Out of Blue


Questions in a world of blue.

(2018) Mystery (IFC) Patricia Clarkson, James Caan, Jacki Weaver, Mamie Gummer, Toby Jones, Aaron Tveit, Jonathan Majors, Gary Grubbs, Alysha Ochse, Yolonda Ross, Thomas Francis Murphy, Tenea Intriago, Lucy Faust, Brad Mann, Lawrence Turner, Carol Sutton, Brenda Currin, Deneen Tyler, Devyn A. Tyler, Elizabeth Elkins, Garrett Kruithof, Elizabeth Pan. Directed by Carol Morley

 

As this film begins, we see the quote “We are not in the universe. Rather, the universe is in us.” When you consider that the make-up of our bodies is essentially created from the same elements that stars emit, that’s not far from the literal truth.

Detective Mike Hoolihan (Clarkson), a recovering alcoholic lesbian whose one of the better practitioners of detection, is called to an observatory to a homicide. Pretty astrophysicist Jennifer Rockwell (Gummer), the daughter of a prominent New Orleans family, has been shot dead. She can’t help but notice that the modus operandi of the killer is eerily similar to a slate of unsolved murders from decades earlier known as the .38 Caliber Killings. She also can’t help but notice a vintage shoe, a discarded sock and an open jar of a face cream popular decades earlier.

She has no shortage of suspects. Jennifer’s colleague Professor Ian Strammi (Jones) is a bundle of nerves and shows signs of having been in a struggle. Jennifer’s boyfriend (and also a colleague) Duncan J. Reynolds (Majors) is also behaving a bit oddly. Then there’s her grieving father, Colonel Tom Rockwell (Caan), a Vietnam War hero, local politician and electronics company proprietor who seems a bit tightly wound. Only Jennifer’s mother Miriam (Weaver) seems remotely grief-stricken and even she is showing signs of dementia.

Hoolihan is dogged in her pursuit of the truth but the case haunts her in unexpected ways. Jennifer, a vocal proponent of the “we are stardust” school of thought, is an expert on black holes and posits that we all exist because a star died somewhere billions of years ago. Jennifer’s own sense of wonder and relentless pursuit of her own scientific truth touches Hoolihan, perhaps reminds her of herself as she navigates the twists and turns of the case.

Based on a Martin Amis novel, the film has more than a little noir element to it. There is very much a literary feel to the movie; some of the dialogue is probably a better read than it sounds spoken aloud. That’s a shame because the cast which has some pretty impressive names in it is essentially left to trying to say some of these lines with a straight face and not always succeeding, as when Weaver’s character chides Hoolihan “Have you thought about dressing like a woman, dear?” There are plenty of references to the scientific quandary Schrodinger’s cat which makes the film esoteric to the point of either pretentiousness or brilliance – I’ll leave it to you to decide which.

The soundtrack is also reasonably impressive although it leans a bit too much on Brenda Lee’s version of I’ll Be Seeing You.” Clint Mansell’s atmospheric score is also a definite plus. What isn’t a plus is the overuse of incidental imagery used as linking devices between scenes. It makes the movie feel a bit too busy, a bit too pretentious (there’s that word again).

All in all, the movie comes off as a particularly uninspiring episode of C.S.I. Despite the best efforts of Clarkson and cast, the movie feels somewhat tired and somewhat lost. While I don’t mind the concept of the film and I like Amis as an author very much, the movie doesn’t do Amis’ source novel (Night Train) much justice which is pretty much par for the course for adaptions of his work.

REASONS TO SEE: Clarkson and Weaver deliver fine performances. The soundtrack is impressive.
REASONS TO AVOID: The ending is stretched out too much. There are far too many unnecessary incidental shots; the filmmakers don’t overburden themselves with self-restraint.
FAMILY VALUES: There is a fair amount of profanity.
TRIVIAL PURSUIT: The film originally had its world premiere at the Toronto Film Festival last year.
CRITICAL MASS: As of 3/24/19: Rotten Tomatoes: 44% positive reviews: Metacritic: 49/100.
COMPARISON SHOPPING: Dark Matter
FINAL RATING: 5/10
NEXT:
Tigerland

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New Releases for the Week of September 16, 2016


blair-witchBLAIR WITCH

(Lionsgate) James Allen McCune, Callie Hernandez, Corbin Reid, Brandon Scott, Wes Robinson, Valorie Curry. Directed by Adam Wingard

A group of college student filmmakers go into the Black Hills woods of Maryland  – and we all know that nothing good ever comes of student filmmakers going into the woods – to seek out information about the disappearance of the sister of one of their number. Accompanied by a couple of local guides, the group sets out to camp out in the forest. When night falls, however, they discover a local legend may be all too real – and that the Blair Witch may be far more powerful and evil than they could have possibly imagined.

See the trailer, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for language, terror and some disturbing images)

Bridget Jones’s Baby

(Universal) Renee Zellweger, Colin Firth, Patrick Dempsey, Jim Broadbent. The indefatigable Bridget Jones returns, a little bit older perhaps but no wiser. She has broken up with Mark Darcy and at 40-something finds herself single again. After a wild night of ex sex, she hooks up with a spirited American who may be just the tonic that she needs. However, she also finds herself pregnant and the father could be her new beau – or her ex.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release

Rating: R (for language, sex references and some nudity)

The Good Neighbor

(Vertical) James Caan, Logan Miller, Keir Gilchrist, Laura Innes. In a quiet neighborhood, a couple of high school students who fancy themselves practical jokers decide to take on the curmudgeonly neighbor across the street. They rig up his house so that it appears to be haunted, install some closed circuit cameras and wait for the hilarity to ensue. Suffice to say that their neighbor doesn’t take kindly to these events and things don’t go the way the funny guys think it’s going to.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Mr. Church

(Cinelou) Eddie Murphy, Britt Robertson, Natascha McElhone, Xavier Samuel. A single mom battling breast cancer and her precocious daughter receive an unusual visitor – a man claiming to have been paid to be their cook for the next six months. Six months become much longer as what had been always planned to be a temporary arrangement becomes a lifelong friendship.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Disney Springs

Rating: PG-13 (for thematic elements)

Nick Cave: One More Time with Feeling

(Picturehouse) Nick Cave, Warren Ellis, The Bad Seeds. The creative process of one of the most acclaimed and highly regarded cult performers in rock and roll, Nick Cave and the Bad Seeds, comes to light as the band records their latest album – The Skeleton Tree – in the wake of an unthinkable personal tragedy for Cave.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard (one showing only: Monday 9/19 at 9:30pm)
Genre: Musical Documentary
Now Playing: Enzian Theater

Rating: NR

The People vs. Fritz Bauer

(Cohen Media Group) Burghart Klauẞner, Ronald Zehrfeld, Michael Schenk, Sebastian Blomberg.  The account of the capture and execution of Nazi war criminal Adolph Eichmann has always been the story of the Israeli Mossad, but it came to light recently that a West German attorney general by the name of Fritz Bauer had much more to do with it than previously known. Bauer, frustrated at his government’s reluctance to pursue people like Eichmann and at the roadblocks thrown up by Nazi sympathizers in powerful government positions, eventually supplied the whereabouts of Eichmann to Mossad. The review of this film will be up shortly.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for mature thematic material, some disturbing images and brief strong language)

Snowden

(Open Road) Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto. Edward Snowden is a whistle-blower who brought to the attention of the world the surveillance tactics of the NSA on American citizens who were accused of no crime. There are many who think he’s a hero but just as many if not more who think he’s a traitor. Currently living in exile in Russia, Snowden’s tale is a controversial one and who better to bring it to the big screen than Oliver Stone, no stranger to controversy himself?

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Wide Release

Rating: R (for language and some sexuality/nudity)

A Tale of Love and Darkness

(Focus World) Natalie Portman, Amir Tessler, Shira Haas, Makram Khoury. Israeli writer Amos Oz recalls his youth and his relationship with his mother in the early years of the state of Israel. The stories he tells become the stories he lives. Portman also directed the film.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Regal Oviedo Mall

Rating: PG-13 (for thematic content and some disturbing violent images)

Detachment


Just holding up the wall.

Just holding up the wall.

(2011) Drama (Tribeca) Adrien Brody, Marcia Gay Harden, James Caan, Christina Hendricks, Lucy Liu, Blythe Danner, Tim Blake Nelson, William Petersen, Bryan Cranston, Sami Gayle, Betty Kaye, Louis Zorich, Isiah Whitlock Jr., Chris Papavasiliou, Kwoade Cross, David Hausen, Roslyn Ruff, Jerry Walsh, John Cenatiempo, Brenda Pressley, Tiffani Holland. Directed by Tony Kaye

We are challenged in the classroom like never before. Teachers must compete with all sorts of distractions – texts, phone calls, games, the kind of thing that other generations can’t even begin to understand. With shorter attention spans, kids don’t seem inclined to put any effort in to learning which puts other nations – China and India at the forefront – of educating their young people and putting themselves in a position to be the global power in this millennium.

Henry Barthes (Brody) is a teacher, or more to the point, a substitute teacher. He’s been sent to a month long stint in an inner city school where apathy is the word of the day. His predecessor essentially had a nervous breakdown and several other teachers seem to be on the verge of one of their own. Henry strikes up friendships with the acerbic Chuck Seaboldt (Caan) and the pretty but standoffish Sarah Madison (Hendricks).

In the meantime he is trying to inspire gifted artist Meredith (B. Kaye) as well as take teenage prostitute Erica (Gayle) under his wing. These are things that are meant well but still don’t look too good and Henry ends up facing the music for acts of kindness when all he wanted to do was inspire a few kids to achieve, to make something of themselves and to live a life that could have some meaning. Not too much to ask, eh?

Considering the caliber of the cast, the script had to be something spectacular because many of these fine actors get little more than a line or two and yet they are here because they believed in the project, which speaks highly of the original material. Certainly it seems to be an indictment of the public education system, a place in which the problem children are all dumped into the same building and educators are little more than glorified babysitters. Parents who can’t be bothered to show up on parents night are perfectly happy to march into the administrators office and tell the principal (Hardin) – who has already been told to seek employment elsewhere at the end of the year – that the parent is going to have her gang raped. Nice, right?

I’m not sure principals and teachers deal with parents threatening with sexual assault very often in reality, but the apathy of parents and students towards education today is a very real issue that very real teachers deal with on a daily basis. Unlike the movies – including this movie – it takes a lot more than one inspiring teacher to reverse the tide for an entire classroom. Students are people and like most people they react to the same things in different ways. In other words, what’s inspiring for one may come off as cheesy for someone else.

Brody works very hard here and why not? This is the kind of role that’s tailor-made for his talents. It doesn’t hurt that he has Oscar nominees and Emmy winners to work with. He gets plenty of support but make no mistake, this is Brody’s show and he runs with it.

Still, he is hampered by the cliches that show up in so many schoolroom dramas and that kind of offsets his performance. While the heart is in the right place here, there are very few movies that really give us a fly on the wall view in the modern classroom and this isn’t one of them, sadly. While worth checking out particularly if you’re into Adrien Brody, this doesn’t set any new standards in educating the masses about the state of education.

WHY RENT THIS: A uniformly excellent cast. This is right in Brody’s wheelhouse.
WHY RENT SOMETHING ELSE: A little bit cliche in places.
TRIVIAL PURSUIT: Betty Kaye, who plays Meredith in the film, is the director’s real-life daughter.
NOTABLE DVD EXTRAS: There is premiere footage from the Tribeca Film Festival as well as studio interviews with Brody and Tony Kaye.
BOX OFFICE PERFORMANCE: $1.5M on an unknown production budget.
SITES TO SEE: Netflix (DVD rental/Stream), Amazon (rent/buy), Vudu (rent/buy), iTunes (rent/buy), Flixster (unavailable), Target Ticket (unavailable)
COMPARISON SHOPPING: Dangerous Minds
FINAL RATING: 7/10
NEXT: Taken 3

The Godfather Part II


A picture of corruption.

A picture of corruption.

(1974) Drama (Paramount) Al Pacino, Diane Keaton, Robert Duvall, Robert De Niro, Talia Shire, John Cazale, Lee Strasberg, Michael V. Gazzo, G.D. Spradlin, Richard Bright, Gaston Moschin, Tom Rosqui, Bruno Kirby, Frank Sivero, Morgana King, Francesca de Sapio, Mariana Hill, Dominic Chianese, Troy Donahue, James Caan, Abe Vigoda. Directed by Francis Ford Coppola

It is rare enough that a movie with the quality and the impact of The Godfather gets made. It is rarer still that a movie that prestigious has a sequel made. And for that sequel to be as good if not better than the precursor, well that’s a very lonely group.

But that’s exactly what Francis Ford Coppola did when he made the second installment of what would turn out to be a trilogy. The story is told in two distinct segments that are alternated in the original cut of the film between young Vito Corleone fleeing from Sicily from a corrupt Mafia don who’d murdered his father over an imagined slight. Young Vito (De Niro) marries and tries a life of the straight and narrow but poverty and corruption conspire to draw him into a life of crime at which he excels. The other segment is that of Michael, now head of the family, brokering a deal with Jewish gangster Hymen Roth (Strasberg) in Cuba while dealing with betrayal from a source unexpectedly close to him.

Coppola deftly weaves the two stories together and although they are essentially unrelated, the flow of the movie is never interrupted. It’s a masterful job of directing and editing and a tribute that we as the audience are never disappointed when one segment ends and the next one begins. We are equally drawn to young Vito and the older Michael.

Pacino, reprising his role as Michael Corleone and without Marlon Brando to upstage him, turns in what is largely considered the defining performance of his career. The corruption of Michael is growing as his desire for power and to retain it at all costs slowly warps his soul. It’s absolutely masterful as we see Michael turn from soft-spoken war hero to cold, calculating monster in the course of two films.

There are some powerful scenes, such as one before a Senate subcommittee on organized crime in which one of Michael’s capos are due to testify against him. The mute confrontation between Frankie Pentangeli (Gazzo) and his brother is as powerful a moment as has ever been recorded in cinema.

The question of whether the sequel is better than the original is one that rages fairly passionately within the film buff community. There are plenty who argue that the first is the best; there are just as many who argue just as vehemently that the sequel outdoes the original. For my own part, I think that both movies are nearly equal in cinematic excellence. My own personal preference leans towards the first Godfather however – by just a hair.

So do you need both of these films? Absolutely. Separately they are both magnificent films that should be in every film lover’s collection. Together they constitute one of the most remarkable achievements in the history of the movies. They remain today as they were 40 years ago enormously influential not only on the gangster genre but on cinema in general. This, like the first film, is one you’ll want to see many, many times and will pick up something new that you didn’t notice before each time you see it.

WHY RENT THIS: Another must-see for everyone who loves movies. A rare sequel that is as good as the original.

WHY RENT SOMETHING ELSE: Some may find the violence off-putting.

FAMILY VALUES:  More than its share of violence (some of it bloody) and foul language. There is also some sensuality and brief nudity.

TRIVIAL PURSUIT: The first sequel to win a Best Picture Oscar.

NOTABLE HOME VIDEO EXTRAS: Be warned that editions which contain the individual films tend to be fairly sparse with extras. If you’re looking for extras you’re better off picking up the trilogy boxed sets in either DVD or Blu-Ray which include some scintillating material as it relates to the trilogy plus it is a cost-effective way to get all three films in the saga. However if you want to skip the third film and are just interested in the movies themselves without the bells and whistles, buying them individually is the way to go.

BOX OFFICE PERFORMANCE: $193.0M on a $13M production budget.

COMPARISON SHOPPING: Goodfellas

FINAL RATING: 10/10

NEXT: Out of the Furnace

The Godfather


Marlon Brando teaches Al Pacino how to make an offer nobody can refuse.

Marlon Brando teaches Al Pacino how to make an offer nobody can refuse.

(1972) Drama (Paramount) Marlon Brando, Al Pacino, Diane Keaton, James Caan, Robert Duvall, Richard Castellano, Abe Vigoda, Sterling Hayden, John Marley, Richard Conte, Al Lettieri, Talia Shire, Gianni Russo, John Cazale, Al Martino, Ruby Bond, Morgana King, Lenny Montana, Simonetta Stefanelli, Alex Rocco, John Martino. Directed by Francis Ford Coppola

There are a number of film buffs in the world who would say that The Godfather is the greatest motion picture ever made and they’d have a pretty compelling defense of their assertion to offer. There’s no doubt that the movie is a cinematic classic, if not the very best then for sure among them. This movie which had a good deal of trouble getting made and saw production nearly shut down at least twice had to overcome incredible odds just to make it in front of the camera at all.

The Godfather is cinematic opera, passionate and full of tragedy and triumph. Certainly it had its share of controversy – there are Italian-Americans even today who feel the movie reinforced negative stereotypes about the Italians as Mafiosi, largely violent and criminal minded with all of the women being tramps or mamas. It’s not exactly a fair complaint but there is some merit to it.

That there were (and maybe still are) families like this is certain. However, the Corleone family has influenced nearly every crime family depicted on the big screen and small ever since – there would be no Sopranos without them. However not every Italian family has interests in illegal gambling, black market sales and prostitution. It is only a small number that do but there is something fascinating about them. Perhaps it’s that fierce devotion to their families which in their cases comes with a healthy “up yours” to everyone else’s family. As Don Vito himself explains, their family is merely providing a service. Things people want and maybe even need. In a just world, these things would not be illegal. However, they are and so it falls to the bold and the strong to provide them. At least, that’s how I think he justifies what he does.

This is a cast that comes together only once in a lifetime; Brando as the wily and powerful Vito Corleone who plays him with an odd vulnerability that shows through unexpectedly; Caan as the hotheaded Sonny who is as ruthless as he is fiercely devoted. Pacino as the coldly logical Michael, a war hero who didn’t want to be part of the family business until circumstances dictated otherwise. Keaton as Michael’s WASP girlfriend who acts as the audience surrogate, an outsider allowed access to a dangerous and fiercely private world. Cazale as Fredo, the oldest brother and the weakest. Duvall as the consigliere, the legal arm of the Corleone family and often the voice of reason. Castellano and Vigoda as the underlings, genteel and sweet old men on the outside but killers on the inside. Martino as the Hollywood star who the Don owns. Rocco as Moe Green, the Vegas casino owner who discovers he’s not as powerful as he thinks he is. Montana as the fearsome Luca Brazzi.

There are so many memorable moments in this movie that it’s impossible to even list them all. Murder and mayhem discussed at the family dinner table. Scenes of incredible violence and incredible tenderness. Tragedy on an operatic scale and triumph on a lavish scale. The montage of murder during the christening of Michael’s godson and nephew is perhaps the best scene in any movie ever. It’s so well-choreographed and so well-directed that you can only sit back breathlessly and admire it. There have been numerous attempts to duplicate it but none have ever even come close.

If you haven’t seen this movie – and chances are you have – this should be the next one you make a point of renting or streaming. If you love movies, I’m officially giving you the excuse you need to revisit it. Either way, you owe it to yourself to spend an evening with the Corleone family. Pass the marinara.

WHY RENT THIS: A must-see for everyone who loves movies. One of the best (if not the best) of all time.

WHY RENT SOMETHING ELSE: Some may find the violence off-putting.

FAMILY VALUES:  Lots and lots of bloody violence, foul language, sexuality and some nudity.

TRIVIAL PURSUIT: There is actually a town in Sicily called Corleone and Al Pacino’s maternal grandparents actually emigrated from there. However by the 1970s the town was too developed to be used in a 1940s period so filming set in Corleone was actually done in the village of Savoca, outside of Taormina.

NOTABLE HOME VIDEO EXTRAS: Be warned that editions which contain the individual films tend to be fairly sparse with extras. If you’re looking for extras you’re better off picking up the trilogy boxed sets in either DVD or Blu-Ray which include some scintillating material as it relates to the trilogy plus it is a cost-effective way to get all three films in the saga. However if you want to skip the third film and are just interested in the movies themselves without the bells and whistles, buying them individually is the way to go.

BOX OFFICE PERFORMANCE: $245.1M on a $6M production budget.

COMPARISON SHOPPING: Citizen Kane

FINAL RATING: 10/10

NEXT: Homefront

New Releases for the Week of September 27, 2013


Cloudy with a Chance of Meatballs 2

CLOUDY WITH A CHANCE OF MEATBALLS 2

(Columbia) Starring the voices of Bill Hader, Anna Faris, James Caan, Will Forte, Andy Samberg, Benjamin Bratt, Terry Crews, Neil Patrick Harris. Directed by Cody Cameron and Chris Pearn

Flint Lockwood returns to Swallow Falls to find that his machine which converted rain into food has begun to evolve. Now the food is alive and in short order will be breaking out and making its way to the mainland. Flint and his crew of intrepid explorers must shut down the machine for good or the world will face an apopcornlypse of epic proporridgetions.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Animated Feature

Rating: PG (for mild rude humor)

Baggage Claim

(Fox Searchlight) Paula Patton, Derek Luke, Taye Diggs, Boris Kodjoe.  A beautiful flight attendant is less than thrilled at the prospect of her younger sister’s wedding. Competitive to a fault, she determines that she is going to be engaged by the wedding date 30 days away and she’ll use all her connections to land Mr. Right.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Romantic Comedy

Rating: PG-13 (for sexual content and some language)

Don Jon

(Relativity) Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza. Jon has the good life Southie style; he’s got a great ride, a wicked cool pad, all the women he can handle, a family that would die for him and buddies that would kill for him. He’s also got a computer where he can watch porn night and day. Who could want anything more? Then when he meets the right girl, he discovers that there’s one part of his equation that she can’t tolerate.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: PG-13 (for thematic material and brief strong language) 

Enough Said

(Fox Searchlight) Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette. Dreading her daughter’s impending departure for college, a single mom develops a romance with a sweet and charming single dad likewise facing an empty nest. At the same time, a friendship with one of her clients grows and as it does, her friend constantly rags about her ex-husband to the point where it begins to affect her new romantic relationship until she discovers the truth about her friend’s ex.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for crude and sexual content, comic violence, language and partial nudity)

In a World

(Roadside Attractions) Lake Bell, Rob Corddry, Fred Melamed, Geena Davis. A young woman working as a vocal coach secretly yearns to follow in her father’s footstep and become the best voice-over actor in Hollywood. When a huge break comes her way unexpectedly, she runs smack into a wall of sexism, egotism, pride and dysfunction.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language including some sexual references)

Metallica: Through the Never

(Picturehouse) Dane DeHaan, James Hetfield, Lars Ulrich, Kirk Hammett. As Metallica, perhaps the most respected and beloved metal band on Earth are performing one of their epic concerts, a roadie is sent on a quest to retrieve an object that the band desperately needs for their show. As he makes his way through the city, he discovers that the landscape has become a surreal reflection of the band’s music.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: IMAX 3D (opening in Standard format October 4)

Genre: Concert Film/Fantasy

Rating: R (for some violent content and language)

Rush

(Universal) Chris Hemsworth, Daniel Bruhl, Olivia Wilde, Alexandra Maria Lara. The rivalry between Formula One racers James Hunt and Niki Lauda in the 1970s was legendary, one which is still talked about by racing fans even today. But beyond the public perception was a private story that few other than those who knew the two men ever knew – until now. Oscar-winning director Ron Howard is at the helm for this high octane drama.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Biographical Sports Drama

Rating: R (for sexual content, nudity, language, some disturbing images and brief drug use)

Mickey Blue Eyes


Mickey Blue Eyes

Til death do them part.

(1999) Comedy (Warner Brothers) Hugh Grant, James Caan, Jeanne Tripplehorn, Burt Young, James Fox, Joe Viterelli, Gerry Becker, Maddie Corman, Tony Darrow, Paul Lazar, Vincent Pastore, Frank Pellegrino, Scott Thompson, John Ventimiglia. Directed by Kelly Malkin

 

Hugh Grant was on a bit of a winning streak in 1999. First, the captivatingly charming (and box-office smash) Notting Hill which was followed by this low-key underrated romantic comedy.

Grant plays Michael Felgate, a dapper, suave man who auctions fine art in New York City. He’s got a successful business, and he’s about to propose to his gorgeous girlfriend Gina (Tripplehorn), with whom he is madly in love. It’s a sweet moment and of course that’s when things begin to go horribly wrong.

Gina turns down his proposal, initially, and runs off in tears. Mystified, a despondent Michael seeks out her restaurant-owning dad (Caan), whom he hadn’t met before, to see if he can locate the distraught Gina. The two hit it off immediately and Dad is eager as all get out to make Michael one of the family. Trouble is, what Caan and his Uncle Vito (Young) really have in mind is to make Michael one of The Family. Gina warns Michael about this, but Michael wins her over with a promise not to get sucked into their criminal activities.

Naturally, he immediately gets sucked into their criminal activities, and things go rapidly downhill from there. In order to cover up his broken promise, Michael is forced to lie to his fiancée, which leads to further complications. Eventually, Michael runs afoul of the wrong people and his family is chosen to whack their new son-in-law. At the wedding. This is not what you would consider For Better. For worse maybe…but taking til death us do part a little too seriously.

The movie is surprisingly funny as the ever-stammering Grant tries to take on the persona of a made man, trying not to sound like the sophisticated Brit he is. Grant is at his most endearing in these sorts of roles; he’s a bit stiff and a bit awkward but at his core is a good man caught up in a bad situation. The fish-out-of-water element is played up nicely as Grant stumbles over things as simple as keeping his gun in his belt. One of the running jokes here is that many of the mobsters have neuroses, in a sly jab at the HBO series “The Sopranos.” Finally, the ending is a swerve you can see a thousand miles off, but which is approached creatively and is appreciated all the more for it.

Mickey Blue Eyes is a bit of a satire of Scorsese’s mob movies, but never loses sight of its romantic agenda. Grant is a very appealing lead at the top of his game here, coming shortly after his apology tour, as Letterman put it. His charm was growing with every movie he made. This movie didn’t get a lot of acclaim at its release not did it get a whole lot of box office love; it deserved more.

These days the movie shows up on cable and broadcast regularly. It straddles the line between romantic comedy and caper comedy and doing it nicely. It remains one of Grant’s career disappointments in many ways which is sad because the movie is so much better than critics and the audience gave it credit for.

WHY RENT THIS: Grant at the top of his game. Straddles romantic and caper comedy lines nicely. Sweet and funny.

WHY RENT SOMETHING ELSE: Predictable. Cliche. Too Hollywood.

FAMILY MATTERS: There’s some bad language, a little bit of violence and some sensuality.

TRIVIAL PURSUITS: Several members of “The Sopranos” cast are here; in addition to Pastore, Aida Turturro, Tony Sirico, John Ventimiglia and Burt Young all had roles in the award-winning HBO series.

NOTABLE HOME VIDEO FEATURES: None listed.

BOX OFFICE PERFORMANCE: $54.3M on a $75M production budget; the movie was a box office bomb.

COMPARISON SHOPPING: Married to the Mob

FINAL RATING: 7/10

NEXT: Wreck-It Ralph