Crowe and Warner Brothers, calling this a “disgraceful” film for not mentioning the Armenian genocide which occurred roughly at the same time the battle of Gallipoli was fought, is absolutely mind-boggling. Yes, there are sympathetic Turkish characters here but not all Turks participated in the Genocide which occurred hundreds of miles away and essentially before the main action of the film begins – the battle itself is pretty much only seen in flashbacks other than the opening scene which depicts the withdrawal of troops from Gallipoli. But what is disgraceful is a critic suggesting that a filmmaker not mentioning something that has absolutely nothing to do with his film or the events in it is somehow morally wrong and insensitive. Talk about Liberal Guilt.

For a debut effort in the director’s chair Crowe has come up with a pretty impressive film. Of course, when you have Russell Crowe to star in your first film you’ve got an advantage over most right there. I don’t know what Crowe the director did to inspire Crowe the actor but whatever it was, it resulted in a compelling performance that confirms Crowe’s star power. There is an epic sweep here that reminds me of movies from a bygone era.

The movie hasn’t gotten any sort of push from Warners and has been essentially released as an independent film in select cities. It isn’t easy to find but it is well worth seeking out; this is a surprisingly powerful film that I believe will appeal to more than just Australian audiences.

REASONS TO GO: Strong performance by Crowe who remains a compelling presence. Gripping storyline. Lovely cinematography.
REASONS TO STAY: Relies on Joshua’s visions and instincts a bit too much. The battle scenes may be too intense for the sensitive.
FAMILY VALUES: War violence and disturbing images.
TRIVIAL PURSUIT: The horse that Crowe rides in the Australia scenes is actually his own horse, Honey.
CRITICAL MASS: As of 5/10/15: Rotten Tomatoes: 61% positive reviews. Metacritic: 50/100.
COMPARISON SHOPPING: Legends of the Fall
FINAL RATING: 7.5/10
NEXT: The Age of Adaline