Phil Lynott: Songs for While I’m Away


Phil Lynott (foreground) and Brian Robertson of Thin Lizzy get down to it.

(2021) Music Documentary (Eagle Rock) Phil Lynott, Gale Claydon, Scott Gorham, Eric Bell, Adam Clayton, Huey Lewis, James Hetfield, Suzi Quatro, Midge Ure, Peter Lynott, Carl Shaaban, Niall Stokes, Caroline Taraskevics, Sarah Lynott, Jerome Rimson, Darren Wharton, Brush Shiels, Philomena Lynott, John Kelly, Hugh Feighery, Gus Curtis, Cathleen Howard-Lynott, Diane Wagg, Rebecca Hickey. Directed by Emer Reynolds

 

As a crusty old rock critic who grew up in the 70s and listened to classic rock throughout high school. I am more than familiar with Thin Lizzy and their captivating frontman Phil Lynott. Most Americans who are younger than I probably only know their seminal Jailbreak album and their iconic hit “The Boys are Back in Town.”

But Lizzy was more than that album and more than that song, and for us Yanks who are less familiar with their output than we should be, this film is a very good way to get introduced to the band and the man. Lynott was a mixed race young man born in England’s Midlands to a single mom (an absolute scandal in the Fifties) who saw the wisdom of shipping him off to Dublin to be raised by his maternal grandparents (although he remained close to his mum Philomena throughout his life). He put new meaning to the term “Black Irish,” as he was something of a rarity back in those days and while he did encounter racism growing up, that seemed to be less of a thing once he emerged as a rock star, although black men weren’t a big part of classic rock with the exception of Jimi Hendrix and a few others. But Lynott wasn’t one to care about expectations.

He merged Irish legends with American idioms, blending street rats and mythic warriors into a seamless but completely unique mixture. Lizzy also utilized twin lead guitarists, making for a graceful but thunderous sound that recalled the power of bands like the Allman Brothers but with a distinctly Celtic flair. Lynott played bass which he learned in order to start his own band, and became quite good at it; he was certainly a charismatic frontman who although generally shy offstage, wasn’t above utilizing a little Irish charm at concerts “I hear a lot of ladies here have a little Irish in them.” Loud roar. “Would you like a little more?” Louder roar.

For the most part, this is a typical rock doc that thoroughly dives into the music of Lizzy albeit with a minimum of analysis; there are an awful lot of talking heads, most of whom are effusive in their praise of Lynott as a nice guy and a devoted family man. Both of his daughters appear here, as well as his ex-wife (they divorced a few years before Lynott passed away) and a former girlfriend. So do bandmates Eric Ball (the original guitarist), Midge Ure (who briefly replaced Gary Moore as second guitarist before leaving to front his own band, Ultravox) and Californian Scott Gorham who is entertaining in his own right, but when discussing his friend’s passing gets uncharacteristically reflective.

We also hear from journalists and fellow rockers like U2’s Adam Clayton, Metallica’s James Hetfield, Huey Lewis and Suzi Quatro, as well as those who knew him in Dublin like his Uncle Peter Lynott and friend Gus Curtis. We do get a sense of who he was; his intense Irish pride (he often corrected journalists who got his heritage wrong, or details about Ireland wrong), his devotion to his daughters (he wrote each of them a song dedicated to them), and his fascination with things American (he grew up on American television, and was eager to break through in the American market, but had the worst luck with it – the tour for Jailbreak had to be cut short because of illness, which would be a critical opportunity lost).

There are a few oddities though; often throughout the film Reynolds uses water as a metaphor to an almost head-clubbing point. While mentioning that Lynott had drug “problems,” she doesn’t bring up that he was actually addicted to heroin, which led to the septicemia that would claim his life at age 36 in 1986. But let’s face it; the band is almost criminally underrepresented on American radio, other than three or four songs mostly off of a single album. They actually released 12 albums that contained a mixture of balls-out rockers and introspective power ballads. Lynott was one of the best songwriters in classic rock and much of his music remains undiscovered by American audiences. However, a viewing of this movie is likely to motivate people to explore his other albums. While devoted fans of the group and of Lynott may find nothing here that is new, casual fans will definitely get their money’s worth.

REASONS TO SEE: Extremely informative packed with some terrific music.
REASONS TO AVOID: Gets a little too cutesy with cutaway shots.
FAMILY VALUES: There is some profanity, sexual references and drug references.
TRIVIAL PURSUIT: A life-size statue of Lynott was erected on Harry Street near Grafton Street in Dublin in 2005. Many electrical junction boxes in Dublin have been painted with Lynott’s likeness.
BEYOND THE THEATERS: Amazon, AppleTV, Google Play, YouTube
CRITICAL MASS: As of 11/30/21: Rotten Tomatoes: 100% positive reviews; Metacritic: No score yet.
COMPARISON SHOPPING: Amy
FINAL RATING: 6/10
NEXT:
An Intrusion

Mission to Lars


Mission to Lars

What a long strange trip it’s been.

(2012) Documentary (Spicer and Moore) Tom Spicer, Kate Spicer, Will Spicer, Lars Ulrich, Dr. Randi Hagerman, Jasmin St. Clair, Kerry King, James Hetfield, Janet (caregiver), Mum, Dad and Stepmum, Steve and Brian. Directed by James Moore and William Spicer

We all have dreams, no matter who we are. Even those of us who may suffer from intellectual disabilities have them. They can be great or small and some may even seem to be on the surface unattainable. There are occasions however when with the help of those who love us and care for us the most, anything can be possible – even achieving the unattainable.

Tom Spicer suffers from Fragile X Syndrome which is also known as Martin-Bell Syndrome. It’s not a form of autism, but autism can go hand in hand with it and often some of the symptoms of the disorder may well appear to be autism; in fact, Tom’s sister describes Fragile X during the film as “autism with bells on.” Tom lives in a care facility in England; he’s 40 years old and works at converting old newspapers into bedding for dogs which is a bit more complicated than you’d imagine. His mom and dad still have contact with him, but he seems to respond to his stepmom more than anyone.

His older sister Kate, a journalist and younger brother Will, a filmmaker have essentially ignored him most of their adult lives; they still see him from time to time but Tom can be difficult. One of the by-products of Fragile-X is enhanced anxiety which can cause him to shut down. He has a hard time dealing with things outside the norm and sometimes it can require a great deal of patience to spend any time with him.

Tom’s dream is to meet Lars Ulrich, the drummer for Metallica. He shares that dream with plenty of people, but for Tom, music is something of a refuge; he turns to it when his anxiety becomes intolerable. Kate and Will decide that they should make this happen but they will have to journey to America in order to do it as Metallica was on tour of the United States at the time this was made. Kate has some contacts that might be of use and as a journalist she has no problem picking up a phone and talking to people who are used to saying “no.” Will and his production partner Moore document the journey.

First off, getting Tom on the plane is no easy matter. This is far, far, far out of his comfort zone and his first instinct is to go to the paper shed where he feels useful and can shut out the anxiety. The trip is almost over before it starts.

However, it is not much of a spoiler to say that eventually they get Tom on that plane and take him to Los Angeles where they rent an RV (or caravan for those in Britain who may be reading this) and off they go to Las Vegas, Sacramento and Anaheim, following the tour.

Tom’s anxieties continue to be a factor; loud noises are difficult for him, much more so than the rest of us when loud volumes which may be relatively comfortable for us can seem to a Fragile X sufferer to be ten to a hundred times louder than how the rest of us experience it; when noise is truly uncomfortable it can be excruciating to someone with Fragile X.

Moore and Will Spicer capture some beautiful images of the English countryside as well as of the American West, particularly Yosemite National Park where the Spicers make a brief stop on their way to Sacramento. There are times where you can’t help but admire the images on the screen.

What sets this film apart is the human element. Kate is a bit of a worrier and throughout the movie she tends to hide behind some fairly unattractive hats. She is the one who makes the connections with Metallica’s management who turn out to be extremely accommodating. Will is less of a presence here; he’s mostly behind the camera but he seems to have quite the can-do attitude.

We do hear from an expert on Fragile X who explains the disorder somewhat but quite frankly we really only get the basics. Those who are interested should Google it as there is plenty of information about it on the web. In another note of grace, the filmmakers are donating a portion of the proceeds to a charity for children’s mental health in Britain.

The subject matter may be the journey to find Lars but that’s not really what this film is about. This is about how Tom deals with his genetic disorder and how it affects his life every day. It’s also about the love of a sister and a brother who want to make a memory for the brother whose life has been in many ways more difficult than theirs that he will always treasure. It is also about the kindness of strangers. It is an unexpectedly warm and compassionate documentary and if you’re looking for something to make you feel good, you can do no worse.

REASONS TO GO: Heartwarming and occasionally heartbreaking. Some beautiful cinematography. Admirable cause.
REASONS TO STAY: Sometimes gets repetitive. Kate’s hats.
FAMILY VALUES: Some mildly bad language.
TRIVIAL PURSUIT: The Bedfellow is an actual hotel in the Tribeca area of New York.
CRITICAL MASS: As of 9/24/15: Rotten Tomatoes: 88% positive reviews. Metacritic: 55/100.
BEYOND THEATERS: Amazon, iTunes (effective September 25)
COMPARISON SHOPPING: Gabrielle
FINAL RATING: 7/10
NEXT: Stonewall

New Releases for the Week of September 27, 2013


Cloudy with a Chance of Meatballs 2

CLOUDY WITH A CHANCE OF MEATBALLS 2

(Columbia) Starring the voices of Bill Hader, Anna Faris, James Caan, Will Forte, Andy Samberg, Benjamin Bratt, Terry Crews, Neil Patrick Harris. Directed by Cody Cameron and Chris Pearn

Flint Lockwood returns to Swallow Falls to find that his machine which converted rain into food has begun to evolve. Now the food is alive and in short order will be breaking out and making its way to the mainland. Flint and his crew of intrepid explorers must shut down the machine for good or the world will face an apopcornlypse of epic proporridgetions.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard, 3D

Genre: Animated Feature

Rating: PG (for mild rude humor)

Baggage Claim

(Fox Searchlight) Paula Patton, Derek Luke, Taye Diggs, Boris Kodjoe.  A beautiful flight attendant is less than thrilled at the prospect of her younger sister’s wedding. Competitive to a fault, she determines that she is going to be engaged by the wedding date 30 days away and she’ll use all her connections to land Mr. Right.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Romantic Comedy

Rating: PG-13 (for sexual content and some language)

Don Jon

(Relativity) Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza. Jon has the good life Southie style; he’s got a great ride, a wicked cool pad, all the women he can handle, a family that would die for him and buddies that would kill for him. He’s also got a computer where he can watch porn night and day. Who could want anything more? Then when he meets the right girl, he discovers that there’s one part of his equation that she can’t tolerate.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Romantic Comedy

Rating: PG-13 (for thematic material and brief strong language) 

Enough Said

(Fox Searchlight) Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette. Dreading her daughter’s impending departure for college, a single mom develops a romance with a sweet and charming single dad likewise facing an empty nest. At the same time, a friendship with one of her clients grows and as it does, her friend constantly rags about her ex-husband to the point where it begins to affect her new romantic relationship until she discovers the truth about her friend’s ex.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: PG-13 (for crude and sexual content, comic violence, language and partial nudity)

In a World

(Roadside Attractions) Lake Bell, Rob Corddry, Fred Melamed, Geena Davis. A young woman working as a vocal coach secretly yearns to follow in her father’s footstep and become the best voice-over actor in Hollywood. When a huge break comes her way unexpectedly, she runs smack into a wall of sexism, egotism, pride and dysfunction.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for language including some sexual references)

Metallica: Through the Never

(Picturehouse) Dane DeHaan, James Hetfield, Lars Ulrich, Kirk Hammett. As Metallica, perhaps the most respected and beloved metal band on Earth are performing one of their epic concerts, a roadie is sent on a quest to retrieve an object that the band desperately needs for their show. As he makes his way through the city, he discovers that the landscape has become a surreal reflection of the band’s music.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: IMAX 3D (opening in Standard format October 4)

Genre: Concert Film/Fantasy

Rating: R (for some violent content and language)

Rush

(Universal) Chris Hemsworth, Daniel Bruhl, Olivia Wilde, Alexandra Maria Lara. The rivalry between Formula One racers James Hunt and Niki Lauda in the 1970s was legendary, one which is still talked about by racing fans even today. But beyond the public perception was a private story that few other than those who knew the two men ever knew – until now. Oscar-winning director Ron Howard is at the helm for this high octane drama.

See the trailer, clips and a featurette here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Biographical Sports Drama

Rating: R (for sexual content, nudity, language, some disturbing images and brief drug use)