New Releases for the Week of December 13, 2019


JUMANJI: THE NEXT LEVEL

(Columbia) Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Awkwafina, Danny DeVito, Danny Glover, Alex Wolff, Colin Hanks. Directed by Jake Kasdan

The gang is back, sucked into the world’s most dangerous videogame like dust bunnies in a vacuum cleaner. This time they are there to rescue one of their own and will brave unexplored territory – deserts and mountains in addition to the jungle – to make it home alive.

See the trailer
For more on the movie this is the website
Genre: Fantasy/Adventure
Now Playing: Wide Release
Rating: PG-13 (for adventure action, suggestive content and some language)

Black Christmas

(Universal) Imogen Poots, Cary Elwes, Aleyse Shannon, Lily Donoghue. A black masked killer stalks sorority women at a college during Christmas break in this remake of a classic 1974 horror film.

See the trailer here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for violence, terror, thematic content including sexual assault, language, sexual material and drinking)

Code 8

(Vertical) Robbie Amell, Stephen Amell, Sung Kang, Greg Byrk.  *insert gravelly trailer voice here* In a world where 4% of the world’s population has super powers, those with extraordinary gifts have been discriminated against and forced to live in poverty. A young power-enabled man who is fighting to survive and is drawn into a seedy underground of crime.

See the trailer here
For more on the movie this is the website  
Genre: Superhero
Now Playing: Touchstar Southchase
Rating: NR

Hell on the Border

(Lionsgate) David Gyasi, Frank Grillo, Zahn McClarnon, Ron Perlman. This is the true story of Bass Reeves, who went from being an escaped slave during the Civil War to becoming the first African-American marshal in the American West.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Western
Now Playing: Premiere Fashion Square
Rating: R (for violence and language)

Mickey and the Bear

(Utopia) Camila Morrone, James Badge Dale, Calvin Demba, Ben Rosenfield. Mickey Peck works a job in a taxidermy shop in Anaconda, Montana. She must cope with her father, a veteran with severe PTSD who isn’t getting better, an oversexed boyfriend and her upcoming high school graduation – all without her late mother. This amazing first film from Annabelle Attanasio was recently reviewed by C365 – check the link in the section “Scheduled for Review” below.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for substance abuse, language throughout and some sexual material)

Richard Jewell

(Warner Brothers) Paul Walter Hauser, Sam Rockwell, Olivia Wilde, Jon Hamm. Clint Eastwood’s latest directorial effort is the story of the security guard at the 1996 Olympic Games in Atlanta who thwarted a bomb planted in Centennial Park and then wrongly came under suspicion for planting it there. The film has been controversial due to the Atlanta Journal-Constitution taking exception to the portrayal of its coverage and one of its reporters.

See the trailer here
For more on the movie this is the website  
Genre: Biographical Drama
Now Playing: Wide Release
Rating: R (for language including some sexual references, and brief bloody images)

The Two Popes

(Netflix) Jonathan Pryce, Anthony Hopkins, Juan Minujin, Sidney Cole. Pope Benedict, a staunch conservative, is the leader of a Catholic church in crisis. He soon develops a relationship with the cardinal who would one day become Pope Francis, one who has sought to reform the Church.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Enzian Theater
Rating: PG-13 (for thematic content and some disturbing violent images)

ALSO OPENING IN ORLANDO/DAYTONA:

The Body
Ernesto’s Manifesto
The Great War
Kettyolanu Ente Malakha
Line of Descent
Mamangam
The Mandela Effect
Mob Town
Venky Mama

ALSO OPENING IN MIAMI/FT. LAUDERDALE/KEY WEST:

6 Underground
The Body
Kettyolanu Ente Malakha
Line of Descent
Mamangam
Mardaani 2
One Cut of the Dead
Venky Mama

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

The Body
Fantastic Fungi
Mamangam
Mardaani 2
Rabid
Synonyms
Venky Mama

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

The Aeronauts
Fantastic Fungi
Mamangam
Satantango

SCHEDULED FOR REVIEW:

Black Christmas
Fantastic Fungi
Jumanji: The Next Level
Mickey and the Bear
Rabid
Richard Jewell
Synonyms
The Two Popes

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Vero Beach Wine + Film Festival at Sea, Port Everglades, FL

Mickey and the Bear


The obligatory uncomfortable car ride shot.

(2019) Drama (UtopiaCamila Morrone, James Badge Dale, Calvin Demba, Ben Rosenfield, Rebecca Henderson, Rob Grabow, Gabriel Vega, Katee Ferguson. Directed by Annabelle Attanasio

 

Recently, director Martin Scorsese stirred up an Internet hornet’s nest when he disparaged Marvel films (and their like). He spoke about the films he grew up watching and quite frankly, this one from first-time director Attanasio would be the sort of film that he would dig.

Mickey (Morrone) lives in the small Big Sky town of Anaconda, Montana. Her mother has recently passed away due to cancer; the toxic waste from mining operations there have decimated the population of the town. Mickey’s dad Hank (Dale) is an ex-Marine who came home with a drinking problem, a severe case of PTSD and wild mood swings that his medication isn’t really regulating anymore. Mickey is his sole caregiver and support; she works after school in a taxidermy shop and supplements his veterans benefits with the little income she can make. Hank is chronically unemployed, and an object of pity in the town; he is not only a vet but a widower. He is essentially given a pass for his bad behavior, which is growing steadily worse.

Mickey has a boyfriend, Aron (Rosenfield) who professes undying love for Mickey, but steals her father’s Oxycontin and seems most interested in her female parts than in any other part of her. Mickey is trapped in the small town, unable to leave because her father couldn’t survive without her, but sees any sort of hope for a life of her own slipping away from her.

But there are some bright spots. New kid at school, Wyatt (Demba) – a transfer from the UK – sees potential in her and encourages her to go out and seek it. VA psychiatrist Leslee Watkins (Henderson) takes an interest in her and sees that the situation she’s in is not likely to improve…ever. Mickey is beginning to take tentative steps out of her situation but then her father drags her right back into the nest.

Attanasio is one of the new breed of female directors who not only has something to say but knows how to say it in a compelling manner. It’s hard to believe this is her first feature; it’s even harder to believe that she was only 25 years old when she made this. It’s directed with such assurance that you would think that the person behind the camera had decades of experience in the director’s chair. I’m excited for the future of this young woman.

It doesn’t hurt that she has a pair of actors giving career-defining performances. Dale, a veteran character actor, has never been better. He walks a tightrope between portraying Hank as an utter bastard and an object of pity. Hank is neither; he is prideful and his mood swings can lead to violence. At the same time, there’s just enough charm to allow us to see what he must have been like before he went off to war. This isn’t a textbook PTSD performance; it’s more true to life.

The revelation, however, is Morrone. With a limited resume behind her, there was no reason to believe she had this kind of performance inside her but quite frankly, it’s Oscar-worthy. Mickey is strong and vulnerable; making a terrible decision one moment and standing up for herself the next. She is, in short, a young woman who has seen far too much of life for a girl her age; it has caused her to grow up way too fast, but she is still at the end of the day only 18 years old.

Most of the other performances are strong as well, although Demba looks way too old to be a high school student. The Montana landscape is shown off nicely while the town is basically the working-class kind of place that has been hit particularly hard by the economic hardships that have caused them to embrace outsiders in politics. There’s a quiet desperation in the town that is heartbreaking; elitist liberals would do well to take notice.

Attanasio keeps the mood tense; one never knows when Hank is going to erupt. It’s a slow burn rather than an explosive conclusion. At the end of the day, the only flaw here is that the ending feels a bit more cliché than the rest of the film. Even though the final image of Mickey is hopeful and inspiring, it doesn’t really jive with the tone of the film.

The movie is currently playing in New York and opening in Los Angeles later this week; at the end of the month, it will start playing nationwide. Keep an eye out for it; this is a very strong movie that cinephiles should want to experience for themselves.

REASONS TO SEE: While Badge does a good job, Morrone is incredible. Gritty Americana at its finest.
REASONS TO AVOID: The ending is a little too pat, too predictable.
FAMILY VALUES: There’s a good deal of profanity, scenes of drug abuse, some sexual situations and violence.
TRIVIAL PURSUIT: Attanasio is best known as an actress on the CBS drama Bull; she left the show following the third season in order to shoot this movie, her directorial debut.
CRITICAL MASS: As of 11/19/19: Rotten Tomatoes: 100% positive reviews: Metacritic: 76/100.
COMPARISON SHOPPING: Princess of the Row
FINAL RATING: 7.5/10
NEXT:
Jim and Andy: The Great Beyond

New Releases for the Week of August 9, 2019


THE KITCHEN

(New Line) Melissa McCarthy, Tiffany Haddish, Elisabeth Moss, Domhnall Gleeson, James Badge dale, Brian d’Arcy James, Common, Margo Martindale. Directed by Andrea Berloff

In Hell’s Kitchen in 1978, the wives of three low-level hoods in the Irish Mafia find themselves in dire financial straits when their husbands are sent to jail. Despite assurances by the mob that they’ll be taken care of, it turns out that it’s all just lip service. Desperate, the ladies take matters into their own hands and start running their husband’s rackets on their own.

See the trailer, video featurettes, a clip and an interview here
For more on the movie this is the website
Genre: Crime Drama
Now Playing: Wide Release
Rating: R (for violence, language throughout and some sexual content)

The Art of Racing in the Rain

(20th Century Fox) Milo Ventimiglia, Amanda Seyfried, Kathy Baker, Kevin Costner (voice). A puppy, picked up by an aspiring Formula One race car driver, grows philosophical, realizing that the techniques that make one successful on the race course also apply to success in life.

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Family
Now Playing: Wide Release
Rating: PG (for thematic material)

Brian Banks

(Bleecker Street) Aldis Hodge, Greg Kinnear, Sherri Shepherd, Melanie Liburd. A young high school All-American football player is ready to take that first step towards turning pro when he enrolls at the University of Southern California but finds his plans derailed when he is accused, tried and convicted of a crime he didn’t commit. After years of trying to prove his innocence, he at last is successful and is determined to fulfill his interrupted dream of playing in the NFL.

See the trailer, video featurettes and clips here
For more on the movie this is the website  
Genre: Sports Biography
Now Playing: Wide Release
Rating: PG-13 (for thematic content and related images, and for language)

Dora and the Lost City of Gold

(Paramount) Isabella Moner, Eugenio Derbez, Michael Pena, Eva Longoria. The beloved Nickelodeon animated show Dora the Explorer gets a live action treatment as high schooler Dora along with her faithful monkey companion and some of her pals from school go on a wild adventure in the jungles of South America to save her parents and solve the mystery behind a legendary city of gold.

See the trailer, video featurettes and a clip here
For more on the movie this is the website  
Genre: Family Adventure
Now Playing: Wide Release
Rating: PG (for action and some impolite humor)

ECCO

(Citadel) Lathrop Walker, Tabitha Bastien, Helena Grace Donald, Michael Winters. A former assassin, living quietly with his family away from his former life, finds his cover blown by his former employers. Now he must rely on his skills to protect his loved ones and hunt down those who betrayed him and in whom all his sins reside.

See the trailer, interviews and video featurettes here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Old Mill Playhouse, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village
Rating: R (for violence including bloody images, language, and some sexuality/nudity)

Rapid Eye Movement

(Vertical) Reiko Aylesworth, Francois Arnaud, Danny Ramirez, Rebecca Watson. A radio DJ, attempting to break the world record for staying awake, is beset by a troubled caller warning him to raise $5 million for charity or face disturbing consequences.

See the trailer here
For more on the movie this is the website  
Genre: Suspense
Now Playing: Touchstar Southchase
Rating: NR

Scary Stories to Tell in the Dark

(CBS/Lionsgate) Zoe Margaret Colletti, Dean Norris, Gil Bellows, Michael Garza. A group of teens find a book of terrifying tales written by a young girl named Sarah whose terrible images turn out to be all too real.

See the trailer, video featurettes, a clip and a promo here
For more on the movie this is the website  
Genre: Family Horror
Now Playing: Wide Release
Rating: PG-13 (for terror/violence, disturbing images, thematic elements, language including racial epithets, and brief sexual references)

Them That Follow

(1091) Olivia Colman, Kathryn Dever, Walton Goggins, Jim Gaffigan. In this 2019 Florida Film Festival favorite, a young girl raised in a church that practices serpent handling, the pastor prepares for his daughter’s wedding, which unwittingly unleashes a secret that may change the girl’s perception of her father forever.

See the trailer here
For more on the movie this is the website  
Genre: Drama
Now Playing: Barnstorm Theater, Regal Winter Park Village
Rating: PG (for ] language, thematic elements, some suggestive content and brief smoking images)
 

ALSO OPENING IN ORLANDO/DAYTONA:

Bring the Soul: The Musical
Hello, Love, Goodbye
Light of My Life
Manmadhudu 2
Nerkonda Paarvai
Parey Hut Love

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Best Summer of My Life
The Bravest
Bring the Soul: The Musical
David Crosby: Remember My Name
Jabariya Jodi
Manmadhudu 2
Nekrotronic
Nerkonda Paarvai
The Quiet One

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

The Bravest
Hamlet Pheroun
Hello, Love, Goodbye
Jabariya Jodi
Kobbari Matta
Nerkonda Paarvai

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Manmadhudu 2
Nerkonda Paarvai

SCHEDULED FOR REVIEW:

Brian Banks
The Kitchen
Scary Stories to Tell in the Dark
Them That Follow

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Popcorn Frights Film Festival, Fort Lauderdale

Little Woods


When you’re knocked to the floor it can be a savage affair getting back to your feet.

(2018) Drama (NEON) Tessa Thompson, Lily James, Lance Reddick, Luke Kirby, James Badge Dale, Elizabeth Maxwell, Luci Christian, Rochelle Robinson, Morgana Shaw, Joe Stevens, Brandon Potter, Alexis West, Lydia Tracy, Gary Teague, Jeremy St. James, Carolyn Hoffman, Lawrence Varnado, Jason Newman, Stan Taylor, Charlie Ray Reid, Max Hartman, Allison Moseley. Directed by Nia DaCosta

Sometimes, I wonder how on earth we ever ended up with our current President. One need look no further than this film which addresses issues that hit close to home for far too many working Americans, particularly those in rural areas – issues that the other party failed to address in 2016 and if they don’t get their act together and start talking to these same working Americans about these issues, will end up in a very similar result in 2020.

Ollie (Thompson) lives in a bleak town in North Dakota near the Canadian border. The town is booming thanks to the fracking industry and filled with plenty of rough and tumble men who work the pipeline. However, it’s a rough existence in which muscles are constantly in pain and the nagging work injuries aren’t well-served by the town clinic where the waits exceed the amount of time these men have to visit a medical facility so they rely on drug smugglers bringing Oxy from Canada at prices they can afford. This isn’t their story.

Ollie was one such smuggler who got caught. Out on probation, she is mourning her mother for whom she was caretaker during an extensive and eventually terminal illness. She remains in her mom’s house, sleeping on the floor of her mom’s room, trying to eke out a living selling coffee and sandwiches in lieu of painkillers. The house is in foreclosure and the bank isn’t particularly compassionate. Making money legitimately for a woman in this town is almost impossible; the career choices that pay enough to survive for women are essentially what Ollie got busted for and dancing on a pole (the world’s oldest profession goes unremarked upon but is likely a choice as well).

Ollie’s estranged sister Deb (James) returns at an inopportune time. Pregnant by her abusive alcoholic boyfriend (Dale) and trying to support a little boy on her own, Deb lives in a trailer illegally parked on a diner waitress paycheck that doesn’t begin to cover the cost of her pregnancy. The nearest abortion clinic (and the only one in the state) is 200 miles away and is still expensive enough that Deb can’t afford it. As Ollie puts it, your choices are only as good as your options.

The two manage to reconcile but it becomes obvious to Ollie that the only way out is to resume her previous life. She will need to make a run to Canada and get a Manitoba health care card for her sister to do it; the drug dealer (Evans) she worked for previously who is as dangerous as they come. As things spiral down from bad to worse to untenable, the two women must find an inner reservoir of strength that may not even be enough to get them through.

Although the movie addresses a lot of topics that have some serious political ramifications here in 2019, this isn’t the kind of movie that hits you in the face with its politics. DaCosta sets up a situation that is not uncommon among women in rural areas and lets the characters tell their own stories. When considering the assault on reproductive rights and Roe v. Wade that is occurring in certain states at the moment, one can appreciate the frustration and concern among women who are stuck in similar situations where money isn’t plentiful and neither are good options.

Okay, I need to stop getting political here but it can’t be denied that the issues are exceedingly timely. It also can’t be denied that Thompson, as Ollie, shows a range that puts her in very elite company and marks her as a potential Oscar contender down the road – maybe not necessarily for this film but for others that follow. She has that kind of capability. DaCosta, who has been tapped by Jordan Peele to helm the upcoming Candyman reboot, has a similar capability.

My issue is that the movie is taking too many clues from films like Frozen River and Winter’s Bone, both with powerful female leads placed in an environment of despair, drugs and bleak prospects. It gives the overall film a sense of familiarity that isn’t a good thing. The movie’s ending is also a bit disappointing and derivative. DaCosta didn’t have to reinvent the wheel but I thought her choice was a bit too safe. I also thought the score was a bit intrusive.

There is much to like about the film and despite its relatively low score I do urge most cinephiles to check it out. There is some real talent here in front of and behind the camera. There is a raw tone to the movie that might turn off some but nonetheless as mentioned before these are the people who are suffering in 21st century America and whose needs are far from being met. There is enough power here that despite the film’s flaws it is worthwhile to consider it for a look.

REASONS TO SEE: Thompson cements her reputation as an actress with big things ahead of her.
REASONS TO AVOID: Been there, seen that.
FAMILY VALUES: There are a lot of drug references and profanity.
TRIVIAL PURSUIT: The story was conceived as a modern retelling of Shakespeare’s Othello.
CRITICAL MASS: As of 5/25/19: Rotten Tomatoes: 96% positive reviews: Metacritic: 74/100.
COMPARISON SHOPPING: Frozen River
FINAL RATING: 6.5/10
NEXT:
If the Dancer Dances

Spectral


You see dead people.

(2016) Sci-Fi Horror (Netflix/Legendary) James Badge Dale, Emily Mortimer, Bruce Greenwood, Max Martini, Cory Hardrict, Clayne Crawford, Gonzalo Menendez, Ursula Parker, Aaron Serban, Stephen Root, Royce Pierreson, Jimmy Akingbola, Philip Bulcock, Ryan Robbins, Dylan Smith, Louis Ozawa Changchien, James D. Dever, Mark O’Neal, Michael Bodie, Declan Hannigan  Directed by Nic Mathieu

 

There are more things in heaven and earth than are dreamt of by the minds of mortal men. Sometimes the minds of mortal men think up some amazing things. Some of those things are way too dangerous and should be left alone.

A group of elite U.S. soldiers are in the country of Moldova whose government has collapsed. They are attacked by something strange; glowing vaguely human beings that might be ghosts who kill with a single touch. The commander of the U.S. force (Greenwood) calls in DARPA scientist Mark Clyne (Dale) who developed goggles that allow men to see the invisible to the naked eye spectral beings.

He is accompanied by Fran Madison (Mortimer), a CIA analyst who believes that the deaths are the result of some super-weapon that the insurgents have developed. Using the goggles that Dr. Clyne built, the soldiers determine that the specters can’t be harmed with small arms fire. Clyne modifies searchlights so that they can see the specters more easily. They also find out that the creatures, which can move through solid walls, can’t go through iron. They modify their explosive devices so that they fire iron filings at the things.

The soldiers find a laboratory and discover to their shock that these specters were the results of weapons experiments in which human beings were duplicated with advanced 3D printers and are kept alive by the brains of the originals. However, control was lost of the experiment and now the city is full of these specters and it won’t take long before they overrun everything.

This was originally developed at Universal as part of their deal with Legendary who had just separated from their long-time distributors at Warner Brothers. However, when push came to shove the studio declined to release the film and Netflix eventually snapped it up. So Netflix essentially got a ready-made (relatively) big budget genre film.

Dale has been on the ragged edge of leading man duties for awhile and this should have been a career boost but sadly it likely won’t be now. That’s a shame; he’s a fine actor and while I don’t think this particular role really benefits him well, he at least does a decent enough job with an underwritten role that is largely a video game character.

In fact the whole movie reminded me of a video game. Sort of like Call of Duty meets Aliens with a dash of Ghostbusters thrown in only with the humor excised. That might work for some but I think it’s a serious miscalculation. People who like videogames want to have some control rather than passively watch someone else’s vision. The filmmakers would have been better served to make this less of a videogame cinematic.

The special effects aren’t half bad in some places and while the plot tends to meander a little bit, it doesn’t do so enough to make the film incomprehensible. I can see why Universal hesitated about releasing this wide; it seems to appeal to a niche audience and given that most videogame adaptations have been epic failures both critically and at the box office, I’m not sure that a videogame adaptation of a game that doesn’t exist would do any better. It seems tailor-made for Netflix and while I thought it was a bit disappointing, it is entertaining enough and interesting enough to be worth a look.

REASONS TO GO: Some of the special effects are nifty.
REASONS TO STAY: The plot is a little bit convoluted.
FAMILY VALUES: There are some intense sci-fi action sequences.
TRIVIAL PURSUIT: James Badge Dale and Max Martini also played military roles in 13 Hours.
BEYOND THE THEATER: Netflix
CRITICAL MASS: As of 3/26/17: Rotten Tomatoes: 80% positive reviews. Metacritic: No score yet.
COMPARISON SHOPPING: The Objective
FINAL RATING: 5.5/10
NEXT: The Salesman

13 Hours: The Secret Soldiers of Benghazi


(2016) True Life Drama (Paramount) John Krasinski, James Badge Dale, Pablo Schreiber, David Denman, Dominic Fumusa, Max Martini, Alexia Barlier, David Constabile, Peyman Moaadi, Matt Letscher, Toby Stephens, Demetrius Grosse, David Giuntoli, Mike Moriarty, David Furr, Kevin Kent, Freddie Stroma, Andrew Arrabito, Kenny Sheard, Christopher Dingli, Manuel Cauchi, Frida Cauchi. Directed by Michael Bay

One of the watershed moments of the last five years is the September 11, 2012 attack on the U.S. temporary embassy in Benghazi, Libya. Three people were killed, including Ambassador Christopher Stevens. Since then, it has been used as a rallying point for the right to display the incompetence of the current administration and to place themselves in the role as advocates for the victims. The left has come to see the attack as something of a conservative media Judas goat in which facts are obscured or downright fabricated for the sake of scoring political points, particularly against presidential candidate Hilary Clinton who was Secretary of State at the time.

The movie is based on the accounts of three members of the Global Response Staff, the private contractors employed by the CIA to protect agency installations worldwide. The GRS is mainly made up of ex-military members. Jack Silva (Krasinski), a veteran of GRS tours of duty, arrives in Benghazi to find a city in chaos. Their longtime military dictator, Moammar Qaddafi had fallen and the government was struggling to keep order. The city of Benghazi was essentially ruled by competing militias of which the 17-Feb was most closely allied with American interests.

Included in the six man team protecting the Annex, the CIA installation a mile from the embassy, was Tyrone “Rone” Woods (Dale), his good friend and commanding officer; Mark “Oz” Geist (Martini), Dave “Boon” Benton (Denman) – the team sniper, John “Tig” Tiegen (Fumusa) and Kris “Tonto” Paronto (Schreiber). The station manager, known only as “The Chief” (Constabile), seems annoyed by the presence of the security professionals and warns them against engaging with the locals. Even though tensions are high, the men have a lot of down time to think about their families and their choices to serve their country so far from home.

As the anniversary of the attack of 9/11 nears, Ambassador Chris Stevens (Letscher) arrives with a small Diplomatic Services security team with the aim of strengthening U.S./Libya relations. Despite security worries on the part of the GRS team, he is determined to stay at the temporary embassy which is a security nightmare defended mostly by members of the 17-Feb militia. When after darkness falls an attack on the embassy is made by militants, the militia runs for their lives and the embassy is left wide open for attack. The GRS team wants to head over there to rescue those who are being overrun but The Chief refuses to allow them to go, unwilling to let the Annex go undefended. However, as it became clear that those at the Embassy were in mortal danger, the GRS team elected to mount a rescue mission, realizing that the militants might well follow them back to the Annex and mount an attack there as well.

Bay is known for his big budget special effects extravaganza and while there are some well-choreographed combat sequences, this is a much smaller scale than we’re used to seeing from him. In some ways you get the sense that he tends to be better suited for the Transformers-style action epics, but he handles the scale here pretty well although there doesn’t seem to be a ton of character development. I had a hard time differentiating the GRS team from each other (there are also other GRS operatives who show up later, including Glen “Bub” Doherty (Stephens) who also perished in the attack. There is a lot of gung-ho testosterone bonding among the men, which is to be expected.

The filmmakers took great pains to recreate the embassy and annex in Malta, and the combat sequences look pretty darn realistic from my uneducated point of view. Those sequences are pretty terrifying as it must have been for those inside both compounds. I would have been the one balled up in a corner weeping for my mommy. I can’t imagine living through something like that.

What was unexpected for me was the emotional impact of the film, and that has more to do with the significance of the event rather than Bay’s skills as a filmmaker. I can imagine that if the characters were a little more drawn up I would have cared a great deal more and the film would have had even more resonance. As it is you leave the movie feeling genuine grief for those who didn’t make it, as well as admiration for those who did.

Earlier I discussed the politicization of the event and it bears discussion here. Much of how you see this film is likely to be colored by your politics. Some critics of a right-wing leaning have overpraised the film (in my opinion) while other critics of a left-wing leaning have been unduly harsh (again in my opinion). I think that Bay went out of his way to make the movie apolitical, but let’s face it; making the film at all was a political statement. As best I can, I tried to leave my political hat out of it and tried to judge the film purely on entertainment value, and found that this is a solid, better than average movie that in a season when most of the offerings out there are pretty awful, can be recommended with little reservation although again, you’ll tend to see this movie viewed through the lens of your political outlook. As long as that’s duly noted, you should be okay.

REASONS TO GO: A very realistic account. A powerful emotional experience.
REASONS TO STAY: Politicization or the events may inform your perspective. Not a lot of character development.
FAMILY VALUES: Plenty of combat-style violence, rough language and some images of bloody carnage.
TRIVIAL PURSUIT: Krasinski, Denman and Constabile all starred on the hit sitcom The Office.
CRITICAL MASS: As of 2/6/16: Rotten Tomatoes: 55% positive reviews. Metacritic: 48/100.
COMPARISON SHOPPING: American Sniper
FINAL RATING: 6.5/10
NEXT: The Finest Hours

New Releases for the Week of January 15, 2016


Ride Along 2RIDE ALONG 2

(Universal) Kevin Hart, Ice Cube, Tika Sumpter, Benjamin Bratt, Olivia Munn, Ken Jeong, Bruce McGill, Michael Rose, Sherri Shepherd. Directed by Tim Story

The two polar opposite cops are back. One is preparing for his wedding – to his partner’s sister, which still makes him throw up in his mouth a little. However, the two are being sent from Atlanta to Miami to stop the flow of drugs into their city from South Florida. They take on as partners members of the Miami PD Narcotics squad, and it won’t be easy for the two of them to avoid getting shot by the drug gang – or the Miami cops.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Cop Comedy
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence, sexual content, language and some drug material)

13 Hours: The Secret Soldiers of Benghazi

(Paramount) John Krasinski, James Badge Dale, Pablo Schreiber, David Denman. Most of us are aware of the tragedy of the assault on the U.S. Embassy in Benghazi, Libya in which a U.S. Ambassador and several others lost their lives. However, most people aren’t aware the death toll might have been much higher if it wasn’t for the heroics of a group of security operatives. This is their story, based on their personal accounts of the events that took place that night and directed by Michael Bay.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for strong combat violence throughout, bloody images and language)

Band of Robbers

(Gravitas) Kyle Gallner, Adam Nee, Matthew Gray Gubler, Hannibal Buress. A modern retelling of the stories of Tom Sawyer and Huck Finn shows Huck newly released from prison and hoping to mend his ways. However, Tom (a corrupt cop here) has other plans, obsessing over a childhood fantasy of a lost treasure that he’s sure he and his criminal pal can still find.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall

Rating: NR

Lamb

(The Orchard) Ross Partridge, Oona Lawrence, Jess Wexler, Scoot McNairy. When a man is hit by the end of his marriage and the death of his father within the space of a week, he tries to find some sort of meaning in his life. Encountering an unpopular and awkward 11-year-old girl, he sees something in her that might allow her to avoid his own fate of an empty, meaningless life. He decides to take her on a road trip from Chicago to the Rockies to show her how beautiful the world can be, but the trip doesn’t exactly go to expectations.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs, AMC West Oaks

Rating: NR

Mustang

(Cohen) Gűnes Sensoy, Doga Zeynep Doguslu, Elit Iscan, Tugba Sunguroglu. Five spirited sisters living in a remote Turkish village play an innocent game with a group of boys. When they are observed by a religiously conservative neighbor, the consequences change their lives radically as their strict grandmother and uncle begin to impose limitations on the girls. They also begin to arrange marriages for them, and slowly the young girls begin to break. Nominated for both a Golden Globe and Oscar for Best Foreign Language Film, a review for this film will appear in Cinema365 tomorrow.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for mature thematic material, sexual content and a rude gesture)

Norm of the North

(Lionsgate) Starring the voices of Rob Schneider, Heather Graham, Ken Jeong, Bill Nighy. A polar bear by the name of Norm is dismayed at the influx of tourists to his Arctic home. However, when a land developer threatens to build condos on his beloved land, enough is enough and he heads to New York City to have a word with the money-grubbing builder.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild rude humor and action)New Releases